THE NUCLEAR FAMILY 1969
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
2 |
THE ADVENT |
9 |
9 |
9 |
WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE
...
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
|
133 |
61 |
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10 |
|
121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
|
65 |
29 |
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First Total |
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3+5 |
|
5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
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Essence of Number |
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TO BE OR NOT TO BE THAT IS THE QUESTION
TO BE OR NOT TO BE IS THAT THE QUESTION
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
26 |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+2 |
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5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
= |
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occurs |
x |
3 |
= |
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1+8 |
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7 |
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7 |
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7 |
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+ |
= |
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occurs |
x |
3 |
= |
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2+1 |
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8 |
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8 |
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8 |
+ |
= |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
|
1+8 |
|
26 |
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I |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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I |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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THE GUINESS ENCYCLOPEDIA
John Foley
1993
ALPHABETOLOGY
SIGNS AND SYMBOLS
Page 22
The most commonly used numerical symbols throughout the modern World; the so-called Arabic numerals
1 2 3 4 5 6 7 8 9
derive ultimately from a system developed by the Hindus in India sometime between the 3rd Century B,C. and 6th Century A.D.
"The more rounded Western Arabic numerals were introduced into Spain by the Moors in the 10th Century.
The first European to take serious note of the new numeration was the French scholar Gerbert of Aurilliac (Pope Sylvester II from 999 to 1003) who had studied the system in Spain
The Hindus are also credeited with the invention at some unknown date of the symbol for zero, which was first written as a small circle and later reduced to a large dot.
The nine Indian figures are : 9 8 7 6 5 4 3 2 1
With these nine figures and with the sign O any number may be written.
Leonardo of Pisa
Liber abaci
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
|
|
1+4 |
|
1+5 |
|
1+7+1 |
8+1 |
|
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|
..................
6 |
DIVINE |
63 |
36 |
9 |
10 |
REVELATION |
121 |
49 |
4 |
- |
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8 |
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LAND ENGAGE
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L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
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A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
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N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
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G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
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U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
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A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
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G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
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E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
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- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
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- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
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1+0 |
|
1+4 |
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- |
- |
|
- |
8 |
LANGUAGE |
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- |
- |
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1+4 |
- |
- |
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- |
- |
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- |
8 |
LANGUAGE |
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L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
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2 |
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4 |
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6 |
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8 |
9 |
A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
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2 |
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4 |
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6 |
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8 |
9 |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
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2 |
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4 |
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6 |
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8 |
9 |
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
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2 |
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4 |
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6 |
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8 |
9 |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
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2 |
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4 |
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6 |
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8 |
9 |
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
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2 |
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4 |
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6 |
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8 |
9 |
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
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2 |
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4 |
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6 |
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8 |
9 |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
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2 |
|
4 |
|
6 |
|
8 |
9 |
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
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- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
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1+0 |
|
1+4 |
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- |
- |
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- |
8 |
LANGUAGE |
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- |
- |
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1+4 |
- |
- |
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- |
- |
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- |
8 |
LANGUAGE |
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TRANSPOSED LETTERS REARRANGED NUMERICALLY
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A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
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2 |
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4 |
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6 |
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8 |
9 |
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
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2 |
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4 |
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6 |
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8 |
9 |
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
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2 |
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4 |
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6 |
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8 |
9 |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
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2 |
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4 |
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6 |
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8 |
9 |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
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2 |
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4 |
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6 |
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8 |
9 |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
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2 |
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4 |
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6 |
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8 |
9 |
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
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2 |
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4 |
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6 |
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8 |
9 |
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
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2 |
|
4 |
|
6 |
|
8 |
9 |
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
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- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
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|
1+0 |
|
1+4 |
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
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A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
|
|
|
|
|
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
|
|
|
1+0 |
1+4 |
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
SIGNAL |
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
1 |
G |
7 |
7 |
7 |
3 |
NAL |
27 |
9 |
9 |
7 |
SIGNAL |
62 |
35 |
26 |
|
|
6+2 |
3+5 |
2+6 |
7 |
SIGNAL |
8 |
8 |
8 |
- |
SIGNALS |
|
|
|
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
1 |
S |
19 |
10 |
|
7 |
SIGNALS |
81 |
45 |
27 |
|
|
8+1 |
4+5 |
2+7 |
7 |
SIGNALS |
9 |
9 |
9 |
- |
A SIGNAL |
|
|
|
1 |
A |
1 |
1 |
|
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
7 |
A SIGNAL |
63 |
36 |
27 |
- |
- |
6+3 |
3+6 |
2+7 |
7 |
A SIGNAL |
9 |
9 |
9 |
Signaling theory is useful for describing behavior when two parties (individuals or organizations) have access to different information. Typically, one party, the sender, must choose whether and how to communicate (or signal) that information, and the other party, the receiver, must choose how to interpret the signal.
In contract theory, signalling (or signaling; see spelling differences) is the idea that one party (termed the agent) credibly conveys some information about itself to another party (the principal
|
- |
- |
- |
- |
SIGNALS |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
SIGNALS |
81 |
45 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
- |
- |
8+1 |
4+5 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIGNALS |
|
|
|
|
|
|
|
|
|
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|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIGNALS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIGNALS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
|
= |
1 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
SIGNALS |
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
SIGNALS |
|
|
|
|
|
|
|
|
|
- |
SIGNALLING |
- |
- |
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
1 |
N |
14 |
5 |
|
1 |
A |
1 |
1 |
|
1 |
L |
12 |
3 |
|
1 |
L |
12 |
3 |
|
1 |
I |
9 |
9 |
|
1 |
N |
14 |
5 |
|
1 |
G |
7 |
7 |
|
10 |
SIGNALLING |
104 |
59 |
50 |
- |
- |
1+0+4 |
5+9 |
5+0 |
10 |
SIGNALLING |
5 |
14 |
5 |
1+0 |
- |
- |
1+4 |
- |
1 |
SIGNALLING |
5 |
5 |
5 |
Signalling - definition of signalling by The Free Dictionary
www.thefreedictionary.com › signalling
Define signalling. signalling synonyms, signalling pronunciation, signalling translation, English dictionary definition of signalling.
|
- |
- |
- |
- |
SIGNALLING |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
|
10 |
SIGNALLING |
104 |
59 |
50 |
|
|
|
|
|
10 |
|
14 |
|
18 |
|
|
5+0 |
|
1+0 |
- |
1+0+4 |
5+9 |
5+0 |
|
|
|
|
|
1+0 |
|
1+4 |
|
1+8 |
|
|
5 |
|
1 |
SIGNALLING |
5 |
14 |
5 |
|
|
|
|
|
1 |
|
|
|
|
|
|
- |
|
- |
- |
- |
1+4 |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
5 |
|
1 |
SIGNALLING |
5 |
5 |
5 |
|
|
|
|
|
1 |
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
SIGNALLING |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
|
10 |
SIGNALLING |
104 |
59 |
50 |
|
|
|
|
|
10 |
|
14 |
|
18 |
|
|
5+0 |
|
1+0 |
- |
1+0+4 |
5+9 |
5+0 |
|
|
|
|
|
1+0 |
|
1+4 |
|
1+8 |
|
|
5 |
|
1 |
SIGNALLING |
5 |
14 |
5 |
|
|
|
|
|
1 |
|
|
|
|
|
|
- |
|
- |
- |
- |
1+4 |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
5 |
|
1 |
SIGNALLING |
5 |
5 |
5 |
|
|
|
|
|
1 |
|
|
|
|
|
- |
- |
- |
- |
SIGNALLING |
- |
- |
- |
|
|
|
|
|
|
|
= |
7 |
|
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
50 |
|
10 |
SIGNALLING |
104 |
59 |
50 |
|
|
|
10 |
14 |
18 |
|
|
5+0 |
|
1+0 |
- |
1+0+4 |
5+9 |
5+0 |
|
|
|
1+0 |
1+4 |
1+8 |
|
|
5 |
|
1 |
SIGNALLING |
5 |
14 |
5 |
|
|
|
1 |
|
|
|
|
- |
|
- |
- |
- |
1+4 |
- |
|
|
|
- |
|
|
|
|
5 |
|
1 |
SIGNALLING |
5 |
5 |
5 |
|
|
|
1 |
|
|
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
29 |
|
18 |
|
|
|
14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
- |
|
|
|
ADVENT 22101 ADVENT
THE CITY OF REVELATION
John Michell 1972
Gnostic Numbers
Page 118
"Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena."
Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
THE MAGIC ALPHABET
Daily Mail. Tuesday. March 31, 2015
Page 68
The point of pentangles
ANSWERS TO CORRESPONDENTS
QUESTION
Which culture first used the pentangle and how did it become associated with the occult?
THE pentangle is usually represented as the pentagram, a five-pointed, linear star within a circle, worn or drawn with the point facing up.
It served to mark directions in Sumerian texts, dating from about 30BC, and is found in most early cultures. The ancient Greeks established its symbolic status.
Greek mathematician and philosopher Pythagoras believed five was the number of perfection, because of the fivefold division of the body (head, arms and legs outstretched) mirroring the division of the soul into fire, water, air, earth and psyche. The Pythagoreans held the pentacle sacred to Hygeia, the goddess of healing.
Early Christians wore the pentagram to represent the five wounds of Christ and to symbolise the five senses.
In the 14th-century English poem Sir Gawain And The Green Knight, the symbol decorates the shield of the hero, Gawain. The anonymous poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is keen in his five senses, dextrous in his five fingers, faithful to the salvation provided through the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus and exemplifies the five virtues of knighthood.
Renaissance-era ritual magicians, Henry Cornelius Agrippa von Nettesheim (14861535) and Giordano Bruno (1548-1600), used the pentagram to represent the perfection of the human body. To Bruno, five was the `number of the soul' because the human form is bound by five outer points. He warned magicians and sorcerers could perform spells by using the pentagram as it was a window to the soul.
As Bruno and other Renaissance philosophers and magicians were executed under the Inquisition, perhaps the symbol came to be associated with evil forces.
By the mid-19th century, a further distinction had developed among occultists regarding the pentagram's orientation. With a single point upwards it depicted a spirit presiding over the four elements of matter and was essentially 'good'.
Occultists and satanists now claimed that the inverted pentagram was evil, the sign of the Devil even. Influential French occultist Eliphas Levi (1810-75) stated: 'A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. 'It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates.'
Symbolic: Anton LaVey, of the Church of Satan, with an inverted pentangle (image omitted)
Brian Cummings, Hay-on-Wye, Powys.
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Preface to the New Edition
Page 5
Twelve years ago a little boy entered my imagination as he hopped across the centuries and played with numbers. I began to see how the simple architecture of our decimal system could be constructed in secret ways — not a building project this time but an abstract one. On the surface of our arithmetic countless combinations of numbers take part in tedious and exacting calculations but underneath it all there is pattern, governed by a repeating code of integers. The Sigma Code reduces numbers to a single digit and the illusion of the many is seen to be but the reflection of a few. This is not a book on maths: this is a book for anyone who can carry out simple sums in their heads, and who won't be short-changed knowingly.
When Number 9 first came out I received mail from many who played with numbers. They chased patterns; some had special numbers and even mystical systems. I was tempted to write about numerology but resisted. I wanted to write about the intricacy of what the.. numbers actually do and leave the reader to wonder about the larger irrational that seems to hover around such constructions.
If I were writing this book today the numbers would have featured in a wider context of structuring nature's patterns, and also playing the role of animator in algorithms that create unique architectural forms and shapes. I would also include my previous research into other base systems. But this book was a first step which came from a child-like urge, like playing with building blocks, to build out of our numbers — just the simple 1, 2, 3, up to number 9
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FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN SOME AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
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ALL IS NUMBER |
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57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
|
|
3 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
|
|
|
|
5 |
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
NUMBERS RE-ARRANGED IN NUMERICAL ORDER
LUCIFER
L U C FIRE
LET U C FIRE
LET YOU SEE FIRE
7 |
LUCIFER |
74 |
38 |
2 |
5 |
LIGHT |
56 |
29 |
2 |
4 |
ISIS |
56 |
20 |
2 |
5 |
JESUS |
74 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
88 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
74 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
4 |
|
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
38 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+4 |
|
3+3 |
Add to Reduce |
4+2+8 |
1+8+5 |
3+2 |
|
|
|
|
|
|
|
2+8 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE FOUNTAIN OF LIFE
Prose And Verse From The Bible
A. G. Prys-Jones 1979
Page 123
HOW ART THOU FALLEN FROM HEAVEN, O LUCIFER, SON OF THE MORNING!
"How art thou fallen from heaven, O Lucifer, son of the morning!
how art thou cut down to the ground, which didst weaken the nations!"
HOLY BIBLE
Scofield Reference
ISAIAH
C 14 V 12
"How art thou fallen from heaven, O Lucifer, son of the morning!
how art thou cut down to the ground, which didst weaken the nations!"
HOLY BIBLE
Scofield Reference
Isaiah
Chapter 14
Page 726
12 How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!
13 For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north:
14 I will ascend above the heights of the clouds; I will be like the most High.
15 Yet thou shalt be brought down to hell, to the sides of the pit.
HOW ART THOU FALLEN FROM HEAVEN O LUCIFER SON OF THE MORNING
HOW ART THOU CUT DOWN TO THE GROUND WHICH DIDST WEAKEN THE NATIONS
- |
|
- |
- |
|
HOLY BIBLE |
- |
|
- |
- |
|
- |
- |
|
Scofield References |
- |
|
- |
C |
|
Verse |
|
12 |
|
|
|
|
- |
|
- |
- |
|
- |
- |
|
- |
- |
|
- |
- |
|
- |
- |
|
- |
|
|
|
|
3 |
|
46 |
19 |
|
|
|
|
|
3 |
|
39 |
12 |
|
|
|
|
|
4 |
|
64 |
19 |
|
|
|
|
|
6 |
|
50 |
23 |
|
|
|
|
|
4 |
|
52 |
25 |
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
7 |
|
74 |
38 |
|
|
|
|
|
3 |
|
48 |
12 |
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
7 |
|
90 |
45 |
|
|
|
|
|
3 |
|
46 |
19 |
|
|
|
|
|
3 |
|
39 |
12 |
|
|
|
|
|
4 |
|
64 |
19 |
|
|
|
|
|
3 |
|
44 |
8 |
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
6 |
|
79 |
34 |
|
|
|
|
|
5 |
|
51 |
33 |
|
|
|
|
|
5 |
|
56 |
20 |
|
|
|
|
|
6 |
|
59 |
23 |
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
7 |
|
92 |
29 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
1+0+3 |
|
1+0+3 |
Add to Reduce |
1+2+7+4 |
5+0+9 |
1+0+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING
FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS
H |
= |
8 |
- |
3 |
HOW |
46 |
19 |
1 |
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
1 |
H |
= |
8 |
- |
4 |
HAST |
48 |
12 |
3 |
F |
= |
6 |
- |
6 |
FALLEN |
50 |
23 |
5 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
H |
= |
8 |
- |
6 |
HEAVEN |
55 |
28 |
1 |
- |
- |
38 |
|
27 |
Add to Reduce |
|
|
|
- |
- |
11 |
- |
2+7 |
Reduce to Deduce |
3+1+5 |
1+2+6 |
1+8 |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
B |
= |
2 |
- |
6 |
BRIGHT |
64 |
37 |
1 |
S |
= |
1 |
- |
3 |
SON |
48 |
12 |
3 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
7 |
MORNING |
90 |
45 |
9 |
- |
- |
15 |
- |
21 |
First Total |
|
|
|
- |
- |
1+5 |
- |
2+1 |
Add to Reduce |
1+6+6 |
1+2+1 |
2+2 |
Q |
- |
6 |
- |
3 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+3 |
- |
- |
- |
- |
6 |
5 |
|
Essence of Number |
|
|
|
F |
= |
6 |
- |
6 |
FELLED |
44 |
26 |
8 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
6 |
GROUND |
79 |
34 |
7 |
- |
- |
17 |
- |
17 |
First Total |
|
|
|
- |
- |
1+7 |
- |
1+7 |
Add to Reduce |
1+9+1 |
8+3 |
2+9 |
Q |
- |
8 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
8 |
5 |
|
Essence of Number |
|
|
|
W |
= |
5 |
- |
5 |
WHICH |
51 |
33 |
6 |
D |
= |
4 |
- |
5 |
DIDST |
56 |
20 |
2 |
W |
= |
5 |
- |
6 |
WEAKEN |
59 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
7 |
NATIONS |
92 |
29 |
2 |
- |
- |
21 |
- |
26 |
First Total |
|
|
|
- |
- |
2+1 |
- |
2+6 |
Add to Reduce |
2+9+1 |
1+2+0 |
2+1 |
Q |
- |
3 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+2 |
- |
- |
- |
- |
3 |
5 |
|
Essence of Number |
|
|
|
HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING
FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS
H |
= |
8 |
- |
3 |
HOW |
46 |
19 |
1 |
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
1 |
H |
= |
8 |
- |
4 |
HAST |
48 |
12 |
3 |
F |
= |
6 |
- |
6 |
FALLEN |
50 |
23 |
5 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
H |
= |
8 |
- |
6 |
HEAVEN |
55 |
28 |
1 |
B |
= |
2 |
- |
6 |
BRIGHT |
64 |
37 |
1 |
S |
= |
1 |
- |
3 |
SON |
48 |
12 |
3 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
7 |
MORNING |
90 |
45 |
9 |
F |
= |
6 |
- |
6 |
FELLED |
44 |
26 |
8 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
6 |
GROUND |
79 |
34 |
7 |
W |
= |
5 |
- |
5 |
WHICH |
51 |
33 |
6 |
D |
= |
4 |
- |
5 |
DIDST |
56 |
20 |
2 |
W |
= |
5 |
- |
6 |
WEAKEN |
59 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
7 |
NATIONS |
92 |
29 |
2 |
- |
- |
91 |
- |
91 |
First Total |
|
|
|
- |
- |
9+1 |
- |
9+1 |
Add to Reduce |
9+6+3 |
4+5+0 |
9+0 |
Q |
- |
10 |
- |
10 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
1 |
5 |
1 |
Essence of Number |
|
|
|
HOW THOU HAST FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING
FELLED TO THE GROUND WHICH DIDST WEAKEN THE NATIONS
THIRTEEN = 99 99 = THIRTEEN
- |
LUCIFER |
- |
- |
- |
2 |
L+U |
33 |
6 |
6 |
5 |
C+I+F+E+R |
41 |
32 |
5 |
7 |
|
74 |
38 |
11 |
- |
- |
7+4 |
3+8 |
1+1 |
7 |
|
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
7 |
|
2 |
2 |
2 |
7 |
LUCIFER |
74 |
38 |
2 |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
5 |
LIGHT |
56 |
29 |
2 |
7 |
BRINGER |
73 |
46 |
1 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+6+7 |
9+0 |
- |
6 |
Essence of Number |
|
|
|
LUCIFER LUC FIRE
LET YOU SEE FIRE
LUCIFER
- |
LUCIFER |
- |
- |
- |
2 |
L+U+C |
36 |
9 |
9 |
5 |
F+I+R+E |
38 |
29 |
2 |
7 |
|
74 |
38 |
11 |
- |
- |
7+4 |
3+8 |
1+1 |
7 |
|
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
7 |
|
2 |
2 |
2 |
LUCIFER
LET YOU SEE FIRE
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 150
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
PYRAMID = 86 = PYRAMID
PYRAMID = 41 = PYRAMID
PYRAMID = 5 = PYRAMID
Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
|
- |
|
|
1 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
D |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
32 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
3+2 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
Y RAM MARY MARY Y RAM
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D |
4 |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
41 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
4+1 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
- |
- |
- |
- |
- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
2 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
= |
|
- |
4- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
- |
AMID |
- |
- |
- |
|
- |
|
|
2 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
4 |
4 |
4 |
A |
= |
|
- |
- |
AMID |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
|
8 |
- |
91 |
46 |
37 |
- |
- |
- |
- |
- |
- |
8+6 |
4+6 |
3+7 |
- |
- |
8 |
|
8 |
|
10 |
10 |
10 |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
8 |
|
8 |
|
1 |
1 |
1 |
PYRE AMIDST THE STONE
Dictionary
Definitions from Oxford Languages · Learn more
funeral pyre
noun
iPile of wood on which a corpse is burnt as part of a funeral ceremony.What is the purpose of a funeral pyre?
Funeral pyres and open air cremation have been used to celebrate heroes and honor beloved citizens. They are not only a chance to say farewell to a loved one, but they provide an opportunity for community members to come together in support, solidarity, and remembrance.6 Jan 2021
Ancient Egyptian funerary practices
Wikipedia
https://en.wikipedia.org › wiki › Ancient_Egyptian_fu...
These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife. The Opening of ...
?History · ?Funerary rituals · ?Mummification · ?Damnation
Why did the Egyptians bury their dead in pyramids?
Pyramids were intended to protect the pharaoh's body buried inside. Dead-end passages were built into the pyramid to trick robbers who came to steal the expensive objects buried with the king.
FUNERAL PYRE
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
5 |
P |
= |
|
|
7 |
PHARAOH |
67 |
40 |
4 |
- |
- |
14 |
|
14 |
Add to Reduce |
153 |
81 |
9 |
- |
- |
1+4 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
8+1 |
1+8 |
- |
- |
5 |
|
5 |
Essence of Number |
9 |
9 |
9 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
P |
= |
7 |
|
7 |
PYRAMID |
86 |
41 |
5 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
G |
= |
7 |
|
4 |
GIZA |
43 |
25 |
7 |
|
|
|
|
21 |
First Total |
|
|
|
|
|
2+9 |
|
2+1 |
Add to Reduce |
2+3+4 |
1+1+7 |
2+7 |
|
|
|
|
3 |
Second Total |
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
- |
- |
- |
|
|
|
|
|
Essence of Number |
|
|
|
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
IS |
28 |
10 |
1 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
7 |
7 |
|
3 |
7 |
SR introSR intro Pentauch
https://www.suscopts.org › srintropentateuch
B. The term "Pentateuch" comes from the Greek term pent-teuchos meaning "five- volumes (book) after the Jewish designation, "the five-fifths of the law"
THE
TERM
"PENTATEUCH"
COMES FROM THE GREEK WORD PENT - TEUCHOS MEANING
"FIVE -
VOLUMES OR (BOOKS) AFTER THE JEWISH DESIGNATION,
THE FIVE FITHS OF THE LAW"
|
PENTATEUCH |
|
|
|
1 |
|
16 |
7 |
|
1 |
|
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
3 |
|
41 |
5 |
|
1 |
|
5 |
5 |
|
3 |
|
32 |
5 |
|
|
PENTATEUCH |
|
|
|
- |
|
1+1+3 |
4+1 |
4+1 |
|
PENTATEUCH |
|
|
|
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE5FIVES
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
Pentateuch
the first five books of the Old Testament (Genesis, Exodus, Leviticus, Numbers, and Deuteronomy). Traditionally ascribed to Moses, it is now held by scholars to be a compilation from texts of the 9th to 5th centuries bc.Jewish name Torah.
What is the Greek word for pentateuch?
The Greek word Pentateuch (“five books”) refers to the first five books of the Bible, collectively to Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. To a Jew, these five books are also known collectively as Torah, or The Torah. Traditionally, it is understood that the Pentateuch was written by Moses,...
What Is the Pentateuch in the Bible?
https://www.biblestudytools.com/bible-study/topical-studies/what...
23/02/2019 · The Greek word Pentateuch (“five books”) refers to the first five books of the Bible, collectively to Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. To a Jew, these five books are also known collectively as Torah, or The Torah.
What is the Pentateuch? | GotQuestions.org
https://www.gotquestions.org/Pentateuch.html
02/01/2020 · The word Pentateuch comes from a combination of the Greek word penta, meaning “five” and teuchos, which can be translated “scroll.” Therefore, it simply refers to the five scrolls that make up the first of three divisions of the Jewish canon.
SR intro Pentateuch
https://www.suscopts.org › srintro pentateuch
B. The term "Pentateuch" comes from the Greek term pent-teuchos meaning "five- volumes (book) after the Jewish designation, "the five-fifths of the law".
If you've never heard of the Five Books of Moses (not actually composed by Moses; people who believe in divine revelation see him as more secretary than author), you've heard of the Torah and the Pentateuch, the Hebrew and Greek names, respectively, for the first five books of the Hebrew Bible: Genesis, Exodus
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
Pentateuch Definition & Meaning - Merriam-Webster
www.merriam-webster.com › dictionary › Pentateuch
Pentateuch means simply "five books". In Greek, the Pentateuch (which Jews call the Torah) includes the books of Genesis, Exodus, Leviticus, Numbers, ...
Pentateuch
noun
Pen·?ta·?teuch 'pen-t?-?tük How to pronounce Pentateuch (audio) -?tyük
: the first five books of Jewish and Christian Scriptures
Did you know?
Pentateuch means simply "five books". In Greek, the Pentateuch (which Jews call the Torah) includes the books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. These contain some of the oldest and most famous stories in the Bible, including those of Adam and Eve, Jacob and his brothers, and Moses, as well as some of the oldest codes of law known, including the Ten Commandments.
Word History
Etymology
Middle English Penteteuke, from Late Latin Pentateuchus, from Greek Pentateuchos, from penta- + teuchos tool, vessel, book, from teuchein to make — more at doughty
First Known Use
15th century, in the meaning defined above
|
PENTATEUCH |
|
|
|
1 |
|
16 |
7 |
|
1 |
|
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
3 |
|
41 |
5 |
|
1 |
|
5 |
5 |
|
3 |
|
32 |
5 |
|
|
PENTATEUCH |
|
|
|
- |
|
1+1+3 |
4+1 |
4+1 |
|
PENTATEUCH |
|
|
|
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
1+3 |
|
|
= |
|
|
|
|
|
- |
- |
14 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
2+2 |
|
|
= |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
2 |
1 |
2 |
5 |
3 |
3 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
16 |
5 |
|
20 |
1 |
20 |
5 |
21 |
3 |
|
|
|
|
9+3 |
|
|
1+0 |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
14 |
20 |
1 |
20 |
5 |
21 |
3 |
8 |
|
|
|
1+1+3 |
|
|
= |
|
|
|
|
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
|
4+1 |
|
|
= |
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
4 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
6 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
|
|
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
- |
|
- |
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
|
= |
|
9 |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
2+6 |
|
|
|
|
4+1 |
|
3+2 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
- |
|
|
|
|
- |
|
- |
1 |
9 |
|
|
|
T |
|
T |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
1+3 |
|
|
= |
|
|
|
|
- |
- |
14 |
- |
- |
- |
- |
- |
- |
8 |
|
|
|
2+2 |
|
|
= |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
2 |
1 |
2 |
5 |
3 |
3 |
|
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
16 |
5 |
|
20 |
1 |
20 |
5 |
21 |
3 |
|
|
|
|
9+3 |
|
|
1+0 |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
5 |
14 |
20 |
1 |
20 |
5 |
21 |
3 |
8 |
|
|
|
1+1+3 |
|
|
= |
|
|
|
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
|
4+1 |
|
|
= |
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
7 |
|
|
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
- |
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
- |
|
- |
|
|
|
|
|
|
2+6 |
|
|
|
|
4+1 |
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
5 |
2 |
1 |
2 |
5 |
3 |
3 |
8 |
|
|
- |
|
|
|
|
- |
|
- |
9 |
|
|
|
T |
|
T |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
HEXATEUCH |
|
|
|
4 |
|
38 |
20 |
|
5 |
|
57 |
21 |
|
|
HEXATEUCH |
|
|
|
- |
|
9+5 |
4+1 |
|
|
HEXATEUCH |
|
|
|
- |
|
1+4 |
- |
|
|
HEXATEUCH |
|
|
|
Meir : Middle Egypt / Asyut / Meir Meir A-1 : Middle Egypt / Asyut / Meir (Niankh-hpepy) ..... Ukhhotep, Tomb of : Middle Egypt / Asyut / Meir EGY
PTIAN
SITES -
INDEX
Meir lies at the edge of the cultivation, about 50km north-west of Asyut. The modern town of el-Qusiya, about 8km to the east of Meir, probably derives its name from the ancient Qis, classical Cusae during Graeco-Roman times. Although Qis was capital of the 14th Upper Egyptian nome, there are few remaining traces of the ancient town. It was in the necropolis at Meir that the provincial rulers, or nomarchs of the region were buried in tombs high in the hillside, with the more humble population further down the slope.
