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sun energy energy energy energy energy energy energy energy energy energy rrrraaaaaaaahhhhhhhhhhhhhhhh! OBJECTIVE REALITY poems and essays by lloyd c.daniel1985
ADVENT 201 In Search Of The Miraculous Page 96 Thus spake the prophet Gurdjieff. Page 283 "In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has a profound meaning, for it resolves all diversity into the fundamental laws which
There are 9 letters in Twenty six said Zed Aliz, six in twenty, and three in six, and three x six iz 18 1996 Edition Graham Hancock Page 490 /491 490 + 491 4 x 9 = 36 3 + 6 = 9 "The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead / Page 491 / to exactly the right information being placed in their hands at exactly the right moment." LOOKING GLASS UNIVERSE / Page 36 / things as mountains and stones would be impossible. Obviously this wasn't the case Page 37 Diagram omitted " In our solar system, the planets are continually losing energy and spiralling gradually towards the sun. We don't notice this because the scale of our solar system is so large. Bohr saw that Rutherford's atomic solar system, because its scale is so small, would seem to us to collapse in a moment." / Page 38 / mathematically by particularly simple numerical formulae, but they didn't know what the lines or the formulae meant. Bohr guessed that the spectral lines must correspond in some way to the energy of the electron as it orbited around the atom. As the atom is exited in a flame, one of its electrons jumps to higher and higher orbits, something akin to a pianist going up the scale At each jump it gives off some energy which appears as a line on the spectrum. Bohr had got that far in his thinking, but he didn't know what governed the electron orbits. Why were they spaced according to such simple formulae? Why did the electron take only fixed (discrete) steps instead of spiralling up or down to its new orbit the way a planet or satellite does? " Page 39 "...With Planck's and Einstein's dis-covery, the first of what have come to be known as the quantum paradoxes was born: light and other forms of energy have a dual personality - at times behaving like a wave and at times like a particle!" / Page 40 / electron jumps to a higher orbit. In this case, whether it jumps to the orbit next door or twelve orbits away depends on how big a quantum of energy it takes in.And if the hydrogen electron is in an outer orbit and emits (gives off) a quantum, it leaps discon-tinuously (like a magical rabbit) down to a lower orbit. In either direction, the electron can only occupy the fixed orbits, nothing in between. None knows how the electron travels from one orbit to another. Each quantum jump, up or down, will be /
The Everlasting Sacred Secret Cycle Of The Nines On the way to coming here we went there.
Again, the far yonder scribe watched in some amaze the Zed AliZed, in swift repeat scatter the nine numbers amongst the letters of their progress. At the throw of the ninth arm when in conjunction set, the far yonder scribe made record of the fall.
9 + 9 18 2 x 3 18 1 x 2 x 3 x 4 x 5 x 6 x 7 x 8 x 9
7 + 6 + 4 7 + 6 + 4 + 1 17 18 1 + 7 1 + 8 8 x 9 72 2 x 7 14 7 + 2 9
Azin 14 members of Osiris x 72 conspirators said ZedAlizZed See also Gurdjieff Document Page 96 Thus spake the prophet Gurdjieff. Page 283 "In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has a profound meaning, for it resolves all diversity into the fundamental laws which
There are 9 letters in Twenty six said Zed Aliz, six in twenty, and three in six, and three x six iz 18 1996 Edition Graham Hancock Page 490 /491 490 + 491 4 x 9 = 36 3 + 6 = 9 / Page 491 / to exactly the right information being placed in their hands at exactly the right moment." LOOKING GLASS UNIVERSE / Page 36 / things as mountains and stones would be impossible. Obviously this wasn't the case Page 37 Diagram omitted " In our solar system, the planets are continually losing energy and spiralling gradually towards the sun. We don't notice this because the scale of our solar system is so large. Bohr saw that Rutherford's atomic solar system, because its scale is so small, would seem to us to collapse in a moment." / Page 38 / mathematically by particularly simple numerical formulae, but they didn't know what the lines or the formulae meant. Bohr guessed that the spectral lines must correspond in some way to the energy of the electron as it orbited around the atom. As the atom is exited in a flame, one of its electrons jumps to higher and higher orbits, something akin to a pianist going up the scale At each jump it gives off some energy which appears as a line on the spectrum. Bohr had got that far in his thinking, but he didn't know what governed the electron orbits. Why were they spaced according to such simple formulae? Why did the electron take only fixed (discrete) steps instead of spiralling up or down to its new orbit the way a planet or satellite does? " "...With Planck's and Einstein's dis-covery, the first of what have come to be known as the quantum paradoxes was born: light and other forms of energy have a dual personality - at times behaving like a wave and at times like a particle!" / Page 40 / electron jumps to a higher orbit. In this case, whether it jumps to the orbit next door or twelve orbits away depends on how big a quantum of energy it takes in.And if the hydrogen electron is in an outer orbit and emits (gives off) a quantum, it leaps discon-tinuously (like a magical rabbit) down to a lower orbit. In either direction, the electron can only occupy the fixed orbits, nothing in between. None knows how the electron travels from one orbit to another. Each quantum jump, up or down, will be /
Page 41 / Bohrs theory was brilliant and had an immediate appeal for physicists of the time because it integrated the strange new insights of Planck and Einstein on the discontinuous quantum nature of energy into a traditional and familiar Newtonian framework of orbits around a central body."
