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NUCLEAR FAMILY 19769

 

 

 

 

 

 

 

 

THE

MAGICALALPHABET

 

..................

 

 

-
-
-
-
-
THE RAINBOW LIGHT
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

 

CITY OF REVELATION

John Michell

1972

Page 109

"At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation.

The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'

The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'

The number 666 in metrology

The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Midway this way of life we're bound upon

I woke to find myself in a dark wood,

Where the right road was wholly lost and gone."

 

 

M
=
4
-
6
MIDWAY
75
30
3
T
=
2
-
4
THIS
56
20
2
W
=
5
-
3
WAY
49
13
4
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
W
=
5
-
4
WE'RE
51
24
6
B
=
2
-
5
BOUND
56
20
2
U
=
3
-
4
UPON
66
21
3
-
-
30
-
32
-
406
163
28
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
W
=
5
-
4
WOKE
54
18
9
T
=
2
-
2
TO
35
8
8
F
=
6
-
4
FIND
33
24
6
M
=
4
-
6
MYSELF
80
26
8
I
=
9
-
2
IN
23
14
5
A
=
1
-
1
A
1
1
1
D
=
4
-
4
DARK
34
16
7
W
=
5
-
4
WOOD
57
21
3
-
-
45
-
28
-
326
137
56
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
5
RIGHT
62
35
8
R
=
9
-
4
ROAD
38
20
2
W
=
5
-
3
WAS
43
7
7
W
=
5
-
6
WHOLLY
95
32
5
L
=
3
-
4
LOST
66
12
3
A
=
1
-
3
AND
19
10
1
G
=
7
-
4
GONE
41
23
5
-
-
46
-
37
-
456
186
42
-
-
-
-
-
-
-
-
-
-
-
121
-
97
First Total
1188
486
126
-
-
1+2+1
-
9+7
Add to Reduce
1+1+8+8
4+8+6
1+2+6
Q
-
4
-
16
Second Total
18
18
9
-
-
-
-
1+6
Reduce to Deduce
1+8
1+8
-
-
-
4
-
7
Essence of Number
9
9
9

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Power failed high fantasy here; yet, swift to move

Even as a wheel moves equal, free from jars,

Already my heart and will were wheeled by love,

The Love that moves the sun and other stars."

 

P
=
7
-
5
POWER
77
32
5
F
=
6
-
6
FAILED
37
28
1
H
=
8
-
4
HIGH
32
32
5
F
=
6
-
7
FANTASY
86
23
5
H
=
8
-
4
HERE
36
27
9
Y
=
7
-
3
YET
50
14
5
S
=
1
-
5
SWIFT
77
23
5
T
=
2
-
2
TO
35
8
8
M
=
4
-
4
MOVE
55
19
1
-
-
49
-
40
First Total
485
206
44
-
-
4+9
-
4+0
Add to Reduce
4+8+5
2+0+6
4+4
Q
-
13
-
4
Second Total
17
8
8
-
-
1+3
-
-
Reduce to Deduce
1+7
-
-
-
-
4
-
4
Essence of Number
8
8
8

 

 

E
=
5
-
4
EVEN
46
19
1
A
=
1
-
2
AS
20
2
2
A
=
1
-
1
A
1
1
1
W
=
5
-
5
WHEEL
53
26
8
M
=
4
-
5
MOVES
74
20
2
E
=
5
-
5
EQUAL
56
20
2
F
=
6
-
4
FREE
34
25
7
F
=
6
-
4
FROM
52
25
7
J
=
1
-
4
JARS
48
12
3
-
-
34
-
34
First Total
384
150
33
-
-
3+4
-
3+4
Add to Reduce
3+8+4
1+5+0
3+3
Q
-
7
-
7
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
7
-
7
Essence of Number
6
6
6

 

 

A
=
1
-
7
ALREADY
66
30
3
M
=
4
-
2
MY
38
11
2
H
=
8
-
5
HEART
52
25
7
A
=
1
-
3
AND
19
10
1
W
=
5
-
4
WILL
56
20
2
W
=
5
-
4
WERE
51
24
7
W
=
5
-
7
WHEELED
62
35
8
B
=
2
-
2
BY
27
9
9
L
=
3
-
4
LOVE
54
18
9
-
-
34
-
38
First Total
425
182
47
-
-
3+4
-
3+8
Add to Reduce
4+2+5
1+8+2
4+7
Q
-
7
-
11
Second Total
11
11
11
-
-
-
-
1+1
Reduce to Deduce
1+1
1+1
1+1
-
-
7
-
2
Essence of Number
2
2
2

 

 

T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LOVE
54
18
9
T
=
2
-
4
THAT
49
13
4
M
=
4
-
5
MOVES
74
20
2
T
=
2
-
3
THE
33
15
6
S
=
1
-
3
SUN
54
9
9
A
=
1
-
3
AND
19
10
1
O
=
6
-
5
OTHER
66
30
3
S
=
1
-
5
STARS
77
14
5
-
-
22
-
35
First Total
459
144
45
-
-
2+2
-
3+5
Add to Reduce
4+5+9
1+4+4
4+5
Q
-
4
-
8
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
4
-
8
Essence of Number
9
9
9

 

 

-
CIRCLE
-
-
-
5
CIRCL
45
27
9
1
E
5
5
5
6
CIRCLE
50
32
32
-
-
5+0
3+2
3+2
6
CIRCLE
5
5
5

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

From Wikipedia, the free encyclopedia
Dante's Inferno describes nine levels of hell, each representing a different sin and punishment12. The levels are as follows:
First Circle (Limbo): Inhabited by virtuous non-Christians and unbaptized pagans.
Second Circle (Lust).
Third Circle (Gluttony).
Fourth Circle (Greed).
Fifth Circle (Anger).

"Dante's Inferno" redirects here. For other uses, see Dante's Inferno (disambiguation).
Inferno

Canto I from the Inferno, the first part of the Divine Comedy by Dante Alighieri
Author Dante Alighieri
Language Italian
Series Divine Comedy
Genre narrative poem
Publication date c. 1321
Publication place Italy
Text Inferno at Wikisource
vte
Dante's Divine Comedy

Inferno (Hell)Purgatorio (Purgatory)Paradiso (Heaven) Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm [...] of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen".[1] As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.[2]

Prelude to Hell
Canto I

Gustave Doré's engravings illustrated the Divine Comedy (1861–1868). Here, Dante is lost at the start of Canto I of the Inferno.
The poem begins on the night of Maundy Thursday on March 24 (or April 7), 1300, shortly before the dawn of Good Friday.[3][4] The narrator, Dante himself, is 35 years old, and thus "midway in the journey of our life" (Nel mezzo del cammin di nostra vita)[5] – half of the biblical lifespan of 70 (Psalm 89:10 in the Vulgate; numbered as Psalm 90:10 in the King James Bible). The poet finds himself lost in a dark wood (selva oscura),[6] astray from the "straight way" (diritta via,[7] also translatable as 'right way') of salvation. He sets out to climb directly up a small mountain, but his way is blocked by three beasts he cannot evade: a lonza[8] (usually rendered as 'leopard' or 'leopon'),[9] a leone[10] (lion), and a lupa[11] (she-wolf). The three beasts, taken from Jeremiah 5:6,[12] are thought to symbolize the three kinds of sin that bring the unrepentant soul into one of the three major divisions of Hell. According to John Ciardi, these are incontinence (the she-wolf); violence and bestiality (the lion); and fraud and malice (the leopard).[13]

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

Dante's Inferno describes nine levels of hell, each representing a different sin and punishment12. The levels are as follows:
First Circle (Limbo): Inhabited by virtuous non-Christians and unbaptized pagans.
Second Circle (Lust).
Third Circle (Gluttony).
Fourth Circle (Greed).
Fifth Circle (Anger)

 


thoughtco.com/dantes-9-circles-of-hell-

Dante’s "Inferno" is the first part of his three-part epic poem "The Divine Comedy," written in the 14th century and considered one of the world’s great works of literature. "Inferno" is followed by "Purgatorio" and "Paradiso."

Those approaching "Inferno" for the first time might benefit from a brief structural description. This is Dante’s journey through the nine circles of hell, guided by the poet Virgil. At the beginning of the story, a woman, Beatrice, calls for an angel to bring Virgil to guide Dante on his journey so that no harm will befall him.

Dante's 9 Circles of Hell
The nine circles of hell, as depicted in Dante's Inferno, represent a gradual descent into increasing levels of sin and punishment—from the first circle, Limbo, to the ninth circle, which is reserved for the worst sinners. Each level represents various types of moral wrongdoing and the corresponding punishment.