- |
|
- |
- |
- |
|
|
18 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
MEIR |
|
|
|
1+2 |
|
4+5 |
2+7 |
2+7 |
|
DEIR |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
DEIR EL MEDINA |
|
|
|
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
Scientific American
updated from the 1996 issue
Page 68
Daily Life in Ancient Egypt
Andre G Mc Dowell
"Workmen and their families lived some 3000 years ago in the village now known as Deir el Medina
- |
|
- |
- |
- |
|
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9 |
9 |
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I |
9 |
9 |
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R |
18 |
9 |
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17 |
8 |
8 |
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18 |
9 |
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4 |
4 |
4 |
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9 |
9 |
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15 |
6 |
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DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
6+3 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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Deir el-Medina - Wikipedia, the free encyclopedia
Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings ...
en.wikipedia.org/wiki/Deir_el-Medina
Deir el-Medina
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Ruins of Deir el-Medina. A UNESCO World Heritage Site[1]Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings during the New Kingdom period (18th to 20th dynasties).[2] The settlement's ancient name was "Set Maat" (translated as "The Place of Truth"), and the workmen who lived there were called “servants in the Place of Truth”.[3] During the Christian era the temple of Hathor was converted into a Church from which the Arabic name Deir el-Medina ( "the monastery of the town") is derived.[4]
At the time when the world's press was concentrating on Howard Carter's discovery of the Tomb of Tutankhamun a team led by Bernard Bruyère began to excavate the site.[5] This work has resulted in one of the most thoroughly documented accounts of community life in the ancient world that spans almost four hundred years. There is no comparable site in which the organisation, social interactions, working and living conditions of a community can be studied in such detail.[6]
The site is located on the west bank of the Nile, across the river from modern-day Luxor.[7] The village is laid out in a small natural amphitheatre, within easy walking distance of the Valley of the Kings to the north, funerary temples to the east and south-east, with the Valley of the Queens to the west.[8] The village may have been built apart from the wider population in order to preserve secrecy in view of sensitive nature of the work carried out in the tombs.[9]
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- |
- |
- |
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36 |
27 |
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EL |
17 |
8 |
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46 |
28 |
1 |
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DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
1+8 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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- |
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- |
- |
- |
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4 |
4 |
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5 |
5 |
5 |
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I |
9 |
9 |
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R |
18 |
9 |
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5 |
5 |
5 |
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12 |
3 |
3 |
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13 |
4 |
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5 |
5 |
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4 |
4 |
4 |
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I |
9 |
9 |
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14 |
5 |
5 |
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1 |
1 |
1 |
|
DEIR EL MEDINA |
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1+2 |
|
9+9 |
6+3 |
6+3 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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- |
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- |
- |
- |
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4 |
4 |
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5 |
5 |
5 |
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I |
9 |
9 |
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R |
18 |
9 |
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5 |
5 |
5 |
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12 |
3 |
3 |
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13 |
4 |
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5 |
5 |
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4 |
4 |
4 |
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I |
9 |
9 |
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14 |
5 |
5 |
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1 |
1 |
1 |
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DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
6+3 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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- |
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- |
- |
- |
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9 |
9 |
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I |
9 |
9 |
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R |
18 |
9 |
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17 |
8 |
8 |
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18 |
9 |
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28 |
19 |
1 |
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DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
4+5 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES THE NINES THE NINES
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- |
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9 |
9 |
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I |
9 |
9 |
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R |
18 |
9 |
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18 |
9 |
9 |
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18 |
9 |
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9 |
9 |
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18 |
9 |
9 |
|
DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
6+3 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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LETTERS REARRANGE INTO THE MOST COMMON NUMERICAL PATTERN
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2 |
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9 |
9 |
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1 |
I |
9 |
9 |
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1 |
R |
18 |
9 |
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3 |
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18 |
9 |
9 |
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2 |
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18 |
9 |
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1 |
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9 |
9 |
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2 |
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18 |
9 |
9 |
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DEIR EL MEDINA |
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1+0 |
|
9+9 |
6+3 |
6+3 |
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6+3 |
|
DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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WELL T NEVER DID YOU EVER
I |
9 |
9 |
9 |
ME |
18 |
9 |
9 |
ME - EM |
36 |
18 |
9 |
ENERGY- MASS |
126 |
45 |
9 |
DIVINE - PUREST - LOVE |
216 |
81 |
9 |
THOUGHT |
99 |
36 |
9 |
REALITY |
90 |
36 |
9 |
THE - HUMAN - RACE |
117 |
54 |
9 |
DOUBLE - HELIX |
117 |
54 |
9 |
EGO |
27 |
18 |
9 |
CONSCIENCE |
90 |
45 |
9 |
SOTHIS |
90 |
27 |
9 |
OSIRIS - RA |
108 |
45 |
9 |
SOKAR - OSIRIS |
153 |
54 |
9 |
EDFU |
36 |
18 |
9 |
VENUS |
81 |
18 |
9 |
HORUS |
81 |
27 |
9 |
PHARAOH - PYRAMID |
153 |
81 |
9 |
EHYEH - ASHER - EHYEH |
153 |
90 |
9 |
KEBRA - NAGAST |
99 |
36 |
9 |
ZARATHUSTRA |
153 |
45 |
9 |
QUETZALCOATL |
153 |
45 |
9 |
IPSISSIMUS |
153 |
45 |
9 |
RELIGIONS |
108 |
54 |
9 |
FAITHS |
63 |
27 |
9 |
ALBERT - EINSTEIN |
153 |
63 |
9 |
PHYSICS |
99 |
36 |
9 |
OXYGEN |
90 |
36 |
9 |
SUN |
54 |
9 |
9 |
SAGITTARIUS |
144 |
45 |
9 |
THIRTEEN |
99 |
45 |
9 |
CREATORS |
99 |
36 |
9 |
GODS |
45 |
18 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
EIGHTYONE |
108 |
54 |
9 |
EIGHTEENTHIRTYSIX |
225 |
99 |
9 |
NEUTRINOS |
135 |
45 |
9 |
ZERO |
64 |
28 |
1 |
LOOK AT THE N9NES LOOK AT THE N9NES LOOK AT THE N9NES THE N9NES THE N9NES
7 |
SPHERES |
90 |
36 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
4 |
HOOP |
54 |
27 |
9 |
3 |
SUN |
54 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
9 |
5 |
WORLD |
72 |
27 |
9 |
11 |
SAGITTARIUS |
144 |
45 |
9 |
4 |
GAIA |
18 |
9 |
9 |
3 |
TAO |
36 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
3 |
EGO |
27 |
18 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
SORROW |
108 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
10 |
THIRTYFOUR |
160 |
61 |
7 |
3 |
YOU |
61 |
16 |
7 |
4 |
YOUR |
79 |
25 |
7 |
7 |
LETTERS |
99 |
27 |
9 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
33 |
6 |
9 |
NUMBERING |
103 |
49 |
4 |
6 |
NUMBER |
73 |
28 |
1 |
7 |
NUMBERS |
92 |
29 |
2 |
10 |
NUMBERLESS |
128 |
38 |
2 |
8 |
NUMERALS |
84 |
30 |
3 |
5 |
HIERO |
55 |
37 |
1 |
7 |
GLYPHIC |
80 |
44 |
8 |
12 |
HIEROGLYPHIC |
135 |
81 |
9 |
8 |
GLYPHICS |
99 |
45 |
9 |
5 |
GLYPH |
68 |
32 |
5 |
6 |
GLYPHS |
87 |
33 |
6 |
10 |
HIEROGLYPH |
123 |
69 |
6 |
11 |
HIEROGLYPHS |
142 |
70 |
7 |
13 |
HIEROGLYPHICS |
154 |
82 |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
7 |
SYMBOLS |
105 |
24 |
6 |
4 |
ZERO |
64 |
28 |
1 |
3 |
ONE |
34 |
16 |
7 |
8 |
ALPHABET |
65 |
29 |
2 |
9 |
ALPHABETS |
84 |
30 |
3 |
8 |
INSTINCT |
108 |
36 |
9 |
9 |
INSTINCTS |
127 |
37 |
1 |
11 |
INSTINCTUAL |
142 |
43 |
7 |
7 |
NATURAL |
87 |
24 |
6 |
6 |
NATURE |
79 |
25 |
7 |
7 |
NATURES |
98 |
26 |
8 |
9 |
UNIVERSAL |
121 |
40 |
4 |
8 |
LANGUAGE |
68 |
32 |
5 |
17 |
First Total |
189 |
72 |
9 |
1+7 |
Add to Reduce |
1+8+9 |
7+2 |
- |
8 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
- |
- |
8 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
GENETIC |
63 |
36 |
9 |
4 |
CODE |
27 |
18 |
9 |
11 |
Add to Reduce |
90 |
54 |
18 |
1+1 |
Reduce to Deduce |
9+0 |
5+4 |
1+8 |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
Add to Reduce |
117 |
54 |
9 |
1+1 |
Reduce to Deduce |
1+1+7 |
5+4 |
- |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
Add to Reduce |
108 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
- |
ALL IS NUMBER |
- |
- |
- |
3 |
|
25 |
7 |
|
|
IS |
28 |
10 |
|
6 |
|
73 |
28 |
|
|
ALL IS NUMBER |
|
|
|
|
- |
1+2+6 |
4+5 |
|
|
ALL IS NUMBER |
|
|
|
4 |
ZERO |
64 |
|
28 |
|
1 |
3
|
ONE |
34
|
|
16
|
|
7
|
3
|
TWO |
58
|
|
13
|
|
4
|
5
|
THREE |
56
|
|
29
|
|
2
|
4
|
FOUR |
60
|
|
24
|
|
6
|
4
|
FIVE |
42
|
|
24
|
|
6
|
3
|
SIX |
52
|
|
16
|
|
7
|
5
|
SEVEN |
65
|
|
20
|
|
2
|
5
|
EIGHT |
49
|
|
31
|
|
4
|
4
|
NINE |
42
|
|
24
|
|
6
|
3
|
TEN |
39
|
|
12
|
|
3
|
6
|
ELEVEN |
63
|
|
27
|
|
9
|
6
|
TWELVE |
87
|
|
24
|
|
6
|
8
|
THIRTEEN |
99
|
|
45
|
|
9
|
8
|
FOURTEEN |
104
|
|
41
|
|
5
|
7
|
FIFTEEN |
65
|
|
38
|
|
2
|
7
|
SIXTEEN |
96
|
|
33
|
|
6
|
9
|
SEVENTEEN |
109
|
|
37
|
|
1
|
8
|
EIGHTEEN |
73
|
|
46
|
|
1
|
8
|
NINETEEN |
86
|
|
41
|
|
5
|
6
|
TWENTY |
107
|
|
26
|
|
8
|
9
|
TWENTYONE |
141
|
|
42
|
|
6
|
9
|
TWENTYTWO |
165
|
|
39
|
|
3
|
11
|
TWENTYTHREE |
163
|
|
55
|
|
1
|
10
|
TWENTYFOUR |
167
|
|
50
|
|
5
|
10
|
TWENTYFIVE |
149
|
|
50
|
|
5
|
9
|
TWENTYSIX |
159
|
|
42
|
|
6
|
11
|
TWENTYSEVEN |
172
|
|
46
|
|
1
|
11
|
TWENTYEIGHT |
156
|
|
57
|
|
3
|
10
|
TWENTYNINE |
149
|
|
50
|
|
5
|
6
|
THIRTY |
100
|
|
37
|
|
1
|
9
|
THIRTYONE |
134
|
|
53
|
|
8
|
9
|
THIRTYTWO |
158
|
|
50
|
|
5
|
11
|
THIRTYTHREE |
156
|
|
66
|
|
3
|
10
|
THIRTYFOUR |
160
|
|
61
|
|
7
|
10
|
THIRTYFIVE |
142
|
|
61
|
|
7
|
9
|
THIRTYSIX |
152
|
|
53
|
|
8
|
11
|
THIRTYSEVEN |
165
|
|
57
|
|
3
|
11
|
THIRTYEIGHT |
149
|
|
68
|
|
5
|
10
|
THIRTYNINE |
142
|
|
61
|
|
7
|
5
|
FORTY |
84
|
|
30
|
|
3
|
8
|
FORTYONE |
118
|
|
46
|
|
1
|
8
|
FORTYTWO |
142
|
|
43
|
|
7
|
10
|
FORTYTHREE |
140
|
|
59
|
|
5
|
9
|
FORTYFOUR |
144
|
|
54
|
|
9
|
9
|
FORTYFIVE |
126
|
|
54
|
|
9
|
8
|
FORTYSIX |
136
|
|
46
|
|
1
|
10
|
FORTYSEVEN |
149
|
|
50
|
|
5
|
10
|
FORTYEIGHT |
133
|
|
61
|
|
7
|
9
|
FORTYNINE |
126
|
|
54
|
|
9
|
5
|
FIFTY |
66
|
|
30
|
|
3
|
8
|
FIFTYONE |
100
|
|
46
|
|
1
|
8
|
FIFTYTWO |
124
|
|
43
|
|
7
|
10
|
FIFTYTHREE |
122
|
|
59
|
|
5
|
9
|
FIFTYFOUR |
126
|
|
54
|
|
9
|
9
|
FIFTYFIVE |
108
|
|
54
|
|
9
|
8
|
FIFTYSIX |
118
|
|
46
|
|
1
|
10
|
FIFTYSEVEN |
131
|
|
50
|
|
5
|
10
|
FIFTYEIGHT |
115
|
|
61
|
|
7
|
9
|
FIFTYNINE |
108
|
|
54
|
|
9
|
5
|
SIXTY |
97
|
|
25
|
|
7
|
8
|
SIXTYONE |
131
|
|
41
|
|
5
|
8
|
SIXTYTWO |
155
|
|
38
|
|
2
|
10
|
SIXTYTHREE |
153
|
|
54
|
|
9
|
9
|
SIXTYFOUR |
157
|
|
49
|
|
4
|
9
|
SIXTYFIVE |
139
|
|
49
|
|
4
|
8
|
SIXTYSIX |
149
|
|
41
|
|
5
|
10
|
SIXTYSEVEN |
162
|
|
45
|
|
9
|
10
|
SIXTYEIGHT |
146
|
|
56
|
|
2
|
9
|
SIXTYNINE |
139
|
|
49
|
|
4
|
7
|
SEVENTY |
110
|
|
29
|
|
2
|
10
|
SEVENTYONE |
144
|
|
45
|
|
9
|
10
|
SEVENTYTWO |
168
|
|
42
|
|
6
|
12
|
SEVENTYTHREE |
166
|
|
58
|
|
4
|
11
|
SEVENTYFOUR |
170
|
|
53
|
|
8
|
11
|
SEVENTYFIVE |
152
|
|
53
|
|
8
|
10
|
SEVENTYSIX |
162
|
|
45
|
|
9
|
12
|
SEVENTYSEVEN |
175
|
|
49
|
|
4
|
12
|
SEVENTYEIGHT |
159
|
|
60
|
|
6
|
11
|
SEVENTYNINE |
152
|
|
53
|
|
8
|
6
|
EIGHTY |
74
|
|
38
|
|
2
|
9
|
EIGHTYONE |
108
|
|
54
|
|
9
|
9
|
EIGHTYTWO |
132
|
|
51
|
|
6
|
11
|
EIGHTYTHREE |
130
|
|
67
|
|
4
|
10
|
EIGHTYFOUR |
134
|
|
62
|
|
8
|
10
|
EIGHTYFIVE |
116
|
|
62
|
|
8
|
9
|
EIGHTYSIX |
126
|
|
54
|
|
9
|
11
|
EIGHTYSEVEN |
139
|
|
58
|
|
4
|
11
|
EIGHTYEIGHT |
123
|
|
69
|
|
6
|
10
|
EIGHTYNINE |
116
|
|
62
|
|
8
|
6
|
NINETY |
87
|
|
33
|
|
6
|
9
|
NINETYONE |
121
|
|
49
|
|
4
|
9
|
NINETYTWO |
145
|
|
46
|
|
1
|
11
|
NINETYTHREE |
143
|
|
62
|
|
8
|
10
|
NINETYFOUR |
147
|
|
57
|
|
3
|
10
|
NINETYFIVE |
129
|
|
57
|
|
3
|
9
|
NINETYSIX |
139
|
|
49
|
|
4
|
11
|
NINETYSEVEN |
152
|
|
53
|
|
8
|
11
|
NINETYEIGHT |
136
|
|
64
|
|
1
|
10
|
NINETYNINE |
129
|
|
57
|
|
3
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
6 |
NINETY |
87 |
33 |
6 |
N |
= |
5 |
- |
4 |
NINE |
42 |
24 |
6 |
S |
- |
12 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
1+2 |
-`` |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
S |
- |
4 |
|
4 |
Essence of Number |
|
|
|
7 |
SEVENTY |
110 |
|
29 |
|
2 |
10 |
SEVENTYONE |
144 |
|
45 |
|
9 |
10 |
SEVENTYTWO |
168 |
|
42 |
|
6 |
12 |
SEVENTYTHREE |
166 |
|
58 |
|
4 |
11 |
SEVENTYFOUR |
170 |
|
53 |
|
8 |
11 |
SEVENTYFIVE |
152 |
|
53 |
|
8 |
10 |
SEVENTYSIX |
162 |
|
45 |
|
9 |
12 |
SEVENTYSEVEN |
175 |
|
49 |
|
4 |
12 |
SEVENTYEIGHT |
159 |
|
60 |
|
6 |
11 |
SEVENTYNINE |
152 |
|
53 |
|
8 |
|
|
|
|
|
|
|
9+5 |
|
1+5+5+8 |
|
4+8+7 |
|
6+4 |
|
|
|
|
|
|
|
1+4 |
|
1+9 |
|
1+9 |
|
1+0 |
|
|
|
|
|
|
|
|
|
1+0 |
|
1+0 |
|
|
|
|
|
|
|
|
|
6 |
|
87
|
|
33
|
|
6
|
9 |
NINETYONE |
121
|
|
49
|
|
4
|
9 |
|
145
|
|
46
|
|
1
|
11 |
|
143
|
|
62
|
|
8
|
10 |
|
147
|
|
57
|
|
3
|
10 |
|
129
|
|
57
|
|
3
|
9 |
|
139
|
|
49
|
|
4
|
11 |
|
152
|
|
53
|
|
8
|
11 |
|
136
|
|
64
|
|
1
|
10 |
|
129 |
|
57 |
|
3 |
|
|
|
|
|
|
|
9+6 |
|
1+3+2+8 |
|
5+2+7 |
|
4+1 |
|
|
|
|
|
|
|
1+5 |
|
1+4 |
|
1+4 |
|
|
|
|
|
|
|
|
|
7 |
SEVENTY |
110 |
29 |
2 |
10 |
SEVENTYONE |
144 |
45 |
9 |
10 |
SEVENTYTWO |
168 |
42 |
6 |
12 |
SEVENTYTHREE |
166 |
58 |
4 |
11 |
SEVENTYFOUR |
170 |
53 |
8 |
11 |
SEVENTYFIVE |
152 |
53 |
8 |
10 |
SEVENTYSIX |
162 |
45 |
9 |
12 |
SEVENTYSEVEN |
175 |
49 |
4 |
12 |
SEVENTYEIGHT |
159 |
60 |
6 |
11 |
SEVENTYNINE |
152 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
87 |
33 |
6 |
9 |
NINETYONE |
121 |
49 |
4 |
9 |
|
145 |
46 |
1 |
11 |
|
143 |
62 |
8 |
10 |
|
147 |
57 |
3 |
10 |
|
129 |
57 |
3 |
9 |
|
139 |
49 |
4 |
11 |
|
152 |
53 |
8 |
11 |
|
136 |
64 |
1 |
10 |
|
129 |
57 |
3 |
|
|
|
|
|
9+6 |
|
1+3+2+8 |
5+2+7 |
4+1 |
|
|
|
|
|
1+5 |
|
1+4 |
1+4 |
|
|
|
|
|
|
NINETY
NINETYONE NINETYTWO NINETYTHREE NINETYFOUR NINETYFIVE NINETYSIX NINETY SEVEN NINETYEIGHT
NINETYNINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
6 |
|
87 |
33 |
33 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
9 |
|
121 |
49 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
9 |
|
145 |
46 |
46 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
11 |
|
143 |
62 |
62 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
10 |
|
147 |
57 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
10 |
|
129 |
57 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
9 |
|
139 |
58 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
11 |
|
152 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
11 |
|
136 |
64 |
64 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
10 |
|
129 |
57 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2+5 |
|
9+6 |
Add to Reduce |
1+3+2+8 |
5+4+5 |
5+2+7 |
|
|
2+6 |
|
|
2+1 |
3+6 |
7+7 |
1+6 |
1+4+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
NINETY
NINETYONE NINETYTWO NINETYTHREE NINETYFOUR NINETYFIVE NINETYSIX NINETY SEVEN NINETYEIGHT
NINETYNINE
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 143 = 215
the letter E
According to the data, the most common letter in the English language is the letterE
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
NINETY
NINETYONE NINETYTWO NINETYTHREE NINETYFOUR NINETYFIVE NINETYSIX NINETY SEVEN NINETYEIGHT
NINETYNINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
10 |
|
129 |
57 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2+5 |
|
9+6 |
Add to Reduce |
1+3+2+8 |
5+4+5 |
5+2+7 |
|
|
2+6 |
|
|
2+1 |
3+6 |
7+7 |
1+6 |
1+4+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
NINETY
NINETYONE NINETYTWO NINETYTHREE NINETYFOUR NINETYFIVE NINETYSIX NINETY SEVEN NINETYEIGHT
NINETYNINE
LOOK AT THE FIVES THE FIVES THE FIVES
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
25 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
10 |
|
129 |
57 |
57 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2+5 |
|
9+6 |
Add to Reduce |
1+3+2+8 |
5+4+5 |
5+2+7 |
|
|
2+6 |
|
|
2+1 |
3+6 |
7+7 |
1+6 |
1+4+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LOOK AT THE FIVES THE FIVES THE FIVES
7 |
SEVENTY |
110 |
29 |
2 |
10 |
SEVENTYONE |
144 |
45 |
9 |
10 |
SEVENTYTWO |
168 |
42 |
6 |
12 |
SEVENTYTHREE |
166 |
58 |
4 |
11 |
SEVENTYFOUR |
170 |
53 |
8 |
11 |
SEVENTYFIVE |
152 |
53 |
8 |
10 |
SEVENTYSIX |
162 |
45 |
9 |
12 |
SEVENTYSEVEN |
175 |
49 |
4 |
12 |
SEVENTYEIGHT |
159 |
60 |
6 |
11 |
SEVENTYNINE |
152 |
53 |
8 |
|
|
|
|
|
1+0+6 |
|
1+5+5+8 |
4+8+7 |
6+4 |
|
|
|
|
|
|
|
1+9 |
1+9 |
1+0 |
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
7 |
|
110 |
38 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
10 |
|
144 |
54 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
|
10 |
|
168 |
51 |
42 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
|
12 |
|
166 |
67 |
58 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
170 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
152 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYSIX |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
10 |
SEVENTYSIX |
162 |
63 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYSEVEN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
|
12 |
SEVENTYSEVEN |
175 |
67 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYEIGHT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
60 |
|
12 |
SEVENTYEIGHT |
159 |
69 |
60 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYNINE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
SEVENTYNINE |
152 |
62 |
53 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+8+7 |
|
1+0+8 |
Add to Reduce |
1+5+5+8 |
5+9+5 |
4+8+7 |
|
1+2 |
2+6 |
|
4+8 |
2+1+5 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
Reduce to Deduce |
1+9 |
1+9 |
1+9 |
|
|
|
|
1+2 |
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
SEVENTYNINE |
152 |
62 |
53 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+8+7 |
|
1+0+8 |
Add to Reduce |
1+5+5+8 |
5+9+5 |
4+8+7 |
|
1+2 |
2+6 |
|
4+8 |
2+1+5 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
Reduce to Deduce |
1+9 |
1+9 |
1+9 |
|
|
|
|
1+2 |
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 43 = 215
the letter E
According to the data, the most common letter in the English language is the letter E
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
ELECTRIC = ET CIRCLE = ELECTRIC
E |
|
5 |
|
|
ELECTRIC |
- |
- |
- |
|
|
|
|
|
|
25 |
7 |
7 |
|
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
3 |
3 |
3 |
|
|
|
|
|
|
12 |
3 |
3 |
|
|
|
|
|
|
5 |
5 |
5 |
E |
|
5 |
|
8 |
ELECTRIC |
75 |
39 |
39 |
|
|
|
|
- |
- |
7+5 |
3+9 |
3+9 |
E |
|
5 |
|
8 |
ELECTRIC |
12 |
12 |
12 |
|
|
- |
|
- |
- |
1+2 |
1+2 |
1+2 |
E |
|
5 |
|
8 |
ELECTRIC |
3 |
3 |
3 |
ELECTRIC = ET CIRCLE = ELECTRIC
C |
= |
3 |
|
CIRCLE |
- |
- |
- |
- |
|
|
|
|
3 |
3 |
3 |
- |
|
|
|
|
9 |
9 |
9 |
- |
|
|
|
|
18 |
9 |
9 |
- |
|
|
|
|
3 |
3 |
3 |
- |
|
|
|
|
12 |
3 |
3 |
- |
|
|
|
|
5 |
5 |
5 |
C |
= |
3 |
|
CIRCLE |
50 |
|
32 |
- |
|
|
- |
- |
5+0 |
3+2 |
3+2 |
C |
= |
3 |
|
CIRCLE |
5 |
5 |
5 |
8 |
|
99 |
45 |
|
8 |
|
94 |
40 |
|
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+3 |
8+5 |
1+3 |
7 |
Second Total |
13 |
13 |
|
8 |
Reduce to Deduce |
1+3 |
1+3 |
|
|
Essence of Number |
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
S |
19 |
10 |
|
|
O |
15 |
6 |
|
|
T |
20 |
2 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
SOT |
54 |
18 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
ESOTE |
64 |
28 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
I |
9 |
9 |
|
|
SECRET |
70 |
34 |
|
|
O |
15 |
6 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
The Upside
Down of the Downside Up
LOOK AT THE 5FIVES LOOK AT THE 5FIVES LOOK AT THE THE 5FIVES THE 5FIVES THE 5FIVES
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
|
|
- |
|
|
|
|
|
1+2 |
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX999
666
999
O |
= |
15 |
- |
3 |
|
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
|
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
|
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Deduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
|
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
|
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
|
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS
CIRCLE = 50 5+0 = 5 = 5+0 50 CIRCLE
1234 5 6789
ONE TWO THREE FOUR = 208 = 2+0+8 = 10 1+0 = 1
NINE EIGHT SEVEN SIX = 208 = 2+0+8 = 10 1+0 = 1
FIVE THE FULCRUM OF THE BALANCES
5FIVE5
THE SPIRIT LEVEL OF THE LEVEL SPIRIT
1234 5 6789
LOOK AT THE FIVES THE FIVES THE FIVES
7 |
SEVENTY |
110 |
29 |
2 |
10 |
SEVENTYONE |
144 |
45 |
9 |
10 |
SEVENTYTWO |
168 |
42 |
6 |
12 |
SEVENTYTHREE |
166 |
58 |
4 |
11 |
SEVENTYFOUR |
170 |
53 |
8 |
11 |
SEVENTYFIVE |
152 |
53 |
8 |
10 |
SEVENTYSIX |
162 |
45 |
9 |
12 |
SEVENTYSEVEN |
175 |
49 |
4 |
12 |
SEVENTYEIGHT |
159 |
60 |
6 |
11 |
SEVENTYNINE |
152 |
53 |
8 |
|
|
|
|
|
1+0+6 |
|
1+5+5+8 |
4+8+7 |
6+4 |
|
|
|
|
|
|
|
1+9 |
1+9 |
1+0 |
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE
SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
7 |
|
110 |
38 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
10 |
|
144 |
54 |
45 |
9 |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
18 |
1 |
|
19 |
10 |
1 |
|
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|
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|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
|
10 |
|
168 |
51 |
42 |
6 |
|
|
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|
|
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|
|
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|
|
|
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|
28 |
1 |
|
19 |
10 |
1 |
|
|
|
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|
|
|
|
|
|
|
|
|
29 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
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|
|
|
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|
34 |
1 |
|
25 |
7 |
|
|
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|
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|
35 |
1 |
|
20 |
2 |
2 |
|
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|
|
36 |
1 |
|
8 |
8 |
8 |
|
|
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|
|
|
|
|
37 |
1 |
|
18 |
9 |
9 |
|
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|
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|
38 |
1 |
|
5 |
5 |
|
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|
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|
39 |
1 |
|
5 |
5 |
|
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|
|
|
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|
|
58 |
|
12 |
|
166 |
67 |
58 |
4 |
|
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40 |
1 |
|
19 |
10 |
1 |
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41 |
1 |
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5 |
5 |
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42 |
1 |
|
22 |
4 |
4 |
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43 |
1 |
|
5 |
5 |
|
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44 |
1 |
|
14 |
5 |
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|
45 |
1 |
|
20 |
2 |
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46 |
1 |
|
25 |
7 |
|
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|
47 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
170 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
|
152 |
62 |
53 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYSIX |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
10 |
SEVENTYSIX |
162 |
63 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYSEVEN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
|
12 |
SEVENTYSEVEN |
175 |
67 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYEIGHT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
60 |
|
12 |
SEVENTYEIGHT |
159 |
69 |
60 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTYNINE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
SEVENTYNINE |
152 |
62 |
53 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+8+7 |
|
1+0+8 |
Add to Reduce |
1+5+5+8 |
5+9+5 |
4+8+7 |
|
1+2 |
2+6 |
|
4+8 |
2+1+5 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
Reduce to Deduce |
1+9 |
1+9 |
1+9 |
|
|
|
|
1+2 |
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE
SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
62 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
89 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
SEVENTYNINE |
152 |
62 |
53 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+8+7 |
|
1+0+8 |
Add to Reduce |
1+5+5+8 |
5+9+5 |
4+8+7 |
|
1+2 |
2+6 |
|
4+8 |
2+1+5 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
Reduce to Deduce |
1+9 |
1+9 |
1+9 |
|
|
|
|
1+2 |
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVENTY
SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE
SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT
SEVENTYNINE
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 43 = 215
the letter E
According to the data, the most common letter in the English language is the letter E
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
40 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
51 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
69 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
72 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
79 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
96 |
1 |
|
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
33 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
35 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
67 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
77 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
95 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
101 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
49 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
42 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
60 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
64 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
81 |
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
86 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
98 |
1 |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
39 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
43 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
52 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
55 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
65 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
66 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
73 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
75 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
76 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
80 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
82 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
85 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
88 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
91 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
97 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
100 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
103 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
105 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
106 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
48 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
58 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
71 |
1 |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
34 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
57 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
68 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
78 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
90 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
93 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
102 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
94 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
37 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
50 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
59 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
70 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
92 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
104 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
53 |
|
11 |
SEVENTYNINE |
152 |
62 |
53 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+8+7 |
|
1+0+8 |
Add to Reduce |
1+5+5+8 |
5+9+5 |
4+8+7 |
|
1+2 |
2+6 |
|
4+8 |
2+1 |
3+6 |
7+7 |
1+6 |
5+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
Reduce to Deduce |
1+9 |
1+9 |
1+9 |
|
|
|
|
1+2 |
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 43 = 215
4 |
NINE |
42 |
24 |
6 |
10 |
NINETY NINE |
129 |
57 |
3 |
14 |
|
171 |
81 |
9 |
1+4 |
|
|
|
|
5 |
|
|
|
|
14 |
NINE NINETY NINE |
171 |
81 |
9 |
|
|
171 |
81 |
9 |
|
NINE |
42 |
24 |
|
4 |
NINE |
42 |
24 |
6 |
|
NINE |
42 |
24 |
|
12 |
NINE NINE NINE |
126 |
72 |
18 |
1+2 |
|
1+2+6 |
7+2 |
1+8 |
3 |
NINE NINE NINE |
9 |
9 |
9 |
|
|
171 |
81 |
9 |
|
NI |
23 |
14 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
|
NI |
23 |
14 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
|
N |
14 |
14 |
|
|
IN |
23 |
14 |
|
|
E |
5 |
5 |
|
12 |
NINENINENINE |
126 |
72 |
45 |
1+2 |
|
1+2+6 |
7+2 |
4+5 |
3 |
NINENINENINE |
9 |
9 |
9 |
|
|
171 |
81 |
9 |
|
N |
14 |
5 |
|
|
I |
9 |
9 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
|
N |
14 |
5 |
|
|
I |
9 |
9 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
|
I |
9 |
9 |
|
|
N |
14 |
5 |
|
|
E |
5 |
5 |
|
12 |
NINENINENINE |
126 |
72 |
45 |
1+2 |
|
1+2+6 |
7+2 |
4+5 |
3 |
NINENINENINE |
9 |
9 |
9 |
|
NINENINENINE |
171 |
81 |
9 |
|
NI |
23 |
14 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
|
NI |
23 |
14 |
|
1 |
N |
14 |
5 |
5 |
|
E |
5 |
5 |
|
|
N |
14 |
5 |
|
|
NI |
23 |
14 |
|
|
E |
5 |
5 |
|
12 |
NINENINENINE |
126 |
72 |
45 |
1+2 |
- |
1+2+6 |
7+2 |
4+5 |
3 |
NINENINENINE |
9 |
9 |
9 |
- |
- |
- |
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
|
- |
|
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
1 |
E |
5 |
5 |
5 |
- |
|
- |
- |
2 |
A+D |
5 |
5 |
5 |
E |
= |
|
|
6 |
ENNEAD |
43 |
25 |
25 |
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
E |
= |
|
|
6 |
ENNEAD |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
- |
- |
- |
|
|
- |
- |
- |
- |
A |
1 |
1 |
1 |
|
|
20 |
2 |
|
|
|
12 |
3 |
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
F |
6 |
6 |
|
- |
Y |
25 |
7 |
7 |
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
|
- |
- |
- |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
Words Around "Emmanuel" in the English Dictionary
"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
5 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
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|
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|
|
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|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
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|
GOD WITH US 123456789 987654321 US WITH GOD
I
HAVE
COME
HAVE YOU COME FROM WHOLE SOURCE FROM WHOLE SOURCE HAVE
I
COME
R
U
RECEIVING ME RECEIVING
U
LOUD AND CLEAR
|
ESOTERIC |
|
|
|
|
ESOTE |
64 |
28 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
I |
9 |
9 |
|
|
SECRET |
70 |
34 |
|
|
O |
15 |
6 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
Entanglement: The weirdest link
New Scientist vol 181 issue 2440 - 27 March 2004, page 32
That spooky connection between tiny particles is appearing everywhere, and its consequences are even affecting the world that we experience. It seems to unravel the past, and may be what keeps us alive. Quantum entanglement just got a whole lot weirder, says Michael Brooks
ENTANGLEMENT. Erwin Schrödinger called this phenomenon the defining trait of quantum theory. Einstein famously dubbed it spukhafte Fernwirkungen: "spooky action at a distance". It is not hard to understand why. Set things up correctly, and you can instantaneously affect the physical properties of a particle on the other side of the universe simply by prodding its entangled twin.