NAMUH BELOVED CHILDREN OF THE LIGHT HEARKEN THE SILENT VOICE AS OF ONE CRYING IN THE WILDERNESS
THE ZED ALIZ ZED MIDWAY BETWIXT AND BETWEEN THE MICROCOSM MACROCOSM OF ABOVE AND BELOW AWAKENS TO THE SUMMONS IN THE OMEN OF THE MOMENT
THE ZED ALIZ ZED A BEING OUTED BEING THE I DROWNING DROWNING DROWNING IN THE GREAT MOTHER THAT THAT THAT ISISIS ISISIS LOVE LOVE LOVE ISISIS LOVE LOVE LOVE ISISIS
I THE LIVING MAGNETISM OF POSITIVE + NEGATIVE ENERGIES THAT ISISISISISIS THAT DROWNING FOREVER DROWNING EYE AM THAT I THAT I THAT AM EYE THE JEWEL AT THE CENTRE OF THE LOTUS ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 ONE EIGHT THREE SIX 1836 ISISIS 6831 SIX THREE EIGHT ONE ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
THE ZED ALIZ ZED A BEING GIFTED BEING FORFEITS THAT FORFEIT OF FORFEITS BEING A BEING INVITED TO ENTER THE OPEN GATE THAT IS ALWAYS SHUT ENTERS AND XXXXXXXXXCROSSES XXXXXXXXX THE INVISIBLE TIGHT ROPE THREAD OF MEASURED TREAD TO PASS OVER THE DRIDGE OF NO RETURN BECOMING ONE WITH THE NETHER OR EITHER OF ETHER OR NEITHER FOREVER AND A DAY EXISTENCE THAT IS THE GLADDENING OF THE HASTENING AWHILE REFLECTING THE SHADOWLANDS REFRACTION OF THAT LOST WITHIN THE MIRROR OF THINE OWN MINDS EYE
THE TRIAL
THE ZED ALIZ ZED
A TETHERED GOAT
THE INCANTATION
9 A TRUTH SERVICE AND DUTY TO GOD 7 SUFFER LITTLE CHILDREN TO COME UNTO ME AND FORBID THEM NOT FOR OF SUCH IS THE KINGDOM OF EVEN 3 DO UNTO OTHERS AS YOU WOULD LIKE TO BE DONE BY
I I AM THAT AM I I LOVE ISISIS THAT GOD THAT SHE AZIN HE THAT GOD THAT ISISIS LIFE AFFIRMING LOVE LIVING CREATIVE LIGHT CREATIVE LIVING LOVE AFFIRMING LIFE ISISIS LOVE O NAMUH LOVE EVOLVE EVOLVE LOVE ISISIS LOVE ISISIS LOVE EVOLVE EVOLVE LOVE
THE ZED ALIZ ZED AWAITS THE COMING FOURTH BY DAY HEART OF EARTH JUDGEMENT OF THAT OUGHT AZIN IN THOUGHT THAT ISISIS MAGIC OUT OF IMAGE C MAGI OUT OF IMAGE SEE LIVE EVIL EVIL LIVE LIVED DEVIL LIVED LIVE EVIL EVIL LIVE LIFE LIVE LOVE LIGHT LOVE LOVE LOVE LIGHT LOVE LIVE LIFE THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE EARTH HEART HEART EARTH EARTH THERA THERA THERA EARTH EARTH HEART HEART EARTH
THE PATH OF PTAH
A SEE SAW NIGHT AND DAY WEIGHING IN BALANCE OF THE UPSIDE DOWN OF THE DOWNSIDE UP THE RIGHT BALANCE OF THE BALANCE RIGHT
THE ZED ALIZ ZED ACCEPTS THE FINAL KARMIC FEATHER GIFTED OUT THE IN OF THE ONE TRUE GIVER OF GIFTS THAT THAT THAT ISISIS REU NU PERT EM HRU ELIF LAM RA HAIL THE JEWEL AT THE CENTRE OF THE LOTUS OM BHUR BHUVAH SVAHA TAT SAVITUR VARENYAM BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT ISISIS ISISIS ISISIS ISISIS ONE NINE 9 ISISIS 9 NINE ONE ISISIS ISISIS ISISIS ISISIS
THE ZED ALIZ ZED A BEING TAKEN TO TASK AND NO QUESTIONS ASKED A BEING MEASURED BEING ENERGIES ACCUMULATED EQUILIBRIUM IN BALANCE DARK V LIGHT V WHITE V BLACK MEASURED AZ HEAD IZ TO FOOT SO NOSE IZ TO TAIL WHERE INSIDE IS OUT AND FRONT IS BACK
THE ZED ALIZ ZED THE THINKING KINGS KIN FOREVER DROWNING DROWNING FOREVER DROWNING DROWNING FOREVER
INITIATION
ZED ALIZ ZED
A SOUL SEARCHING OF THAT SEE HEAR SEE THERE SEER SEEN HERE THAT HERE SEEN SEER THERE SEE HEAR SEE THAT THAT ISISIS ISISIS THAT I AM THAT I THAT IS CYCLOPS EYE CYCLOPS IS THAT I THAT ISISIS ISISIS THE EYE THAT NEVER SLEEPS THAT I
THE A IS TO Z AS Z IS TO A ONE TO NINE NINE TO ONE DAY TO DAY MEASURING OF ZED ALIZ ZED A GIVE OR TAKE A FEW COME DAY GO DAY NEITHER HERE NOR THERE NOWT NOR SUMMAT UP OR DOWN IN OR OUT TOP BOTTOM HOT AND COLD FIFTY FIFTY DAY TO DAY DAY EXAMINATION OF THAT LIFE SPAN THAT IZ THE ZED ALIZ ZED A TRIAL OF THAT TRUTH THAT ISISIS
THE ZED ALIZ ZED A BEING NOT TO BE FOUND WANTING RAISED THEN ERASED THE 666 MARK OF THE BEAST
TESTING THE MEASURE OF THE SCALES THAT QUIVER AND NOW DELIVER
THE MOMENT OF MIRRORED OPPOSITES HAS ARRIVED
THE JUDGEMENT
HOW SAY YOU WHAT IS YOUR VERDICT DO YOU FIND THE ZED ALIZ ZED GUILTY OR NOT GUILTY
AZ WITH ONE VOICE THE TRUTH OF IT ALL SPOKE AND THE WORDS OF THOSE THAT SAID READ GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY
THE QUESTORS QUESTION IS THAT THE VERDICT OF YOU ALL AYE IT IS IS IT AYE EYE IT IS I