First Circle of Hell: Limbo
In the book, limbo is where those who never knew Christ exist. Dante encounters several historical figures, including ​Ovid, Homer, Socrates, Aristotle, Julius Caesar, and more, in this circle.

Second Circle of Hell: Lust
In the second circle, a stormy and dark realm, Dante encounters Achilles, Paris, Tristan, Cleopatra, and Dido, among others.

Third Circle of Hell: Gluttony
The third circle is reserved for those who overindulge. Dante encounters ordinary people here, not characters from epic poems or gods from mythology. The author Boccaccio took one of these characters, Ciacco, and incorporated him into his 14th-century collection of tales called "The Decameron."

Fourth Circle of Hell: Greed
Dante encounters more ordinary people in the fourth circle but also the guardian of the circle, Pluto, the mythological king of the underworld. This circle is reserved for people who hoarded or squandered their money, but Dante and Virgil do not directly interact with any of its inhabitants. This is the first time they pass through a circle without speaking to anyone, a commentary on Dante’s opinion of greed as a higher sin.

Fifth Circle of Hell: Anger
Dante and Virgil are threatened by the Furies when they try to enter through the walls of Dis (Satan). This is a further progression in Dante’s evaluation of the nature of sin; he also begins to question himself and his own life, realizing his actions and nature could lead him to this permanent torture.

Sixth Circle of Hell: Heresy
Representing the rejection of religious and political norms, the sixth circle leads Dante to Farinata degli Uberti, a military leader and aristocrat who tried to win the Italian throne and was convicted posthumously of heresy in 1283. Dante also meets Epicurus, Pope Anastasius II, and Emperor Frederick II.

Seventh Circle of Hell: Violence
This is the first circle to be further segmented into sub-circles or rings. There are three of them—the outer, middle, and inner rings—housing different types of violent criminals. The first are those who were violent against people and property, such as Attila the Hun. Centaurs guard this outer ring and shoot its inhabitants with arrows. The middle ring consists of those who commit violence against themselves, such as suicide. These sinners are perpetually eaten by harpies.

Finally, the inner ring is made up of blasphemers, or those who are violent against God and nature. One of these sinners is Brunetto Latini, a sodomite, who was Dante’s mentor. (Dante speaks kindly to him.) The usurers are also here, as are those who blasphemed not just against God but also the gods, such as Capaneus, who blasphemed against Zeus.

Eighth Circle of Hell: Fraud
This circle is distinguished from its predecessors by being made up of those who consciously and willingly commit fraud. Within the eighth circle is another called the Malebolge (“Evil Pockets”), which houses ten separate bolgias (ditches). These ditches housed different types of people who committed fraud: panderers; seducers; flatterers; simoniacs (those who sell ecclesiastical preferment); sorcerers; barrators (corrupt politicians); schismatics (those who separate religions to form new ones); and alchemists, among others.

Each bolgia is guarded by different demons, and the inhabitants suffer different punishments, such as the simoniacs, who stand head-first in stone bowls and endure flames upon their feet.

Ninth Circle of Hell: Treachery
The ninth circle, the deepest, is where Satan resides. As with the last two circles, this one is further divided, into four rounds. The first is Caina, named after the biblical Cain, who murdered his brother. This round is for traitors to family. The second, Antenora—from Antenor of Troy, who betrayed the Greeks—is reserved for political and national traitors.

The third is Ptolomaea for Ptolemy, son of Abubus, who is known for inviting Simon Maccabaeus and his sons to dinner and then murdering them. This round is for hosts who betray their guests; they are punished more harshly because of the belief that having guests means entering into a voluntary relationship, and betraying a relationship willingly entered is more despicable than betraying a relationship born into. The fourth round is Judecca, after Judas Iscariot, who betrayed Jesus Christ. This round is reserved for traitors to their lords, benefactors, or masters. As in the previous circle, the subdivisions each have their own demons and punishments.

Center of Hell
After making their way through all nine circles of hell, Dante and Virgil reach the center of hell. Here they meet Satan, who is described as a three-headed beast. Each mouth is busy eating a specific person: The left mouth is eating Brutus, the right is eating Cassius, and the center mouth is eating Judas Iscariot. Brutus and Cassius betrayed and caused the murder of Julius Caesar, while Judas did the same to Christ. These are the ultimate sinners, in Dante’s opinion, as they consciously committed acts of treachery against their lords, who were appointed by God.

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
45
-
-
-
41
-
54
Add
687
300
48
-
1
2
6
8
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
8
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
8
5
6
7
8
9

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
45
-
-
-
41
-
54
Add
687
300
48
-
1
2
6
8
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
8
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
8
5
6
7
8
9

 

 

IT'S ONLY ON THE BRINK THAT PEOPLE FIND THE WILL TO CHANGE

ONLY AT THE PRECIPICE DO WE EVOLVE THIS IS OUR MOMENT DON'T TAKE IT FROM US

 

PLANT E THE HEART IN PLANET EARTH

PLANT 5 THE HEART IN PLAN5T EARTH

PLANT E THE HEART IN PLANET EARTH

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
3
-
5
-
-
8
9
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
3
-
5
-
7
8
9
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
3
4
5
-
-
8
9
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
3
-
5
-
-
8
9
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
3
-
5
6
-
8
9
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
3
-
5
6
-
8
9
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
3
-
5
-
7
8
9
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
3
-
5
-
-
8
9
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
3
4
5
-
-
8
9
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
3
-
5
6
-
8
9
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9


 

3
THE
33
15
6
4
HOLY
60
24
6
7
MESSAGE
-
-
-
2
M+E
18
9
9
1
S
19
10
1
3
S+A+G
27
18
9
1
E
5
5
5
7
MESSAGE
69
42
24
14
Add
162
81
36
1+4
Reduce
1+6+2
8+1
3+6
5
Deduce
9
9
9

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

ADVENT 2272 ADVENT

 

 

 

The Upside Down of the Downside Up

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets

Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.

The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).

 

 

LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES

THE NINES THE NINES THE NINES

 

 

OSIRIS LORD OF THE LABYRINTH

WHO ART THOU LORD

 

I

I SAY I SAY I

LOVE ORDER GODS ORDER I LOVE

 

A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
20
21
13
-
18
1
-
1
18
-
13
21
20
1
1
2
3
4
-
9
1
-
1
9
-
4
3
2
1
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
-
-
-
-
-
1
-
1
-
-
-
-
-
1
-
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A

 

 

-
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
2
-
-
-
-
-
-
-
-
-
2
-
1
-
-
-
-
1
-
1
-
-
-
-
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
20
21
13
18
1
-
1
18
13
21
20
1
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A

 

 

-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

-
-
-
4
4
-
-
-
-
-
3
-
-
3
-
-
-
2
-
-
-
-
2
-
1
-
-
-
-
-
-
1
A
T
U
M
M
U
T
A
1
20
21
13
13
21
20
1
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
10
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

-
-
-
-
-
THE GREAT PRETENDER
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
P
=
7
-
9
PRETENDER
105
51
6
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
-
1+6
-
1+7
-
1+8+9
9+0
1+8
-
-
7
-
8
THE GREAT PRETENDER
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
7
-
8
THE GREAT PRETENDER
9
9
9

 

 

-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
-
-
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3
THE
33
15
15
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GREAT
-
-
-
-
-
-
-
-
-
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
5
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
24
-
5
GREAT
51
24
24
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PRETENDER
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
9
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
14
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
15
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
17
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
51
-
9
PRETENDER
105
51
51
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
6
3
4
30
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+0
-
1+4
-
2+7
G
=
7
-
5
GREAT
51
24
6
-
1
6
3
4
3
6
5
8
9
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
6
3
4
3
6
5
8
9
-
-
1+6
-
1+7
-
1+8+9
9+0
1+8
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
18
9
9
-
1
6
3
4
3
6
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
9
9
9
-
1
6
3
4
3
6
5
8
9

 

 

-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
-
-
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
-
-
6
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
-
-
6
7
-
-
R
=
9
5
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
E
=
5
6
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
P
=
7
9
1
P
16
7
7
-
-
-
3
-
-
6
7
-
-
R
=
9
10
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
N
=
5
14
1
N
14
5
5
-
-
-
3
-
5
6
-
-
-
D
=
4
15
1
D
4
4
4
-
-
-
3
4
-
6
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
R
=
9
17
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
6
3
4
30
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+0
-
1+4
-
2+7
G
=
7
-
5
GREAT
51
24
6
-
1
6
3
4
3
6
5
8
9
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
6
3
4
3
6
5
8
9
-
-
1+6
-
1+7
-
1+8+9
9+0
1+8
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
18
9
9
-
1
6
3
4
3
6
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
9
9
9
-
1
6
3
4
3
6
5
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 6 = 30

"The most common letter in the English alphabet is E."