This is no longer just a curiosity of the quantum world, visible only in excruciatingly delicate experiments. Physicists now believe that entanglement between particles exists everywhere, all the time, and have recently found shocking evidence that it affects the wider, "macroscopic" world that we inhabit.
It is a discovery that might have far-reaching consequences. Not only will it give us a better grip on technological applications, such as quantum computing and cryptography, and the teleportation of quantum states, it could also open up a whole new realm of reality, enabling us to retain and control quantum weirdness in our everyday world. And it's not just a strange kind of "remote control" over matter that is at stake. Entanglement could even be the key to understanding what gives rise to the phenomenon of life.
"spooky action at a distance"
S |
= |
1 |
- |
6 |
SPOOKY |
101 |
38 |
2 |
A |
= |
1 |
5 |
6 |
ACTION |
62 |
26 |
8 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
A |
= |
1 |
5 |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
8 |
DISTANCE |
75 |
39 |
3 |
- |
- |
8 |
24 |
23 |
First Total |
|
|
|
- |
- |
- |
- |
2+3 |
Add to Reduce |
2+4+8 |
1+0+7 |
1+7 |
Q |
- |
8 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
8 |
5 |
|
Essence of Number |
|
|
|
13 |
JUDAS ISCARIOT |
- |
- |
- |
|
J+U+D+A |
36 |
9 |
|
|
S |
19 |
10 |
|
|
I |
9 |
9 |
|
|
S+C+A |
23 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
O+T |
35 |
8 |
|
13 |
JUDAS ISCARIOT |
- |
- |
- |
11 |
JESUS CHRIST |
151 |
43 |
7 |
13 |
JUDAS ISCARIOT |
149 |
50 |
5 |
|
|
|
|
|
2+4 |
|
3+0+0 |
9+3 |
1+2 |
6 |
|
3 |
|
3 |
- |
- |
|
1+2 |
- |
6 |
|
|
|
|
- |
- |
- |
- |
11 |
JESUS CHRIST |
151 |
70 |
7 |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
13 |
JUDAS ISCARIOT |
149 |
68 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
J |
= |
1 |
1 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
S |
= |
1 |
3 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
4 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
5 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
11 |
- |
5 |
|
74 |
29 |
11 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
7 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
32 |
- |
5 |
|
77 |
41 |
32 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
J |
= |
1 |
12 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
13 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
D |
= |
4 |
14 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
15 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
10 |
- |
5 |
|
55 |
19 |
10 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
O |
= |
6 |
10 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
40 |
- |
5 |
|
94 |
49 |
40 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
6 |
|
11 |
JESUS CHRIST |
151 |
70 |
43 |
- |
|
|
|
|
5 |
|
7 |
|
|
- |
- |
- |
1 |
13 |
JUDAS ISCARIOT |
149 |
68 |
50 |
- |
- |
- |
1+2 |
- |
- |
- |
- |
- |
4+5 |
- |
- |
6 |
|
|
First Total |
|
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
2+4 |
Add to Reduce |
3+0+0 |
1+3+8 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Second Total |
3 |
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
- |
Reduce to Deduce |
|
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
6 |
CHRIST |
77 |
41 |
5 |
5 |
JUDAS |
55 |
19 |
1 |
8 |
ISCARIOT |
94 |
49 |
4 |
|
- |
|
|
|
2+4 |
- |
3+0+0 |
1+3+8 |
1+2 |
6 |
- |
3 |
|
|
- |
- |
|
1+2 |
- |
6 |
- |
|
|
|
- |
- |
- |
- |
11 |
JESUS CHRIST |
151 |
70 |
7 |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
13 |
JUDAS ISCARIOT |
149 |
68 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
J |
= |
1 |
1 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
S |
= |
1 |
3 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
4 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
5 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
7 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
J |
= |
1 |
12 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
13 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
D |
= |
4 |
14 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
15 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
O |
= |
6 |
10 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
11 |
JESUS CHRIST |
151 |
70 |
43 |
- |
|
|
|
|
5 |
|
7 |
|
|
- |
- |
- |
1 |
13 |
JUDAS ISCARIOT |
149 |
68 |
50 |
- |
- |
- |
1+2 |
- |
- |
- |
- |
- |
4+5 |
- |
- |
6 |
|
|
First Total |
|
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
2+4 |
Add to Reduce |
3+0+0 |
1+3+8 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Second Total |
3 |
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
- |
Reduce to Deduce |
|
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
JESUS CHRIST |
151 |
70 |
7 |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
13 |
JUDAS ISCARIOT |
149 |
68 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
J |
= |
1 |
1 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
3 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
5 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
J |
= |
1 |
12 |
1 |
J |
10 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
15 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
S |
= |
1 |
10 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
T |
= |
2 |
11 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
4 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
U |
= |
3 |
13 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
C |
= |
3 |
6 |
1 |
C |
3 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
7 |
- |
- |
D |
= |
4 |
14 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
7 |
- |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
7 |
- |
- |
O |
= |
6 |
10 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
7 |
- |
- |
H |
= |
8 |
7 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
7 |
8 |
- |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
R |
= |
9 |
8 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
11 |
JESUS CHRIST |
151 |
70 |
43 |
- |
|
|
|
|
5 |
|
7 |
|
|
- |
- |
- |
1 |
13 |
JUDAS ISCARIOT |
149 |
68 |
50 |
- |
- |
- |
1+2 |
- |
- |
- |
- |
- |
4+5 |
- |
- |
6 |
|
|
First Total |
|
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
2+4 |
Add to Reduce |
3+0+0 |
1+3+8 |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Second Total |
3 |
|
|
- |
|
|
|
|
|
|
7 |
|
|
- |
- |
- |
1 |
- |
Reduce to Deduce |
|
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
6 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
6 |
CHRIST |
77 |
41 |
5 |
5 |
JUDAS |
55 |
19 |
1 |
8 |
ISCARIOT |
94 |
49 |
4 |
|
- |
|
|
|
2+4 |
- |
3+0+0 |
1+3+8 |
1+2 |
6 |
- |
3 |
|
|
- |
- |
|
1+2 |
- |
6 |
- |
|
|
|
5 |
JUDAS |
55 |
19 |
1 |
- |
- |
|
- |
|
8 |
ISCARIOT |
94 |
49 |
4 |
- |
- |
|
- |
|
5 |
JESUS |
74 |
29 |
2 |
- |
- |
|
- |
|
6 |
CHRIST |
77 |
41 |
5 |
- |
- |
|
- |
|
|
- |
|
|
|
2+4 |
- |
3+0+0 |
1+3+8 |
1+2 |
6 |
- |
3 |
|
|
- |
- |
|
1+2 |
- |
6 |
- |
|
|
|
5 |
JUDAS |
55 |
19 |
1 |
5 |
JESUS |
74 |
29 |
2 |
- |
- |
|
- |
|
- |
- |
|
- |
|
8 |
ISCARIOT |
94 |
49 |
4 |
6 |
CHRIST |
77 |
41 |
5 |
- |
- |
|
- |
|
|
- |
|
|
|
2+4 |
- |
3+0+0 |
1+3+8 |
1+2 |
6 |
- |
3 |
|
|
- |
- |
|
1+2 |
- |
6 |
- |
|
|
|
|
|
|
|
5 |
JUDAS |
55 |
19 |
1 |
|
|
|
|
5 |
JESUS |
74 |
29 |
2 |
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
8 |
ISCARIOT |
94 |
49 |
4 |
|
|
|
|
6 |
CHRIST |
77 |
41 |
5 |
|
|
|
|
|
- |
|
- |
|
|
|
- |
|
- |
- |
|
- |
|
|
|
|
|
11 |
JESUS CHRIST |
151 |
70 |
43 |
|
|
|
|
13 |
JUDAS ISCARIOT |
149 |
68 |
50 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
2+4 |
|
3+0+0 |
1+3+8 |
1+2 |
|
|
|
|
|
JESUS CHRIST JUDAS ISCARIOT |
3 |
|
|
|
|
|
|
|
H - IS - C-H - ARIOT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
JESUS CHRIST |
151 |
70 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
JUDAS |
55 |
19 |
1 |
|
|
|
|
3 |
HIS |
36 |
18 |
9 |
|
|
|
|
7 |
CHARIOT |
74 |
38 |
2 |
|
|
|
|
|
JUDAS HIS CHARIOT |
|
|
|
|
|
1+2 |
|
1+5 |
|
1+6+5 |
7+5 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
JESUS CHRIST |
151 |
70 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
JUDAS |
55 |
19 |
1 |
|
|
|
|
3 |
HIS |
36 |
18 |
9 |
|
|
|
|
7 |
CHARIOT |
74 |
38 |
2 |
|
|
|
|
|
JUDAS HIS CHARIOT |
|
|
|
|
|
1+2 |
|
2+6 |
|
3+1+6 |
1+4+5 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
JESUS CHRIST’
JUDAS HIS CHARIOT
JESUS IS CHRIST
JUDAS IS CARIOT
JESUS CHRIST’
JUDAS HIS CHARIOT
JESUS 74-11-2
CHRIST 77-32-5
JESUSCHRIST + JUDASISCARIOT = 300-93-12-3
1ESU13HRIS2 + JUDA1I13ARIOT
1+1+3+2 = 7 + 1+1+3 = 5
7+5 = 12 1+2 = 3
11 JESUS CHRIST 151-43-7
13 JUDAS ISCARIOT 149-50-5
JUDAS 55-10-1
ISCARIOT 94-40-4
JUDASISCARIOT
1341191319962
1111123346999
11112338 99
15131389912
JESUSCHRIST
J--U SAD IS C A RIOT
J USE S
1 USE I
C H-R- IS T--
SEE HERE IS THE CHRISTOS
3 |
ONE |
34 |
16 |
7 |
2 |
OF |
21 |
12 |
3 |
3 |
YOU |
61 |
16 |
7 |
5 |
SHALL |
52 |
16 |
7 |
6 |
BETRAY |
71 |
26 |
8 |
2 |
ME |
18 |
9 |
9 |
21 |
|
|
|
|
2+1 |
|
2+5+7 |
9+5 |
4+1 |
3 |
|
14 |
14 |
5 |
- |
- |
1+4 |
1+4 |
- |
3 |
|
|
|
|
THE LAST SUPPER 1977
11 |
JESUS CHRIST |
151 |
43 |
7 |
14 |
JOHN THE BAPTIST |
87 |
24 |
6 |
25 |
|
|
|
|
|
|
2+3+8 |
6+7 |
- |
7 |
- |
13 |
13 |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
8 |
THIRTEEN |
|
|
|
7 |
PONTIUS |
114 |
33 |
6 |
6 |
PILATE |
63 |
27 |
9 |
13 |
PONTIUS PILATE |
- |
- |
- |
|
P+O+N+T |
65 |
20 |
|
|
I |
9 |
9 |
|
|
U+S+P |
56 |
11 |
|
|
I |
9 |
9 |
|
|
L+A+T+E |
38 |
11 |
|
13 |
PONTIUS PILATE |
- |
- |
- |
13 |
PONTIUS PILATE |
- |
- |
- |
|
P+O+N |
45 |
18 |
|
|
T |
20 |
2 |
|
|
I |
9 |
9 |
|
|
U+S+P |
56 |
11 |
|
|
I |
9 |
9 |
|
|
L+A+T+E |
38 |
11 |
|
13 |
PONTIUS PILATE |
- |
- |
- |
- |
PONTIUS PILATE |
- |
- |
- |
|
P+O+N+T+I+U+S |
114 |
33 |
|
|
P+I+L+A+T+E |
63 |
27 |
|
13 |
PONTIUS PILATE |
177 |
60 |
15 |
1+3 |
- |
1+7+7 |
6+0 |
1+5 |
|
PONTIUS PILATE |
|
|
|
- |
- |
1+5 |
- |
- |
|
PONTIUS PILATE |
|
|
|
PONTIUS PILATE
- |
- |
- |
- |
- |
PONTIUS PILATE |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
6 |
PONTIUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
U |
= |
3 |
6 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
7 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
33 |
- |
6 |
PONTIUS |
114 |
42 |
33 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PILATE |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
8 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PILATE |
63 |
27 |
27 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
13 |
PONTIUS PILATE |
177 |
60 |
51 |
- |
|
|
|
|
|
|
14 |
|
|
- |
- |
2+7 |
1 |
1+3 |
- |
1+7+7 |
6+0 |
1+5 |
- |
- |
- |
- |
- |
1+0 |
- |
1+4 |
- |
1+8 |
- |
- |
|
|
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
5 |
|
|
- |
- |
- |
1 |
- |
- |
1+5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
PONTIUS PILATE |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
6 |
PONTIUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
4 |
- |
- |
7 |
8 |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
4 |
5 |
- |
- |
8 |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
4 |
- |
- |
- |
8 |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
9 |
U |
= |
3 |
6 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
4 |
- |
- |
- |
8 |
- |
S |
= |
1 |
7 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
4 |
- |
- |
- |
8 |
- |
P |
= |
7 |
8 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
4 |
- |
- |
7 |
8 |
- |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
9 |
L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
4 |
- |
- |
- |
8 |
- |
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
4 |
- |
- |
- |
8 |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
4 |
- |
- |
- |
8 |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
4 |
5 |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
PILATE |
63 |
27 |
27 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
- |
- |
- |
|
|
13 |
PONTIUS PILATE |
177 |
60 |
51 |
- |
|
|
|
|
|
|
14 |
|
|
- |
- |
2+7 |
1 |
1+3 |
- |
1+7+7 |
6+0 |
1+5 |
- |
- |
- |
- |
- |
1+0 |
- |
1+4 |
- |
1+8 |
- |
- |
|
|
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
5 |
|
|
- |
- |
- |
1 |
- |
- |
1+5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
PONTIUS PILATE |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
6 |
PONTIUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
7 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
4 |
- |
- |
- |
8 |
- |
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
4 |
- |
- |
- |
8 |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
4 |
- |
- |
- |
8 |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
4 |
- |
- |
- |
8 |
- |
U |
= |
3 |
6 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
4 |
- |
- |
- |
8 |
- |
L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
4 |
- |
- |
- |
8 |
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
4 |
5 |
- |
- |
8 |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
4 |
5 |
- |
- |
8 |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
4 |
- |
- |
7 |
8 |
- |
P |
= |
7 |
8 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
4 |
- |
- |
7 |
8 |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
9 |
- |
- |
- |
- |
- |
PILATE |
63 |
27 |
27 |
- |
- |
- |
- |
4 |
- |
- |
- |
8 |
- |
- |
- |
|
|
13 |
PONTIUS PILATE |
177 |
60 |
51 |
- |
|
|
|
|
|
|
14 |
|
|
- |
- |
2+7 |
1 |
1+3 |
- |
1+7+7 |
6+0 |
1+5 |
- |
- |
- |
- |
- |
1+0 |
- |
1+4 |
- |
1+8 |
- |
- |
|
|
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
5 |
|
|
- |
- |
- |
1 |
- |
- |
1+5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
PONTIUS PILATE |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
- |
- |
- |
- |
6 |
PONTIUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
7 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
11 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
T |
= |
2 |
12 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
U |
= |
3 |
6 |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
5 |
- |
- |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
5 |
- |
- |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
6 |
- |
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
P |
= |
7 |
8 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
I |
= |
9 |
9 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
PILATE |
63 |
27 |
27 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
13 |
PONTIUS PILATE |
177 |
60 |
51 |
- |
|
|
|
|
|
14 |
|
- |
- |
2+7 |
1 |
1+3 |
- |
1+7+7 |
6+0 |
1+5 |
- |
- |
- |
- |
1+0 |
- |
1+4 |
1+8 |
- |
- |
|
|
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
5 |
|
- |
- |
- |
1 |
- |
- |
1+5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
PONTIUS PILATE |
|
|
|
- |
|
|
|
|
|
|
|
THEM O THEM
ATUM 1234 4321 MUTA
ATUM
Atum (or Tem or Tum) was an early god of Heliopolis, and a predynastic sun-deity. The Heliopolitan theologians interpreted his name to mean the "complete one." A reference to their belief that Atum created himself out of the waters of Nun, either through the effort of his own will power or by uttering his own name, which was the power of the spoken word. He also was called Neb-er-djer, "Lord to the Limit" or Universal God.
http://www.themystica.com/mythical-folk/articles/atum.html
THE WASTE LAND AND OTHER POEMS
T.S. Eliot
First published 1940
PagE 62
7
JOURNEY OF THE MAGI
"...All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death."