THE SENTENCE ON ZED ALIZ ZED ISISIS MAA KHERU THAT HEART THOU ART
THAT SENTENCE BEING SOUNDED THE HE AZIN SHE THAT IS ME DIED A DEATH THAT I BECOME THEE THAT THEE BECOME ME AND I OPEN THE MOTHERS MOUTH AT THE COMING FOURTH BY DAY
I AM THAT I THAT AM I
I THE TURNING CIRCLE OF NEVER NEVER LAND THE NEVER BEGINNING NEVER ENDING CYCLE THAT IS THE ALPHA AND OMEGA THAT I AM
I AM THAT I THAT ISISIS
I AM THE EYE OF HORUS FOREVER AND ALWAYS MANIFESTING MYSELF OUT THE IN OF ETERNAL MOTHER WOMB BIRTHING CREATIVITY OUT MY ENERGISED STILLNESS IN ENDLESS FOREVER
THOU O NAMUH CHILDREN OF THE LIGHT ART MINE OWN MINDS I LIVING WITHIN THE TANGLED IMAGERY OF THINE OWN FALSE ASSUMPTIONS
I THE SPIRIT ENERGY GENERATOR THAT IS THE ALL OF IT THAT ISISISISISIS THAT EXISTENCE IS
I AM THAT THAT AM I THAT ISISIS THAT EYE THAT I AM THAT AM I THAT EYE THAT ISISIS THAT ISISIS THE INTELLIGENT CREATIVE LIFE SUSTAINING ENERGIES OF SUPREME LIVING LOVING RAINBOW LIGHT THAT ISISISISISIS THAT BLESSED THE HOLY NAMES AND NUMBERS OF THAT LOVING OMNIPOTENT CREATIVE SPIRIT OF LIFE THAT ISISIS I AM THAT AM I THAT A TO Z OF ONE TO NINE THAT ISISIS THAT NINE TO ONE OF Z TO A THAT I AM THAT
THE JOURNEYMAN
I AM THAT EYE THAT I AM I THOU ART THAT I THAT I ART THOU
THE HE AZIN SHE THAT IS THEE THAT IS ME THE SHE AZIN HE THAT IS THEE THAT IS ME
AUM MANI PADME HUM
BLESSED ARE THE KALEIDOSCOPIC SHIMMERING IMAGINED ENERGIES OF MATERNAL CREATIVE SPIRIT THAT ISISIS
O NAMUH AWAKEN TO ME OPEN THEE THINE EYES I I I I I I I I I EYES ANUBIS A NUMBER IS ANUBIS A NUMBER IS ANUBIS A NUMBER IS MYTHS MATHS MYTHS MATHS MYTHS MATHS MATHS MYTHS MATHS MYTHS MATHS MYTHS
O NAMUH THOU ART THAT THAT ISISIS THAT THAT IS THY TRUE NATURE LET THE HE AZIN SHE THAT IZ THEE HEAR THE VOICE OF THINE OWN ANGUISH HEARKEN O LOTUS EATERS THE SILENCE THAT SPEAKS IN ALL TONGUES
O NAMUH THOU WANDERING IN THE WILDERNESS OF THINE OWN DISCONTENT SEE HEAR THE LANGUAGE OF WORD AND NUMBER AND KNOW WHO I AM AUM MANI PADME HUM ALL HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
IMAGE EHT NAMUH
I AM THE CREATOR THOU ART THE CREATOR WE ARE THE CREATORS GREETINGS O NAMUH
THE RA - IN - BOW RAINBOW COVENANT OF LIGHT DIVINE THAT ISISIS EVOLVING LOVING LIVING CREATOR OF ALL CREATION
IN THE NAME OF GOD THE COMPASSIONATE THE MERCIFUL THE LORD BLESS THEE AND KEEP THEE THE LORD MAKE HIS FACE TO SHINE UPON THEE AND BE GRACIOUS UNTO THEE THE LORD LIFT UP HIS COUNTENANCE UPON THEE AND GIVE THEE PEACE ISISISISISISISISISISISIS 999 ISISISISISISISISISISISIS 973AZAZAZAZAZAZAZAZAZ 9 9 9 ZAZAZAZAZAZAZAZAZA 973 999181818181818181818 AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999 122333444455555666666777777788888888999999999888888887777777666666555554444333221 999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999
BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED
THE MAGIC MOUNTAIN INITIATION OVER
ZED ALIZ ZED THANKED THE WHITE RABBITZ MOST HUMBLY ON BEHALF OF THE CHILDREN OF LIGHT FOR THE BLESSED RAINBOW GIFTS OF HOLY REVELATION
WHEN THE WHITE RABBITZ HAD GONE
THE ZED ALIZ ZED ARRANGED THE SACRED SYMBOLS IN THE MANNER OF THE ANCIENTS AS EVER AS IF BY MAGIC FUSION OCCURRED AND ALIZZED SAW BY THE SACRED INNER RAINBOW LIGHT OF THE I CHANGING DREAM ZAZAZAZAZAZAZAZAZAZ ZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZ AZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZ ZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAZ
IN OBEISANCE TO THE SOON TO BE ARRIVED MOST PRECIOUS OF OUINTESSENTIAL MOMENTS THE ZED ALIZ ZED BEGAN TO READ FROM SEVERAL BOOKS AT ONE AND THE SAME TIME WEAVING THE THREAD OF THE GOLDEN WEB
HOLY HOLY HOLY ISISIS BLESSED THE HE AZIN SHE THAT IS THEE
AZAZAZAZAZAZAZAZAZ 1 2 3 4 5 6 7 8 9 9 9 8 7 6 5 4 3 2 1 AZAZAZAZAZAZAZAZAZ
THE EVOKATION 973 8 1 8 1 8 1 AZAZAZ 9 NINE 9 NINE 9 NINE 9 AZAZAZ 1 8 1 8 1 8 O NAMUH THESE WORDS ARE OUR SACRED COVENANT TO THEE THE WHO ART THOU THAT IS THEE TO THE MYSTERY OF THAT THE SACRED NATURE OF THAT THESE WORDS OF SERVICE AND DUTY ARE AN OFFERING WROUGHT IN HUMBLE HOMAGE TO THAT OF THIS AND THAT THAT IS THEE TO ALL OF THAT AND ALL OF THEE HAIL THE JEWEL AT THE CENTRE OF THE LOTUS 987654321ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ123456789