 

-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
-
-
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
D
=
4
15
1
D
4
4
4
-
-
-
3
4
-
6
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
N
=
5
14
1
N
14
5
5
-
-
-
3
-
5
6
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
-
-
6
7
-
-
P
=
7
9
1
P
16
7
7
-
-
-
3
-
-
6
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
-
-
6
-
8
-
R
=
9
5
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
R
=
9
10
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
R
=
9
17
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
6
3
4
30
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+0
-
1+4
-
2+7
G
=
7
-
5
GREAT
51
24
6
-
1
6
3
4
3
6
5
8
9
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
6
3
4
3
6
5
8
9
-
-
1+6
-
1+7
-
1+8+9
9+0
1+8
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
18
9
9
-
1
6
3
4
3
6
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
9
9
9
-
1
6
3
4
3
6
5
8
9

 

 

-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
2
5
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
2
4
5
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
D
=
4
15
1
D
4
4
4
-
-
-
4
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
5
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
-
5
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
5
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
5
-
-
-
N
=
5
14
1
N
14
5
5
-
-
-
-
5
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
-
5
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
7
-
-
P
=
7
9
1
P
16
7
7
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
8
-
R
=
9
5
1
R
18
9
9
-
-
-
-
-
-
-
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
9
R
=
9
17
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT PRETENDER
-
-
-
-
1
6
4
30
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
3+0
1+4
-
2+7
G
=
7
-
5
GREAT
51
24
6
-
1
6
4
3
5
8
9
P
=
7
-
9
PRETENDER
105
51
6
-
-
-
-
-
-
-
-
-
-
16
-
17
THE GREAT PRETENDER
189
90
18
-
1
6
4
3
5
8
9
-
-
1+6
-
1+7
-
1+8+9
9+0
1+8
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
18
9
9
-
1
6
4
3
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
7
-
8
THE GREAT PRETENDER
9
9
9
-
1
6
4
3
5
8
9

 

A

HISTORY OF GOD

Karen Armstrong

The God of the Mystics

THE

BOOK OF CREATION

"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLIED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
626
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
6+2+6
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
14
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
1+4
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
6
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
6
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
6
-
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
6
-
-
-
M
=
4
-
10
MULTIPLIED
121
49
4
-
-
-
-
4
-
6
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
6
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
6
7
-
-
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
6
7
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
6
-
8
-
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
6
-
-
9
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
6
-
-
9
-
-
35
-
58
First Total
626
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
6+2+6
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
14
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
1+4
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

LOVELESS HEARTS SHALL LOVE
TOMORROW, HEARTS THAT HAVE
LOVED SHALL LOVE ANEW,
SPRING IS YOUNG NOW, SPRING
IS SINGING, IN THE SPRING
THE WORLD FIRST GREW.

Anonymous – Latin about 4th century

 

METRO

Free Paper

Tuesday, June 6, 2006

Front Page Headline

Aidan Radnedge

July 7 'insult to 999 crews'

"A Damning report into the handling of the July 7 bombings was dismissed as an insult to 999 crews.

The hard hitting document pointed to a string of failures in the way polce, fire and ambulance dealt with the four Tube and bus blasts, which killed 56.

But the Mayor of London, Ken Livingstone, said the problems it highlighted were just 'nitpicking'.

He added; 'They set out to look for everything that didn't go perfectly and they found some.

'You needed to put that into context of the fact that 99 per cent of it worked like clockwork and a lot of people are alive because of that.'. . . "

Page 4

"No 999 crews reached Russell Square Tube station until 60 minutes after the blast on a Piccadilly line train"

Communication between 999 crews at Edgware Road was 'slow' and there was confusion about whether a bomb had gone off on the District line."

Page 5

"Radio system still 18yrs out of date"

"Vital technology which could have helped save lives on 7/7 should have been introduced 18 years ago after the King's Cross fire, yesterday's report revealed."

"The inquiry also said 999 teams above ground were two reliant on mobile phones.

Mobile networks were strained as people phoned their loved ones - making it difficult for 999 crews to communicate.

 

 

THE MAGIC MOUNTAIN
Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

HOLY BIBLE
Scofield References

Page 1117

A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St  John  Chapter   3  verse  3
3     +     3     3     x     3
6        x        9
54
5 + 4
9

 



IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947

Page 217

'A man may be born ,but in order to be born he must first die, and in order to die he must first awake.'
'When a man awakes he can die; when he dies he can be born'

Gurdjieff

 

 

THE HERO WITH A THOUSAND FACES

Joseph Campbell 1949

THE HERO TODAY

MYTH AND SOCIETY

"ALL of which is far indeed from the contemporary view; for the democratic ideal of the self-determining individual, the invention of the power-driven machine, and the development of the scientific method of research, have so transformed human life that
the long-inherited, timeless universe of symbols has collapsed. In the fateful, epoch-announcing words of Nietzsche's Zarathustra:
"Dead are all the gods."3 One knows the tale; it has been told a thousand ways. It is the hero-cycle of the modern age, the wonder­story of mankind's coming to maturity. The spell of the past, the bondage of tradition, was shattered with sure and mighty strokes. The dream-web of myth fell away; the mind opened to full waking consciousness; and modern man emerged from ancient igno­rance, like a butterfly from its cocoon, or like the sun at dawn from the womb of mother night.
It is not only that there is no hiding place for the gods from the searching telescope and microscope; there is no such society any more as the gods once supported. The social unit is not a carrier of religious content, but an economic-political organization. Its ideals are not those of the hieratic pantomime, making visible on earth the forms of heaven, but of the secular state, in hard and un­remitting competition for material supremacy and resources. Isolated societies, dream-bounded within a mythologically charged horizon, no longer exist except as areas to be exploited. And within the progressive societies themselves, every last vestige of / Page 388 / the ancient human heritage of ritual, morality, and art is in full decay.
The problem of mankind today, therefore, is precisely the opposite to that of men in the comparatively stable periods of those great coordinating mythologies which now are known as lies. Then all meaning was in the group, in the great anonymous forms, none in the self-expressive individual; today no meaning is in the group-none in the world: all is in the individual. But there the meaning is absolutely unconscious. One does not know toward what one moves. One does not know hy what one is propelled. The lines of communication between the conscious and the unconscious zones of the human psyche have all been cut, and we have been split in two.
The hero-deed to be wrought is not today what it was in the century of Galileo. Where then there was darkness, now there is light; but also, where light was, there now is darkness. The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated soul.
Obviously, this work cannot be wrought by turning back, or away, from what has been accomplished by the modern revolution; for the problem is nothing if not that of rendering the modern world spiritually significant-or rather (phrasing the same principle the other way round) nothing if not that of making it possible for men and women to come to full human maturity through the conditions of contemporary life. Indeed, these conditions themselves are what have rendered the ancient formulae ineffective, misleading, and even pernicious. The community today is the planet, not the bounded nation; hence the patterns of projected aggression which formerly served to coordinate the in­group now can only break it into factions. The national idea, with the flag as totem, is today an aggrandizer of the nursery ego, not the annihilator of an infantile situation. Its parody-rituals of the parade ground serve the ends of Holdfast, the tyrant dragon, not the God in whom self-interest is annihilate. And the numerous / Page / 389 / saints of this anticult-namely the patriots whose ubiquitous photographs, draped with flags, serve as official icons-are precisely the local threshold guardians (our demon Sticky-hair) whom it is the first problem of the hero to surpass.
Nor can the great world religions, as at present understood, meet the requirement. For they have become associated with the causes of the factions, as instruments of propaganda and self­congratulation. (Even Buddhism has lately suffered this degradation, in reaction to the lessons of the West.) The universal triumph of the secular state has thrown all religious organizations into such a definitely secondary, and finally ineffectual, position that religious pantomime is hardly more today than a sanctimonious exercise for Sunday morning, whereas business ethics and patriotism stand for the remainder of the week. Such a monkey­holiness is not what the functioning world requires; rather, a transmutation of the whole social order is necessary, so that through every detail and act of secular life the vitalizing image of the universal god-man who is actually immanent and effective in all of us may be somehow made known to consciousness.
And this is not a work that consciousness itself can achieve. Consciousness can no more invent, or even predict, an effective symbol than foretell or control tonight's dream. The whole thing is being worked out on another level, through what is bound to be a long I and very frightening process, not only in the depths of every living psyche in the modern world, but also on those titanic battlefields into which the whole planet has lately been converted. We are watching the terrible clash of the Symplegades, through which the soul must pass-identified with neither side.
But there is one thing we may know, namely, that as the new symbols become visible, they will not be identical in the various parts of the globe; the circumstances of local life, race, and tradition must all be compounded in the effective forms. Therefore, it is necessary for men to understand, and be able to see, that through various symbols the same redemption is revealed. "Truth / Page 390 / is one," we read in the Vedas; "the sages call it by many names." A single song is being inflected through all the colorations of the human choir. General propaganda for one or another of the local solutions, therefore, is superfluous-or much rather, a menace. The way to become human is to learn to recognize the lineaments of God in all of the wonderful modulations of the face of man.
With this we come to the final hint of what the specific orientation of the modern hero-task must be, and discover the real cause for the disintegration of all of our inherited religious formulae. The center of gravity, that is to say, of the realm of mystery and danger has definitely shifted. For the primitive hunting peoples of those remotest human millenniums when the sabertooth tiger,
the mammoth, and the lesser presences of the animal kingdom were the primary manifestations of what was alien-the source at once of danger, and of sustenance-the great human problem was to become linked psychologically to the task of sharing the wilderness with these beings. An unconscious identification took place, and this was finally rendered conscious in the half-human, half­animal, figures of the mythological totem-ancestors. The animals became the tutors of humanity. Through acts of literal imitation -such as today appear only on the children's playground (or in the madhouse)-an effective annihilation of the human ego was accomplished and society achieved a cohesive organization. Similarly, the tribes supporting themselves on plant-food became cathected to the plant; the life-rituals of planting and reaping were identified with those of human procreation, birth, and progress to maturity. Both the plant and the animal worlds, however, were in the end brought under social control. Whereupon the great field of instructive wonder shifted-to the skies-and mankind enacted the great pantomime of the sacred moon-king, the sacred sun-king, the hieratic, planetary state, and the symbolic festivals of the world-regulating spheres.
Today all of these mysteries have lost their force; their symbols no longer interest our psyche. The notion of a cosmic law, which / Page 391 / all existence serves and to which man himself must bend, has long since passed through the preliminary mystical stages represented in the old astrology, and is now simply accepted in mechanical terms as a matter of course. The descent of the Occidental sciences from the heavens to the earth (from seventeenth-century astron­omy to nineteenth-century biology), and their concentration today, at last, on man himself (in twentieth-century anthropology and psychology), mark the path of a prodigious transfer of the focal point of human wonder. Not the animal world, not the plant world, not the miracle of the spheres, but man himself is now the crucial mystery. Man is that alien presence with whom the forces of egoism must come to terms, through wholn the ego is to be crucified and resurrected, and in whose image society is to be reformed. Man, understood however not as "I" but as "Thou": for the ideals and temporal institutions of no tribe, race, con­tinent, social class, or century, can be the measure of the inexhaustible and multifariously wonderful divine existence that is the life in all of us.
The modern hero, the modern individual who dares to heed the call and seek the mansion of that presence with whom it is our whole destiny to be atoned, cannot, indeed must not, wait for his community to cast off its slough of pride, fear, rationalized avarice, and sanctified misunderstanding. "Live," Nietzsche says,
"Live as though the day were here." It is not society that is to guide and save the creative hero, but precisely the reverse. And so everyone of us shares the supreme ordeal-carries the cross of the redeemer -not in the bright moments of his tribe's great victories, but in the silences of his personal despair.
391