|
|
|
|
6 |
SOPHIA |
- |
- |
- |
|
|
|
|
|
S+O+P+H |
58 |
22 |
|
|
|
|
|
|
I |
9 |
9 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
6 |
SOPHIA |
68 |
32 |
14 |
|
|
|
|
- |
- |
6+8 |
3+2 |
1+4 |
|
|
|
|
6 |
SOPHIA |
14 |
5 |
5 |
|
|
|
|
- |
- |
1+4 |
- |
- |
|
|
|
|
6 |
SOPHIA |
5 |
5 |
5 |
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
7 |
|
|
1 |
|
|
|
|
|
|
= |
|
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
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|
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- |
|
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occurs |
x |
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= |
6 |
|
|
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occurs |
x |
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= |
7 |
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occurs |
x |
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= |
8 |
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occurs |
x |
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= |
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|
|
1+4 |
2+0 |
|
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3+1 |
|
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|
3+2 |
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|
|
|
1 |
6 |
7 |
8 |
9 |
1 |
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|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
20 |
S |
|
|
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|
|
|
|
|
|
|
|
- |
|
- |
1 |
6 |
|
8 |
9 |
|
|
|
|
2+4 |
|
|
= |
|
|
- |
19 |
15 |
|
8 |
9 |
|
|
|
|
5+1 |
|
|
= |
|
|
20 |
S |
|
|
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|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
7 |
|
|
1 |
|
|
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|
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|
= |
|
|
- |
|
|
16 |
|
|
1 |
|
|
|
1+7 |
|
|
1+7 |
|
|
20 |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
19 |
15 |
16 |
8 |
9 |
1 |
|
|
|
6+8 |
|
|
1+4 |
|
|
- |
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
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|
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|
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|
occurs |
x |
|
= |
|
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|
|
|
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|
|
|
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|
|
|
|
|
|
1+4 |
2+0 |
|
|
|
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|
|
|
|
3+1 |
|
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
6 |
7 |
8 |
9 |
1 |
|
|
|
|
|
|
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|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
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|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
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|
|
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|
|
- |
- |
- |
|
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- |
|
|
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|
occurs |
x |
|
= |
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- |
- |
|
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|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
ATUM RA |
- |
- |
- |
|
|
|
|
|
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
2 |
RA |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
1+0 |
|
|
A |
1 |
1 |
|
|
|
|
|
6 |
ATUM RA |
74 |
20 |
20 |
|
|
|
|
- |
- |
7+4 |
2+0 |
2+0 |
|
|
|
|
6 |
ATUM RA |
11 |
2 |
2 |
|
|
|
|
- |
- |
1+1 |
- |
- |
|
|
|
|
6 |
ATUM RA |
2 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
|
|
9 |
|
|
|
1+9 |
- |
|
|
- |
2+0 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
2 |
3 |
4 |
|
9 |
1 |
- |
- |
1+0 |
- |
- |
- |
- |
- |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
|
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
- |
|
|
- |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
2 |
3 |
4 |
|
9 |
1 |
- |
- |
1+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
18 |
1 |
|
|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
|
2+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
- |
|
|
Q |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
9 |
1 |
|
|
1+0 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
RE ATUM |
- |
- |
- |
|
|
|
|
2 |
RE |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
1+0 |
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
RE ATUM |
60 |
24 |
24 |
|
|
|
|
- |
- |
6+0 |
2+4 |
2+4 |
|
|
|
|
6 |
RE ATUM |
6 |
6 |
6 |
|
|
|
|
- |
- |
1+1 |
- |
- |
|
|
|
|
6 |
RE ATUM |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
18 |
|
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
- |
|
9 |
|
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
18 |
5 |
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
- |
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
18 |
5 |
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
- |
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
6 |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
1+4 |
- |
|
|
- |
2+4 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
5 |
|
1 |
2 |
3 |
4 |
- |
|
|
- |
- |
- |
- |
- |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
18 |
|
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
|
9 |
|
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
18 |
5 |
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
18 |
5 |
|
1 |
20 |
21 |
13 |
|
|
|
6+0 |
= |
|
= |
|
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
|
2+4 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
1+4 |
- |
|
|
- |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
|
1 |
2 |
3 |
4 |
- |
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- |
- |
- |
- |
- |
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5 x 14 = 70
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
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8 |
- |
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6 |
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6 |
5 |
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6 |
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8 |
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6 |
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9 |
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1 |
9 |
6 |
- |
1 |
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- |
- |
5 |
- |
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9 |
- |
8 |
- |
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5 |
9 |
5 |
- |
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26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
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9 |
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8 |
- |
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14 |
9 |
14 |
- |
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5 |
9 |
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5 |
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2 |
5 |
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2 |
- |
9 |
5 |
5 |
- |
6 |
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3 |
9 |
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6 |
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4 |
5 |
- |
- |
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- |
- |
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5 |
4 |
5 |
- |
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5 |
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7 |
- |
2 |
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- |
- |
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5 |
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5 |
18 |
- |
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- |
- |
5 |
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20 |
23 |
- |
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20 |
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18 |
5 |
5 |
- |
6 |
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21 |
18 |
- |
6 |
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22 |
5 |
- |
- |
- |
- |
- |
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5 |
22 |
5 |
- |
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5 |
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7 |
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20 |
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5 |
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E |
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26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
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5 |
9 |
5 |
5 |
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-- |
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6 |
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-- |
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5 |
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5 |
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5 |
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5 |
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4+5 |
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
|
14 x 5 x 14
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
14 x 5 x 14
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
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|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
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|
|
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
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8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
8 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
9 |
- |
- |
- |
1 |
9 |
6 |
- |
1 |
- |
- |
- |
5 |
- |
- |
9 |
- |
8 |
- |
- |
5 |
9 |
5 |
- |
|
26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
- |
- |
9 |
- |
8 |
- |
- |
14 |
9 |
14 |
- |
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
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- |
5 |
9 |
- |
- |
- |
- |
5 |
- |
2 |
5 |
- |
- |
2 |
- |
9 |
5 |
5 |
- |
6 |
- |
3 |
9 |
- |
6 |
- |
4 |
5 |
- |
- |
- |
- |
- |
- |
5 |
4 |
5 |
- |
- |
5 |
- |
7 |
- |
2 |
- |
- |
- |
- |
5 |
|
- |
5 |
18 |
- |
- |
- |
- |
5 |
- |
20 |
23 |
- |
- |
20 |
- |
18 |
5 |
5 |
- |
6 |
- |
21 |
18 |
- |
6 |
- |
22 |
5 |
- |
- |
- |
- |
- |
- |
5 |
22 |
5 |
- |
- |
5 |
- |
7 |
- |
20 |
- |
- |
- |
- |
5 |
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
|
26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
5 |
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- |
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- |
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- |
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- |
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- |
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- |
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- |
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- |
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- |
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4 |
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-- |
|
5 |
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5 |
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5 |
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5 |
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6 |
- |
- |
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- |
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- |
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- |
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- |
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- |
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-- |
|
5 |
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5 |
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5 |
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5 |
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4+5 |
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6 |
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5 |
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2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
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5 |
9 |
5 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x14 = 70
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8 |
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3 |
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6 |
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4 |
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1 |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
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1+1+2 |
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26 |
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15 |
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15 |
14 |
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15 |
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2+5+6 |
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1+3 |
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20 |
23 |
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1+4 |
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21 |
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6 |
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22 |
5 |
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24 |
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22 |
5 |
14 |
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9 |
7 |
8 |
20 |
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9 |
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5 |
+ |
= |
|
5+2+2 |
= |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
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2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
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6 |
9 |
4 |
5 |
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1 |
9 |
6 |
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1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
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9 |
5 |
5 |
+ |
= |
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2+2+5 |
= |
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1 |
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1 |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
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- |
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+ |
= |
|
occurs |
x |
2 |
= |
|
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- |
- |
- |
- |
- |
2 |
- |
- |
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2 |
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2 |
- |
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+ |
= |
|
occurs |
x |
3 |
= |
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- |
- |
- |
- |
- |
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- |
- |
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3 |
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+ |
= |
|
occurs |
x |
1 |
= |
|
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|
- |
|
|
- |
- |
- |
- |
- |
- |
- |
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4 |
- |
- |
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4 |
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- |
- |
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- |
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+ |
= |
|
occurs |
x |
2 |
= |
|
- |
|
|
5 |
|
- |
- |
- |
5 |
5 |
- |
- |
5 |
- |
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- |
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5 |
5 |
- |
- |
- |
- |
- |
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5 |
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- |
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- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
+ |
= |
|
occurs |
x |
14 |
= |
|
7+0 |
|
|
|
|
6 |
- |
6- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
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6 |
6 |
- |
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6 |
- |
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6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
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- |
|
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
7 |
= |
|
4+2 |
|
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
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|
- |
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- |
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- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
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- |
+ |
= |
|
occurs |
x |
1 |
= |
|
- |
|
8 |
|
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
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8 |
- |
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- |
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- |
- |
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|
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8 |
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- |
- |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
9 |
- |
|
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
9 |
- |
- |
+ |
= |
|
occurs |
x |
7 |
= |
|
6+3 |
|
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
|
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|
5 |
|
- |
- |
- |
5 |
5 |
- |
- |
5 |
- |
- |
- |
- |
- |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
5 |
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
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|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
|
5 |
5 |
- |
6 |
6 |
3 |
|
- |
6 |
|
4 |
5 |
- |
1 |
|
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
|
7 |
8 |
2 |
- |
5 |
|
5 |
5 |
|
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|
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|
|
R |
|
- |
O |
N |
E |
- |
T |
W |
O |
- |
T |
H |
R |
E |
E |
- |
F |
O |
U |
R |
- |
F |
I |
V |
E |
- |
S |
I |
X |
- |
S |
E |
V |
E |
N |
- |
E |
I |
G |
H |
T |
- |
N |
I |
N |
E |
|
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|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
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|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 40
the letter E
According to the data, the most common letter in the English language is the letter E
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
T |
= |
2 |
- |
3 |
|
56 |
29 |
2 |
T |
= |
2 |
- |
5 |
|
52 |
16 |
7 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
F |
= |
6 |
- |
4 |
|
65 |
20 |
2 |
S |
= |
1 |
- |
3 |
|
42 |
24 |
6 |
S |
= |
1 |
- |
5 |
|
58 |
13 |
4 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
- |
- |
34 |
- |
36 |
- |
|
|
|
- |
|
3+4 |
|
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
- |
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
- |
1+7 |
1+7 |
- |
- |
- |
7 |
- |
9 |
- |
|
|
|
|
|
|
3 |
|
34 |
16 |
|
|
|
|
3 |
|
58 |
13 |
|
|
|
|
5 |
|
56 |
29 |
|
|
|
|
4 |
|
60 |
24 |
|
F |
+ |
6 |
4 |
FIVE |
42 |
24 |
6 |
|
|
|
3 |
|
52 |
16 |
|
|
|
|
5 |
|
65 |
20 |
|
|
|
|
5 |
|
49 |
31 |
|
|
|
|
4 |
|
42 |
24 |
|
|
|
|
|
- |
|
|
|
|
|
3+9 |
3+6 |
- |
4+5+8 |
1+9+7 |
4+4 |
|
|
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- |
|
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|
1+2 |
|
- |
- |
- |
|
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- |
|
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|
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
- |
3 |
|
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
|
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
|
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Deduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
|
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
|
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
|
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS
ONE TWO THREE FOUR
FIVE
SIX SEVEN EIGHT NINE
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
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= |
6 |
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- |
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15 |
6 |
6 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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16 |
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34 |
16 |
16 |
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= |
2 |
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- |
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20 |
2 |
2 |
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= |
5 |
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- |
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23 |
5 |
5 |
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= |
6 |
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- |
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15 |
6 |
6 |
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13 |
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58 |
13 |
13 |
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= |
2 |
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- |
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20 |
2 |
2 |
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= |
8 |
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- |
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8 |
8 |
8 |
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= |
9 |
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- |
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18 |
9 |
9 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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29 |
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56 |
29 |
29 |
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= |
6 |
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- |
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6 |
6 |
6 |
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= |
6 |
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- |
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15 |
6 |
6 |
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= |
3 |
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- |
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21 |
3 |
3 |
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= |
9 |
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- |
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18 |
9 |
9 |
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24 |
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60 |
24 |
24 |
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15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
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= |
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- |
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6 |
6 |
6 |
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= |
- |
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- |
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9 |
9 |
9 |
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= |
- |
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- |
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22 |
4 |
4 |
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= |
- |
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- |
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5 |
5 |
5 |
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24 |
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42 |
24 |
24 |
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1 |
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- |
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19 |
1 |
1 |
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9 |
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- |
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9 |
9 |
9 |
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6 |
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24 |
6 |
6 |
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16 |
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52 |
16 |
16 |
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- |
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19 |
1 |
1 |
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= |
5 |
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5 |
5 |
5 |
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4 |
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- |
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22 |
4 |
4 |
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5 |
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5 |
5 |
5 |
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= |
5 |
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14 |
5 |
5 |
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20 |
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65 |
20 |
20 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
9 |
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- |
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9 |
9 |
9 |
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= |
7 |
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- |
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= |
8 |
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- |
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8 |
8 |
8 |
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= |
2 |
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- |
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20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
|
|
49 |
31 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ONE TWO THREE FOUR
5 V 5
SIX SEVEN EIGHT NINE
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
0 |
4 |
3 |
0 |
4 |
24 |
0 |
8 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
- |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
0 |
4 |
35 |
6 |
7 |
8 |
27 |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
ONE TWO THREE FOUR |
208 |
82 |
82 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
|
|
42 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
- |
|
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
208 |
91 |
91 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
22 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+5 |
2+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
REDUCE |
1+7 |
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DEDUCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
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- |
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22 |
4 |
4 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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14 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
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23 |
5 |
5 |
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= |
5 |
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- |
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5 |
5 |
5 |
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= |
5 |
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- |
|
5 |
5 |
5 |
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= |
6 |
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- |
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15 |
6 |
6 |
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= |
6 |
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- |
|
6 |
6 |
6 |
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= |
6 |
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- |
|
15 |
6 |
6 |
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= |
6 |
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- |
|
15 |
6 |
6 |
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= |
6 |
|
- |
|
24 |
6 |
6 |
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= |
7 |
|
- |
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= |
8 |
|
- |
|
8 |
8 |
8 |
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= |
8 |
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- |
|
8 |
8 |
8 |
|
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= |
9 |
|
- |
|
18 |
9 |
9 |
|
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= |
9 |
|
- |
|
18 |
9 |
9 |
|
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= |
9 |
|
- |
|
9 |
9 |
9 |
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= |
9 |
|
- |
|
9 |
9 |
9 |
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= |
9 |
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- |
|
9 |
9 |
9 |
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208 |
91 |
91 |
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|
6+0 |
3+0 |
|
1+6 |
4+5 |
- |
- |
- |
|
32 |
ADD |
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|
6+0 |
3+2 |
REDUCE |
4+5+8 |
1+9+7 |
1+9+7 |
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DEDUCE |
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|
REDUCE |
1+7 |
1+7 |
1+7 |
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DEDUCE |
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|
3 |
|
34 |
16 |
7 |
- |
3 |
|
52 |
16 |
7 |
3 |
|
58 |
13 |
4 |
- |
5 |
|
65 |
20 |
2 |
5 |
|
56 |
29 |
2 |
- |
5 |
|
49 |
31 |
4 |
4 |
|
60 |
24 |
6 |
- |
4 |
|
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Deduce |
10 |
10 |
10 |
- |
8 |
Deduce |
10 |
10 |
10 |
- |
Produce |
1+0 |
1+0 |
1+0 |
- |
- |
Produce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
CIRCLE = 50 5+0 = 5 = 5+0 50 CIRCLE
1234 5 6789
ONE TWO THREE FOUR = 208 = 2+0+8 = 10 1+0 = 1
NINE EIGHT SEVEN SIX = 208 = 2+0+8 = 10 1+0 = 1
FIVE THE FULCRUM OF THE BALANCES
5FIVE5
THE SPIRIT LEVEL OF THE LEVEL SPIRIT
1234 5 6789
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
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1 |
2 |
|
34 |
16 |
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2 |
4 |
|
28 |
19 |
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3 |
2 |
|
18 |
9 |
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6 |
4 |
4 |
|
37 |
19 |
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5 |
3 |
|
19 |
10 |
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6 |
4 |
|
28 |
19 |
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4 |
7 |
2 |
|
18 |
9 |
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8 |
5 |
|
60 |
24 |
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1 |
9 |
3 |
|
19 |
10 |
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10 |
4 |
|
28 |
19 |
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|
11 |
2 |
|
18 |
9 |
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12 |
4 |
|
37 |
19 |
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|
13 |
5 |
|
32 |
23 |
|
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|
9 |
14 |
3 |
|
48 |
12 |
|
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|
15 |
4 |
|
26 |
17 |
|
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|
16 |
1 |
|
1 |
1 |
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17 |
4 |
|
48 |
21 |
|
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|
18 |
4 |
|
48 |
21 |
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2 |
19 |
4 |
|
47 |
20 |
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|
First Total |
|
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|
|
|
|
|
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|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
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|
|
|
|
|
|
2+7 |
|
|
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|
|
Second Total |
|
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|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
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|
Essence of Number |
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|
THE SCULPTURE OF VIBRATIONS 1971
THE ATUM THE
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
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|
1+0 |
= |
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- |
- |
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|
- |
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|
occurs |
x |
|
= |
|
- |
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|
occurs |
x |
|
= |
|
- |
- |
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|
occurs |
x |
|
= |
|
- |
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|
occurs |
x |
|
= |
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|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
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|
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
- |
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- |
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|
occurs |
x |
|
= |
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- |
- |
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occurs |
x |
|
= |
|
- |
- |
- |
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occurs |
x |
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= |
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- |
- |
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occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
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|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
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|
Q |
1+0 |
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- |
|
1 |
20 |
21 |
13 |
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|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
- |
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- |
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|
occurs |
x |
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= |
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- |
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occurs |
x |
|
= |
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- |
- |
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occurs |
x |
|
= |
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- |
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occurs |
x |
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= |
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1 |
2 |
3 |
4 |
|
|
1+0 |
- |
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Q |
1+0 |
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THE HORUS OF HOURS 1979
AND ONE CHOSEN RACE THE HUMAN RACE
YEA
THOUGH
I
WALK THROUGH
THE
VALLEY OF THE SHADOW OF DEATH
I
WILL FEAR NO EVIL FOR THOU ART WITH
ME
ALWAYS
http://cyberconnects.com/forum/index.php?topic=20378.0
Quote from: Vyse Dyne on November 22, 2008, 07:16:32 PMThe word occult comes from the Latin word occultus (clandestine, hidden, secret), referring to "knowledge of the hidden"
Or occulti, occulto, occultum, occulto, occulti, occultorum, occultis, occultos, or occultis.
Depends on where it is in the sentence.
TIMELESS EARTH
Peter Kolosimo 1974
Chapter
NINETEEN
Page 192
"The Indians say that thousands of years ago their ancestors travelled on great golden discs which were kept airborne by means of sound vibrations at a certain pitch, produced by continual hammer-blows. This is not so absurd as it may seem. Vibrations of a set frequency may have had the effect of increasing the atomic energy of gold, thus reducing the weight of the disc and enabling it to overcome gravity.'
'… To quote Pauwels and Bergier (op. Cit.,p. 197: ' The U.S. archaeologist Hyatt Verrill spent thirty years investigating the lost civilizations of Central and South America. . . In his fine novel, The Bridge of Light, he described a pre-Incaic city protected by a rocky defile which could only be crossed by a bridge constructed of ionized matter which could be made to appear and diappear at will. Verrill,who died at the age of eighty, insisted to the last that this was much more than a legend, and his wife who survives him, is of the same opinion."
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
PLANETS STARS AND LIFE
Page 24
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
.....
O
NAMUH
BELOVED CHILDREN OF THE LIGHT BLESSED
DREAMER OF DREAMS
AWAKEN
THE
ETERNAL MOMENT
BIRTHS
ITS
FUTURE
1 |
1 |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
10 |
EVERYTHING |
133 |
61 |
7 |
4 |
THAT |
49 |
13 |
4 |
3 |
WAS |
43 |
7 |
7 |
4 |
THAT |
49 |
13 |
4 |
2 |
IS |
28 |
10 |
1 |
2 |
OR |
33 |
15 |
6 |
4 |
EVER |
50 |
23 |
5 |
4 |
WILL |
56 |
20 |
2 |
2 |
BE |
7 |
7 |
7 |
38 |
First Total |
|
|
|
3+8 |
Add to Reduce |
4+7+1 |
1+8+3 |
5+7 |
11 |
Second Total |
|
|
|
1+1 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
Essence of Number |
|
|
|
I
NAME THAT HOLY NAME THAT HOLY NAME I NAME
AH ME AND YOU AND I AND YOU AND ME AH ME
NAME THAT HOLY AMEN AND AMEN THAT HOLY NAME
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
4 |
AMEN |
33 |
15 |
6 |
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
1 |
1 |
9 |
9 |
9 |
4 |
MEAN |
33 |
15 |
6 |
4 |
AMEN |
33 |
15 |
6 |
4 |
THAT |
49 |
13 |
4 |
4 |
NAME |
33 |
15 |
6 |
17 |
First Total |
|
|
|
1+7 |
Add to Reduce |
1+5+7 |
6+7 |
3+1 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
1+3 |
- |
|
Essence of Number |
|
|
|
THE GROWTH OF SCIENCE
A.P.Rossiter 1939
Page 15
"The Egyptians,…" "…made good observations on the stars and were able to say when the sun or moon would become dark in an eclipse (a most surprising event even in our times), and when the land would be covered by the waters of the Nile: they were expert at building and made some discoveries about the relations of lines and angles - among them one very old rule for getting a right-angle by stretching out knotted cords with 5, 4 And 3 units between the knots."
"...among them one very old rule for getting a right-angle by stretching out knotted cords with
5, 4 And 3 units between the knots."
CIVILIZATION, SCIENCE AND RELIGION
A. D. RITCHIE 1945
THE ART OF THINKING
Page 39
"The Egyptians could set out a right-angle on the ground,
for building or for land surveying,
by means of a cord knotted at intervals of
3, 4 and 5 units of length."
A BRIEF HISTORY OF INFINITY
"The Quest to Think the Unthinkable
Brian Clegg 2003
Page 66
"When dealing with such ratios, they would know that there was a clear relationship in terms of a full unit - so, for instance, in the famous right angled triangle of Pythagoras' theorem, they would think of the longest side being 5 units long when the other side were 3 and 4..."
The Theorem of Pythagoras 25 Nov 2001 ... Brief description and proof of the Pythagorean theorem by dissection, ... Ancient Egyptian builders may have known the (3,4,5) triangle and ...
arc.iki.rssi.ru/mirrors/stern/stargaze/Spyth.htm-
-The Pythagorean Theorem and the Maya Long Count Various ancient cultures based some of their artwork on the 3-4-5 right triangle, frequently referred to by geometrists as a perfect triangle. Pythagoras is ...
www.earthmatrix.com/pythagoras.html -
-3:4:5 triangle definition - Math Open Reference - Sep 23
You could of course use any dimensions you like, and then use Pythagoras' theorem to see if it is a right triangle. But the numbers 3,4,5 are easy to ...
www.mathopenref.com/triangle345.html -
Amazon.com: A Brief History of Time (9780553380163): Stephen ...One also realizes that A Brief History of Time was written by a writer, .... A Brief History of Time by Stephen Hawking Paperback 4.3 out of 5 stars (336) ...
www.amazon.com › ... › Cosmology
3 |
|
5 |
THREE |
56 |
29 |
2 |
4 |
|
4 |
FOUR |
60 |
24 |
6 |
5 |
|
4 |
FIVE |
42 |
24 |
6 |
|
|
13 |
First Total |
|
|
|
1+2 |
|
1+3 |
Add to Reduce |
1+5+8 |
7+7 |
1+4 |
|
|
4 |
Second Total |
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
Essence of Number |
|
|
|
3 |
- |
T |
= |
2 |
|
5 |
THREE |
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
|
4 |
FOUR |
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
|
4 |
FIVE |
42 |
24 |
6 |
|
- |
- |
- |
14 |
|
13 |
First Total |
|
|
|
1+2 |
- |
- |
- |
1+4 |
|
1+3 |
Add to Reduce |
1+5+8 |
7+7 |
1+4 |
|
- |
- |
- |
5 |
|
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
- |
- |
- |
|
|
|
Essence of Number |
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
- |
|
|
|
|
- |
|
9 |
|
|
|
|
|
2+3 |
|
|
|
|
|
|
- |
- |
|
8 |
|
|
|
- |
|
|
|
|
- |
|
9 |
|
|
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
9 |
5 |
5 |
- |
|
|
|
9 |
- |
|
|
|
5 |
|
|
|
5+4 |
|
|
|
|
|
|
- |
-` |
20 |
|
18 |
5 |
5 |
- |
|
|
|
18 |
- |
|
|
|
5 |
|
|
|
1+2+6 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
6 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
|
|
|
8+6 |
|
|
= |
|
|
|
- |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
|
|
|
4+1 |
|
|
1+4 |
|
|
|
|
13 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
77 |
|
|
|
1+3 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
3+7 |
|
|
1+3 |
|
7+7 |
|
4+1 |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
|
|
1+0 |
|
|
|
|
1+4 |
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
|
- |
|
|
|
|
- |
|
9 |
|
|
|
|
|
2+3 |
|
|
|
|
|
|
- |
|
8 |
|
|
|
- |
|
|
|
|
- |
|
9 |
|
|
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
2 |
|
9 |
5 |
5 |
- |
|
|
|
9 |
- |
|
|
|
5 |
|
|
|
5+4 |
|
|
|
|
|
|
-` |
20 |
|
18 |
5 |
5 |
- |
|
|
|
18 |
- |
|
|
|
5 |
|
|
|
1+2+6 |
|
|
|
|
|
|
|
|
|
R |
|
|
- |
|
|
|
R |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
6 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
|
|
|
8+6 |
|
|
= |
|
|
|
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
|
|
|
4+1 |
|
|
1+4 |
|
|
|
13 |
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
77 |
|
|
1+3 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
3+7 |
|
|
1+3 |
|
7+7 |
|
4+1 |
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
|
|
1+0 |
|
|
|
|
1+4 |
- |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
2+3 |
|
|
|
|
|
|
- |
|
8 |
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
3+2 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
2 |
|
9 |
5 |
5 |
|
|
|
9 |
|
|
|
5 |
|
|
|
5+4 |
|
|
|
|
|
|
-` |
20 |
|
18 |
5 |
5 |
|
|
|
18 |
|
|
|
5 |
|
|
|
1+2+6 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
18 |
5 |
5 |
6 |
6 |
21 |
18 |
6 |
9 |
22 |
5 |
|
|
|
8+6 |
|
|
= |
|
|
|
- |
2 |
8 |
9 |
5 |
5 |
6 |
6 |
3 |
9 |
6 |
9 |
4 |
5 |
|
|
|
4+1 |
|
|
1+4 |
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
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occurs |
x |
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= |
18 |
1+8 |
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- |
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occurs |
x |
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= |
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= |
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- |
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occurs |
x |
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= |
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2+7 |
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77 |
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1+3 |
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- |
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3+7 |
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1+3 |
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7+7 |
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4+1 |
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14 |
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2 |
8 |
9 |
5 |
5 |
6 |
6 |
3 |
9 |
6 |
9 |
4 |
5 |
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1+0 |
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1+4 |
- |
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“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
"Pythagoras, the old master philosopher and mathematician, who lived in the sixth century BC, propounded the theory that nothing in the universe could exist without numbers. He established a Mystery School in Italy when he was 52 years old. He was born in Greece and lived between 582 and 507 BC, much of his life spent in study and travel. His Mystery School taught esoteric knowledge, which included the secret of number and vibration."
“The World is built upon the power of Numbers” ...Pythagoras – 6th century BC.
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
T |
= |
2 |
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THE |
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W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
B |
= |
2 |
|
|
BUILT |
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U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
T |
= |
2 |
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THE |
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P |
= |
7 |
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POWER |
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O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
N |
= |
5 |
- |
7 |
NUMBERS |
92 |
29 |
2 |
|
|
|
|
|
First Total |
|
|
|
- |
- |
4+1 |
- |
3+6 |
Add to Reduce |
2+7+9 |
1+8+0 |
3+6 |
|
|
5 |
|
9 |
Second Total |
|
9 |
9 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
|
|
5 |
|
9 |
Essence of Number |
9 |
9 |
9 |
I
ME
NUMBERS
EGYPT PYTHAGORAS EGYPT
THREE FOUR FIVE - FIVE FOUR THREE
PYTHAGORAS OURABORUS PYTHAGORAS
THE GROWTH OF SCIENCE
A.P. Rossiter 1939
Page 15
"The Egyptians,…" "…made good observations on the stars and were able to say when the sun or moon would become dark in an eclipse (a most surprising event even in our times), and when the land would be covered by the waters of the Nile: they were expert at building and made some discoveries about the relations of lines and angles - among them one very old rule for getting a right-angle by stretching out knotted cords with 5, 4 And 3 units between the knots."
"...among them one very old rule for getting a right-angle by stretching out knotted cords with
5, 4 And 3 units between the knots."
CIVILIZATION, SCIENCE AND RELIGION
A. D. RITCHIE 1945
THE ART OF THINKING
Page 39
"The Egyptians could set out a right-angle on the ground,
for building or for land surveying,
by means of a cord knotted at intervals of
3, 4 and 5 units of length."
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1 |
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16 |
7 |
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1 |
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25 |
7 |
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1 |
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20 |
2 |
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1 |
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8 |
8 |
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1 |
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1 |
1 |
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1 |
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7 |
7 |
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1 |
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15 |
6 |
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1 |
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18 |
9 |
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1 |
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1 |
1 |
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1 |
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19 |
10 |
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PYTHAGORAS |
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4+9 |
|
1+0 |
|
1+3+0 |
5+8 |
4+9 |
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2+1 |
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PYTHAGORAS |
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1+3 |
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1+3 |
1+3 |
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PYTHAGORAS |
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THE MISSING NUMBERS IN THE NAME PYTHAGORAS
R
3 THREE 4 FOUR AND 5 FIVE
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1 |
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16 |
7 |
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1 |
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25 |
7 |
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1 |
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20 |
2 |
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1 |
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8 |
8 |
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1 |
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1 |
1 |
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1 |
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7 |
7 |
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1 |
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15 |
6 |
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1 |
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18 |
9 |
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1 |
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1 |
1 |
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1 |
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19 |
10 |
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PYTHAGORAS |
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4+9 |
|
1+0 |
|
1+3+0 |
5+8 |
4+9 |
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2+1 |
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PYTHAGORAS |
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1+3 |
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1+3 |
1+3 |
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PYTHAGORAS |
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PYTHAGORAS 7728176911 PYTHAGORAS
PYTHAGORAS REARRANGED = 1112677789 = REARRANGED PYTHAGORAS
MISSING NUMBERS 345 MISSING NUMBERS
THE
MISSING
NUMBERS
EGYPT PYTHAGORAS EGYPT
THREE FOUR FIVE - FIVE FOUR THREE
PYTHAGORAS OURABORUS PYTHAGORAS
10 |
PYTHAGORAS |
130 |
49 |
4 |
|
|
|
|
|
5 |
SAMOS |
67 |
13 |
4 |
7 |
MILETUS |
99 |
27 |
9 |
8 |
THIRTEEN |
99 |
45 |
9 |
PLATO
Sacred Geometry is the theory of dimensional evolution which assumes the ... door to his academy stating,
"Let no one unacquainted with geometry enter here.". ...
ezinearticles.com/?An-Overview-Of-Sacred-Geometry
AN OVERVIEW OF SACRED GEOMETRY
Gregg Hall
Sacred Geometry is the theory of dimensional evolution which assumes the universe is a living system kept together by the existence of a sacred geometry that encompasses the entire cosmos and makes for the blueprint for the manifestation of what we know as our material universe and in addition organizes the context through which all love evolves.
Our universe was designed to be highly efficient and is capable of performing a wide range of multiple functions at the same time. The very same geometry which provides structure to physical reality also allows for the perceptual environments that people and civilizations must move through as part of a systematic learning process on the path towardsevolution.
Each dimension of this sacred geometry holds a unique place of perceptual space and a context of learning both for personaland social evolution. As each new dimension appears a new set of perceptions and potentials is awakened which we are free to accept and actualize or ignore. It is in understanding the dimensional structure which exists all around us that allows us to be able to understand the path and direction of personal and social evolution.
Even though our modern science generally believes there is nothing of deeper meaning to the dimensional geometry of the universe other than the actual physical aspects, there is a view that is almost diametrically opposed to this that began with the Greek philosopher Pythagoras in 500 B.C. Pythagoras believed and taught the theory or belief that all of the mathematical patterns in the universe were actually expressions of divine intelligence and signified a divine intention.
According to Pythagoras, we are surrounded by organizational intelligence that is shown in its purest from through mathematical formulas and musical harmonies and allowing ourselves to be at the center of our experience; we can know and share the organizing patterns and principles that pervadethe universe. This is a thought that was even held by Albert Einstein, who stated that he received his greatest breakthroughs after praying and sleeping. The answers to the questions he was seeking came to him from the Universe while he slept! This is also the way that it can be explained for someone who is blind to be able to sculpt and for a deaf person, such as Beethoven to be able to compose intricate musical scores.
Plato, who taught over a hundred years after Pythagoras, continued in the teachings of Pythagorean thought in espousing that the universe or cosmos as Pythagoras termed it was a place of "harmonious and beautiful order" and placed such a high regard on geometry that he placed a sign above the door to his academy stating, "Let no one unacquainted with geometry enter here."
the aims of studying plane geometry and how to attain them - Jstor
https://www.jstor.org/stable/27949586
by EP Sisson - 1908
Plato had written over the porch of his famous school,
"Let no one who is unacquainted with geometry enter here."
The Cyclopædia, Or, Universal Dictionary of Arts, Sciences, and ...
Abraham Rees - 1819 - ?Encyclopedias and dictionaries
But to these arguments it has been replied, 1. ... he placed this inscription, Ovcel; 2) souárpolo; a`To
“Let no one, who is unacquainted with geometry, enter here.
A history of elementary mathematics -
Page 61
C. Florian - 1914 - History
Let no one who is unacquainted with geometry enter here,” was inscribed over the entrance to his school.
Likewise Xenocrates, a successor of Plato, as teacher ...
A History of Mathematics
Page 26
Florian Cajori - 1999 - Mathematics
Like them, he sought in arithmetic and geometry the key to the universe. ...
inscription over his porch, "Let no one who is unacquainted with geometry enter here".
Geometry. Part 2 - ChestofBooks.com
https://chestofbooks.com › American-Cyclopaedia-V7
Plato is said to have inscribed over his door, "Let no one enter here who is unacquainted with geometry."
"Let no one enter here who is unacquainted with geometry."