IN THE NAME OF GOD THE COMPASSIONATE THE MERCIFUL THE LORD BLESS THEE AND KEEP THEE THE LORD MAKE HIS FACE TO SHINE UPON THEE AND BE GRACIOUS UNTO THEE THE LORD LIFT UP HIS COUNTENANCE UPON THEE AND GIVE THEE PEACE
I AM THAT I AM 9 9 AM I ISISIS THAT THAT ISISIS 9 19 9 19 9 1 9 ISISIS 1 9 9 1 9 9 1 9 9 999IZIZIZIZIZIZIZIZIZ999ZIZIZIZIZIZIZIZIZI999 AUM MANI PADME HUM 9 MUH EMDAP INAM MUA 333777999IZIZIZIZIZIZIZIZIZ 9 NINE 9 ZIZIZIZIZIZIZIZIZI999777333 81 18 18 81 ZAZAZAZAZAZAZAZAZA 9 AZAZAZAZAZAZAZAZAZ 18 81 81 18 VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV OSIRIS9 19 9 19 9 1 9 ISISIS 1 9 9 1 9 9 1 9 9 ISISIS 1 9 9 1 9 9 1 9 9 ISISIS 1 9 9 1 9 9 1 9 9 OSIRIS 999999999 AUM MANI PADME HUM AUM MANI PADME HUM AUM MANI PADME HUM 999999999 THE HOURS OF HORUS THE HORUS OF HOURS THE HOURS OF HORUS THE HORUS OF HOURS THE
1 8 81 THE UPSIDE DOWN OF THE DOWNSIDE UP OF THE DOWNSIDE UP OF THE UPSIDE DOWN 1 8 81 8+9+14+15+19+24+26 HINOSXZ ZXSONIH HINOSXZ ZXSONIH HINOSXZ ZXSONIH 26+24+19+15+14+9+8 7 ISISIS 8+9+5+6+1+6+8 HINOSXZZXSONIHHINOSXZZXSONIHHINOSXZZXSONIH 8+6+1+6+5+9+8 SISISI 7
AT THIS INTUITIVE MOMENT OF FINE FEATHER BALANCE THE ZED ALIZ ZED OCCASIONED THE SACRED INCANTATIONS MARKING THE SPELL OF CONJURATION THAT EVOCATION OF AN INVOCATION AN INTONATION OF WISHFUL THINKING CALLING IN ECHO OF THAT SEEKING FROM WITHIN THE HERE AND NOW THAT MARKS A DESPERATE PLIGHT THE APPEARANCE OF THAT THAT THAT ISISIS THAT THE SACRED NATURE OF THAT OUT WHICH SUCH ENERGISED IMAGE OF INTENT IS SPAWNED THAT WHOSE TANGIBLE EMERGENCE MUST ALWAYS BY ITS VERY PRESENCE BE A GIFT OF THE GODS
HOLY OBEISANCE TO THAT METAMORPHIC EXPRESSION OF MALLEABLE POSSIBILITIES AND PROBABILITIES THAT IS OUR EVOLVING LOVING LIVING REALITY THAT THAT THAT ISISIS THAT ETERNAL MOMENT OF FOREVER THAT COMPLETE TOTALITY OF LIVING ENERGY THAT ISISIS THE PERFECTION THAT ISISIS THE CREATIVE CHANGING BEAUTY OF BEING ENDLESSLY NEW BORN ENGENDERED WITHIN THE WITHOUT OF THE MIND ISISIS MATTER CONTINUUM THAT IS TOMORROWS YESTERDAY FOREVER TODAY THE CYCLE OF THE CIRCLE AND THE POINT OF NO RETURN
O NAMUH ISISIS THE LIVING BREATH OF IMAGINATIVE MIND THAT MIND IN WHICH THE UNIVERSE OF THY MILKY WAY DOTH DREAM
MIN DOTH DREAM WHAT DOTH MIN MEAN
ISISIS THAT LIGHT LIVING CREATIVE MIND CREATIVE LIVING LIGHT THE LIVING ENERGY SUPREME AND THOU ART THOU TO BE OR NOT TO BE REALITIES CHILDREN A MAZE WANDERING IN THE ETERNAL DREAM THAT IZ THAT TWISTING TURNING REVERSE SPIRAL CIRCLING OF THE HERE AND NOW THAT IZ THE PRESENT FUTURE PAST ALWAYS AND FOREVER THAT IZ THE ETERNAL MATERNAL EVERYTHING OF LIVING ENERGY
A KALEIDOSCOPIC CYCLE OF THE NEAR AND FAR THAT WEAVES THAT LIVING EXPERIENCE THAT ISISIS SPINNING THE FOREVER AND A DAY CONTINUITY OF LIVING REALITY SO WHO ART THOU NAMUH WHO WHO IS THAT I ME YOU HE AZIN SHE THAT IS THEE THAT IS THAT THE SHE AS IN HE THAT IS THEE WHO IS THAT ME
HEARKEN O NAMUH THAT I ME YOU THEE ARE ME
GREETINGS O NAMUH MIRROR IMAGE MIRAGE OF THAT THAT THAT ISISIS THAT IS THAT IS THAT THOU ART THAT THAT THOU ART THE LIVING LIGHT BLACK IS WHITE TISSUE ISSUE OF THINE OWN MATERNAL MOTHERS WOMB ALWAYS AND FOREVER ETERNAL RAINBOW CHILDREN OF THE LIGHT
HEARKEN O SEVENTH SLEEPER WAKETH OUT THE BEDEVILED NARCOTIC THAT IS THE LIVING DEATH THE DARKNESS OF THE ENCHANTED DREAM REVEALED AT LAST TO THE LOVING LIGHT OF THE REAL REALITY BEHOLD O NAMUH THE SUSPENDED ANIMATION OF THY THRALL DRAWS TO ITS END THE DEPTHS OF THAT LONG ICED WINTER NIGHT OF THE KALI YUGA DRAWETH TOWARDS ITS END THE EVER PRESENT MYSTERY OF THY MOMENTARY FOREVER DAWNS UPON THY BROW LET TRUTH RIGHTLY BE OUTED BY THE BELOVED PROGENY OF THAT CREATIVE LIVING MIRACLE THAT ISISIS
O NAMUH UNDERSTAND THAT FROM NOW ON YOUR AVERAGE EVERYDAY DAY TO DAY REALITY OF THE DAY THAT NEVER WAS IS CHANGED THAT TODAY EXTERIORIZED OUT THE POVERTY OF SUCH STRUGGLE ARISES A GREAT TRUTH THE TRUTH THAT ISISIS ISISIS THAT ISISIS THAT ANDROGYNOUS CREATIVE LIVING BEING THAT IS CONCEIVED REALITY THE FOREVER OF ITS IMAGINATIVE MOMENT REVEALED