Page 387 Note. 8 Nietzsche, Thus Spake Zarathustra, 1. 22. 3

 

 

-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
-
8
-
9
-
+
=
17
1+7
=
8
=
8
-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
-
-
1
-
3
+
=
4
-
=
4
=
4
-
`-
-
1
-
12
+
=
13
1+3
=
4
=
4
-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
`-
8
1
9
12
+
=
30
3+0
=
3
=
3
-
-
8
1
9
3
+
=
21
2+1
=
3
=
3
-
19
H
A
I
L
-T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
4
-
-
-
-
-
5
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
--
8
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
24
4
H
A
I
L
-
-
21
-
1
4
-
21
2+4
-
-
-
9
-
-
-
2+1
-
-
-
-
2+1
6
4
H
A
I
L
-
-
3
-
1
4
-
3

 

 

HAIL HALO HAIL

 

THE ANCIENT WISDOM OF EGYPT

Murray Hope 1894

Page 134

ANCIENT PRAYERS AND INVOCATIONS

The Negative Confession

"The Papyrus of Nebseni gives a fine example of the famous judgment scene where the soul of the departed is required to give forty-two statements of all the merits it has achieved during its lifetime (or all the wrongs it did not commit). This is too lengthy a document to reproduce in its entirety, but it is worthy of inclu­sion as many who subscribe to the old methods of Egyptian magical practice are of the opinion that this, or a shortened version, should be recited prior to invoking the gods, either as a form of banishing ritual or to reassure the deities whose atten­tions are being sought that the suppliant is of righteous and honest intent.
The original papyrus was, as always with that period, accompanied by a vignette, an explanation of which seems an appropriate introduction to the ensuing texts from the Papyrus of Nebseni (British Museum No. 9900, sheet 30):
Vignette: The Hall of double Maati, that is to say the Hall of the goddesses Isis and Nephthys who symbolize Right and Truth; herein are seated or stand forty-two gods, to each of whom the deceased must address a prescribed negative statement. At each end is one half of a folding door, one having the name of Neb­/ Page 135 / Maat-heri-tep-retui-f and the other of Neb-pehti-Qesu-menmenet. On the centre of the roof, which has a cornice of uraei, typifying divinity, and feathers, symbolic of Maat, is a seated deity, painted bluish-green, with hands extended, the right over the Eye of Horus. and the left over a pool. At the end of the Hall are four small vignettes, in which are depicted: 1. The Maati goddesses, each seated upon a throne and holding a sceptre in her right hand, and the emblem of life in her left. 2. The deceased, arrayed in white, standing before the god Osiris with both hands raised in adoration. 3. A balance with the heart, symbolizing the conscience of the deceased, in one scale, and the feather, emblematic of Right and Truth, in the other. The god Anubis is testing the tongue of the balance, and close by stands the monster Am-met. 4. Thoth, ibis­headed, seated upon a pylon-shaped pedestal, painting a large feather of Maat. In the Papyrus of Anhai the gods are seated in a double row; each has his characteristic head, and nearly all wear the feather of Maat.
Text: The scribe Nebseni, triumphant, saith:
1. 'Hail thou whose strides are long, who comest forth from Annu (Heliopolis), I have not done iniquity.
2. Hail, thou who art embraced by flame, who comest forth from Kher-aha, I have not robbed with violence.
3. Hail, thou divine Nose (Fenti), who comest forth from Khemennu (Hermopolis), I have not done violence (to any man).
4. Hail, thou who eatest shades, who comest forth from the place where the Nile riseth, I have not committed theft.
5. Hail, Neha-hau, who comest forth from Re-stau, I have not slain man or woman.
6. Hail, thou double Lion-god, who comest forth from heaven, I have not made light the bushel.
7. Hail, thou whose two eyes are like flint, who comest forth from Sekhem (Letopolis), I have not acted deceitfully.
8. Hail, thou Flame, who comest forth as (thou) goest back, I have not purloined the things which belong unto God.
9. Hail, thou Crusher of bones, who comest forth from Suten­henen (Hera-cleopolis), I have not uttered falsehood.
10. Hail, thou who makest the flame to wax strong, who comest forth from Het-ka-Ptah (Memphis), I have not carried away food.
11. Hail, Qerti (i.e., the two sources of the Nile), who come forth from Amentet, I have not uttered evil words.
12. Hail, thou whose teeth shine, who comest forth from Ta-she (i.e. the Fayyum), I have attacked no man.
13. Hail, thou who dost consume blood, who comest forth from the / Page 136 / house of slaughter, I have not killed the beasts (which are the property of God).
14. Hail, thou who dost consume the entrails, who comest forth from the mabet chamber, I have not acted deceitfully.
15. Hail, thou god of Right and Truth, who comest forth from the city of double Maati, I have not laid waste the lands which have been ploughed (?).
16. Hail, thou who goest backwards, who comest forth from the city of Bast (Bubastis), I have never pried into matters (to make
mischief).
17. Hail, Aati, who comest forth from Annu (Heliopolis), I have not set my mouth in motion (against any man).
18. Hail, thou who art doubly evil, who comest forth from the nome of Ati, I have not given way to wrath concerning myself without a cause.
19. Hail, thou serpent Uamenti, who comest forth from the house of slaughter, I have not defiled the wife of a man.
20. Hail, thou who lookest upon what is brought to him, who comest forth from the Temple of Amsu, I have not committed any sin against purity.
21. Hail, Chief of the divine Princes, who comest forth from the city of Nehatu, I have not struck fear (into any man).
22. Hail, Khemi (i.e., Destroyer), who comest forth from the Lake of Kaul (Khas?), I have not encroached upon (sacred times and seasons ).
23. Hail, thou who orderest speech, who comest forth from Urit, I have not been a man of anger.
24. Hail, thou Child, who comest forth from the Lake of Heq-at, I have not made myself deaf to the words of right and truth.
25. Hail, thou disposer of speech, who comest forth from the city of Unes, I have not stirred up strife.
26. Hail, Basti, who comest forth from the Secret city, I have made no (man) to weep.
27. Hail, thou whose face is (turned) backwards, who comest forth from the Dwelling, I have not committed acts of impurity,
neither have I lain with men.
28. Hail, Leg of fire, who comest forth from Akhekhu, I have not eaten my heart.
29. Hail, Kenemti, who comest forth from (the city of) Kenemet, I have abused (no man).
30. Hail, thou who bringest thine offering, who comest forth from the city of Sau (Sais), I have not acted with violence.
31. Hail, thou lord of faces, who comest forth from the city of Tchefet, I have not judged hastily.
32. Hail, thou who givest knowledge, who comest forth from Unth, I / Page 137 / have not. . ., and I have not taken vengeance upon the god.
33. Hail, thou lord of two horns, who camest forth from Satiu, I have not multiplied (my) speech over-much.
34. Hail, Nefer-Tem, who comest forth from Het-ka-Ptah (Memphis), I have not acted with deceit, and I have not worked
wickedness.
35. Hail, Tem-Sep, who comest forth from Tattu, I have not uttered curses (on the king).
36. Hail, thou whose heart doth labour, who comest forth from the city of Tebti, I have not fouled (?) water.
37. Hail, Ahi of the water, who comest forth from Nu, I have not made haughty my voice.
38. Hail, thou who givest commands to mankind, who comest forth from (Sau (?», I have not cursed the god.
39. Hail, Neheb-nefert, who comest forth from the Lake of Nefer (?), I have not behaved with insolence.
40. Hail, Neheb-kau, who camest forth from (thy) city, I have not sought for distinctions.
41. Hail, thou whose head is holy, who comest forth from (thy) habitation, I have not increased my wealth, except with such things as are justly) mine own possessions.
42. Hail, thou who bringest thine own arm, who comest forth from Aukert (underworld), I have not thought scorn of the god who is in my city.'