L |
= |
3 |
3 |
LET |
37 |
10 |
1 |
N |
= |
5 |
2 |
NO |
29 |
11 |
2 |
O |
= |
6 |
3 |
ONE |
34 |
16 |
7 |
E |
= |
5 |
5 |
ENTER |
62 |
26 |
8 |
H |
= |
8 |
4 |
HERE |
36 |
27 |
9 |
W |
= |
5 |
3 |
WHO |
46 |
19 |
1 |
I |
= |
9 |
2 |
IS |
28 |
19 |
1 |
U |
= |
3 |
12 |
UNACQUAINTED |
130 |
49 |
4 |
W |
= |
5 |
4 |
WITH |
60 |
24 |
6 |
G |
= |
7 |
8 |
GEOMETRY |
108 |
45 |
9 |
|
|
56 |
46 |
First Total |
|
|
|
|
|
5+6 |
4+6 |
Add to Reduce |
5+7+0 |
2+4+6 |
4+8 |
|
|
|
|
Second Total |
|
|
|
|
|
1+1 |
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
|
|
|
Essence of Number |
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L |
= |
3 |
|
1 |
|
3 |
LET |
37 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
2 |
|
2 |
NO |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
3 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
4 |
|
5 |
ENTER |
62 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
5 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
6 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
7 |
|
2 |
IS |
28 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
8 |
|
12 |
UNACQUAINTED |
130 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
9 |
|
4 |
WITH |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
10 |
|
8 |
GEOMETRY |
108 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
56 |
- |
|
- |
46 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
5+6 |
- |
|
- |
4+6 |
Add to Reduce |
5+7+0 |
2+4+6 |
4+8 |
- |
- |
|
- |
- |
- |
- |
- |
- |
1+8 |
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
|
|
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
L |
= |
3 |
|
1 |
|
3 |
LET |
37 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
2 |
|
2 |
NO |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
3 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
4 |
|
5 |
ENTER |
62 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
5 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
6 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
7 |
|
2 |
IS |
28 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
8 |
|
12 |
UNACQUAINTED |
130 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
9 |
|
4 |
WITH |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
10 |
|
8 |
GEOMETRY |
108 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
56 |
- |
|
- |
46 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
5+6 |
- |
|
- |
4+6 |
Add to Reduce |
5+7+0 |
2+4+6 |
4+8 |
- |
- |
|
- |
- |
- |
- |
- |
- |
1+8 |
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
|
|
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
|
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|
|
|
|
|
|
L |
= |
3 |
|
1 |
|
3 |
LET |
37 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
6 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
7 |
|
2 |
IS |
28 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
2 |
|
2 |
NO |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
8 |
|
12 |
UNACQUAINTED |
130 |
49 |
4 |
|
|
- |
|
|
|
|
|
|
|
W |
= |
5 |
|
9 |
|
4 |
WITH |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
3 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
4 |
|
5 |
ENTER |
62 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
5 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
10 |
|
8 |
GEOMETRY |
108 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
56 |
- |
|
- |
46 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
5+6 |
- |
|
- |
4+6 |
Add to Reduce |
5+7+0 |
2+4+6 |
4+8 |
- |
- |
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
1+1 |
- |
|
|
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
1 |
|
3 |
LET |
37 |
10 |
1 |
|
|
|
|
|
|
|
|
W |
= |
5 |
|
6 |
|
3 |
WHO |
46 |
19 |
1 |
|
|
|
|
|
|
|
|
I |
= |
9 |
|
7 |
|
2 |
IS |
28 |
19 |
1 |
|
|
|
|
|
|
|
|
N |
= |
5 |
|
2 |
|
2 |
NO |
29 |
11 |
2 |
|
|
|
|
|
|
|
|
U |
= |
3 |
|
8 |
|
12 |
UNACQUAINTED |
130 |
49 |
4 |
|
|
- |
|
|
|
|
|
W |
= |
5 |
|
9 |
|
4 |
WITH |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
O |
= |
6 |
|
3 |
|
3 |
ONE |
34 |
16 |
7 |
|
|
|
|
|
|
|
|
E |
= |
5 |
|
4 |
|
5 |
ENTER |
62 |
26 |
8 |
|
|
|
|
|
|
|
|
H |
= |
8 |
|
5 |
|
4 |
HERE |
36 |
27 |
9 |
|
|
|
|
|
|
|
|
G |
= |
7 |
|
10 |
|
8 |
GEOMETRY |
108 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
56 |
- |
|
- |
46 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
5+6 |
- |
|
- |
4+6 |
Add to Reduce |
5+7+0 |
2+4+6 |
4+8 |
- |
- |
|
- |
- |
- |
- |
1+8 |
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
1+1 |
- |
|
|
1+0 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
THE ENGLISH ANGEL
Peter Burton & Harland Walshaw 2000
Page 5
Angles & Angels
The Venerable Bede tells the story of the slave boys from Northumbria in the Forum at Rome. St Gregory, struck by their fair hair and blue eyes, asks their nationality. When told that they are Angles, he replies, with one of those rare puns that work in two languages, 'Non Angli, sed angeli.' Not Angles, but angels.
ANGEL AND ANGLE AND ANGLE AND ANGEL
ANGEL AND ANGLE AND ANGLE AND ANGEL
"NON ANGLI SED ANGELI"
NOT ANGLES BUT ANGELS
A
SERPENT I PRESENT
|
|
|
|
|
10 |
PYTHAGORAS |
130 |
49 |
4 |
6 |
PYTHIA |
79 |
34 |
7 |
6 |
PYTHON |
98 |
35 |
8 |
7 |
PYTHONS |
117 |
36 |
9 |
5 |
EGYPT |
73 |
28 |
1 |
8 |
EGYPTIAN |
97 |
43 |
7 |
EGYPT 57772 EGYPT
5+2 = 7 - 7 = 5+2
EGYPT 57772 EGYPT
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
P |
= |
7 |
- |
9 |
PENTATEUCH |
113 |
41 |
5 |
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
PENTATEUCH |
|
|
|
1 |
|
16 |
7 |
|
1 |
|
5 |
5 |
|
1 |
N |
14 |
5 |
5 |
3 |
|
41 |
5 |
|
1 |
|
5 |
5 |
|
3 |
|
32 |
14 |
|
|
PENTATEUCH |
|
|
|
1+0 |
|
1+1+3 |
4+1 |
3+2 |
|
PENTATEUCH |
|
|
|
FIVE BOOKS FIVE
GENESIS EXODUS LEVITICUS NUMBERS DEUTERONOMY
FIVE BOOKS FIVE
THE INDEPENDENT MAGAZINE
Wednesday 11 September 2013
Mysteries of the snowflake: The curious world of the ice-crystal experts.
Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”
"The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf,"
SORT OUT THE WHEAT FROM THE CHAFF
Letter Frequencies in the English Language
https://www3.nd.edu › handouts › cryptography › letter...
Why is the Letter E the Most Common Letter in the English ...
https://englishlanguagethoughts.com › 2018/04/08 › w..
LETTER NUMBER FREQUENCIES
CREATORS REACTORS CREATORS
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
R |
= |
9 |
- |
8 |
REACTORS |
99 |
36 |
9 |
- |
- |
|
- |
16 |
First Total |
|
|
|
- |
- |
1+2 |
- |
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
1+8 |
- |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
7 |
Essence of Number |
|
|
|
|
- |
|
- |
- |
CREATORS |
|
- |
- |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
- |
- |
|
- |
8 |
CREATORS- |
|
|
|
- |
- |
3+6 |
- |
- |
- |
9+9 |
3+6 |
3+6 |
- |
- |
|
- |
8 |
CREATORS |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
8 |
CREATORS |
|
|
|
|
- |
|
- |
- |
REACTORS |
|
- |
- |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
S |
= |
1 |
- |
1 |
S |
19 |
1 |
1 |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
- |
- |
3+6 |
- |
- |
- |
9+9 |
3+6 |
3+6 |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
8 |
REACTORS |
|
|
|
|
|
|
|
|
8 |
CREATIVE |
83 |
38 |
2 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
|
|
|
|
2+0 |
|
1+9+8 |
9+9 |
- |
2 |
|
|
|
|
- |
|
1+8 |
1+8 |
- |
2 |
|
|
|
|
|
HUMAN INTELLIGENCE |
|
- |
|
5 |
HUMAN |
57 |
21 |
3 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
|
HUMAN INTELLIGENCE |
|
|
|
1+7 |
|
1+7+2 |
8+2 |
1+0 |
|
HUMAN INTELLIGENCE |
|
|
|
- |
|
1+0 |
1+0 |
- |
|
HUMAN INTELLIGENCE |
|
|
|
28 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
16 |
EXTRATERRESTRIAL |
213 |
78 |
6 |
12 |
INTELLIGENCE |
115 |
61 |
7 |
28 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
2+8 |
|
3+2+8 |
1+3+9 |
1+3 |
10 |
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
1+0 |
|
1+3 |
|
|
|
EXTRATERRESTRIAL INTELLIGENCE |
|
|
|
10 |
|
133 |
61 |
|
2 |
|
28 |
10 |
|
9 |
|
83 |
38 |
|
|
First Total |
|
|
|
2+1 |
Add to Reduce |
2+4+4 |
1+0+9 |
1+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
Essence of Number |
|
|
|
10 |
PYTHAGORAS |
130 |
49 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
PYTHAGORAS |
130 |
49 |
4 |
5 |
EGYPT |
73 |
28 |
1 |
1 |
E |
5 |
5 |
5 |
4 |
PYTG |
68 |
23 |
5 |
5 |
EGYPT |
73 |
28 |
|
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 - 1955
JOSEPH THE PROVIDER
Page 967
ALL TOO BLISSFUL
"But I am King, and teacher; I may not think what I cannot teach. Whereas such a one very soon learns not even to think the unteachable."
Here Tiy, his mother, cleared her throat, rattled her ornaments, and said, looking ahead of her into space:
"Pharaoh is to be praised when he practises statesmanship in matters of religious belief and spares the simplicity of the many. That is why I warned him not to wound the popular attachment to Usir, king of the lower regions. There is no contradiction between knowing
and sparing, in this connection; and the office of teacher need not darken knowledge. Never have priests taught the multitude all they themselves know. They have told them what was wholesome, and wisely left in the realm of the mysteries what was not beneficial. Thus knowledge and wisdom are together in the world, truth and forbearance. The mother recommends that it so remain."
"Thank you, Mama," said Amenhotep, with a deprecating bow. "Thank you for the contribution. It is very valuable and will for / Page 968 / eternal ages be held in honour. But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there
is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching.
I
ME
YOU WE YOU
ONE WORLD ONE
PEOPLES GODS PEOPLES
LOVE EVOLVE LOVE EVOLVE LOVE
LOVE IS THE LIGHT GODS LIGHT IS THE LOVE
DIVINE THOUGHT CREATORS THOUGHT DIVINE
Y |
= |
3 |
- |
3 |
YOU |
61 |
16 |
7 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
G |
= |
7 |
- |
5 |
GOING |
52 |
34 |
7 |
O |
= |
6 |
- |
2 |
ON |
29 |
11 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
J |
= |
1 |
- |
7 |
JOURNEY |
108 |
36 |
9 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
V |
= |
4 |
- |
4 |
VERY |
70 |
25 |
7 |
S |
= |
1 |
- |
7 |
SPECIAL |
65 |
29 |
2 |
J |
= |
1 |
- |
7 |
JOURNEY |
108 |
36 |
9 |
D |
= |
4 |
- |
2 |
DO |
19 |
10 |
1 |
H |
= |
8 |
- |
4 |
HAVE |
36 |
18 |
9 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
P |
= |
7 |
- |
8 |
PLEASANT |
88 |
25 |
7 |
J |
= |
1 |
- |
7 |
JOURNEY |
108 |
36 |
9 |
D |
= |
4 |
- |
2 |
DO |
19 |
10 |
1 |
``- |
- |
55 |
- |
54 |
First Total |
|
|
|
- |
- |
5+5 |
- |
5+4 |
Add to Reduce |
7+9+0 |
3+0+4 |
7+9 |
- |
- |
10 |
- |
9 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
|
Reduce to Deduce |
1+6 |
- |
1+6 |
- |
- |
1 |
- |
|
Essence of Number |
|
|
|
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
82 |
28 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically
advanced society in any epoch, even a thousand or ten thousand years into the future.
Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING NOW RISING IS THE LIGHT
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
- |
- |
41 |
|
53 |
First Total |
|
|
|
- |
- |
4+1 |
- |
5+3 |
Add to Reduce |
6+1+6 |
2+3+8 |
4+9 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
C |
= |
3 |
- |
14 |
COMPREHENSIBLE |
144 |
72 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
T |
= |
2 |
- |
15 |
TECHNOLOGICALLY |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
ADVANCED |
54 |
27 |
9 |
S |
= |
1 |
- |
7 |
SOCIETY |
96 |
33 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
E |
= |
5 |
- |
5 |
EPOCH |
47 |
29 |
2 |
- |
- |
47 |
|
81 |
First Total |
|
|
|
- |
- |
4+7 |
- |
8+1 |
Add to Reduce |
9+3+1 |
4+0+0 |
8+5 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
- |
- |
49 |
|
57 |
First Total |
|
|
|
- |
- |
4+9 |
- |
5+7 |
Add to Reduce |
5+9+8 |
2+3+8 |
5+8 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
2+2 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
- |
- |
19 |
|
28 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+8 |
Add to Reduce |
2+9+9 |
1+1+0 |
2+0 |
- |
- |
10 |
- |
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
2+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
41 |
|
53 |
|
|
|
49 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
C |
= |
3 |
- |
4 |
THAT |
144 |
72 |
9 |
T |
= |
2 |
- |
5 |
WOULD |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
BE |
40 |
13 |
4 |
T |
= |
2 |
- |
14 |
COMPREHENSIBLE |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
TO |
54 |
27 |
9 |
S |
= |
1 |
- |
3 |
ANY |
96 |
33 |
6 |
I |
= |
9 |
- |
15 |
TECHNOLOGICALLY |
23 |
14 |
5 |
A |
= |
1 |
- |
2 |
ADVANCED |
40 |
13 |
4 |
E |
= |
5 |
- |
7 |
SOCIETY |
48 |
29 |
2 |
T |
= |
2 |
- |
2 |
IN |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
ANY |
75 |
21 |
3 |
B |
= |
2 |
- |
5 |
EPOCH |
7 |
7 |
7 |
|
|
47 |
|
81 |
|
|
|
85 |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
|
|
49 |
|
57 |
|
|
|
58 |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
|
|
19 |
|
28 |
|
|
|
20 |
|
|
|
|
|
|
|
|
|
- |
- |
156 |
|
219 |
First Total |
|
|
|
- |
- |
1+5+6 |
- |
2+1+9 |
Add to Reduce |
2+4+4+4 |
9+8+6 |
2+1+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+4 |
2+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTER AND NUMBER
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
S |
- |
19 |
|
26 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+6 |
Add to Reduce |
2+6+1 |
1+0+8 |
1+8 |
- |
- |
|
- |
|
Second Total |
9 |
9 |
9 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
9 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
S |
- |
S |
S |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
S |
CODE |
- |
- |
- |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
S |
DECODE |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
S |
DECODER |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
S |
DECODER |
- |
- |
- |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
5 |
7 |
KRISHNA |
80 |
35 |
8 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GOD ONE GOD
EHT NAMUH 1973
http://www.youtube.com/watch?v=JoAPCwn7F-k
Bring Me to Life (Thousand Foot Krutch song) From Wikipedia, the free encyclopedia
"Bring Me to Life" is a song by the rock band Thousand Foot Krutch on their album
Welcome to the Masquerade.
It was released as a single on April 22, 2009.
How can you see into my eyes like open doors
leading you down into my core
where I’ve become so numb without a soul my spirit sleeping somewhere cold
until you find it there and lead it back home
-CHORUS-
(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become
now that I know what I’m without
you can't just leave me
breathe into me and make me real
bring me to life
-CHORUS-
(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become
Bring me to life
(I've been living a lie, there's nothing inside)
Bring me to life
frozen inside without your touch without your love darling only you are the life among the dead
all this time I can't believe I couldn't see
kept in the dark but you were there in front of me
I’ve been sleeping a thousand years it seems
got to open my eyes to everything
without a thought without a voice without a soul
don't let me die here
there must be something more
bring me to life
-CHORUS-
(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become
(Bring me to life)
I’ve been living a lie, there’s nothing inside
(Bring me to life)
THE GARDEN OF THE GOLDEN FLOWER
Longfield Beatty 1996
Page 207 / 208
"And the next quotation is "relayed" from Budge (op. Cit., p. 521), having come from Papyrus No. 10188 (Brit. Mus.) There have been some omissions in order to reinforce as much as possible the particular aspect of it which is our immediate concern."
"...from Papyrus No. 10188"
" THE LAMENT OF THE SISTERS "
( Isis and Nepthys over the dead Osiris)
"Beautiful Youth, come to thy exalted house at once: we see thee not.
"Hail, beautiful boy, come to thy house, draw nigh after
thy separation from us
"Hail Beautiful Youth, Pilot of Time, who groweth
except at this hour.
"Holy image of his Father, mysterious essence proceeding from Tem.
"The Lord! How much more wonderful is he than his
Father, the first-born son of the womb of his mother.
"Come back to us in thy actual form; we will embrace
thee. Depart not from us, thou Beautiful Face, dearly beloved
one, the image of Tem, Master of Love.
"Come thou in peace, our Lord, we would see thee.
"Great Mighty One among the Gods, the road that thou
travellest cannot be described.
"The Babe, the Child at morn and at eve, except when
thou encirclest the heavens and the earth with thy bodily form.
"Come, thou Babe, growing young when setting, our
Lord, we would see thee.
"Come in peace, Great Babe of His Father, thou art
established in thy house.
"Whilst thou travellest thou art hymned by us, and
life springeth up for us out of thy nothingness. O our Lord,
come in peace, let us see thee.
"Hail Beautiful Boy, come to thy exalted house.; let thy
back be to thy house. The Gods are upon their thrones.
Hail ! come in peace, King.
"Babe! How lovely it is to see thee! Come, come to us,
O Great One, glorify our love.
"O ye gods who are in Heaven.
O ye gods who are in Earth.
O ye gods who are in the Tuat.
O ye gods who are in the Abyss.
O ye gods who are in the service of the Deep.
We follow the Lord, the Lord, of Love!"
BRAHMA
"If the red slayer think he slays,
Or if the slain think he is slain
They know not well the subtle ways
I keep and pass and turn again."
R.W. Emerson
-
|
THE ENNEA |
- |
- |
- |
2
|
TH |
28
|
10
|
1
|
1 |
E |
5 |
5 |
5 |
1
|
E |
5
|
5
|
5
|
1
|
N |
14
|
5
|
5
|
1
|
N |
14
|
5
|
5
|
1
|
E |
5
|
5
|
5
|
1
|
A |
1
|
1
|
1
|
9
|
THE ENNEA |
72
|
36
|
27
|
- |
- |
7+2 |
3+6 |
2+7 |
9 |
THE ENNEA- |
9 |
9 |
9 |
4 |
BOOK |
43 |
16 |
7 |
2 |
OF |
21 |
12 |
3 |
6 |
COMING |
61 |
34 |
7 |
5 |
FORTH |
67 |
31 |
4 |
4 |
INTO |
58 |
22 |
4 |
5 |
LIGHT |
56 |
29 |
2 |
26 |
|
|
|
|
|
|
3+0+6 |
1+4+4 |
2+7 |
8 |
|
|
|
|
ENTERS NETERS ENTERS THE NETERS NETERS ENTERS
THE ELEMENTS OF EGYPTIAN WISDOM
Naomi Ozaniec 1994
THE SACRED SCRIPT - THE MEDU NETERS
Page 80 / The logical mind begins to reel / Page 81 / Language as evocation is immensely powerful. Word play is not finished; Neith can also be written by spelling the 't' with the sign for land, ta, in combination with the sign for water, 'n'. This particular hieroglyph represents ruffled water. By spelling the same name in a different way, we are presented with a different set of ideas. Here is Neith as 'the primeval water which gave birth to the land,' a theologically familiar concept. Once again a brief word encapsulates both divine name and divine function.
Hieroglyphic omitted
Schwaller de Lubicz reminds us repeatedly that we do need to look for a convoluted symbolism. The Medu Neters were chosen in such a way as to really signify all the qualities and functions implicit in the image. We are of course removed from the direct observation of vulture and ibis, crocodile and falcon, It is hard for us to understand the subtleties of movement, habit or life cycle which prompted a recognition deep in the Egyptian mind. It is well known that the humble dung beetle was raised to a sacred status from its simple egg-laying habit. The young emerged from the ball of dung as new life unbegotten. It is less well known that the scarab resembles the human skull, its two wing cases being reminiscent of the two halves of the human skull.
The ability to find the cosmic In the mundane through a correspondence is the hallmark of a mind sensitized through symbolic training. Any contemporary Qabalist recognizes this function for what it is, the inner workings of an esoteric system. These brief examples serve to illustrate the workings of both the Egyptian mind and the Egyptian tradition. Each letter had its own secret; all sacred alphabets are constructed in this way. Moreover a sacred language always serves a double purpose, a written double entendre. To the uninitiated there is no secret to hide. The language functions perfectly well at a purely practical level. To the initiated there exists another level of inner meaning as opposed to the apparent meaning. The inner meaning requires no elaborate subterfuge. It is there all the time, open and blatant. 'It / Page 82 / is hidden from view only because it represents a higher non-cerebral consciousness which simply evades the logical mind.
The Egyptians preserved this double function with astonishing brilliance and clarity over an immensely long period of time. Hebrew still functions as a sacred alphabet.. Each of its letters signifies ideas, numbers and cosmic principles.. A word becomes a code for an abstraction, a metaphysical concept, an esoteric teaching. An outsider cannot penetrate into the labyrinthine maze of meanings without becoming lost in ideas and distracted by elusive possibilities. A guide is always required in such matters - scribal training took place through an apprenticeship system. It is a mistake to think that we might uncover how the scribes viewed individual hieroglyphs by simply applying any meaning that springs to our mind. It is Clear that individual signs and arrangements carried a precise range of corresponding symbols.
Schwaller de Lubicz acts as our guide into the intricacies of an individual hieroglyph in the book Her-Bak.
The letter r is written in the lenticular shape of a half open mouth. Now look. for the ideas, qualities and functions this sign represents. First, its nature. The mouth, ra, is the upper opening of the body, an entrance that communicates by two channels with the lungs and stomach; that is why this hieroglyph is also the generic word for an entrance, ra. The mouth opens and shuts to eat, breathe and speak, as the eye, ar.t, opens and shuts to receive or refuse light. The mouth's function is dual, passive and active, it receives air and food, emits breath and voice. The eye's function is dual, likewise 'the reception of light and expression of organic and emotional response. The mouth's shape changes by the separation of the lips for the performance of its function. Opening, it widens or narrows like the shadow thrown on a disc by another disc which gradually eclipses it. In the partially occulted disc, the lentil or dark mouth is the complement of the crescent still visible. This gradual change of shape produces portions of different size that represents parts of the occulted disc. The characteristic has given the name ra to parts of a whole such as numerical fractions, chapters and so forth.
Page 83
These profound thoughts revolve around a single letter majestic insights might we discover if only someone would serve as our guide through all the hieroglyphic combinations! Here is a way of thinking quite unlike our own, a mind set removed from our utilitarian use of language. This totally symbolic thinking produced completely practical applications, as we see through Egypt's many lasting achievements there is no grounds whatsoever for thinking that this symbolic system produced woolly mindedness. On the contrary it gave rise to a mind that was both extensive and focused, deep and creative, traditonal yet original.
ESOTERIC = 4 = ESOTERIC
ESOTERIC
I
SECRET
O
ESOTERIC
ESOTERIC = 4 = ESOTERIC
ESOTERIC 6 SECRET 9 ESOTERIC
ESOTERIC 9 SECRET 6 ESOTERIC
ESOTERIC ISISIS ESOTERIC
O
SECRET
I
6 SECRET 9
ESOTERIC ISIS ESOTERIC
8 |
|
99 |
45 |
|
8 |
|
94 |
40 |
|
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+3 |
8+5 |
1+3 |
7 |
Second Total |
|
|
|
8 |
|
94 |
40 |
|
|
Essence of Number |
|
|
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
S |
19 |
10 |
|
|
O |
15 |
6 |
|
|
T |
20 |
2 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
E |
5 |
5 |
|
|
SOT |
54 |
18 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
ESOTE |
64 |
28 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
4+0 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
I |
9 |
9 |
|
|
SECRET |
70 |
34 |
|
|
O |
15 |
6 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
|
ESOTERIC |
|
|
|
|
O |
15 |
6 |
|
|
SECRET |
70 |
34 |
|
|
I |
9 |
9 |
|
8 |
|
94 |
49 |
|
|
|
9+4 |
4+9 |
2+2 |
8 |
|
13 |
13 |
|
|
|
1+3 |
1+3 |
|
8 |
|
4 |
4 |
|
SEE RE C THAT C RE SEE
ESOTERIC = 4 = ESOTERIC
MATTER MIND SPIRIT GODS SPIRIT MIND MATTER
EXOTERIC = 9 9 = EXOTERIC
E MOTION ISISIS NOITOM E
I
THAT AM THAT
TIME EMIT
|
DENDERAH ZODIAC |
- |
- |
- |
8 |
DENDERAH |
59 |
41 |
5 |
6 |
ZODIAC |
58 |
31 |
4 |
14 |
DENDERAH ZODIAC |
|
|
|
1+4 |
|
1+1+7 |
7+2 |
- |
5 |
|
|
|
9 |
|
DENDERAH ZODIAC |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
2 |
N+D |
18 |
9 |
9 |
1 |
E |
5 |
5 |
5 |
1 |
R |
18 |
9 |
9 |
2 |
A+H |
9 |
9 |
9 |
|
DENDERAH |
- |
- |
- |
|
ZODIAC |
- |
- |
- |
3 |
Z+O+D |
45 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
A+C |
4 |
4 |
4 |
14 |
DENDERAH ZODIAC |
|
|
|
1+4 |
|
1+1+7 |
7+2 |
6+3 |
5 |
|
|
|
|
8 |
DENDERAH |
|
|
|
- |
D+E |
9 |
9 |
9 |
- |
N+D |
18 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
8 |
DENDERAH |
59 |
41 |
41 |
- |
- |
5+9 |
4+1 |
4+1 |
3 |
- |
|
5 |
5 |
- |
- |
1+4 |
- |
- |
8 |
DENDERAH |
|
5 |
5 |
6 |
ZODIAC |
|
|
|
- |
Z+O+D |
45 |
18 |
9 |
- |
I |
9 |
9 |
9 |
- |
A+C |
4 |
4 |
4 |
6 |
ZODIAC |
58 |
31 |
22 |
- |
- |
5+8 |
3+1 |
2+2 |
6 |
ZODIAC |
13 |
4 |
4 |
6 |
THIRTEEN |
99 |
45 |
9 |
6 |
ZODIAC |
58 |
31 |
4 |
8 |
DENDERAH |
59 |
41 |
5 |
14 |
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+7+1 |
7+2 |
1+8 |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ZODIAC |
58 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
8 |
DENDERAH |
59 |
41 |
5 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+7+1 |
9+9 |
1+8 |
|
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
- |
1+8 |
- |
|
Essence of Number |
|
|
|
I
ME
EGO
CONSCIENCE
THE
CYCLE OF THE CIRCLE OF THE CIRCLE OF THE CYCLE
CIRCLE = 5 O 5 = ELCRIC
CIRCLE ET ELECTRIC ET CIRCLE
ELECTRIC CIRCLE ELECTRIC
CIRCLE ELECTRIC CIRCLE
ET
CIRCLE ELECTRIC CIRCLE
ELECTRIC CIRCLE ELECTRIC
CIRCLE ET ELECTRIC ET CIRCLE
CIRCLE = 5 O 5 = ELCRIC
POP WOW O WOW POP
WOW O WOW
POP WOW O WOW POP
....
3 |
THE |
33 |
15 |
6 |
5 |
FIELD |
36 |
27 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
HETEP |
54 |
27 |
9 |
15 |
|
|
|
|
|
|
1+4+4 |
8+1 |
2+7 |
6 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
NIGHT |
58 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
5 |
GREAT |
51 |
33 |
6 |
5 |
SLEEP |
57 |
21 |
3 |
23 |
First Total |
|
|
|
|
Add to Reduce |
2+5+3 |
1+2+7 |
2+8 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
5 |
Essence of Number |
|
|
|
|
GOD |
26 |
17 |
|
|
DOG |
26 |
17 |
|
|
JACKAL |
38 |
11 |
|
|
|
90 |
45 |
18 |
1+2 |
|
9+0 |
4+5 |
1+8 |
3 |
- |
9 |
9 |
9 |
6 |
ANUBIS |
66 |
21 |
3 |
6 |
OPENER |
73 |
37 |
1 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
WAYS |
68 |
14 |
5 |
21 |
- |
|
|
|
|
- |
2+6+1 |
9+9 |
1+8 |
3 |
- |
|
|
|
|
- |
- |
1+8 |
- |
3 |
- |
|
|
|
|
CEREMONIES |
106 |
52 |
|
|
CEREMONY |
98 |
44 |
|
|
CEREMONIAL |
95 |
50 |
|
|
RITUAL |
81 |
27 |
|
|
RITUALS |
100 |
28 |
|
|
RITUALISTIC |
141 |
51 |
|
3 |
DIE |
- |
- |
- |
5 |
DEITY |
- |
- |
- |
|
D+I+E |
18 |
18 |
|
|
T+Y |
45 |
9 |
|
5 |
DEITY |
63 |
27 |
18 |
- |
- |
6+3 |
2+7 |
1+8 |
5 |
DEITY |
9 |
9 |
9 |
8 |
PURIFIED |
88 |
52 |
7 |
6 |
ENERGY |
74 |
38 |
2 |
14 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+6+2 |
9+0 |
- |
1 |
Essence of Number |
|
|
|
8 |
PURIFIES |
103 |
49 |
4 |
6 |
ENERGY |
74 |
38 |
2 |
14 |
- |
|
|
|
|
- |
1+7+7 |
8+7 |
- |
5 |
- |
|
|
|
|
- |
1+5 |
1+5 |
- |
5 |
- |
|
|
|
4 |
PURE |
60 |
24 |
6 |
6 |
ENERGY |
74 |
38 |
2 |
10 |
- |
|
|
|
|
- |
1+3+4 |
6+2 |
- |
1 |
- |
|
|
|
|
ENERGY |
74 |
38 |
|
|
ENERGIES |
82 |
46 |
|
|
ENERGISED |
86 |
50 |
|
|
ALIVE |
49 |
22 |
|
|
LIVING |
73 |
37 |
|
|
LIFE |
32 |
23 |
|
4 |
GODS |
45 |
18 |
9 |
8 |
ENERGIES |
82 |
46 |
1 |
12 |
First Total |
|
|
|
|
Add to Reduce |
1+2+7 |
6+4 |
1+0 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
- |
3 |
Essence of Number |
|
|
|
5 |
WORLD |
72 |
27 |
9 |
7 |
CITIZEN |
- |
- |
- |
|
C |
3 |
3 |
|
|
I |
9 |
9 |
|
|
T |
20 |
2 |
|
|
I |
9 |
9 |
|
|
Z+E+N |
45 |
18 |
|
7 |
CITIZEN |
86 |
41 |
32 |
- |
- |
8+6 |
4+1 |
3+2 |
7 |
CITIZEN |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
7 |
CITIZEN |
5 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
4 |
ATEF |
32 |
14 |
5 |
5 |
CROWN |
73 |
28 |
1 |
12 |
First Total |
|
|
|
|
Add to Reduce |
1+3+8 |
5+7 |
1+2 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
- |
3 |
Essence of Number |
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WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
Scientific American
updated from the 1996 issue
Page 68
Daily Life in Ancient Egypt
Andre G Mc Dowell
"Workmen and their families lived some 3000 years ago in the village now known as Deir el Medina
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9 |
9 |
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I |
9 |
9 |
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R |
18 |
9 |
|
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17 |
8 |
8 |
|
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18 |
9 |
|
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|
4 |
4 |
4 |
|
|
9 |
9 |
|
|
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15 |
6 |
|
|
DEIR EL MEDINA |
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1+2 |
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9+9 |
6+3 |
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DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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Deir el-Medina - Wikipedia, the free encyclopedia
Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings ...
en.wikipedia.org/wiki/Deir_el-Medina
Deir el-Medina
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ruins of Deir el-Medina. A UNESCO World Heritage Site[1]Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings during the New Kingdom period (18th to 20th dynasties).[2] The settlement's ancient name was "Set Maat" (translated as "The Place of Truth"), and the workmen who lived there were called “servants in the Place of Truth”.[3] During the Christian era the temple of Hathor was converted into a Church from which the Arabic name Deir el-Medina ( "the monastery of the town") is derived.[4]
At the time when the world's press was concentrating on Howard Carter's discovery of the Tomb of Tutankhamun a team led by Bernard Bruyère began to excavate the site.[5] This work has resulted in one of the most thoroughly documented accounts of community life in the ancient world that spans almost four hundred years. There is no comparable site in which the organisation, social interactions, working and living conditions of a community can be studied in such detail.[6]
The site is located on the west bank of the Nile, across the river from modern-day Luxor.[7] The village is laid out in a small natural amphitheatre, within easy walking distance of the Valley of the Kings to the north, funerary temples to the east and south-east, with the Valley of the Queens to the west.[8] The village may have been built apart from the wider population in order to preserve secrecy in view of sensitive nature of the work carried out in the tombs.[9]
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- |
- |
- |
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9 |
9 |
|
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I |
9 |
9 |
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R |
18 |
9 |
|
|
|
17 |
8 |
8 |
|
|
18 |
9 |
|
|
|
28 |
19 |
1 |
|
DEIR EL MEDINA |
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1+2 |
|
9+9 |
6+3 |
4+5 |
|
DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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- |
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- |
- |
- |
|
|
36 |
27 |
|
|
EL |
17 |
8 |
|
|
|
46 |
28 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
1+8 |
|
DEIR EL MEDINA |
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1+8 |
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DEIR EL MEDINA |
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...
FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
CHRISTOS SO CHRIST SO CHRISTOS
CHRISTOS SO C HRIS T SO CHRISTOS
SO SEE CHRIST SEE SO
SO SEE C 8991 T SEE SO
SO SEE C 27 T SEE SO
SO SEE C 9 T SEE SO
SO SEE CHRIST SEE SO
CHRISTOS SO C HRIS T CHRISTOS SO
CHRISTOS SO CHRIST CHRISTOS SO
CHRISTOS CHRISTOS CHRISTOS
C HRIS T OS C HRIS T OS C HRIS T OS
SOTHISRC SOTHISRC SOTHISRC
SO THIS R C SO THIS R C SO THIS R C
SO THIS R SEE SO THIS R SEE SO THIS R SEE
SOTHIS SIRIUS OSIRIS ISISISIS OSIRIS SIRIUS SOTHIS
ISIS OSIRIS SO IRIS O IRIS SO OSIRIS ISIS
PLUTARCH
Plutarch; "On Isis and Osiris (De Iside et Osiride)" transl. by Frank Cole Babbitt, in Plutarch's Moralia, Vol. V, Loeb Classical Library, Harvard University
Plutarch; "On Isis and Osiris (De Iside et Osiride)
ISIS HORUS OSIRIS
THE
CHRISTOS OF SPIRIT THE SPIRIT OF CHRISTOS
A |
= |
1 |
- |
4 |
|
40 |
13 |
4 |
S |
= |
1 |
- |
4 |
|
149 |
59 |
5 |
A |
= |
1 |
|
9 |
|
54 |
27 |
9 |
T |
= |
2 |
|
2 |
|
124 |
52 |
7 |
I |
= |
9 |
|
5 |
|
28 |
10 |
1 |
I |
= |
9 |
|
9 |
|
182 |
83 |
2 |
F |
= |
6 |
|
2 |
|
52 |
25 |
7 |
M |
= |
4 |
|
2 |
|
33 |
24 |
6 |
|
|
33 |
|
61 |
First Total |
|
|
|
|
|
3+3 |
|
6+1 |
Add to Reduce |
6+6+2 |
2+9+3 |
4+1 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
IN SEARCH OF EXTRA TERRESTRIALS
Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth
Alan Landsburg 1976
Page 79
" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
REACH FOR TOMORROW
Arthur C. Clarke 1956
Introduction to 1989 Edition
"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . "
I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001
Arthur C. Clarke 1972
Page179
"A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."
Page 189
"The other is Clarke's Third* Law
"Any sufficiently advanced technology is indistinguishable from magic"
GODS OF THE DAWN
Peter Lemesurier
1997
"As Arthur C. Clarke's perceptive Third Law puts it:
"Any sufficiently advanced technology is indistinguishable from magic."
THE SECRET HISTORY
OF
ANCIENT EGYPT
Herbie Brennan
2000
"The British science fiction writer Arthur C. Clarke is said to have commented that
"any sufficiently high technology is indistinguishable from magic"
THE BIBLE CODE
Michael Drosnin 1997
Chapter Four
THE SEALED BOOK
Page 70
"The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop.
'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan.
'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.'
The author of 2001, Arthur C. Clarke - who envisioned a mysterious black monolith that reappears at successive stages of human evolution, each time we are ready to be taken to a higher level - made a similar observation:
'Any sufficiently advanced technology is indistinguishable from magic.'
Page 163
pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.
The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984).
Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "
FIRST CONTACT
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited By Ben Bova and Byron Preiss
1990
SEIZING THE MOMENT
A UNIQUE MOMENT IN HUMAN HISTORY
Michael Michaud
ANTHROPOCENTRISM GOOD-BYE
Page311
"The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.
The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding.
(Arthur C. Clarke has observed that any sufficiently advanced technology would be indistinguishable from magic.)
"ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUISHABLE FROM MAGIC"
THE SUPERGODS
Maurice M Cotterell
1997
Page 118
"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:
Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wis-dom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from pas-sion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)
"(BG, 18:36-9)"
HARMONIZED
Page number omitted
THE STUDENT'S ASSISTANT
IN
ASTRONOMY AND ASTROLOGY
: CONTAINING
OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
SUN AND SUPERIOR PLANETS,
CALCULATED FOR 44 YEARS TO COME.
Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
every month, from 1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF
ONE HUNDRED AND FORTY-FOUR
FIXED STARS, FOR PAST AND FUTURE YEARS.
Eclipses of the Sun visible in England.
ALSO
A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
AND E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.
PREFACE
"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportu-nity of more perfectly understanding the appa-rent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
"Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
Page 9 (number omitted)
INTRODUCTION TO ASTRONOMY.
"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."
F |
= |
6 |
- |
9 |
FRATERNAL |
95 |
41 |
5 |
G |
= |
7 |
- |
9 |
GREETINGS |
104 |
50 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
11 |
SALUTATIONS |
151 |
34 |
7 |
B |
- |
15 |
|
32 |
First Total |
|
|
|
- |
- |
1+5 |
- |
3+2 |
Add to Reduce |
3+6+9 |
1+3+5 |
1+8 |
- |
- |
6 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
S |
= |
1 |
- |
3 |
SEE |
29 |
11 |
2 |
S |
- |
10 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
-`` |
1+1 |
Reduce to Deduce |
1+1+3 |
5+0 |
1+4 |
S |
- |
1 |
|
2 |
Essence of Number |
|
|
|
UNCONDITIONAL LIFE
MASTERING THE FORCES THAT SHAPE PERSONAL REALITY
Deepak Chopra 1991
A Mirage of Miracles
Page 89
"The Mask of Maya"
"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."
"Maya also means magic a show of illusions"
"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality
True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."
"The fearfull illusion becomes a wonderful show if only you can manipulate it."
Quo vadis?
Wikipedia
https://en.wikipedia.org › wiki › Quo_vadis?
Quo vadis is a Latin phrase meaning "Where are you going?" It is commonly translated, quoting the KJV translation of John 13:36, as "Whither goest thou?".
108 - 36 - 9
QUO VADIS
108 - 36 - 9
Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ...
en.wikipedia.org/wiki/Quo_vadis
Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.
The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.
W |
= |
5 |
- |
7 |
WHITHER |
91 |
46 |
|
G |
= |
7 |
- |
5 |
GOEST |
66 |
21 |
|
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
|
B |
- |
14 |
|
16 |
First Total |
221 |
86 |
5 |
- |
- |
1+4 |
- |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
- |
- |
5 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same .. rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
REACH FOR TOMORROW
Arthur C. Clarke 1956
Introduction to 1989 Edition
"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . "
I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001
Arthur C. Clarke 1972
Page179
"A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."
Page 189
"The other is Clarke's Third* Law
"Any sufficiently advanced technology is indistinguishable from magic"
GODS OF THE DAWN
Peter Lemesurier
1997
"As Arthur C. Clarke's perceptive Third Law puts it:
"Any sufficiently advanced technology is indistinguishable from magic."
THE SECRET HISTORY
OF
ANCIENT EGYPT
Herbie Brennan
2000
"The British science fiction writer Arthur C. Clarke is said to have commented that
"any sufficiently high technology is indistinguishable from magic"
THE BIBLE CODE
Michael Drosnin 1997
Chapter Four
THE SEALED BOOK
Page 70
"The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop.
'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan.
'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.'
The author of 2001, Arthur C. Clarke - who envisioned a mysterious black monolith that reappears at successive stages of human evolution, each time we are ready to be taken to a higher level - made a similar observation:
'Any sufficiently advanced technology is indistinguishable from magic.'
Page 163
pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.
The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984).
Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "
FIRST CONTACT
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited By Ben Bova and Byron Preiss
1990
SEIZING THE MOMENT
A UNIQUE MOMENT IN HUMAN HISTORY
Michael Michaud
ANTHROPOCENTRISM GOOD-BYE
Page311
"The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.
The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding.
(Arthur C. Clarke has observed that any sufficiently advanced technology would be indistinguishable from magic.)
"ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUISHABLE FROM MAGIC"
THE SUPERGODS
Maurice M Cotterell
1997
Page 118
"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:
Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wis-dom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from pas-sion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)
"(BG, 18:36-9)"
HARMONIZED
Page number omitted
THE STUDENT'S ASSISTANT
IN
ASTRONOMY AND ASTROLOGY
: CONTAINING
OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
SUN AND SUPERIOR PLANETS,
CALCULATED FOR 44 YEARS TO COME.
Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
every month, from 1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF
ONE HUNDRED AND FORTY-FOUR
FIXED STARS, FOR PAST AND FUTURE YEARS.
Eclipses of the Sun visible in England.
ALSO
A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
AND E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.
PREFACE
"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportu-nity of more perfectly understanding the appa-rent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
"Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
Page 9 (number omitted)
INTRODUCTION TO ASTRONOMY.
"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."
F |
= |
6 |
- |
9 |
FRATERNAL |
95 |
41 |
5 |
G |
= |
7 |
- |
9 |
GREETINGS |
104 |
50 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
11 |
SALUTATIONS |
151 |
34 |
7 |
B |
- |
15 |
|
32 |
First Total |
|
|
|
- |
- |
1+5 |
- |
3+2 |
Add to Reduce |
3+6+9 |
1+3+5 |
1+8 |
- |
- |
6 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
S |
= |
1 |
- |
3 |
SEE |
29 |
11 |
2 |
S |
- |
10 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
-`` |
1+1 |
Reduce to Deduce |
1+1+3 |
5+0 |
1+4 |
S |
- |
1 |
|
2 |
Essence of Number |
|
|
|
UNCONDITIONAL LIFE
MASTERING THE FORCES THAT SHAPE PERSONAL REALITY
Deepak Chopra 1991
A Mirage of Miracles
Page 89
"The Mask of Maya"
"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."
"Maya also means magic a show of illusions"
"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality
True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."
"The fearfull illusion becomes a wonderful show if only you can manipulate it."
QUO VADIS
Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ...
en.wikipedia.org/wiki/Quo_vadis
Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.
The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.
W |
= |
5 |
- |
7 |
WHITHER |
91 |
46 |
|
G |
= |
7 |
- |
5 |
GOEST |
66 |
21 |
|
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
|
B |
- |
14 |
|
16 |
First Total |
221 |
86 |
5 |
- |
- |
1+4 |
- |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
- |
- |
5 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same .. rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
50 |
|
35 |
First Total |
|
|
|
- |
- |
5+0 |
- |
3+5 |
Add to Reduce |
4+2+8 |
1+8+5 |
5+0 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
37 |
|
23 |
First Total |
|
|
|
- |
- |
3+7 |
- |
2+3 |
Add to Reduce |
3+0+2 |
1+2+2 |
3+2 |
- |
- |
10 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
37 |
|
23 |
First Total |
|
|
|
- |
- |
3+7 |
- |
2+3 |
Add to Reduce |
3+0+2 |
1+2+2 |
3+2 |
- |
- |
10 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
- |
- |
16 |
|
13 |
First Total |
|
|
|
- |
- |
1+6 |
- |
1+3 |
Add to Reduce |
1+8+9 |
6+3 |
1+8 |
- |
- |
7 |
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
50 |
|
35 |
First Total |
|
|
|
- |
- |
5+0 |
- |
3+5 |
Add to Reduce |
4+2+8 |
1+8+5 |
5+0 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
1 |
I |
9 |
9 |
|
2 |
AM |
14 |
5 |
|
3 |
THE |
33 |
15 |
|
6 |
BOWMAN |
68 |
23 |
|
1 |
I |
9 |
9 |
|
4 |
DRAW |
46 |
19 |
|
3 |
THE |
33 |
15 |
|
5 |
GREAT |
51 |
24 |
|
3 |
BOW |
40 |
13 |
|
28 |
First Total |
303 |
132 |
51 |
2+8 |
Add to Reduce |
3+0+3 |
1+3+2 |
5+1 |
10 |
Second Total |
6 |
6 |
6 |
1+0 |
Reduce to Produce |
3+0+3 |
1+3+2 |
5+1 |
1 |
Essence of Number |
6 |
6 |
6 |
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
N |
= |
5 |
- |
6 |
NEBULA |
55 |
19 |
1 |
S |
- |
11 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+1 |
= |
1+1 |
Reduce to Deduce |
1+2+6 |
5+4 |
- |
S |
- |
2 |
|
2 |
Essence of Number |
|
|
|
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
"Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south."
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
WHICH MAKETH ARCTURUS ORION AND PLEIADES AND THE CHAMBERS OF THE SOUTH
W |
= |
5 |
- |
5 |
WHICH |
51 |
33 |
6 |
M |
= |
4 |
- |
6 |
MAKETH |
58 |
22 |
4 |
A |
= |
1 |
- |
8 |
ARCTURUS |
121 |
31 |
4 |
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
- |
8 |
PLEIADES |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
8 |
CHAMBERS |
69 |
33 |
6 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SOUTH |
83 |
20 |
2 |
- |
- |
39 |
|
59 |
First Total |
|
|
|
- |
- |
3+9 |
- |
5+9 |
Add to Reduce |
6+4+9 |
2+7+1 |
5+5 |
- |
- |
12 |
- |
14 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+4 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
- |
- |
|
- |
|
Third Totalr |
|
|
|
- |
- |
- |
- |
- |
Reduce to Produce |
1+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 74
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."
Page 77
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 144
"The problem is to establish the ideas and intentions of the builders. Stecchini has suggested that the apex was designed to be slightly off-centre with each base side of slightly different length, and with different angles of slope, thus providing four base-height relationships, each exhibiting a particular mathematical formula. By this means the functions of both..." Pi and the ratio of the 'golden section' "...could be demonstrated together in the one structure.
In addition, there was another device by which the Egyptians were able to incorporate different mathematical expressions within a unified nework. That device was the pyramidion, a miniature form of the Pyramid itself, which provided its apex. Other pyramids and obelisks Egypt are known to have been topped by a pyramidion, made of gold or some other metal, which glowed in the sun. Tompkins and Stechini quote a reference by a second-century BC Greek writer, Agatharchides of Cnidus, to a pyramidion at the apex of the Great Pyramid, which could be included in calculations or omitted, thus providing a variety of mathematical demonstrations."
Page 149
"...If, as its legend states, the Pyramid was designed to tionumentalize the entire code of ancient scientific knowledge, its nakers would have needed to grade the pyramidion by scoring it with lorizontal lines to represent different versions of the height or even by separating it into detachable sections. The image here is of an inscribed marble capstone, its tip formed of another, miniature pyramid, perhap made of some other material. This, and perhaps other sections of the upper part of the pyramidion, could be removed or put in place as required.
But why should such a thing ever in practice be required, and why should such trouble be taken over capstone, pyramidions and minute rariations of length? These are questions which need to be discussed in relation to the Pyramid's practical function.
The Golden Tip
As the literature of the Pyramid measurers shows, many large volumes can be filled with estimates of the Pyramid's external and internal iimensions and speculations about their geodetic, astronomical and prophetic symbolism. The study is so obsessively fascinating that researchers are inclined to lose sight of the most important question of why the whole vast edifice was built. There is no doubt that within the Pyramid's fabric are encoded many scientific laws and formulas, but the preservation of such knowledge can scarcely have been the only motive of its builders. Its numerical properties must surely have had some practical purpose in relation to the form of science which the Pyramid was designed to serve.
There has been much talk in recent years of 'pyramid power' and the possible function of the Great Pyramid as an accumulator and trans-former of cosmic energies. The idea certainly accords with the :raditional use of the Pyramid in connection with initiation, magic and nysticism, and it is supported by the occurrence of symbolic or 'magical' number series in its dimensions. The use of symbolic numbers in ancient temples was to procure the invocation of the god or aspect of cosmic energy which those numbers symbolized. Pyramid investigators ire confronted with an instrument designed for a type of science which today is no longer recognized. It is not, however, beyond recovery, for its records are preserved in the language of number, built into the Pyramid's dimensions, and these provide certain clues to the nature of the Pyramid's original function.
All Pyramid measurers, and all who study its dimensions, purpose or any of its other aspects, find themselves inexorably drawn to the matter of its apex. Many of the clues within the Pyramid's geometry / Page 150 / and numbets point towards it, and several investigators have expressed the feeling that these clues were deliberately contrived, as if the builders were concerned to leave a record of their scientific code in monumental form, to be interpreted and put to use again by some future generation. Peter Lemesurier, the latest and most convincing of the interpreters of Pyramid chronologies and. prophecy, gives detailed reasons in his Great Pyramid Decoded for claiming that the historical outline of the six thousand years following its building in 2623 BC is recorded in the dimensions of the Pyramid's interior spaces. They are said to foretell the collapse of the present civilization in about the year AD 2004, followed some thirty years later by the Messianic return and the birth of a new order. That, according to other readers of Pyramid prophecy, is the time when the 'stone that the builders rejected', the missing capstone on the Pyramid, will be restored to the apex, reactivating the entire structure in accordance with its original purpose..."
" 2623 BC "
2 x 6 x 2 x 3 = 72
Page 150
"Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized."
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners, and if 5 cubic inches of solid gold are modelled into the shape of a miniature Great Pyramid, the height of that model proves to be the very interesting measure of 0.152064 ft., which is a tenth part of the Greek cubit (1.52064 ft.), the unit in terms of which /
Diagram omitted.
. 152 ft
A cubic inch of gold, actual size, in pyramid form. Height = one tenthof a Greek cubit.
Page 151 / the area of the Pyramid's side measures 100,000 square cubits. That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area..."
"That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures.
Without it the dimensions are not quite complete, for if it were removed,
the area of the Pyramid's side would be
99999.99
square cubits only."
"Without it the dimensions are not quite complete, for if it were removed,
the area of the Pyramid's side would be
99999.99
square cubits only."
"for if it were removed, the area of the Pyramid's side would be
99999.99
square cubits only."
"the Pyramid's side would be
99999.99
9999999
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
IRIS |
55 |
28 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
5 |
7 |
KRISHNA |
80 |
35 |
8 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
......
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
|
|
|
|
|
= |
|
= |
|
- |
|
|
15 |
|
|
|
|
1+5 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
- |
|
|
- |
|
- |
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
- |
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
7 |
15 |
4 |
|
|
|
2+6 |
= |
|
= |
|
- |
|
7 |
6 |
4 |
|
|
|
1+7 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
|
|
|
|
|
|
|
ONE |
1 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
- |
|
|
|
|
|
|
FIVE |
5 |
- |
- |
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
9 |
NINE |
9 |
- |
- |
- |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
1+7 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
7 |
6 |
4 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
|
|
= |
|
= |
|
|
|
15 |
|
|
|
|
1+5 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
|
7 |
|
4 |
|
|
|
1+1 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
7 |
15 |
4 |
|
|
|
2+6 |
= |
|
= |
|
|
7 |
6 |
4 |
|
|
|
1+7 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
- |
|
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
......
3 |
|
26 |
17 |
|
1 |
|
15 |
6 |
|
3 |
|
26 |
17 |
|
7 |
First Total |
|
|
|
|
Add to Reduce |
6+7 |
4+0 |
2+2 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
- |
- |
|
Essence of Number |
|
|
|
FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
CHRISTOS SO CHRIST SO CHRISTOS
CHRISTOS SO C HRIS T SO CHRISTOS
SO SEE CHRIST SEE SO
SO SEE C 8991 T SEE SO
SO SEE C 27 T SEE SO
SO SEE C 9 T SEE SO
SO SEE CHRIST SEE SO
CHRISTOS SO C HRIS T CHRISTOS SO
CHRISTOS SO CHRIST CHRISTOS SO
CHRISTOS CHRISTOS CHRISTOS
C HRIS T OS C HRIS T OS C HRIS T OS
SOTHISRC SOTHISRC SOTHISRC
SO THIS R C SO THIS R C SO THIS R C
SO THIS R SEE SO THIS R SEE SO THIS R SEE
SOTHIS SIRIUS OSIRIS ISISISIS OSIRIS SIRIUS SOTHIS
ISIS OSIRIS SO IRIS O IRIS SO OSIRIS ISIS
PLUTARCH
Plutarch; "On Isis and Osiris (De Iside et Osiride)" transl. by Frank Cole Babbitt, in Plutarch's Moralia, Vol. V, Loeb Classical Library, Harvard University
Plutarch; "On Isis and Osiris (De Iside et Osiride)
ISIS HORUS OSIRIS
THE
CHRISTOS OF SPIRIT THE SPIRIT OF CHRISTOS
THE
PROPHET
Kahil Gibran
Page 83/84/85/86
"But you do not see, nor do you hear, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea,they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you. .
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
I
ISISIS
THE
NINTH
LETTER IN THE ENGLISH ALPHABET
I AM 9 9 AM I
R |
= |
9 |
- |
- |
RIVER |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
R |
= |
9 |
- |
5 |
RIVER |
72 |
36 |
36 |
- |
- |
- |
- |
- |
- |
7+2 |
3+6 |
3+6 |
R |
= |
9 |
- |
5 |
|
|
|
|
R |
= |
9 |
- |
- |
RIVER |
- |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
- |
- |
- |
|
1 |
R |
18 |
9 |
9 |
R |
= |
9 |
- |
5 |
RIVER |
72 |
36 |
36 |
- |
- |
- |
- |
- |
|
7+2 |
3+6 |
3+6 |
R |
= |
9 |
- |
5 |
|
|
|
|
THE SPLENDOUR THAT WAS EGYPT
Margaret A. Murray
Appendix
4
The New Year of God
Cornhill Magazine 1934
Page 231/233
"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God, and the narrow streets are full of the soft sound of bare feet moving towards the Nile. The village lies on a strip of ground; one one side is the river, now swollen to its height, on the other are the floods of the inundation spread in a vast sheet of water to the edge of the desert. On a windy night the lapping of wavelets is audible on every hand; but to-night the air is calm and still, there is no sound but the muffled tread of unshod feet in the dust and the murmur of voices subdued in the silence of the night.
In ancient times throughout the whole of Egypt the night of High Nile was a night of prayer and thanks giving to the great god , the Ruler of the river, Osiris himself. Now it is only in this Coptic village that the ancient rite is preserved, and here the festival is still one of prayer and thanksgiving. In the great cities the New Year is a time of feasting and processions, as blatant and uninteresting as a Lord Mayor's Show, with that additional note of piercing vulgarity peculiar to the East.
In this village, far from all great cities, and-as a Coptic community-isolated from and therefore uninfluenced either by its Moslem neighbours or by foreigners, the festival is one of simplicity and piety. The people pray as of old to the Ruler of the river, no longer Osiris, but Christ; and as of old they pray for a blessing upon their children and their homes.
There are four appointed places on the river bank to which the village women go daily to fill their water-jars and to water their animals. To these four places the villagers are now making their way, there to keep the New Year of God.
The river gleams coldly pale and grey; Sirius blazing in the eastern sky casts a narrow path of light across the mile-wide waters. A faint glow low on the horizon shows where the moon will rise, a dying moon on the last day of the last quarter.
The glow gradually spreads and brightens till the thin crescent, like a fine silver wire, rises above the distant palms. Even in that attenuated form the moonlight eclipses the stars and the glory of Sirius is dimmed. The water turns to the colour of tarnished silver, smooth and glassy; the palm-trees close at hand stand black against the sky, and the distant shore is faintly visible. The river runs silently and without a ripple in the windless calm; the palm fronds, so sensitive to the least movement of the air, hang motionless and still; all Nature seems to rest upon this holy night.
The women enter the river and stand knee-deep in the running stream praying; they drink nine times, wash the face and hands, and dip themselves in the water. Here is a mother carrying a tiny wailing baby; she enters the river and gently pours the waternine times over the little head. The wailing ceases as the water cools the little hot face. Two anxious women hasten down the steep bank, a young boy between them; they hurriedly enter the water and the boy squats down in the river up to his neck, while the mother pours the water nine times with her hands over his face and shaven head. There is the sound of a little gasp at the first shock of coolness, and the mother laughs, a little tender laugh, and the grandmother says something under her breath, at which they all laugh softly together. After the ninth washing the boy stands up, then squats down again and is again washed nine times, and yet a third nine times; then the grandmother takes her turn and she also washes him nine times. Evidently he is very precious to the hearts of those two women, perhaps the mother's last surviving child. Another sturdy urchin refuses to sit down in the water, frightened perhaps, for a woman's voice speaks encouragingly, and presently a faint splashing and a little gurgle of childish laughter shows that he too is receiving the blessing of the Nauruz of God.
A woman stands alone, her slim young figure in its wet clinging garments silhouetted against the steel-grey water. Solitary she stands, apart from the happy groups of parents and children; then, stooping , she drinks from her once, pauses and drinks again; and so drinksnine times with a short pause between every drink and a longer pause between every three. Except for the movement of her hand as she lifts the water to her lips, she stands absolutely still, her body tense with the earnestness of her prayer, the very atmosphere round her charged with the agony of her supplication. Throughout the whole world there is only one thing which causes a woman to pray with such intensity, and that one thing is children. " This may be a childless woman praying for a child, or it may be that, in this land where Nature is as careless and wasteful of infant life as of all else, this a mother praying for the last of her little brood, feeling assured that on this festival of mothers and children her prayers must perforce be heard. At last she straightens herself, beats the water nine times with the corner of her garment, goes softly up the bank, and disappears in the darkness.
Little family parties come down to the river, a small child usually riding proudly on her father's shoulder. The men often affect to despise the festival as a woman's affair, but with memories in their hearts of their own mothers and their own childhood they sit quietly by the river and drink nine times. A few of the rougher young men fling themselves into the water and swim boisterously past, but public feeling is against them, for the atmosphere is one of peace and prayer enhanced by the calm and silence of the night.
Page 232 and 233 Continued.
For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God.
Abu Nauruz hallal.