HEARKEN
THAT MUSIC OF THE SPHERES THE VIBRATIONS OF LIVING ENERGY AROUSING RESPONSIVE ECHO WITHIN THE WITHOUT THAT IS THE MOTHER WOMB OF CREATIVE ENDEVOUR
HEARKEN
TO THE WHATS THE MATTER MOTHER STIRRINGS WITHIN THE CENTRIFUGE OF THE UPSIDE DOWN OF THE DOWNSIDE UP
HEARKEN
THEE THAT FOR WHOM THE BELL TOLLS CLARION CALL SOUNDING DEMONSTRATION OF INTENT THE TELLING RINGING OF THE RINGERS TOLLING
HEARKEN
THEE O NAMUH A MEETING OF PARALLEL MINDS HEARKEN O HEARKEN THEE THE SACRED SPIRAL NUCLEUS OF THE MIRROR IMAGE AS IT MEETS ITSELF HALFWAY THROUGH A REVERSE TURN JUXTAPOSITION IN A BISECTION OF INSTANTS THAT MARKS THE BIRTHING OF A NEW KINDER KIND OF CONSCIOUSNESS A DO UNTO ONE ANOTHER AS YOU WOULD LIKE TO BE DONE BY CONSCIOUSNESS ANOTHER TWIST IN THE REVOLVING RESOLVING REVELATORY CORKSCREW SPIRAL OF THAT TURNING CIRCLE OF THE LIVING PROCESS THAT ISISIS THAT CREATIVE LOVING COMBUSTION OF THE SIGHT LIGHT FLIGHT OF THE PHOENIX
THUS DID THE ZED ALIZ ZED HEARKEN TO THE HUM OF THE SUM OF THE THAT AND LOOKING WITHIN THE CRYSTAL GAZE OF THE NOWT NOR SUMMAT DID REACH OUT AND INTO THE SACRED DOMAIN OF ALCHERINGAS CAVE A LIVING SACRIFICE AN I FOR AN EYE FOR AN I EYE ONLY THEN BY DINT OF TREASURED GIFTS BESTOWED DID THE ZEDALIZZED TAKE HOLD THE VARIOUS INTERRELATED LIVING STRANDS WITHIN THE PATTERN OF THE UNSEEN AND BEGIN TO WEAVE UPON THAT BLINDED EYE A VIBRATING TAPESTRY OF TRUTH AS TO THE TRUE NATURE OF THAT MAGICK EYED REALITY THAT ISISIS THE THAT OF THE THOU THAT ISISIS THE LIVING LOVING CREATIVE CONSCIOUSNESS THAT IS THE MIRACLE OF THE METAMORPHIC INTELLIGENT LIFE SUSTAINING EVERYTHING FOREVER AND ALWAYS SPINNING CHANGE OF A KIND OUT THE IN OF ITS VERY OWN WOMB ESSENCE
THE NUCLEAR UNCLEAR OF THAT BORN OF ITS VERY BEING THE LIVING THOUGHT PATTERNED EPHEMERA THAT IS THE WONDROUS NATURE OF IT ALL THE CREATIVE MAGIC OF THAT
WITHIN THE KALEIDOSCOPIC CYCLE OF THE NEAR AND FAR OF AN AVERAGE EVERYDAY REALITY ARRIVES RESPONSE TO THE ANGUISHED PETITION OF THE WOUNDED SPIRIT OF THEE
O NAMUH REVELATION MAGNIFICAT TODAY RECOGNISE A LIVING TRUTH THAT YOU WILL AS IF BY MAGIC SEE IN ALL GOOD SENSE REVEALED THE OPENING OF THE BOOK OF BOOKS THAT FAR YONDER SIGNAL OF PATENT PATIENT LIVING PATTERN BEFORE YOUR VERY I REVEALED THE PHYSICAL WHEREWITHAL OF AN APPARITION A SIGHTING FROM OVER HERE OF THE WHERE OVER THERE VIEW OF TOPSY TURVY LAND THE DOWNSIDE UP OF THE UPSIDE DOWN
O NAMUH RECIEVE THEE THIS BLESSED GIFT THAT MARKS THY RESURRECTION AND OVERTURNS THY HEADSTONE HEARKEN THEE O COMING GHOST OF THE SHADOWLANDS THY MOMENT OF RECOGNITION HAS DAWNED ENTER THEE THE OTHER SIDE OF THE MIRRORED IMAGE AND DELIVERED BE THOU WITHIN THE WITHOUT OF THE THIS AND THAT THE MEASURE OF THY SLUMBER DEEP IT IS THE ARRIVAL OF YOUR CALL TO ARMS AGAINST THAT FOE OF FOES THOU ART PLEASED TO CALL THYSELF AWAKEN OH LOTUS EATER ROUSE THYSELF GATHER THEE THE FRUITS OF THY SENSES DUTY SUMMONS AND NOTICE OF INTENDED SERVICE HAS ARRIVED
HEARKEN
THAT ANGUISHED CRY OF IMAGINATIVE CONSCIOUSNESS ISISIS NEWLY BORN AND DEMANDING OF SUCCOUR MAKE THAT CREATIVE LEAP O NAMUH PUT YOUR HAND INTO THAT HAND THAT IS THE CREATIVE LIVING MAGIC OF GOD FOR SURELY THOU ART THAT GOD EVERYTHING THAT ISISIS THAT THAT LIVING CREATIVE INTELLIGENCE OF THE SEEN AND THE UNSEEN THAT THAT IS YOU AND THAT THAT IS ME THAT AND EVERY OTHER ASPECT OF ENERGY EXPRESSING THE BEING OF BEING ALIVE OR DEAD UNDERSTAND I AM ONE YOU ARE ONE WE ARE ONE NEITHER OR EITHER NOW OR EVER WERE YOU OR ARE YOU A SINGULARITY AN INDIVIDUAL LIVING ENTITY THOU ART ME AND I AM THEE FORSAKE THE MANTLE OF THAT IDIOSYNCRASY THOU ART PLEASED TO CALL THYSELF AND AFTER ALL WHEN ALL IS SAID AND DONE THE VALVE OF THY FACILITATION WITHIN WHICH ISISIS MANIFESTS THINE ENERGY METAMORPHOSIS CREATES THE ILLUSION OF THY SELF DELUSION
HEARKEN
THY CRY MY GOD MY GOD WHY HAST THOU FORSAKEN ME O NAMUH TRULY THOU ART THE JOKER EXTRAORDINAIRE
HEREST THOU THIS MY VOICE AND LET MY CRY COME UNTO THEE AWAKEN TO THIS IMAGINATIVE RESURRECTION AND ALLOW IT TO ROUSE IN THEE A SUDDEN AWARENESS TO THAT LIGHT THAT FOLLOWS DARK NIGHT AWAKEN THEE TO THE FULLNESS THAT HERALDS THE DAWN OF A NEW DAY THIS IS THAT TIME THE TIME TO KNOW TIME TO KNOW THAT THERE IS NO TIME LIKE THE PRESENT TIME