This was traditionally followed by a direct address to the gods of the underworld. . . etc.
Lastly, we have a very popular ritual speech and invocation, also from the Nebseni papyrus, in which Horus addresses his divine father during their meeting in the higher planes. It commences:
I ascribe praise to thee, O lord of the Gods, thou God One, who livest upon right and truth, behold I, thy son Horus, come unto thee; I have avenged thee and I have brought thee Maat - even to the place where is the company of the gods. Grant thou that I may have my being among those who are in thy following, for I have overthrown all thy foes, and have stablished all those who are of thy substance upon the earth for ever and ever.
This is followed by forty declarations, each of which is preceded by the words 'Hail, Osiris, I am thy son' and which state the many good deeds, both material and spiritual, that Horus, or the / Page 138 / priest/suppliant who is ritually assuming the Horus role, has carried out on behalf of Osiris.
The forty declarations, like so many of these old prayers and rituals, are irrelevant to life today, being concerned with such matters as delivering up the enemies of the god from among conquered people, sacrifices of food, the safety and long life of the reigning monarch etc., which is why it is so important to extract the essence of this magical system and not become bogged down by detail when attempting to get close to first principles. It is important to remember that these texts were ancient when they were copied all those centuries ago, so nobody really has much idea what the originals had to say anyway. One can only try to reach the truth via the psychic or intuitive faculty, with an earnest request to the gods for enlightenment. If one is of right intent one will receive the correct guidance, as like attracts like. Hence the significance of the Negative Confession.
Copies of The Book of the Dead can be obtained through the public library system. Doubtless those of sufficient dedication will search round old bookshops and find their own copies; they are not all that difficult to come by. But, all in all, it is best to start from scratch using the correct archetypes rather than to rely upon the rather suspect and highly coloured local translations that are available from historical and archaeological sources."

 

 

THE ANCIENT WISDOM OF EGYPT

Murray Hope 1894

Page 134

ANCIENT PRAYERS AND INVOCATIONS

The Negative Confession

Lastly, we have a very popular ritual speech and invocation, also from the Nebseni papyrus, in which Horus addresses his divine father during their meeting in the higher planes. It commences:
I ascribe praise to thee, O lord of the Gods, thou God One, who livest upon right and truth, behold I, thy son Horus, come unto thee; I have avenged thee and I have brought thee Maat - even to the place where is the company of the gods. Grant thou that I may have my being among those who are in thy following, for I have overthrown all thy foes, and have stablished all those who are of thy substance upon the earth for ever and ever.
This is followed by forty declarations, each of which is preceded by the words 'Hail, Osiris, I am thy son' and which state the many good deeds, both material and spiritual, that Horus, or the / Page 138 / priest/suppliant who is ritually assuming the Horus role, has carried out on behalf of Osiris.
The forty declarations, like so many of these old prayers and rituals, are irrelevant to life today, being concerned with such matters as delivering up the enemies of the god from among conquered people, sacrifices of food, the safety and long life of the reigning monarch etc., which is why it is so important to extract the essence of this magical system and not become bogged down by detail when attempting to get close to first principles. It is important to remember that these texts were ancient when they were copied all those centuries ago, so nobody really has much idea what the originals had to say anyway. One can only try to reach the truth via the psychic or intuitive faculty, with an earnest request to the gods for enlightenment. If one is of right intent one will receive the correct guidance, as like attracts like. Hence the significance of the Negative Confession.

 

'HAIL OSIRIS I AM THY SON'

 

 

THE SIRIUS MYSTERY

Robert K.G.Temple 1976

Page 83

"WEAVES HER WEB WITH RAPID LIGHT"

"Page 73

A Fairy Tale

'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,

HE WHO IS LORD IN THE PERFECT BLACK.'

 

 

ANCIENT EGYPT - THE LIGHT OF THE WORLD

Gerald Massey

Book 12

Page 898

"When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”

I

INVOKE THEE BELOVED LOVER QUEEN OF THE NIGHT COME WEAVE THY WEB OF RAINBOW LIGHT

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt

1963

Page 114

"One might provisionally assume that at the time of the famous Amarna parade, the king succeeding Amenophis III, presumably Akhenaten, may, in spite of his vow never to leave the heretical centre, have visited the southern city, Malkata, and resided there in his palace, which is called in the Tell el Amarna letter No. 27 "the castle (Pabekhen) named Rejoicing in the horizon (Hai-em-akhet) ".

"Rejoicing in the horizon (Hai-em-akhet)"

HAI - EM - AKHET

 

-
HAI-EM-AKHET
-
-
-
3
HAI
18
18
9
2
EM
18
9
9
5
AKHET
45
18
9
10
Add to Reduce
81
45
27
1+0
Reduce to Deduce
8+1
7+4
2+7
1
Essence of Number
9
9
9

 

 

-
HAI-EM-AKHET
-
-
-
2
HA
18
18
9
1
I
9
9
9
2
EM
18
9
9
5
AKHET
45
18
9
10
Add to Reduce
81
45
36
1+0
Reduce to Deduce
8+1
7+4
2+0
1
Essence of Number
9
9
9

 

Page 33

"Sometimes we encounter accusations, as in the case of one Hai, a / Page 34 / foreman of works said to have spoken offensively of the pharaoh. The private necropolis tribunal was convened, and the account of the trial shows what exceptional privileges these specialized artisans enjoyed. Hai was judged by the kenbet, a court of his peers, four "right" and four "left" men of Deir el Medineh, presided over by a fellow worker of his own standing. The accused was given every chance to state his case, and justice took its course.