THE WORD "NINE" OCCURS x 9 AND "NINTH" x 1
Page 231/233
"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God
N |
= |
5 |
- |
6 |
NAURUZ |
101 |
29 |
2 |
A |
= |
1 |
- |
5 |
ALLAH |
34 |
16 |
7 |
- |
- |
6 |
- |
11 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+3+5 |
4+5 |
- |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
Page 231/233
"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
3 |
NEW |
42 |
15 |
6 |
Y |
= |
7 |
- |
4 |
YEAR |
49 |
22 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
- |
- |
27 |
- |
15 |
Add to Reduce |
|
|
|
- |
- |
2+7 |
- |
1+5 |
Reduce to Deduce |
1+7+1 |
8+1 |
2+7 |
- |
- |
9 |
- |
|
Essence of Number |
|
|
|
FINGERPRINTS OF THE GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
" We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
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I |
= |
9 |
- |
1 |
|
9 |
9 |
9 |
|
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I |
= |
9 |
- |
6 |
|
76 |
31 |
4 |
|
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T |
= |
2 |
- |
4 |
|
38 |
20 |
2 |
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L |
= |
3 |
- |
4 |
|
42 |
15 |
6 |
|
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I |
= |
9 |
- |
4 |
|
56 |
20 |
2 |
|
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W |
= |
5 |
- |
4 |
|
60 |
24 |
6 |
|
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|
|
|
|
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W |
= |
5 |
- |
4 |
|
59 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
|
41 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
6 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
|
47 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
- |
5 |
|
69 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
62 |
- |
49 |
|
|
|
|
|
|
8 |
|
4 |
|
|
|
|
|
- |
|
6+2 |
|
4+9 |
Reduce |
5+8+6 |
2+5+3 |
5+5 |
|
|
|
|
|
1+0 |
2+4 |
|
|
|
- |
|
|
|
|
Deduce |
|
|
|
|
|
8 |
|
4 |
|
|
|
|
|
- |
|
- |
|
1+3 |
Produce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
4 |
Reduce |
|
|
|
|
|
8 |
|
4 |
|
|
|
|
|
- |
|
- |
- |
|
Deduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
4 |
Essence |
|
|
|
|
|
8 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
I |
= |
9 |
- |
6 |
|
76 |
31 |
4 |
|
|
|
|
|
|
T |
= |
2 |
- |
4 |
|
38 |
20 |
2 |
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
|
42 |
15 |
6 |
|
|
|
|
|
|
I |
= |
9 |
- |
4 |
|
56 |
20 |
2 |
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
59 |
23 |
5 |
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
|
41 |
23 |
5 |
|
|
|
|
|
|
D |
= |
4 |
- |
6 |
|
56 |
29 |
2 |
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
|
47 |
20 |
2 |
|
|
|
|
|
|
U |
= |
3 |
- |
5 |
|
69 |
24 |
6 |
|
|
|
|
|
|
- |
- |
62 |
- |
49 |
|
|
|
|
|
8 |
4 |
|
|
|
- |
|
6+2 |
|
4+9 |
Reduce |
5+8+6 |
2+5+3 |
5+5 |
|
|
|
1+0 |
2+4 |
|
- |
|
|
|
|
Deduce |
|
|
|
|
8 |
4 |
|
|
|
- |
|
- |
|
1+3 |
Produce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
- |
- |
8 |
- |
4 |
Reduce |
|
|
|
|
8 |
4 |
|
|
|
- |
|
- |
- |
|
Deduce |
1+0 |
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
4 |
Essence |
|
|
|
|
8 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
6 |
|
76 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
4 |
|
38 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
|
42 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
4 |
|
56 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
59 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
|
41 |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
6 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
|
47 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
- |
5 |
|
69 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
2 |
|
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
3 |
|
46 |
19 |
1 |
|
1 |
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
2 |
|
28 |
10 |
1 |
|
1 |
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
|
49 |
22 |
4 |
|
|
|
|
4 |
|
|
|
|
|
I |
= |
9 |
- |
2 |
|
23 |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
|
73 |
37 |
1 |
|
1 |
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
29 |
11 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
108 |
- |
77 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1+0+8 |
|
7+7 |
Reduce |
8+8+0 |
3+9+4 |
7+9 |
|
|
1+0 |
|
1+2 |
1+5 |
3+0 |
|
|
|
- |
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
1+4 |
Produce |
1+6 |
1+6 |
1+6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
I |
= |
9 |
- |
6 |
|
76 |
31 |
4 |
|
|
|
|
|
|
|
T |
= |
2 |
- |
4 |
|
38 |
20 |
2 |
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
|
42 |
15 |
6 |
|
|
|
|
|
|
|
I |
= |
9 |
- |
4 |
|
56 |
20 |
2 |
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
|
59 |
23 |
5 |
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
|
41 |
23 |
5 |
|
|
|
|
|
|
|
D |
= |
4 |
- |
6 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
D |
= |
4 |
- |
4 |
|
47 |
20 |
2 |
|
|
|
|
|
|
|
U |
= |
3 |
- |
5 |
|
69 |
24 |
6 |
|
|
|
|
|
|
|
H |
= |
8 |
- |
2 |
|
13 |
13 |
4 |
|
|
|
|
|
|
|
W |
= |
5 |
- |
3 |
|
46 |
19 |
1 |
|
1 |
|
|
|
|
|
I |
= |
9 |
- |
2 |
|
28 |
10 |
1 |
|
1 |
|
|
|
|
|
L |
= |
3 |
- |
4 |
|
49 |
22 |
4 |
|
|
|
4 |
|
|
|
I |
= |
9 |
- |
2 |
|
23 |
14 |
5 |
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
|
73 |
37 |
1 |
|
1 |
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
29 |
11 |
2 |
|
|
|
|
|
|
|
- |
- |
108 |
- |
77 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
1+0+8 |
|
7+7 |
Reduce |
8+8+0 |
3+9+4 |
7+9 |
|
|
1+0 |
1+2 |
1+5 |
3+0 |
|
- |
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
1+4 |
Produce |
1+6 |
1+6 |
1+6 |
|
|
|
|
|
|
|
- |
- |
9 |
- |
5 |
Essence |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
9 |
I |
9 |
9 |
9 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
W |
= |
5 |
- |
4 |
WITH |
60 |
24 |
6 |
Y |
= |
7 |
- |
3 |
YOU |
61 |
16 |
7 |
A |
= |
1 |
- |
6 |
ALWAYS |
81 |
18 |
9 |
- |
- |
23 |
|
16 |
Add to Reduce |
|
|
|
- |
- |
2+3 |
- |
1+6 |
Reduce to Deduce |
2+2+5 |
7+2 |
3+6 |
- |
- |
5 |
- |
|
Essence of Number |
|
|
|
4 |
EVEN |
46 |
19 |
1 |
4 |
UNTO |
80 |
16 |
7 |
3 |
THE |
33 |
15 |
6 |
3 |
END |
23 |
14 |
5 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+7+2 |
6+4 |
1+9 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
H |
= |
8 |
- |
5 |
HORUS |
81 |
27 |
9 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
- |
- |
23 |
- |
15 |
First Total |
|
|
|
- |
- |
2+3 |
- |
1+5 |
Add to Reduce |
2+2+6 |
8+2 |
1+9 |
Q |
- |
5 |
- |
6 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
5 |
5 |
|
Essence of Number |
|
|
|
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
|
15 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+5 |
Reduce to Deduce |
2+0+4 |
6+0 |
- |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
W |
= |
5 |
- |
8 |
WEPWAWET |
116 |
35 |
8 |
O |
= |
6 |
- |
6 |
OPENER |
73 |
37 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
D |
= |
5 |
- |
4 |
WAYS |
68 |
14 |
5 |
- |
- |
24 |
|
23 |
Add to Reduce |
|
|
|
- |
- |
2+4 |
- |
2+3 |
Reduce to Deduce |
3+1+1 |
1+1+3 |
2+3 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
- |
ORION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
5 |
ORION |
71 |
35 |
35 |
|
- |
7+1 |
3+5 |
3+5 |
5 |
ORION |
|
|
|
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIVER |
72 |
36 |
9 |
- |
- |
20 |
|
18 |
First Total |
|
|
|
- |
- |
2+0 |
- |
1+8 |
Add to Reduce |
2+4+0 |
7+8 |
3+3 |
S |
- |
2 |
|
9 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+5 |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
N |
= |
5 |
- |
3 |
NOW |
52 |
16 |
7 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SEA |
25 |
7 |
7 |
S |
- |
19 |
|
15 |
First Total |
|
|
|
- |
- |
1+9 |
- |
1+5 |
Add to Reduce |
1+9+4 |
6+8 |
2+3 |
S |
- |
10 |
|
6 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
1 |
- |
|
Essence of Number |
|
|
|
- |
BLACK RITE |
- |
- |
- |
5 |
|
29 |
11 |
|
4 |
|
52 |
25 |
|
9 |
BLACK RITE |
|
|
|
- |
- |
8+1 |
3+6 |
- |
9 |
BLACK RITE |
|
|
|
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
The
FULCANELLI
Phenomenon
Kenneth Rayner Johnson 1980
The Praxis
Page 190
Theoretical physics has become more and more occult, cheerfully breaking every previously sacrosanct law of nature and leaning towards such supernatural concepts as holes in space, negative mass and time flowing backwards ... The greatest physicists ... have been groping towards a synthesis of physics and parapsychology.
- Arthur Koestler: The Roots of Coincidence, (Hutchinson, 1972.)
Middle Eastern Mythology
S. H. Hooke 1963
Middle Eastern Mythology
Recent Sumerian studies 5 have shown that the conception or a divine garden and of a state when sickness and death did not exist and wild animals did not prey on one another is to be found in Sumerian mythology. The description of this earthly Paradise is contained in the Sumerian
poem which Dr Kramer has called the Epic of Emmerkar:
The land Dilmun is a pure place, the land Dilmun is a clean place
The land Dilmun is a clean place, the land Dilmun is a bright place
In Dilmun the raven uttered no cry,
The kite uttered not the cry of the kite,
The lion killed not,
The wolf snatched not the lamb,
Unknown was the kid-killing dog,
Unknown was the grain-devouring boar ...
The sick·eyed says not '1 am sick-eyed',
The sick-headed says not '1 am sick-headed',
Its (Dilmun's) old woman says not 'I am an old woman',
Its old man says not 'I am an old man',
Unbathed is the maid, no sparkling water is poured in the city,
Who crosses the river (of death?) utters no ...
The 'wailing priests walk not about him,
The singer utters no wail,
By the side of the city he utters no lament.
Later, in the Semitic editing of the Sumerian myths, Dilmun became the dwelling of the immortals, where Utnapishtim and his wife were allowed to live after the Flood (p. 49). It was apparently located at the mouth of the Persian Gulf.
According to the Sumerian myth the only thing which Dilmun lacked was fresh water; the god Enki (or Ea) ordered Utu, the sun-god, to 'bring up fresh water from the earth to water the garden. Here we may have the source of the / Page 115 /
mysterious 'ed of which the Yahwist speaks as coming up from the ground to water the garden.
In the myth of Enki and Ninhursag it is related that the mother-goddess Ninhursag caused eight plants to grow in the garden of the gods. Enki desired to eat these plants and sent his messenger Isimud to fetch them. Enki ate them one by one, and Ninhursag in her rage pronounced the curse of death upon Enki. As the result of the curse eight of Enki's bodily organs were attacked by disease and he was at the point of death. The great gods were in dismay and Enlil was powerless to help. Ninhursag was induced to return and deal with the situation. She created eight goddesses of healing who proceeded to heal each of the diseased parts of Enki's body. One of these parts was the god's rib, and the goddess who was created to deal with the rib was named Ninti, which means 'the lady of the rib'. But the Sumerian word ti has the double meaning of 'life' as well as ' rib', so that Ninti could also mean 'the lady of life'. We have seen that in the Hebrew myth the woman who was fashioned from Adam's rib was named by him Hawwah, meaning 'Life'. Hence one of the most curious features of the Hebrew myth of Paradise clearly has its origin in this somewhat crude Sumerian myth.
Other elements in the Yahwist's form of the Paradise myth have striking parallels in various Akkadian myths. The importance of the possession of knowledge, which is always magical knowledge, is a recurring theme. We have seen that the myth of Adapa and the Gilgamesh Epic are both concerned with the search for immortality and the problem of death and the existence of disease. These and other examples which we have cited will serve to illustrate the point that the Akkadian myths were concerned with the themes which appear in the Yahwist's Paradise story.
- |
FROZEN |
- |
- |
- |
1 |
F |
6 |
6 |
6 |
5 |
ZERO |
64 |
28 |
1 |
1 |
N |
14 |
5 |
5 |
7 |
FROZEN |
|
|
|
- |
- |
8+4 |
|
|
|
FROZEN |
|
|
|
- |
- |
1+2 |
|
- |
|
FROZEN |
|
|
|
FROZEN
F ZERO N
FARENHEIT ZERO FARENHEIT
- |
CHARITY |
- |
- |
- |
1 |
C |
3 |
3 |
3 |
2 |
H+A |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
T+Y |
45 |
9 |
9 |
7 |
CHARITY |
|
|
|
- |
- |
9+3 |
|
|
|
CHARITY |
|
|
|
- |
- |
1+2 |
|
- |
|
CHARITY |
|
|
|
SEE ESOTERIC SEE
- |
CHARITY |
- |
- |
- |
- |
SEE |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
T+Y |
45 |
9 |
9 |
- |
CHARITY |
- |
- |
- |
- |
CHORUS |
- |
- |
- |
1 |
C |
3 |
3 |
3 |
1 |
H |
8 |
8 |
8 |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
10 |
1 |
6 |
CHORUS |
|
|
|
- |
- |
8+4 |
|
|
|
CHORUS |
|
|
|
- |
- |
1+2 |
|
- |
|
CHORUS |
|
|
|
- |
CHORUS |
- |
- |
- |
1 |
C |
3 |
3 |
3 |
1 |
H |
8 |
8 |
8 |
1 |
O+U+R |
54 |
18 |
9 |
1 |
S |
18 |
9 |
9 |
6 |
CHORUS |
|
|
|
- |
- |
8+4 |
|
|
|
CHORUS |
|
|
|
- |
- |
1+2 |
|
- |
|
CHORUS |
|
|
|
SEE ESOTERIC SEE
- |
CHORUS |
- |
- |
- |
- |
SEE |
- |
- |
- |
1 |
H+S |
8 |
8 |
8 |
1 |
O+U |
54 |
18 |
9 |
1 |
R |
18 |
9 |
9 |
6 |
CHORUS |
|
|
|
HORUS OF HOURS
THE
ACT OF A CAT
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
|
5 |
SMILE |
58 |
22 |
4 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
|
8 |
CHESHIRE |
75 |
31 |
3 |
C |
= |
3 |
|
3 |
CAT` |
24 |
6 |
6 |
|
|
17 |
|
24 |
First Total |
|
|
|
|
|
1+7 |
|
2+4 |
Add to Reduce |
2+4+4 |
1+0+9 |
2+8 |
|
|
8 |
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
8 |
|
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
4 |
|
40 |
13 |
4 |
S |
= |
1 |
- |
4 |
|
149 |
59 |
5 |
A |
= |
1 |
|
9 |
|
54 |
27 |
9 |
T |
= |
2 |
|
2 |
|
124 |
52 |
7 |
I |
= |
9 |
|
5 |
|
28 |
10 |
1 |
I |
= |
9 |
|
9 |
|
182 |
83 |
2 |
F |
= |
6 |
|
2 |
|
52 |
25 |
7 |
M |
= |
4 |
|
2 |
|
33 |
24 |
6 |
|
|
33 |
|
61 |
First Total |
|
|
|
|
|
3+3 |
|
6+1 |
Add to Reduce |
6+6+2 |
2+9+3 |
4+1 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
IN SEARCH OF EXTRA TERRESTRIALS
Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth
Alan Landsburg 1976
Page 79
" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
REACH FOR TOMORROW
Arthur C. Clarke 1956
Introduction to 1989 Edition
"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . "
I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001
Arthur C. Clarke 1972
Page179
"A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."
Page 189
"The other is Clarke's Third* Law
"Any sufficiently advanced technology is indistinguishable from magic"
GODS OF THE DAWN
Peter Lemesurier
1997
"As Arthur C. Clarke's perceptive Third Law puts it:
"Any sufficiently advanced technology is indistinguishable from magic."
THE SECRET HISTORY
OF
ANCIENT EGYPT
Herbie Brennan
2000
"The British science fiction writer Arthur C. Clarke is said to have commented that
"any sufficiently high technology is indistinguishable from magic"
THE BIBLE CODE
Michael Drosnin 1997
Chapter Four
THE SEALED BOOK
Page 70
"The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop.
'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan.
'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.'
The author of 2001, Arthur C. Clarke - who envisioned a mysterious black monolith that reappears at successive stages of human evolution, each time we are ready to be taken to a higher level - made a similar observation:
'Any sufficiently advanced technology is indistinguishable from magic.'
Page 163
pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.
The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984).
Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "
FIRST CONTACT
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited By Ben Bova and Byron Preiss
1990
SEIZING THE MOMENT
A UNIQUE MOMENT IN HUMAN HISTORY
Michael Michaud
ANTHROPOCENTRISM GOOD-BYE
Page311
"The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.
The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding.
(Arthur C. Clarke has observed that any sufficiently advanced technology would be indistinguishable from magic.)
"ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUISHABLE FROM MAGIC"
THE SUPERGODS
Maurice M Cotterell
1997
Page 118
"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:
Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wis-dom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from pas-sion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)
"(BG, 18:36-9)"
HARMONIZED
Page number omitted
THE STUDENT'S ASSISTANT
IN
ASTRONOMY AND ASTROLOGY
: CONTAINING
OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
SUN AND SUPERIOR PLANETS,
CALCULATED FOR 44 YEARS TO COME.
Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
every month, from 1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF
ONE HUNDRED AND FORTY-FOUR
FIXED STARS, FOR PAST AND FUTURE YEARS.
Eclipses of the Sun visible in England.
ALSO
A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
AND E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.
PREFACE
"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportu-nity of more perfectly understanding the appa-rent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
"Table of the longitude and latitude of 144 fixed stars, calculated up to 1836,..."
Page 9 (number omitted)
INTRODUCTION TO ASTRONOMY.
"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."
F |
= |
6 |
- |
9 |
FRATERNAL |
95 |
41 |
5 |
G |
= |
7 |
- |
9 |
GREETINGS |
104 |
50 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
11 |
SALUTATIONS |
151 |
34 |
7 |
B |
- |
15 |
|
32 |
First Total |
|
|
|
- |
- |
1+5 |
- |
3+2 |
Add to Reduce |
3+6+9 |
1+3+5 |
1+8 |
- |
- |
6 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
S |
= |
1 |
- |
3 |
SEE |
29 |
11 |
2 |
S |
- |
10 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
-`` |
1+1 |
Reduce to Deduce |
1+1+3 |
5+0 |
1+4 |
S |
- |
1 |
|
2 |
Essence of Number |
|
|
|
UNCONDITIONAL LIFE
MASTERING THE FORCES THAT SHAPE PERSONAL REALITY
Deepak Chopra 1991
A Mirage of Miracles
Page 89
"The Mask of Maya"
"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."
"Maya also means magic a show of illusions"
"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality
True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."
"The fearfull illusion becomes a wonderful show if only you can manipulate it."
QUO VADIS
Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ...
en.wikipedia.org/wiki/Quo_vadis
Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.
The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.
W |
= |
5 |
- |
7 |
WHITHER |
91 |
46 |
|
G |
= |
7 |
- |
5 |
GOEST |
66 |
21 |
|
T |
= |
2 |
- |
4 |
THOU |
64 |
19 |
|
B |
- |
14 |
|
16 |
First Total |
221 |
86 |
5 |
- |
- |
1+4 |
- |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
- |
- |
5 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same .. rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SONG |
55 |
10 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
First Total |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Add to Reduce |
1+4+9 |
5+9 |
1+4 |
- |
- |
4 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
5 |
|
|
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
2 |
AM |
14 |
5 |
5 |
11 |
|
145 |
55 |
1 |
16 |
|
213 |
78 |
6 |
3 |
AND |
19 |
10 |
1 |
9 |
|
86 |
32 |
5 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
|
First Total |
|
|
|
4+9 |
Add to Reduce |
5+5+8 |
2+1+6 |
4+5 |
|
Second Total |
|
9 |
9 |
1+3 |
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
9 |
9 |
D |
= |
4 |
- |
5 |
DEATH |
38 |
20 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
= |
1 |
- |
5 |
STATE |
65 |
112 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
25 |
|
19 |
First Total |
|
|
|
- |
- |
2+5 |
- |
1+9 |
Add to Reduce |
1+9+3 |
7+6 |
1+3 |
- |
- |
7 |
- |
10 |
Second Total |
|
|
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+3 |
1+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
9 |
1 |
9 |
1 |
- |
9 |
|
9 |
1 |
- |
9 |
|
9 |
1 |
|
|
|
5+8 |
|
|
|
|
|
|
|
- |
9 |
19 |
9 |
19 |
|
9 |
|
9 |
19 |
|
9 |
|
9 |
19 |
|
|
|
1+3+0 |
|
|
= |
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
|
|
2 |
|
|
|
|
9 |
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
2 |
|
|
|
|
18 |
|
|
|
|
|
2+0 |
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
9 |
19 |
9 |
19 |
|
9 |
2 |
9 |
19 |
|
9 |
18 |
9 |
19 |
|
|
|
1+5+0 |
|
|
1+0 |
|
|
|
|
- |
9 |
1 |
9 |
1 |
|
9 |
2 |
9 |
1 |
|
9 |
9 |
9 |
1 |
|
|
|
6+9 |
|
|
1+5 |
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
- |
|
- |
- |
|
occurs |
x |
|
= |
4 |
= |
|
- |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVEN |
7 |
|
|
|
|
|
8 |
|
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
EIGHT |
8 |
|
|
|
|
|
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
|
|
occurs |
x |
|
= |
|
6+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+3 |
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
|
1+2 |
|
|
1+2 |
|
6+9 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
9 |
1 |
|
9 |
2 |
9 |
1 |
|
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
9 |
1 |
- |
9 |
|
9 |
1 |
- |
9 |
|
9 |
1 |
|
|
|
5+8 |
|
|
|
|
|
|
- |
9 |
19 |
9 |
19 |
|
9 |
|
9 |
19 |
|
9 |
|
9 |
19 |
|
|
|
1+3+0 |
|
|
= |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
2 |
|
|
|
|
9 |
|
|
|
|
|
1+1 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
2 |
|
|
|
|
18 |
|
|
|
|
|
2+0 |
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
19 |
9 |
19 |
|
9 |
2 |
9 |
19 |
|
9 |
18 |
9 |
19 |
|
|
|
1+5+0 |
|
|
1+0 |
|
|
|
- |
9 |
1 |
9 |
1 |
|
9 |
2 |
9 |
1 |
|
9 |
9 |
9 |
1 |
|
|
|
6+9 |
|
|
1+5 |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
|
- |
|
- |
|
|
- |
|
- |
|
- |
- |
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
|
|
occurs |
x |
|
= |
|
6+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
9 |
|
9 |
|
|
9 |
|
9 |
|
|
9 |
|
9 |
|
|
|
1+2 |
|
|
1+2 |
|
6+9 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
9 |
1 |
|
9 |
2 |
9 |
1 |
|
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
1 |
9 |
1 |
9 |
|
9 |
1 |
9 |
|
9 |
1 |
|
|
|
5+8 |
|
|
|
|
|
|
- |
9 |
19 |
9 |
19 |
9 |
|
9 |
19 |
9 |
|
9 |
19 |
|
|
|
1+3+0 |
|
|
= |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
2 |
|
|
|
9 |
|
|
|
|
|
1+1 |
|
|
|
|
|
|
- |
|
|
|
|
|
2 |
|
|
|
18 |
|
|
|
|
|
2+0 |
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
9 |
19 |
9 |
19 |
9 |
2 |
9 |
19 |
9 |
18 |
9 |
19 |
|
|
|
1+5+0 |
|
|
1+0 |
|
|
|
- |
9 |
1 |
9 |
1 |
9 |
2 |
9 |
1 |
9 |
9 |
9 |
1 |
|
|
|
6+9 |
|
|
1+5 |
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
|
- |
|
- |
|
- |
|
- |
- |
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
9 |
|
9 |
|
9 |
|
9 |
|
9 |
|
9 |
|
|
|
|
occurs |
x |
|
= |
|
6+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
9 |
|
9 |
|
9 |
|
9 |
|
9 |
|
9 |
|
|
|
1+2 |
|
|
1+2 |
|
6+9 |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
9 |
1 |
9 |
2 |
9 |
1 |
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
50 |
|
35 |
First Total |
|
|
|
- |
- |
5+0 |
- |
3+5 |
Add to Reduce |
4+2+8 |
1+8+5 |
5+0 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
37 |
|
23 |
First Total |
|
|
|
- |
- |
3+7 |
- |
2+3 |
Add to Reduce |
3+0+2 |
1+2+2 |
3+2 |
- |
- |
10 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
P |
= |
7 |
- |
5 |
PILOT |
72 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
- |
- |
37 |
|
23 |
First Total |
|
|
|
- |
- |
3+7 |
- |
2+3 |
Add to Reduce |
3+0+2 |
1+2+2 |
3+2 |
- |
- |
10 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
- |
- |
16 |
|
13 |
First Total |
|
|
|
- |
- |
1+6 |
- |
1+3 |
Add to Reduce |
1+8+9 |
6+3 |
1+8 |
- |
- |
7 |
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
6 |
1 |
9 |
- |
9 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
|
15 |
19 |
9 |
- |
9 |
19 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
9 |
- |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
|
- |
- |
- |
18 |
- |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
-`- |
|
|
|
|
|
|
|
|
|
TWO |
2 |
|
- |
|
- |
|
3 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
5 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
SEVEN |
2 |
|
- |
|
- |
|
8 |
-`- |
|
|
|
|
|
|
|
|
|
EIGHT |
2 |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
2+9 |
- |
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
1+1 |
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
1 |
9 |
- |
9 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
15 |
19 |
9 |
- |
9 |
19 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
9 |
- |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
- |
- |
- |
18 |
- |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
1 |
9 |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
|
9 |
19 |
9 |
19 |
|
|
|
5+6 |
= |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
9 |
19 |
9 |
19 |
|
|
|
5+6 |
= |
|
1+1 |
|
|
|
|
|
9 |
1 |
9 |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
-`- |
|
|
|
|
|
|
|
TWO |
2 |
|
- |
|
- |
|
3 |
-`- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
5 |
-`- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
6 |
-`- |
|
|
|
|
|
|
|
SIX |
6 |
|
- |
|
- |
|
7 |
-`- |
|
|
|
|
|
|
|
SEVEN |
7 |
|
- |
|
- |
|
8 |
-`- |
|
|
|
|
|
|
|
EIGHT |
8 |
|
- |
|
- |
|
- |
- |
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
3+5 |
- |
|
|
|
|
|
|
1+0 |
- |
|
- |
- |
2+0 |
- |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
9 |
1 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
1 |
9 |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
9 |
19 |
9 |
19 |
|
|
|
5+6 |
= |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
19 |
9 |
19 |
|
|
|
5+6 |
= |
|
1+1 |
|
|
|
|
9 |
1 |
9 |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
1+0 |
- |
|
- |
- |
2+0 |
- |
1+1 |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
9 |
1 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
1 |
9 |
1 |
- |
6 |
1 |
9 |
|
9 |
1 |
|
|
|
4+6 |
= |
|
1+0 |
|
|
|
- |
|
9 |
19 |
9 |
19 |
- |
15 |
19 |
9 |
|
9 |
19 |
|
|
|
1+1+8 |
= |
|
1+0 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
- |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
18 |
|
|
|
|
|
1+8 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
19 |
9 |
19 |
- |
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
1+4+5 |
= |
|
1+0 |
|
|
|
- |
|
9 |
1 |
9 |
1 |
- |
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
--- |
- |
- |
|
- |
|
- |
- |
|
|
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
2 |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
- |
- |
|
TWO |
2 |
|
|
|
|
|
3 |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
|
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
-- |
|
- |
- |
|
|
|
|
|
|
|
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
- |
|
-- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
7 |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
7 |
|
|
|
|
|
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
8 |
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
- |
- |
|
|
|
-- |
- |
- |
|
occurs |
x |
|
= |
|
4+5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
2+9 |
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
1+6 |
- |
|
1+0 |
- |
5+5 |
- |
1+9 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
1 |
9 |
1 |
- |
6 |
1 |
9 |
|
9 |
1 |
|
|
|
4+6 |
= |
|
1+0 |
|
|
|
|
9 |
19 |
9 |
19 |
- |
15 |
19 |
9 |
|
9 |
19 |
|
|
|
1+1+8 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
- |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
18 |
|
|
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
19 |
9 |
19 |
- |
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
1+4+5 |
= |
|
1+0 |
|
|
|
|
9 |
1 |
9 |
1 |
- |
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
- |
|
|
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
- |
- |
|
-- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
- |
- |
- |
- |
|
|
|
-- |
- |
- |
|
occurs |
x |
|
= |
|
4+5 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
1+6 |
- |
|
1+0 |
- |
5+5 |
- |
1+9 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
1 |
9 |
1 |
6 |
1 |
9 |
|
9 |
1 |
|
|
|
4+6 |
= |
|
1+0 |
|
|
|
|
9 |
19 |
9 |
19 |
15 |
19 |
9 |
|
9 |
19 |
|
|
|
1+1+8 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
- |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
18 |
|
|
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
9 |
19 |
9 |
19 |
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
1+4+5 |
= |
|
1+0 |
|
|
|
|
9 |
1 |
9 |
1 |
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
|
|
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
- |
|
-- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
- |
- |
- |
|
|
|
-- |
- |
- |
|
occurs |
x |
|
= |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
1+6 |
- |
|
1+0 |
- |
5+5 |
- |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
ISIS OSIRIS |
- |
- |
- |
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
|
I |
9 |
9 |
|
|
S+O+S |
53 |
26 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
10 |
OSIRIS ISIS |
- |
- |
|
|
ISIS OSIRIS |
- |
- |
- |
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
|
O |
15 |
6 |
|
|
S |
19 |
10 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
10 |
OSIRIS ISIS |
- |
- |
|
16 |
|
S |
|
|
|
S |
|
S |
|
S |
S |
|
|
|
|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
6 |
1 |
9 |
|
9 |
1 |
9 |
1 |
9 |
1 |
1 |
9 |
|
9 |
|
1 |
|
|
|
6+6 |
|
|
1+2 |
|
|
|
- |
15 |
19 |
9 |
|
9 |
19 |
9 |
19 |
9 |
19 |
19 |
9 |
|
9 |
|
19 |
|
|
|
1+8+3 |
|
|
1+2 |
|
|
|
16 |
|
S |
|
|
|
S |
|
S |
|
S |
S |
|
|
|
|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
|
3 |
|
|
|
|
2+1 |
|
|
= |
|
|
|
- |
|
|
|
18 |
|
|
|
|
|
|
|
|
18 |
|
21 |
|
|
|
|
5+7 |
|
|
1+2 |
|
|
|
16 |
|
S |
|
|
|
S |
|
S |
|
S |
S |
|
|
|
|
S |
|
|
|
|
|
|
|
- |
- |
|
- |
15 |
19 |
9 |
18 |
9 |
19 |
9 |
19 |
9 |
19 |
19 |
9 |
18 |
9 |
21 |
19 |
|
|
|
2+4+0 |
|
|
= |
|
|
|
- |
6 |
1 |
9 |
9 |
9 |
1 |
9 |
1 |
9 |
1 |
1 |
9 |
9 |
9 |
3 |
1 |
|
|
|
8+7 |
|
|
1+5 |
|
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
7+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
1+6 |
|
8+7 |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
1 |
|
|
|
1 |
|
1 |
|
1 |
1 |
|
|
|
3 |
1 |
|
|
1+0 |
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I
SAY
HAVE I MENTIONED DIVINE THOUGHT DIVINE LOVE DIVINE REALITY HAVE I MENTIONED
THAT
THE LOST LANGUAGE OF SYMBOLISM
Harold Bayley 1912
Page 278
""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278
"ONE-EYE, TWO-EYES, THREE-EYES"
"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE HOLY BIBLE
Scofield References
Hosea Chapter 2
Page 922/923
16
And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
BHAGAVAD GITA
ARUJNA KRISHNA VISHNU SHIVA BRAHMA
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
THE HOLY BIBLE
Scofield References
Hosea Chapter 2
Page 922/923
16
And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
- |
8 |
QUESTION |
120 |
39 |
3 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
- |
4 |
BEEN |
26 |
17 |
8 |
A |
= |
1 |
- |
5 |
ASKED |
40 |
13 |
4 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
5 |
THERE |
56 |
29 |
2 |
S |
= |
1 |
- |
4 |
SOME |
52 |
16 |
7 |
M |
= |
4 |
|
5 |
MEANS |
52 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
K |
= |
2 |
- |
7 |
KNOWING |
93 |
39 |
3 |
W |
= |
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
C |
= |
3 |
- |
4 |
COME |
36 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
4 |
TAKE |
37 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
4 |
TIDE |
38 |
20 |
2 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
- |
- |
87 |
|
104 |
First Total |
|
|
|
- |
- |
8+7 |
- |
1+0+4 |
Add to Reduce |
1+1+0+8 |
4+6+0 |
1+1+8 |
- |
- |
15 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
SO IRIS OSIRIS ISISIS OSIRIS IRIS SO
SECRET CHAMBERS
Robert Bauval
1
999
Page82
THE EYE AND THE IRON THRONE OF OSIRIS
"There is a great deal of debate and confusion concerning the etymology of the name Osiris and the mysterious symbols attached to it. It may , surprise the reader to learn that the name is not Egyptian but Greek. The true and original name of the god in its most ancient form was As-Ar or Ausar, composed by two hieroglyphic signs of the 'throne' and the 'eye'.