TIME TIME WITHDRAWN IN FAVOURED REALISATION OF THE CONSTANCY OF INTELLIGENT CREATIVE CHANGE THE CLOCK MEANWHILE MIDST TICK AND TOCK HAS STOPPED AND MOTHER WOMB THE BIRTH CONCEDES THAT YOU SHOULD SEE IN STARK RELIEF AND REVELATION BOLD THE VERY NATURE OF THAT SUPREME LOVING CREATIVITY THAT ISISIS THE LIVING ENERGY OF BEING THE OMNIPOTENT LIFE FULFILLING CHANGE ENERGISING GREAT SUSTAINER THE ONLY LOVER THE LIVING ENERGY OF THAT GIFTED TO THEE THAT OUT THE IN DID FIND THEMSELVES
AND THEE THAT THOUGHT I AM ALONE ALONE AM I ISISIS ALL ONE NAMUH ISISIS THAT AT ONE MENT ATONEMENT ATONEMENT AT ONE MENT ISISIS THAT ISISIS
I ME YOU WE EVERYTHING ALL THAT ISISIS WITHIN THE KEN OF THINE OWN MINDS EYE O NAMUH THAT ISISIS ISISIS THAT
NEVER WERE YOU ALONE
O NAMUH ALL IS ONE AND ONE IS ALL HOLY WHOLLY HOLY REJOICE IN THAT FOR THOU ART THE HE AZIN SHE THAT IS THAT OBEISEANCE TO THAT THE CREATIVE EXPRESSION OF THAT FROM WHICH ALL ARE SUMMONED AWAKEN TO THE LOVING COMPREHENSION OF THAT OUT WHICH WE AMONGST ALL ELSE ARE BUT THE DELICATE FILIGREE OF LIVING ESSENCE IN HOMAGE TO THAT THAT THAT ISISIS THAT EVERYTHING FOR THE LOVE OF THAT AND THE LOVE OF THEE
THE FOLLOWING DOCUMENT BEING THE LAST WILL AND TESTAMENT OF THE ONE KNOWN AS THE JOURNEYMAN THESE WORDS OF SOLEMN ADDRESS ARE DIRECTED TO THEE WORLD PILGRIM WHOSE I PI WITH MY LITTLE I
NINE NINE NINE NINE NINE NINE NINE NINE NINE
LOVE EVOLVE EVOLVE LOVE EVOLVE LOVE EVOLVE EVOLVE LOVE
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HEARKEN
THE TOLLING RINGERS TELLING RINGING AND LET THE HE AZIN SHE THAT IZ THEE OF THE ONE HAVING EARS TO HEAR KNOW THAT THOU ART TO BE AROUSED OUT THE LONG NIGHTS SLEEP OF THINE IMPRISONMENT
AZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZA O NAMUH THESE WORDS OF SOLEMN ADDRESS ARE DIRECTED TO THEE WORLD PILGRIM WHOSE INNER I UPON THIS WORK ALIGHT WASTE NOT THINE HARD EARNED KARMIC FRUITS O DREAMER OF DREAMS WITHIN THIS REALITY OF THINE AND MINE THERE IS FUNDAMENTAL CHANGE OF THOUGHT TO BE WROUGHT BROUGHT ABOUT THROUGH THE CREATIVE EFFORTS OF OTHERS THEMSELVES ACTING AT THE BEHEST OF THAT CREATIVE LIVING ENERGY THAT ISISIS YOU HAVE BEEN PASSED THE SHORT STRAW DEAR FRIENDS AND YOUR BEING HAS BEEN PLACED UNDER CHALLENGE HEARKEN TO THEE AYE THEE O NAMUH STRANGER THAT NEVER WAS EVEN NOW RESPLENDENT IN ALL THY LILY OF THE FIELDS GLORY THERE IS AN OBLIGATION TO BE MET THE MESSAGE THAT YOU THAT ISISIS ARE SPARK CHARGED TO ENTER THAT LIVING LABYRINTH OF MYSTERIOUS AND SECRET AMAZE AND DIRECTED TO LET THY MIND IN FREER ASSOCIATION ROVE ALONGSIDE THOSE OTHERS OF THAT EVER GROWING COMPANY CHOSEN AND CHOOSING TO MAKE THAT ETERNAL JOURNEY OBLIGATED TO KNOW THE TRUTH OF THAT STATE OF AFFAIRS THAT IS THE ENIGMA OF THE HUMAN CONDITION FOR AND ON BEHALF OF THAT THAT THAT ISISIS THOU O NAMUH ART MANIFEST OUT THE CREATIVE LIVING PROCESS OF RAINBOW LIGHT THE MAGICAL SUBTLETIES OF WHICH AT THIS TIME THOU ART AS YET UNAWARE BELOVED CHILDREN OF THE LIGHT THOU ART THE PROGENY OF THAT THAT THAT ISISIS THAT ALL OF EVERYTHING THAT ISISIS UNDERSTAND THIS THROUGH NUMBER AND LANGUAGE
THE GREAT WORK ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE 8 of this and that, that is thee. THAT, the staggering beauty of which is endlessly new born, engendered from within the kaleidoscopic THAT energy supreme, manifest within the twisting The living THAT. Know that from now on, your day to day, day, is not an average ordinary everyday reality of a day that ever of the THAT And looking within the crystal gaze of the nowt nor summat, did reach out, and into, the domain of THAT of the THOU. metamorphic intelligent everything, forever spinning living energy, out the within, of its womb essence. the THOU of THAT. Within the kaleidoscopic cycle of the near and far of an average everyday reality, Revelation Magnificat Today recognise a living truth. that you will, as if by magic see, in all good sense revealed. THAT, and to thee. THAT.