"Hai was judged by the kenbet,"

HAI

 

-
HAI
-
-
-
2
HA
9
9
9
1
I
9
9
9
3
HAI
18
18
18
-
-
1+8
1+8
1+8
3
HAI
9
9
9

 

 

THE ANCIENT WISDOM OF EGYPT

Murray Hope 1894

Page 134

ANCIENT PRAYERS AND INVOCATIONS

The Negative Confession

Lastly, we have a very popular ritual speech and invocation, also from the Nebseni papyrus, in which Horus addresses his divine father during their meeting in the higher planes. It commences:
I ascribe praise to thee, O lord of the Gods, thou God One, who livest upon right and truth, behold I, thy son Horus, come unto thee; I have avenged thee and I have brought thee Maat - even to the place where is the company of the gods. Grant thou that I may have my being among those who are in thy following, for I have overthrown all thy foes, and have stablished all those who are of thy substance upon the earth for ever and ever.
This is followed by forty declarations, each of which is preceded by the words 'Hail, Osiris, I am thy son' and which state the many good deeds, both material and spiritual, that Horus, or the / Page 138 / priest/suppliant who is ritually assuming the Horus role, has carried out on behalf of Osiris.
The forty declarations, like so many of these old prayers and rituals, are irrelevant to life today, being concerned with such matters as delivering up the enemies of the god from among conquered people, sacrifices of food, the safety and long life of the reigning monarch etc., which is why it is so important to extract the essence of this magical system and not become bogged down by detail when attempting to get close to first principles. It is important to remember that these texts were ancient when they were copied all those centuries ago, so nobody really has much idea what the originals had to say anyway. One can only try to reach the truth via the psychic or intuitive faculty, with an earnest request to the gods for enlightenment. If one is of right intent one will receive the correct guidance, as like attracts like. Hence the significance of the Negative Confession.

 

'HAIL OSIRIS I AM THY SON'

THE

HOURS OF HORUS

 

 

ANCIENT EGYPT - THE LIGHT OF THE WORLD

Gerald Massey

Book 12

Page 898

"When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”

“Hail, Osiris, I am thy son Horus. I have come!”

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS

OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY

TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE

HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE

SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED

THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

3
THE
33
15
6
5
GREAT
51
24
6
7
PYRAMID
86
41
5
2
OF
21
12
3
4
GIZA
43
25
7
21
Add to Reduce
234
117
27
2+1
Reduce to Deduce
2+3+4
1+1+7
2+7
3
Essence of Number
9
9
9

 

 

SHAMANIC WISDOM IN THE PYRAMID TEXTS

THE MYSTICAL TRADITION OF ANCIENT EGYPT

Jeremy Naydler 2005

The Sarcophagus Chamber Texts

Page 198

"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."

 

6
OSIRIS
89
35
8
4
UNAS
55
10
1
4
TAKE
37
10
1
3
THE
33
15
6
3
EYE
35
17
8
2
OF
21
12
3
5
HORUS
81
27
9
27
Add to Reduce
351
126
36
2+7
Reduce to Deduce
1+8+0
8+1
2+7
9
Essence of Number
9
9
9

 

Page 198

"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."

 

OSIRIS UNAS TAKE THE EYE OF HORUS

14

O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
O
=
6
27
OSIRIS UNAS TAKE THE EYE OF HORUS
351
126
36
84
378
First Total
4914
1764
504
8+4
3+7+8
Add to Reduce
4+9+1+4
1+7+6+4
5+0+4
12
18
Second Total
18
18
9
1+2
2+7
Reduce to Deduce
1+8
8+1
2+7
3
9
Essence of Number
9
9
9

 

14

OSIRIS A SUN TAKE THE EYE OF HORUS

 

 

SHAMANIC WISDOM IN THE PYRAMID TEXTS

THE MYSTICAL TRADITION OF ANCIENT EGYPT

Jeremy Naydler 2005

The Sarcophagus Chamber Texts

Page 199

"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"

 

HORUS A SUN A HORUS

 

 

THE SUN

Tuesday, December 27, 2005

FRONT PAGE

"IT WASN'T DEATH THAT WON THE DAY. . HUMANITY TRIUMPHED"

 

 

OSIRIS UNAS TAKE THE EYE OF HORUS

OSIRIS UNAS TAKE THE I OF HORUS

OSIRIS A SUN TAKE THE EYE OF HORUS

 

 

THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE HOW GREAT THOU ART HOW GREAT THOU ART

 

-
-
-
-
TONATIUH
-
-
-
T
=
-
1
T
20
2
2
O
=
-
1
O
15
6
6
N
=
-
2
N
14
5
5
A
=
-
1
A
1
1
1
T
=
-
1
T
20
2
2
I
=
-
1
I
9
9
9
U
=
-
1
U
21
3
3
H
=
-
1
H
8
8
8
-
-
-
8
TONATIUH
108
36
36
-
-
-
-
-
1+0+8
3+6
3+6
-
-
3
8
TONATIUH
9
9
9

 

1836


From Wikipedia, the free encyclopedia

In Mesoamerican culture, Tonatiuh (Nahuatl: Tōnatiuh [toːˈnatiʍ] "Movement of the Sun") is an Aztec sun deity of the daytime sky who rules the cardinal direction of east.[1] According to Aztec Mythology, Tonatiuh was known as "The Fifth Sun" a
There are several versions of Tonatiuh's birth as a sun deity in the Aztec creation myth. The Aztecs (also known as the Mexica) believed in a number of sun gods. According to their mythology, Earth and its beings had been created five times in five cosmic eras and were ruled by five different sun gods.

 

1836

 

-
QUO VADIS
-
-
-
1
Q
17
8
8
2
UO
36
9
9
3
VAD
27
9
9
1
I
9
9
9
1
S
19
1
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
QUO VADIS
-
-
-
3
QUO
53
17
8
5
VADIS
55
19
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

8
QUO VADIS
108
36
9

 

 

8
QUO VADIS
108
36
9
-
-
-
-
-
-
-
-
-
-
7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

 

I

HAVE COME

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON ORISIS THAT SON

 

'HAIL OSIRIS I AM THY SON'

 

H
=
8
4
HAIL
30
21
3
O
=
6
6
OSIRIS
89
35
8
I
=
9
1
I
9
9
9
A
=
1
2
AM
14
5
5
T
=
2
3
THY
53
17
8
S
=
1
3
SON
48
12
3
-
-
27
19
First Total
243
99
36
-
-
2+7
1+9
Add to Reduce
2+4+3
9+9
3+6
-
-
9
10
Second Total
9
18
9
-
-
-
1+0
Reduce to Deduce
-
1+8
-
-
-
9
1
Essence of Number
9
9
9

 

 

ANCIENT EGYPT - THE LIGHT OF THE WORLD

Gerald Massey

Book 12

Page 898

"When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”

 

'HAIL OSIRIS I AM THY SON HORUS I HAVE COME'

 

H
=
8
4
HAIL
30
21
3
O
=
6
6
OSIRIS
89
35
8
I
=
9
1
I
9
9
9
A
=
1
2
AM
14
5
5
T
=
2
3
THY
53
17
8
S
=
1
3
SON
48
12
3
H
=
8
5
HORUS
81
27
9
I
=
9
1
I
9
9
9
H
=
8
4
HAVE
36
18
9
C
=
3
4
COME
36
18
9
-
-
55
33
First Total
405
171
72
-
-
5+5
3+3
Add to Reduce
4+0+5
1+7+1
7+2
-
-
10
6
Second Total
9
9
9
-
-
1+0
-
Reduce to Deduce
-
-
-
-
-
1
6
Essence of Number
9
9
9

 

 

1
19
HAIL OSIRIS I AM THY SON
243
99
9
2
19
HAIL OSIRIS I AM THY SON
243
99
9
3
19
HAIL OSIRIS I AM THY SON
243
99
9
4
19
HAIL OSIRIS I AM THY SON
243
99
9
5
19
HAIL OSIRIS I AM THY SON
243
99
9
6
19
HAIL OSIRIS I AM THY SON
243
99
9
7
19
HAIL OSIRIS I AM THY SON
243
99
9
8
19
HAIL OSIRIS I AM THY SON
243
99
9
9
19
HAIL OSIRIS I AM THY SON
243
99
9
10
19
HAIL OSIRIS I AM THY SON
243
99
9
11
19
HAIL OSIRIS I AM THY SON
243
99
9
12
19
HAIL OSIRIS I AM THY SON
243
99
9
13
19
HAIL OSIRIS I AM THY SON
243
99
9
14
19
HAIL OSIRIS I AM THY SON
243
99
9
15
19
HAIL OSIRIS I AM THY SON
243
99
9
16
19
HAIL OSIRIS I AM THY SON
243
99
9
17
19
HAIL OSIRIS I AM THY SON
243
99
9
18
19
HAIL OSIRIS I AM THY SON
243
99
9
19
19
HAIL OSIRIS I AM THY SON
243
99
9
20
19
HAIL OSIRIS I AM THY SON
243
99
9
21
19
HAIL OSIRIS I AM THY SON
243
99
9
22
19
HAIL OSIRIS I AM THY SON
243
99
9
23
19
HAIL OSIRIS I AM THY SON
243
99
9
24
19
HAIL OSIRIS I AM THY SON
243
99
9
25
19
HAIL OSIRIS I AM THY SON
243
99
9
26
19
HAIL OSIRIS I AM THY SON
243
99
9
27
19
HAIL OSIRIS I AM THY SON
243
99
9
28
19
HAIL OSIRIS I AM THY SON
243
99
9
29
19
HAIL OSIRIS I AM THY SON
243
99
9
30
19
HAIL OSIRIS I AM THY SON
243
99
9
31
19
HAIL OSIRIS I AM THY SON
243
99
9
32
19
HAIL OSIRIS I AM THY SON
243
99
9
33
19
HAIL OSIRIS I AM THY SON
243
99
9
34
19
HAIL OSIRIS I AM THY SON
243
99
9
35
19
HAIL OSIRIS I AM THY SON
243
99
9
36
19
HAIL OSIRIS I AM THY SON
243
99
9
37
19
HAIL OSIRIS I AM THY SON
243
99
9
38
19
HAIL OSIRIS I AM THY SON
243
99
9
39
19
HAIL OSIRIS I AM THY SON
243
99
9
40
19
HAIL OSIRIS I AM THY SON
243
99
9