Page 83
It is only much later, around 500 BC or so, that the Greeks gave it its classical pronounciation. The 'throne' almost certainly symbolises the 'throne of Osiris' or, more generally, the 'throne of divine kingship' -and in its other-worldly connotation, it may also stand for the 'throne of Osiris in the Duat'. Such a conclusion conforms with the role and function of Osiris as 'Lord of the Duat' and, at any rate, is confirmed by the many depictions in funerary art showing Osiris sitting on a throne in the so-called 'Judgement scene' where the god dispatches his verdict on the souls of the dead. There is an interesting variation of this depiction, however, in which Osiris is seen sitting on his throne placed on the summit of a pyramid or mound (see Fig. 13).107 Concerning this last, Rundle Clark had this to say:
In this version (depiction) the central object is a mound which is approached by steps. Inside is either the recumbent figure of Osiris or a figure which represents him illumined by the night sun during its underworld journey. The stepped hill is, of course, the Primeval Mound, but this time it is given directions. The goddesses of North and South, and sometimes signs for East and West, decorate the outside of the steps. . . .Above the mound Osiris sits enthroned, protected sometimes by a goddess, and approached by Horus and Thoth and a peculiar being carrying two stiff serpents arranged in an X. The first god (Horus) to approach Osiris presents him with the Horus Eye - the old motif of the recovery of Osiris which is as old as the Pyramid Texts. .. The figure with the crossed serpents is probably the Divine Word. . .108
One of the most potent symbols of ancient Egypt is the Udjet sign, which is depicted by an 'eye'. So ingrained was this symbol that it has survived to this day, generally used as a talisman to ward off evil and danger .109 Although the term Udjet is of the feminine gender, the 'eye' is that of a falcon and is clearly associated with primitive falcon gods such as Horus and Sokar110 In his detailed study of the Udjet symbol, R.T. Rundle Clark shows that the 'eye' was also associated with the sun and the moon that represented the two eyes of the cosmic falcon. 111 Since one of these 'eyes', the moon, wanes and waxes in a cycle of one month, the ancients used numerical fractions of the value one to design the Udjet symbol; the act of 'putting together' the Udjet-eye symbolised the return of the full moon which, according to Clark, signalled the idea 'that all is well' and that 'Maat', the cosmic order, is undisturbedl12:
I am seeking the Eye of Horus, that I might bring it back and count it. . . I am Thoth who brings back Maat . . . I am he who returns the Udjet Eye, I am he
who abolishes its dimness, when its brightness was damaged. . . in the House of the Moon. . . 113
"I am seeking the Eye of Horus, that I might bring it back and count it."
I AM SEEKING THE EYE OF HORUS THAT I MIGHT BRING IT BACK AND COUNT IT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
7 |
SEEKING |
70 |
34 |
7 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
3 |
EYE |
35 |
17 |
8 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
5 |
HORUS |
81 |
27 |
9 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
- |
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
5 |
MIGHT |
57 |
30 |
3 |
- |
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
BRING |
50 |
32 |
5 |
- |
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
2 |
IT |
29 |
11 |
2 |
- |
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
4 |
BACK |
17 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
5 |
COUNT |
73 |
19 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
2 |
IT |
29 |
11 |
2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
54 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+3 |
|
5+4 |
Add to Reduce |
5+9+5 |
2+6+2 |
9+1 |
|
|
|
|
|
1+0 |
|
|
1+6 |
2+7 |
|
|
|
- |
9 |
Second Total |
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
1+0 |
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
Third Total |
|
|
|
|
|
|
|
|
|
6 |
|
|
|
- |
- |
|
|
|
Reduce to Produce |
1+0 |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
Essence of Number |
|
|
|
|
|
|
|
|
|
6 |
|
|
|
THE EYE OF HORUS 1977
|
|
- |
- |
- |
|
|
- |
- |
- |
- |
A |
1 |
1 |
1 |
|
|
20 |
2 |
|
|
|
12 |
3 |
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
F |
6 |
6 |
|
- |
Y |
25 |
7 |
7 |
|
H |
8 |
8 |
|
|
I |
9 |
9 |
|
|
|
- |
- |
- |
|
|
- |
- |
- |
9 |
Add to Reduce |
99 |
45 |
45 |
- |
Reduce to Deduce |
9+9 |
4+5 |
4+5 |
9 |
Essence of Number |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
99 |
45 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
9+9 |
4+5 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RA |
19 |
10 |
1 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+1 |
2+2+1 |
4+1 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+4 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RE |
23 |
14 |
5 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+5 |
2+2+5 |
4+5 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+8 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
THE
LIVING GODS ENERGIES GODS LIVING
DIVINE THOUGHT THOUGHT DIVINE
THE
CREATORS
R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
GOD WITH US AND US WITH GOD
3 |
|
26 |
17 |
|
4 |
|
60 |
24 |
|
2 |
|
40 |
4 |
|
|
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
|
Essence of Number |
|
|
|
"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us).
Matthew 1:23 "The virgin will conceive and give birth to a ...
biblehub.com/matthew/1-23.htm
The Meaning of Immanuel, God with Us
www.orlutheran.com/html/immanuel.html
And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ...
Matthew 1:23 "The virgin will conceive and give birth to a ...
matthew/1-23.
“Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). New American Standard Bible "BEHOLD ...
Christ Emmanuel or God with Us - Grace Gems!
www.gracegems.org/W/e1.htm
"They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.
Isaiah 7:14 Explained - Immanuel God With Us
www.bibleanswerstand.org/immanuel.htm
This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).
Why wasn't Jesus named Immanuel? - GotQuestions.org
www.gotquestions.org/Immanuel-Jesus.html
by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.
Words Around "Emmanuel" in the English Dictionary
"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
2 |
|
40 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
5 |
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US |
|
|
|
|
|
|
|
|
|
|
|
|
|
GOD WITH US 123456789 987654321 US WITH GOD
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
3+2 |
Add to Reduce |
2+9+7 |
1+8+9 |
3+6 |
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Add to Reduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
45 |
18 |
|
1 |
|
9 |
9 |
|
5 |
|
54 |
27 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
THE
PROPHET
Kahil Gibran
Page 82/83/84/85/86
"If these be vague words, then seek not to clear them.
Vague and nebulous is the beginning of all things, but not their end,
And I would have you remember me as a beginning.
Life, and all that lives, is conceived in the mist and not in the crystal.
And who knows but a crystal is mist in decay
This would I have you remember in remembering me:
That which seems most feeble and bewildered in you is the strongest and most determined.
Is it not your breath that has erected and hardened the structure of your bones?
And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?
Could you but see the tides of that breath you would cease to see all else,
And if you could hear the whispering of the dream you would hear no other sound.
But you do not see, nor do you here, and it is well.
The veil that clouds your eyes shall be lifted by the hands that wove it,
And the clay that fills your ears shall be pierced by those fingers that kneaded it.
And you shall see
And you shall hear.
Yet you shall not deplore having known blindness, nor regret having been deaf
For in that day you shall know the hidden purposes in all things,
And you shall bless darkness as you would bless light.
After saying these things he looked about him,
and he saw the pilot of his ship standing by the helm
and gazing now at the full sails and now at the distance.
And he said:
Patient, over patient, is the captain of my ship.
The wind blows, and restless are the sails;
Even the rudder begs direction;
Yet quietly my captain awaits my silence.
And these my mariners, who have heard the
choir of the greater sea, they too have heard me
patiently.
Now they shall wait no longer.
I am ready
The stream has reached the sea, and once more
THE GREAT MOTHER
holds her son against her breast.
Fare you well, people of Orphalese.
This day has ended.
It is closing upon us even as the water-lily upon its own tomorrow.
What was given us here we shall keep,
And if it suffices not, then again must we come together and together
stretch our hands unto the giver.
Forget not that I shall come back to you.
A little while, and my longing shall gather dust and foam for another body.
A little while, a moment of rest upon the wind, and another woman shall bear me.
Farewell to you and the youth I have spent with you.
It was but yesterday we met in a dream.
You have sung to me in my aloneness, and I of your longings have built a tower in the sky.
But now our sleep has fled and our dream is over, and it is no longer dawn.
The noontide is upon us and our half waking has turned to fuller day, and we must part.
If in the twilight of memory we should meet once more,
we shall speak again together and you shall sing to me a deeper song.
and if our hands should meet in another dream we shall build another tower in the sky.
So saying he made a signal to the seamen,
and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.
And a cry came from the people as from a single heart,
and it rose into the dusk and was carried out over the sea like a great trumpeting.
Only Almitra was silent, gazing after the ship until it had vanished into the mist.
And when all the people were dispersed she still stood alone upon the sea-wall,
remembering in her heart his saying:
A little while, a moment of rest upon the wind, and another woman shall bear me.'
A LITTLE WHILE A MOMENT OF REST UPON THE WIND AND ANOTHER WOMAN SHALL BEAR ME
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
78 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
57 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
80 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
62 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
5 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
6+2 |
Add to Reduce |
7+1+1 |
2+7+9 |
8+1 |
|
|
|
1+2 |
|
|
1+2 |
|
2+4 |
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 199
"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"
THE SUN
Tuesday, December 27, 2005
FRONT PAGE
"IT WASN'T DEATH THAT WON THE DAY. HUMANITY TRIUMPHED"
HARMONIC 288
Bruce Cathie
1977
THE MEASURE OF LIGHT
Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being
1836 inches,"
Page 95/97
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
I
PLANETS STARS AND LIFE
Page 24
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'"
AS ABOVE SO BELOW
READEST THOU AND INWARDLY DIGEST
AS BELOW SO ABOVE
JUST SIX NUMBERS
Martin Rees 1999
OUR COSMIC HABITAT I PLANETS STARS AND LIFE
Page 24
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 /25 '
" A manifestly artificial signal-even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that ntelli-gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way.
There would be time to send a measured response, but no scope for quick repartee! any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study.
Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths/ 1feet or metres or some alien units"
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
AS ABOVE SO BELOW
THIS IS THE SEEN OF THE SCENE UNSEEN THE UNSEEN SCENE OF THE SCENE UNSEEN THIS IS THE SEEN
AS BELOW SO ABOVE
Martin Rees 1999
A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
ONE 1 ONE
EIGHT 8 EIGHT
THREE 3 THREE
SIX 6 SIX
THE GREAT PYRAMID
ITS
DIVINE MESSAGE
AN ORIGINAL CO-ORDINATION OF HISTORICAL DOCUMENTS AND ARCHEOLOGICAL EVIDENCES
D. Davidson and H. Aldersmith 1925
Page 279
"The resulting length for the Grand Gallery roof is 1836 P an important Pyramid dimension dealt with later."
HARMONIC 288
Bruce Cathie
1977
EIGHT
THE MEASURE OF LIGHT : I
Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities. "
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"
Page 95/97
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell 1999
Page194
Anderson's Constitutions of the Freemasons (In3) comments:
", . . the Tillest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. , ,
there were employed 3,600 Princes, or Master Masons', to conduct the work according to Solomon's directions,
with 80000 hewers of stone in the mountains ('Fellow Craftsmen')and 70000 labourers in all 153600 besides
the levy under Adoniram to work In the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600
Page 190
"The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9. Freemasons" for reasons we shall see, are said to be 'on the square'."
THE BIOLOGY OF DEATH
Lyall Watson 1974
Page 49
"AS long ago as 1836, in a Manual of Medical Jurisprudence, this was said: Individuals who are apparently destroyed in a sudden manner, by certain wounds, diseases , or even decapitation are not really dead, but are only in conditions incompatible with the persistence life."
THE JUPITER EFFECT
John Gribbin and Stephen Plagemann 1977
Page 122
: "Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since
1836
AUTOBIOGRAPHY OF A YOGI
Paramahansa Yogananda
1946
Book cover comments
"I am grateful to you for granting me some insight into this fascinating world." - Thomas Mann"
"As an eye witness recountal of the extraordinary lives and powers of modern Hindu saints, the book has importance both timely and timeless."
- W. Y. Evans-Wentz, Orientalist
Page 275
"In the gigantic concepts of Einstein, the velocity of light - 1863 miles per second - dominates the whole theory of relativity"
1863 - 1836
GODS OF THE DAWN
THE MESSAGE OF THE PYRAMIDS
AND
THE TRUE STARGATE MYSTERY
Peter Lemesurier 1997
Page 118
"With the entry into the Grand Gallery, all kinds of extraordinary things now start to happen"
while the 1836P" long roof (-code equivalent: 153 x 12)
JUST SIX NUMBERS
Martin Rees 1999
OUR COSMIC HABITAT I PLANETS STARS AND LIFE
Page 24
"A proton is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence' "
8 |
EIGHTEEN |
73 |
46 |
1 |
9 |
THIRTYSIX |
152 |
53 |
8 |
17 |
- |
|
|
|
|
- |
2+2+5 |
9+9 |
- |
8 |
- |
|
|
|
- |
- |
- |
1+8 |
- |
8 |
- |
9 |
|
9 |
PLANET E PLANT E PLANET
P |
= |
7 |
- |
PLANET |
- |
- |
- |
- |
- |
- |
5 |
PLANT |
63 |
18 |
9 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
- |
7 |
6 |
PLANET |
68 |
23 |
|
- |
- |
- |
- |
- |
6+8 |
2+3 |
1+4 |
P |
- |
7 |
6 |
PLANET |
|
|
|
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
- |
7 |
6 |
PLANET |
|
|
|
B |
= |
2 |
4 |
BLUE |
40 |
13 |
4 |
P |
= |
7 |
6 |
PLANET |
68 |
23 |
5 |
``- |
- |
9 |
10 |
- |
|
|
|
- |
- |
- |
1+0 |
- |
1+0+8 |
3+6 |
- |
- |
- |
9 |
1 |
- |
|
|
|
W |
= |
5 |
- |
WORLD |
- |
- |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
4 |
WORD |
60 |
24 |
6 |
W |
= |
5 |
5 |
WORLD |
72 |
27 |
|
- |
- |
- |
- |
- |
7+2 |
2+7 |
- |
W |
= |
5 |
5 |
WORLD |
|
|
|
L |
= |
3 |
4 |
LOVE |
54 |
18 |
9 |
L |
= |
3 |
6 |
EVOLVE |
81 |
27 |
9 |
L |
= |
3 |
4 |
LORD |
49 |
22 |
4 |
O |
= |
6 |
5 |
ORDER |
60 |
33 |
6 |
L |
= |
3 |
5 |
WORLD |
72 |
27 |
|
......
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
G |
= |
7 |
- |
2 |
GO |
22 |
13 |
4 |
D |
= |
4 |
- |
2 |
DO |
19 |
10 |
1 |
G |
= |
7 |
- |
6 |
GOOD |
41 |
23 |
|
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
2+5 |
- |
6+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
4 |
SIGN |
49 |
22 |
4 |
3 |
AND |
19 |
10 |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
|
First Total |
|
|
|
1+3 |
Add to Reduce |
1+5+4 |
5+5 |
1+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
4 |
SIGN |
49 |
22 |
4 |
S |
= |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
- |
- |
2 |
10 |
- |
|
|
|
- |
- |
- |
1+0 |
- |
1+3+5 |
4+5 |
- |
- |
- |
2 |
1 |
- |
|
|
|
- |
|
- |
- |
- |
|
THE |
33 |
15 |
|
|
SOLAR |
65 |
29 |
|
|
SYSTEM |
101 |
38 |
|
14 |
THE SOLAR SYSTEM |
199 |
82 |
10 |
1+4 |
|
1+9+9 |
8+2 |
1+0 |
5 |
THE SOLAR SYSTEM |
19 |
10 |
1 |
- |
|
1+9 |
1+0 |
- |
5 |
THE SOLAR SYSTEM |
10 |
1 |
1 |
- |
|
1+0 |
- |
- |
5 |
THE SOLAR SYSTEM |
1 |
1 |
1 |
I
HEAR AN ECHO OF THE SILENT VOICE
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
L |
= |
3 |
- |
10 |
LIBERATION |
105 |
51 |
6 |
|
- |
|
- |
|
Add to Reduce |
|
|
|
|
- |
1+2 |
- |
1+8 |
Reduce to Deduce |
1+8+9 |
9+0 |
1+8 |
|
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
|
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|
- |
|
I |
|
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I |
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|
- |
- |
|
- |
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
6 |
5 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
- |
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
15 |
14 |
|
|
|
5+5 |
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|
1+0 |
|
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|
|
- |
|
|
|
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|
- |
|
I |
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|
I |
|
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|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
|
2 |
5 |
9 |
1 |
2 |
|
|
|
|
|
|
5+3 |
|
|
= |
|
|
|
- |
- |
20 |
|
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
|
2 |
5 |
18 |
1 |
20 |
|
|
|
|
|
|
1+3+4 |
|
|
= |
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|
|
|
|
|
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|
- |
|
|
|
|
|
- |
|
I |
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|
I |
|
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|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
- |
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
|
18 |
|
|
|
- |
|
|
|
|
|
- |
|
|
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- |
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- |
- |
|
- |
|
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occurs |
x |
|
= |
|
= |
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- |
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2 |
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occurs |
x |
|
= |
|
= |
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|
- |
- |
- |
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|
3 |
|
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occurs |
x |
|
= |
|
= |
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- |
- |
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- |
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5 |
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occurs |
x |
|
= |
20 |
2+0 |
|
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6 |
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occurs |
x |
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= |
6 |
= |
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occurs |
x |
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= |
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= |
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occurs |
x |
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= |
8 |
= |
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- |
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|
9 |
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9 |
|
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|
occurs |
x |
|
= |
27 |
2+7 |
|
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|
- |
|
I |
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I |
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1+8 |
- |
- |
|
- |
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|
- |
|
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|
|
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|
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|
3+8 |
|
|
1+8 |
|
9+0 |
|
4+5 |
|
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- |
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- |
|
I |
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I |
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2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
1+1 |
|
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- |
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- |
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I |
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I |
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- |
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- |
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I |
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I |
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|
- |
- |
|
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
6 |
5 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
15 |
14 |
|
|
|
5+5 |
|
|
1+0 |
|
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|
|
|
|
|
- |
|
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|
- |
|
I |
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I |
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|
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|
- |
|
|
- |
2 |
|
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
|
2 |
5 |
9 |
1 |
2 |
|
|
|
|
|
|
5+3 |
|
|
= |
|
|
|
- |
20 |
|
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
|
2 |
5 |
18 |
1 |
20 |
|
|
|
|
|
|
1+3+4 |
|
|
= |
|
|
|
|
|
|
|
- |
|
|
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|
|
- |
|
I |
|
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|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
18 |
|
|
|
- |
|
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|
- |
|
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- |
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- |
- |
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occurs |
x |
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= |
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= |
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- |
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|
2 |
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occurs |
x |
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= |
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= |
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- |
- |
- |
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3 |
|
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occurs |
x |
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= |
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= |
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- |
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5 |
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occurs |
x |
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= |
20 |
2+0 |
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6 |
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occurs |
x |
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= |
6 |
= |
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occurs |
x |
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= |
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= |
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occurs |
x |
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= |
8 |
= |
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- |
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9 |
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9 |
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occurs |
x |
|
= |
27 |
2+7 |
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- |
|
I |
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I |
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1+8 |
- |
- |
|
- |
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- |
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3+8 |
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1+8 |
|
9+0 |
|
4+5 |
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- |
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- |
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I |
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I |
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2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
1+1 |
|
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- |
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- |
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I |
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I |
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I |
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I |
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- |
- |
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- |
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8 |
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9 |
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|
9 |
6 |
5 |
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|
3+7 |
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|
1+0 |
|
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|
- |
|
8 |
|
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|
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|
9 |
|
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|
9 |
15 |
14 |
|
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|
5+5 |
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|
1+0 |
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I |
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I |
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- |
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- |
2 |
|
5 |
7 |
9 |
5 |
1 |
2 |
3 |
|
2 |
5 |
9 |
1 |
2 |
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5+3 |
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= |
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|
- |
20 |
|
5 |
7 |
18 |
5 |
1 |
20 |
12 |
|
2 |
5 |
18 |
1 |
20 |
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|
1+3+4 |
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= |
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I |
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I |
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- |
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- |
20 |
8 |
5 |
7 |
18 |
5 |
1 |
20 |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
|
|
|
1+8+9 |
|
|
1+8 |
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- |
2 |
8 |
5 |
7 |
9 |
5 |
1 |
2 |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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9+0 |
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18 |
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- |
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- |
- |
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occurs |
x |
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= |
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= |
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- |
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2 |
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occurs |
x |
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= |
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= |
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- |
- |
- |
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3 |
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occurs |
x |
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= |
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= |
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- |
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5 |
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occurs |
x |
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= |
20 |
2+0 |
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6 |
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occurs |
x |
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= |
6 |
= |
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occurs |
x |
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= |
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= |
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occurs |
x |
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= |
8 |
= |
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- |
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9 |
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9 |
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occurs |
x |
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= |
27 |
2+7 |
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I |
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I |
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1+8 |
- |
- |
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3+8 |
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1+8 |
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9+0 |
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4+5 |
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I |
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I |
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2 |
8 |
5 |
7 |
9 |
5 |
1 |
2 |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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1+1 |
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I |
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I |
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THE LURE AND ROMANCE OF ALCHEMY.
A history of the secret link between magic and science
1990
C. J. S.Thompson
Page# 31 / 32
note 1 Julius Ruska ,Tabula Smaragdini 1926
"THE EMERALD TABLE OF HERMES: "
"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."
AFRICAN NIGHTMARE, SPECTRE OF FAMINE 1975
HARMONIC 288
Bruce Cathie
1977
THE MEASURE OF LIGHT
Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being
1836 inches,"
Page 95/97
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
I
PLANETS STARS AND LIFE
Page 24
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'"
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
2 |
AM |
14 |
5 |
5 |
11 |
|
145 |
55 |
1 |
16 |
|
213 |
78 |
6 |
3 |
AND |
19 |
10 |
1 |
9 |
|
86 |
32 |
5 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
|
First Total |
|
|
|
4+9 |
Add to Reduce |
5+5+8 |
2+1+6 |
4+5 |
|
Second Total |
|
9 |
9 |
1+3 |
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
9 |
9 |
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
- |
8 |
QUESTION |
120 |
39 |
3 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
- |
4 |
BEEN |
26 |
17 |
8 |
A |
= |
1 |
- |
5 |
ASKED |
40 |
13 |
4 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
5 |
THERE |
56 |
29 |
2 |
S |
= |
1 |
- |
4 |
SOME |
52 |
16 |
7 |
M |
= |
4 |
- |
5 |
MEANS |
52 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
K |
= |
2 |
- |
7 |
KNOWING |
93 |
39 |
3 |
W |
= |
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
C |
= |
3 |
- |
4 |
COME |
36 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
4 |
TAKE |
37 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
4 |
TIDE |
38 |
20 |
2 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
B |
- |
87 |
|
104 |
First Total |
|
|
|
- |
- |
8+7 |
- |
1+0+4 |
Add to Reduce |
1+1+0+8 |
4+6+0 |
1+1+8 |
- |
- |
15 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
THE ELEMENTS OF THE GODDESS
Caitlin Matthews 1989
Page38
"This ennead of aspects is endlessly adaptable for it is made up of nine, the most adjustable and yet essentially unchanging number. However one chooses to add up multiples of nine, for example 54, 72, 108, they always add up to nine"
THE
ENNEAD 55555 ENNEAD
ENNEA+D 55555 ENNEA+D
THE
ENNEAD 55555 ENNEAD
CREATION SEE REACTION SEE CREATION
C REACTION C REACTION C
CREATORS C REACTORS
REACTORS SEE REACTORS
SOUL SO U LIVE SO U LEARN SO U LOVE
REAL REALITY REVEALED REALITY REAL
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
REAL REALITY REVEALED
I
SAY
HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
YET
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS
MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
I |
9 |
9 |
|
- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 199
"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"
THE SUN
Tuesday, December 27, 2005
FRONT PAGE
"IT WASN'T DEATH THAT WON THE DAY. HUMANITY TRIUMPHED"
(I Corinthians 15: 51-52)
Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet.
KEEPER OF GENESIS
Robert Bauval Graham Hancock 1996
Page 254
Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:
we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood? Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere.3
Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
16 |
|
213 |
78 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
12 |
|
115 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
7 |
|
88 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
10 |
|
130 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
10 |
|
138 |
57 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
7 |
|
121 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
5 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
8+3 |
Add to Reduce |
9+9+2 |
3+9+8 |
4+7 |
|
|
|
|
|
|
|
2+1 |
|
|
|
|
6 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
2+0 |
2+0 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
16 |
|
213 |
78 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
12 |
|
115 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
7 |
|
88 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
10 |
|
130 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
10 |
|
138 |
57 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
7 |
|
121 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
5 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
8+3 |
Add to Reduce |
9+9+2 |
3+9+8 |
4+7 |
|
|
|
|
|
|
|
2+1 |
|
|
|
|
6 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
2+0 |
2+0 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
RE 95 RE
REARRANGED NUMERICALLY REARRANGED
RE 95 RE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
10 |
|
138 |
57 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
10 |
|
130 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
7 |
|
121 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
5 |
|
41 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
16 |
|
213 |
78 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
12 |
|
115 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
7 |
|
88 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
8+3 |
Add to Reduce |
9+9+2 |
3+9+8 |
4+7 |
|
|
|
|
|
|
|
2+1 |
|
|
|
|
6 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
2+0 |
2+0 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ...
In my fantasy I remember their faces The hopes we had were much too high ...
www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
I
SAY
IS THIS THE OTHER SIDE OF THE GREAT DIVIDE
?
NO ITS OVER THERE
I
HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE
Did Spacemen Colonise the Earth?
Robin Collyns 1974
Page 206
"FINIS"
THE MAGIC MOUNTAIN
Thomas Mann 1924
THE THUNDERBOLT
Page 715
"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:
"And loving words I've carven
Upon its branches fair-"
He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:
"Its waving branches whiispered
A message in my ear -"
and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?
FINIS OPERIS