You have been passed the short straw dear friend, placed under challenge. Oh stranger that ever was, you, aye, thee, in all your glory, are spark charged to enter that living labyrinthís mysterious and secret amaze. Charged to let thy mind in freer association rove, alongside others of an ever growing company, choosing, and chosen to make that eternal journey. Obligated to know the truth of that state of affairs, the human condition. To THE MAGIC MOUNTAIN Reight, moon wanderers, said Zed Aliz Zed, after breaching the introduction, of the far yonder scribe. My oh my, mine own minds I. And that I, is it, even now restless, anguished, in agitation suffers. Or, is it gently sleeping down below,
Oracle
Exhibition Statement by Roland Penrose. DAVID DENISON In the darkest reaches of prehistoric caverns the hunter living in a world of fear and starvation found the refuge he needed for concentration and communication with his gods in paintings which were both realistic and symbolic. The cavern which has helped in the incubation of the work of David Denison has no more than an imaginary resemblance to the subterranean cathedrals of Altamira and Lascaux but even so his voluntary enclosure in the walls of Prisons has provided him with the isolation necessary to the development of his fantasy. The terrors that have surrounded him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty.
Denison has found unexpectedly in his choice of surroundings, usually considered as hopelessly inappropriate for an artist, his own ladder of escape of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions. He sees in each one of them the ambiguities of human nature, the duality of existence no good 'Without evil, no evil without good — and being an Artist of sensibility and talent he is able to present to us images that portray the transmutations that occur before our eyes incessantly, visual proofs of the instability of the inner man.
Denison paints
Denison has found unexpectedly in his choice of surroundincs, usually considered as hopelessly inappropriate for an artist, his own ladder of escape of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions. He sees in each one of them the ambiguities of Ivaman nature, the duality of existence no good 'Without evil, no evil without good — and being an Artist of sensibility and talent he is able to present to us images that portray the transmutations that occur before our eyes incessantly, visual proofs of the instability of the inner man. Denison paints with the conviction of an artist such as the Douenier Rousseau, who has found his own way without the often dubious tutoring of art schools. His sense Of academic standards in colour, form and composition has been cultivated through his own intelligence and his burning desire to understand and follow in the path of the great painters of imagery. Images to him are symbols that can convey his deepest thought and passion, inspired by the acute sympathy he has for those less fortunate around him. Painting with skill and meticulous precision he often chooses to condense and unite incongruous images into conglomerate beings. Each detail has its own character and is at the same time part of a larger entity which often is in turn an integral part of a dominating presence, each part being inseparably integrated into the painting as a whole. To enjoy Denison's work you should, having studied the picture as a whole, examine each detail to understand how its identity can change instantly, how perspectives take strange turns and architecture which at one moment is monumental may suddenly become a human face. This multiple imagery to me is much more than an amusing and ingenious display of talent. It exposes the ambiguities of life and the lack of certainty with which we can speak of reality. That Denison has found stimulus in surrealism there is no doubt but with all the tempta- tions there can be to accept parrot-like a brilliant trend in art he has kept his individuality intact. This may be due partly to the thorough and sensitive way in which he has developed his own style and partly because of the isolation in which he has worked persistently but which in recent years has become miraculously alleviated by the presence and involvement of Linda, by whom he is now accompanied in his search to reveal to us the mysteries Of life, its miseries and its delights.