 

 

19
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
-
-
-
--
-
-
-
-
-
8
-
9
-
-
6
1
9
-
9
1
-
9
-
-
-
-
-
8
-
-
1
6
5
+
=
72
7+2
=
9
=
9
=
9
`-
8
-
9
-
-
15
19
9
-
9
19
-
9
-
-
-
-
-
8
-
-
19
15
14
+
=
144
1+4+4
=
9
=
9
=
9
19
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
1
-
3
-
-
-
-
9
-
-
-
-
-
1
4
-
2
-
7
-
-
-
-
+
=
27
2+7
=
9
=
9
=
9
`-
-
1
-
12
-
-
-
-
18
-
-
-
-
-
1
13
-
20
-
25
-
-
-
-
+
=
90
9+0
=
9
=
9
=
9
19
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
-
-
-
--
-
-
-
-
`-
8
1
9
12
-
15
19
9
18
9
19
-
9
-
1
13
-
20
8
25
-
19
15
14
+
=
243
2+4+3
=
9
=
9
=
9
-
8
1
9
3
-
6
1
9
9
9
1
-
9
-
1
4
-
2
8
7
-
1
6
5
+
=
99
9+9
=
18
1+8
9
=
9
19
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
1
-
-
-
1
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
5
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-`-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-`-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
--
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
9
-
-
-
-
9
9
9
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
5
=
45
4+5
9
19
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
45
-
1
19
-
99
-
45
1+9
-
-
9
-
-
-
-
9
9
9
-
-
9
-
-
/
-
-
-
-
-
-
-
-
-
-
4+5
-
-
1+9
-
9+9
-
4+5
10
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
9
-
1
10
-
18
-
9
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
/
-
-
-
-
-
-
-
-
-
-
-
-
-
1+0
-
1+8
-
-
1
H
A
I
L
-
O
S
I
R
I
S
-
I
-
A
M
-
T
H
Y
-
S
O
N
-
-
9
-
-
1
-
9
-
9

 

 

1
I
9
9
9
4
HAVE
36
18
9
4
COME
36
18
9

 

 

THE HORUS OF HOURS 1979

 

-
-
-
HORUS
-
-
-
9
18
27
H+S
27
18
9
9
9
36
O+U
36
9
9
9
9
18
R
18
9
9
9
9
18
R
18
9
9
9
9
36
O+U
36
9
9
9
9
27
H+S
27
18
9
-
-
-
HORUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
36
81
HOURS
81
36
9
9
36
81
HORUS
81
36
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
HOURS
-
-
-
9
18
27
H+S
27
18
9
6
15
33
O+R
33
15
6
3
3
21
U
21
3
3
3
3
21
U
21
3
3
6
15
33
O+R
33
15
6
9
9
27
H+S
27
18
9
-
-
-
HOURS
-
-
-

 

 

-
HORUS DIVINE CHILD
-
-
-
5
HORUS
81
36
9
6
DIVINE
63
36
9
5
CHILD
36
27
9
16
HORUS DIVINE CHILD
180
99
27
1+6
-
1+8+0
3+6
2+7
7
HORUS DIVINE CHILD
9
9
9

 

 

5
HORUS
81
36
9
6
DIVINE
63
36
9
5
CHILD
36
27
9
-
81
36
9
-
-
8+1
3+6
-
5
HORUS
9
9
9

 

 

-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
-
8
-
9
-
+
=
17
1+7
=
8
=
8
-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
-
-
1
-
3
+
=
4
-
=
4
=
4
-
`-
-
1
-
12
+
=
13
1+3
=
4
=
4
-
4
H
A
I
L
-
-
-
-
-
--
-
-
-
`-
8
1
9
12
+
=
30
3+0
=
3
=
3
-
-
8
1
9
3
+
=
21
2+1
=
3
=
3
-
19
H
A
I
L
-T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
4
-
-
-
-
-
5
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
--
8
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
24
4
H
A
I
L
-
-
21
-
1
4
-
21
2+4
-
-
-
9
-
-
-
2+1
-
-
-
-
2+1
6
4
H
A
I
L
-
-
3
-
1
4
-
3

 

 

6
AMENTA
-
-
-
-
A
1
1
1
-
M+E
18
9
9
-
N+T+A
35
8
8
6
AMENTA
54
18
18
-
-
5+4
1+8
1+8
6
AMENTA
9
9
9

 

 

EUS USE USE EUS

ODYSSEUS ODYSSEUS ODYSS531

 

PERSEUS PERSEUS PERS531

 

ZEUS ZEUS Z531

 

THESEUS THESEUS THES531

 

ORPHEUS ORPHEUS ORPH531

 

PROMETHEUS PROMETHEUS PROMETH531

 

EUS USE EUS

5+3+1 3+5+1 5+3+1

 

 

-
ODYSSEUS
-
-
-
-
O+D+Y+S+S
82
19
1
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
8
ODYSSEUS
127
28
19
-
-
1+2+7
2+8
1+9
8
ODYSSEUS
10
10
10
-
-
1+0
1+0
1+0
8
ODYSSEUS
1
1
1

 

PERSEUS PURSUES

 

-
PERSEUS
-
-
-
-
P+E+R+S
58
22
4
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
7
PERSEUS
103
31
22
-
-
1+0+3
3+1
2+2
7
PERSEUS
13
4
4
-
-
1+3
-
-
7
PERSEUS
4
4
4

 

 

-
PERSEUS
-
-
-
2
PE
21
12
3
1
R
18
9
9
2
SE
24
6
6
1
U
21
3
3
1
S
19
1
1
7
PERSEUS
103
31
22
-
-
1+0+3
3+1
2+2
7
PERSEUS
13
4
4
-
-
1+3
-
-
7
PERSEUS
4
4
4

 

 

-
THESEUS
-
-
-
-
THES
52
16
7
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
7
THESEUS
97
25
16
-
-
9+7
2+5
1+6
7
THESEUS
16
7
7
-
-
1+6
-
-
7
THESEUS
7
7
7

 

 

-
ORPHEUS
-
-
-
-
ORPH
57
30
3
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
7
ORPHEUS
102
39
17
-
-
1+0+2
3+9
1+7
7
ORPHEUS
3
12
3
-
-
-
1+2
-
7
ORPHEUS
3
3
3

 

 

-
PROMETHEUS
-
-
-
-
PROMETH
95
41
5
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
10
PROMETHEUS
71
17
17
1+0
-
7+1
1+7
1+7
1
PROMETHEUS
8
8
8

 

 

-
HERCULES
-
-
-
-
HERCU
55
28
1
-
L
12
3
3
-
E
5
5
5
-
S
19
1
1
8
HERCULES
97
25
16
-
-
9+7
2+5
1+6
8
HERCULES
16
7
7
-
-
1+6
-
-
8
HERCULES
7
7
7

 

HERCULES HERCULES HERCU351

 

-
ACHILLES
-
-
-
-
ACHIL
33
24
6
-
L
12
3
3
-
E
5
5
5
-
S
19
1
1
8
ACHILLES
97
25
16
-
-
9+7
2+5
1+6
8
ACHILLES
16
7
7
-
-
1+6
-
-
8
ACHILLES
7
7
7

 

ACHILLES ACHILLES ACHIL351

 

-
ZEUS
-
-
-
-
Z
26
8
8
-
EUS
45
9
9
5
ZEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ODYSSEUS
-
-
-
-
ODYSS
82
19
1
-
EUS
45
9
9
8
ODYSSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PERSEUS
-
-
-
-
PERS
58
22
4
-
EUS
45
9
9
7
PERSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THESEUS
-
-
-
-
THES
52
16
7
-
EUS
45
9
9
7
THESEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ORPHEUS
-
-
-
-
ORPH
57
30
3
-
EUS
45
9
9
7
ORPHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PROMETHEUS
-
-
-
-
PROMETH
95
41
5
-
EUS
45
9
9
10
PROMETHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
HERCULES
-
-
-
-
HERCU
55
28
1
-
LES
36
9
9
8
HERCULES
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ACHILLES
-
-
-
-
ACHIL
55
28
1
-
LES
36
9
9
8
ACHILLES
-
-
-