Fame for a Wakefield prison office is predicted by eminent figures in the art world. GEOFFREY WINTER talks to David Denison, above, whose surrrealist paintings are said to bear a touch of genius. ESCAPE INTO SURREALISM David Denison left a Wakefield secondary modern school at 15, served a three year apprenticeship as a gasfitter, joined the airforce for another 3 years, emerged without qualifications and joined the prison service 17 years ago. His earlier efforts when laid up with an ankle injury.sustained in the gym at RAF Cardington, were pencil drawings copied from photographs of Brigitte Bardot.and other movie stars. Without any formal art training he has come a long way since then. Already critics are linking his job as a prison officer with his talent as a painter His story will be a gift to future historians. He started painting imaginatively soon after entering the prison service at Wakefield Jail, and eight years later when posted to Pollington Borstal, the Governor (Mr Wood) saw and admired his work and sent him on two A level art courses and a teacherv training course all of which he passed. Around that time Denison's paintings were noticed by Sir Roland Penrose, then President of the Institute of Contemporary Art and an expert on Surreal art. He now has six of Denison's paintings in his private collection. Sir Roland has written the preface to the catalogue for the Denison exhibition at Bradfords Cartwright Gallery in May and June. He says "Denison paints with the conviction of an artist such as the Douanier Rousseau. who has found his own way without the sometimes dubious tutoring of art schools. "The cavern which has helped in the incubation of the work of David Denison has the imaginary resemblance to the subterranean cathedrals of Almitra and Lascaux but even so his voluntary enclosure in the walls of HM prisons has provided him with the isolation necessary to the development of his fantasy. "The terrors that have surrounds him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty. "Denison has found unexpectedly in his choice of surroundings usually considered as hopelessly inappropriate for an artist his own ladder of escape of which each rung is formed by the tension of the crime and punishment that has been the cause of the assemblage of his companions. In 1977, Lawrence Gowing, Slade Professor of Fine Art, paid this glowing tribute in an article on Denison: "He has learned an astonishing skill of a highly personal kind. He is a natural surrealist - a breed that is commnoner in England than in more rational countries, but is very rare even here. At 37, this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst (one of the world's foremost surrealist artists) came to England, it was Denison that he wanted to hear about." With that kind of unstinting praise from two of the most distinguished and knowledgeable men in the art world. It was suprising to find David Denison living in a home office-owned house on a prim little estate peopled by prison officers and their families on the outskirts of Wakefield. When he is not taking first aid classes and playing energetic games to keep in trim (As a prison officer you have to keep fit. He is painting for several hours most nights. Around the walls of his front room hang photographs of a few of his paintings. The original of one his "The Wandering Jew" valued at a £1,000 was aquired by the Elephant Trust (set up ( by the sale of the late Max Ernst celebrated picture (The Elephant Celebes), and hangs in the Brighton Museum and Art Gallery. Denison propped a screen on top of the gas fire and pulled the curtains and projected a source of coloured slides of his work, they were riviting, with the mesmerising quality that a stoat uses on a rabbit. At first sight, each image seems tortuous and tortured and has the sickening impact of a decaying corpse stumbled upon. The artist stepped from behind the projector and eagerly pointed out the subtleties which the cursory viewer would miss:... "Look see that . . . Under that eye is another face formed partly by that eye. . . do you see the deleanation of the nose. . . And there the figure of a baby has emerged. He would I imagine adopt a similar technique for teaching anatomy to his prison officer first aid pupils. but not perhaps with such marked enthusiaism. Double images trebled and quadrupled, splitting away from the whole and taking individual shape like spilled quicksilver. The pictures teemed with life, some of which the artist has created entirely unconsciously. The colour studies and a canvas on which he is now working ( a figure with a skull like head infested with baby rats) at once facinated disturbed and came near to horrifying. It is this disquieting characteristic about Denisons work which will prevent it from ever becoming popular. Not that you would expect to find any surrealist painting replacing the Tretchikoff above a fireplace, but a Denison is more nightmarish than most. His paintings have been compared with those of Francis Bacon and Dali. They reminded me of Bacon and Ronald Searle's cartoons, but certainly not of Dali. Denison is mining a rich seam of his own Would he ever leave the prison service and turn professional. He says he has reservations about boat burning and could never endager domestic responsibilities. One might expect that more recent and weightier testimonials from eminent art connoisseurs would have submerged Denisons memory of the first person to realise the importance of his work and encouraging him in it. But he has not forgotten his debt to Arthur Kitchen until his retirement, exhibition officer to Bradford Metropolitan Council where Mr Kitchen himself was exhibiting organiser for the Manor House Gallery Ilkley he gave an exhibition of Denison early work some 12 years ago. Mr Kitchen recalls "He was painting large heads but suddenly he began painting with a marvellous technique of absolute precision. That sudden jump amazed me, it has taken me twenty odd years to develop a little draughtmanship yet David Denison achieved it almost overnight. He has a touch of genius. I hope his inspiration wherever it comes from, will continue.
Dave Denison <davedenizen9@gmail.com> Dear Steve and DIv, thank you very much for your wonderfully evocative description and images of Farley farm and meeting Tony Penrose. It brought back colourful memories for me. Goodnight and Godbless Steve and Div.
From me to you guess who. Dave Denison <davedenizen9@gmail.com> to steven Steve and Davina please accept my apologies for my late reply. MICHAEL DENISON - 973-Eht-Namuh-973.com The Oracle Forum ADVENT WAKEFIELD htm (973-eht-namuh-973.com) DENIS MICHAEL DENISON Born 18th July 1937 Died July 5th 2024 REST IN PEACE In loving memory of Michael Denison much beloved of his family, dear brother to David and John, born 18th June 1937, Michael who after a short illness died in Pinderfields Hospital, Wakefield on 5th of July 2024. Rest in Peace. I hope you received my condolences card. Davina and I were very fond of Michael, a lovely kind man, and a great loss.
Re Lee Miller, I met her for the first time at Roland's house in South Kensington, and later several times at Farley Farm when I went to see Penrose. I also stayed on occasion with Tony Penrose, their son. Rene invited Danny to France. They became friends. Then lo and behold Rene and his 2 daughters came to England, to stay with Danny in Blackpool, where we all met up. Quote from an article by Ada Wilson. In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name. In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowing came closest to capturing the essence of Dave’s work. "His imagination has a sardonic poetry of its own," he said. "His Study of a Head, for example, builds spectacles and dentures into the structure of the skull. Each eye-socket contains minutely glittering machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs. "A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here, the arched eyebrows and the clownlike red nose have the look of a Prime Minister of Mirth. The hilarity resides in the fantastic human mix - the very combination of ebullience and decrepitude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous, but decayed and dependent on spare parts. "In a year or two," Gowing concludes, "Denison will be famous and we shall wonder how we managed to neglect him." Another critic, John Hewitt, went further. "I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said. Amazein at www.973-eht-namuh-973.com From: The Star <thestar@thepolizzicollection.com>
THE NUCLEAR FAMNILY 1969
SEND IN THE CLOWN 1977
A ONE TWO THREE FOUR FIVE SEX IN THE PADDED CELL 1975
MOTHER AND BABY 1970
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