 

 

-
ZEUS
-
-
-
-
Z
-
-
-
-
EUS
45
9
9
5
ZEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ODYSSEUS
-
-
-
-
ODYSS
-
-
-
-
EUS
45
9
9
8
ODYSSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PERSEUS
-
-
-
-
PERS
-
-
-
-
EUS
45
9
9
7
PERSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THESEUS
-
-
-
-
THES
-
-
-
-
EUS
45
9
9
7
THESEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ORPHEUS
-
-
-
-
ORPH
-
-
-
-
EUS
45
9
9
7
ORPHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PROMETHEUS
-
-
-
-
PROMETH
-
-
-
-
EUS
45
9
9
10
PROMETHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
HERCULES
-
-
-
-
HERCU
-
-
-
-
LES
36
9
9
8
HERCULES
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ACHILLES
-
-
-
-
ACHIL
-
-
-
-
LES
36
9
9
8
ACHILLES
-
-
-

 

 

-
ZEUS
E
U
S
-
Z
-
-
-
-
EUS
5
3
1
5
ZEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ODYSSEUS
-
-
-
-
ODYSS
-
-
-
-
EUS
5
3
1
8
ODYSSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PERSEUS
-
-
-
-
PERS
-
-
-
-
EUS
5
3
1
7
PERSEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THESEUS
-
-
-
-
THES
-
-
-
-
EUS
5
3
1
7
THESEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ORPHEUS
-
-
-
-
ORPH
-
-
-
-
EUS
5
3
1
7
ORPHEUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PROMETHEUS
-
-
-
-
PROMETH
-
-
-
-
EUS
5
3
1
10
PROMETHEUS
-
-
-

 

 

Need help with a greek word

ww.usingenglish.com › ... › Pronunciation and Phonetics

1 post - 1 author - 21 Dec 2009

Hi I'm preparing a presentation over the winter break. My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good ...

Hi I'm preparing a presentation over the winter break.

My topic is "Eugenics" the origin of this word comes from the Greeks which is eus (good or well) genēs(born), so the origin of the word means

"Well Born" I just wanted to know if anyone knew how to pronounce each of these

italicized/bolded words.

Thanks and Happy Holidays everyone ;D

 

 

English Word Origins: PART THREE

www.class.uidaho.edu/luschnig/EWO/part_three.htm

3rd-1st declension: -us, -eia, -u; -Çn, -ousa, -on. Rules for making Greek words conform to Latin orthographical and morphological conventions [i.e. rules of ...

 

 

Thera - 2.3 The Exodus explained

www.riaanbooysen.com/thera?start=3

The Greek word for 'chariot' is harma ('arma'), and the Greek word eus simply means good. Harmaeus (Hermeus / Armais) therefore means something like "The ...

Question for classically-educated forum members [Archive] - JREF Forum

forums.randi.org › ... › General Topics › History, Literature, and the Arts

20 posts - 12 authors - 12 Aug 2003
To make things more complicated, in Greek, words that end in -eus are stressed in the last syllable. Note that -eus is pronounced -efs ...

 

 

Prometheus - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Prometheus

Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his ... The ancients believed that the name Prometheus derived from the Greek pro (before) + manthano (learn) and the agent suffix -eus, thus meaning "Forethinker". Plato contrasts Prometheus with his dull-witted brother Epimetheus , "Afterthinker".

 

 

PERSEUS PURSUES

 

-
PERSEUS
-
-
-
-
P+E+R+S
58
22
4
-
E
5
5
5
-
U
21
3
3
-
S
19
1
1
7
PERSEUS
103
31
22
-
-
1+0+3
3+1
2+2
7
PERSEUS
13
4
4
-
-
1+3
-
-
7
PERSEUS
4
4
4

 

 

-
PERSEUS
-
-
-
2
PE
21
12
3
1
R
18
9
9
2
SE
24
6
6
1
U
21
3
3
1
S
19
1
1
7
PERSEUS
103
31
22
-
-
1+0+3
3+1
2+2
7
PERSEUS
13
4
4
-
-
1+3
-
-
7
PERSEUS
4
4
4

 

U
=
3
-
-
ULYSSES
-
-
-
-
-
-
-
1
U
21
12
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
Y
25
7
7
-
-
-
-
1
S
19
10
1
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
U
=
3
-
7
ULYSSES
120
57
21
-
-
-
-
1+8
-
1+2+0
5+7
2+1
U
=
3
-
7
ULYSSES
3
12
3
-
-
-
-
-
-
-
1+2
-
U
=
3
-
7
ULYSSES
3
3
3

 

 

U
=
3
-
-
ULYSSES
-
-
-
-
-
-
-
1
U
21
12
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
Y+E
30
12
3
-
-
-
-
1
S+S+S
57
30
3
U
=
3
-
7
ULYSSES
120
57
21
-
-
-
-
1+8
-
1+2+0
5+7
2+1
U
=
3
-
7
ULYSSES
3
12
3
-
-
-
-
-
-
-
1+2
-
U
=
3
-
7
ULYSSES
3
3
3

 


Global web icon
Wikipedia
https://en.wikipedia.org › wiki › Rosetta_Stone
Rosetta Stone - Wikipedia

The Rosetta Stone is a stele of granodiorite inscribed with three versions of a decree issued in 196 BC during the Ptolemaic dynasty of Egypt, on behalf of King Ptolemy V Epiphanes. The top and middle texts are in

he Rosetta Stone is a stele of granodiorite inscribed with three versions of a decree issued in 196 BC during the Ptolemaic dynasty of Egypt, on behalf of King Ptolemy V Epiphanes. The top and middle texts are in Ancient Egyptian using hieroglyphic and Demotic scripts, respectively, while the bottom is in Ancient Greek. The decree has only minor differences across the three versions, making the Rosetta Stone key to deciphering the Egyptian scripts.

The stone was carved during the Hellenistic period and is believed to have originally been displayed within a temple, possibly at Sais. It was probably moved in late antiquity or during the Mamluk period, and was eventually used as building material in the construction of Fort Julien near the town of Rashid (Rosetta) in the Nile Delta. It was found there in July 1799 by French officer Pierre-François Bouchard during the Napoleonic campaign in Egypt. It was the first Ancient Egyptian bilingual text recovered in modern times, and it aroused widespread public interest with its potential to decipher this previously untranslated hieroglyphic script. Lithographic copies and plaster casts soon began circulating among European museums and scholars. When the British defeated the French, they took the stone to London under the terms of the Capitulation of Alexandria in 1801. Since 1802, it has been on public display at the British Museum almost continuously and it is the most visited object there.

Study of the decree was already underway when the first complete translation of the Greek text was published in 1803. Jean-François Champollion announced the transliteration of the Egyptian scripts in Paris in 1822; it took longer still before scholars were able to read Ancient Egyptian inscriptions and literature confidently. Major advances in the decoding were recognition that the stone offered three versions of the same text (1799); that the Demotic text used phonetic characters to spell foreign names (1802); that the hieroglyphic text did so as well, and had pervasive similarities to the Demotic (1814); and that phonetic characters were also used to spell native Egyptian words (1822–1824).

Description
The Rosetta Stone is listed as "a stone of black granodiorite, bearing three inscriptions ... found at Rosetta" in a contemporary catalogue of the artefacts discovered by the French expedition and surrendered to British troops in 1801.[1] At some period after its arrival in London, the inscriptions were coloured in white chalk to make them more legible, and the remaining surface was covered with a layer of carnauba wax designed to protect it from visitors' fingers.[2] This gave a dark colour to the stone that led to its mistaken identification as black basalt.[3] These additions were removed when the stone was cleaned in 1999, revealing the original dark grey tint of the rock, the sparkle of its crystalline structure, and a pink vein running across the top left corner.[4] Comparisons with the Klemm collection of Egyptian rock samples showed a close resemblance to rock from a small granodiorite quarry at Gebel Tingar on the west bank of the Nile, west of Elephantine in the region of Aswan; the pink vein is typical of granodiorite from this region.[5]

The Rosetta Stone is 1,123 millimetres (3 ft 8 in) high at its highest point, 757 mm (2 ft 5.8 in) wide, and 284 mm (11 in) thick. It weighs approximately 760 kilograms (1,680 lb).[6] It bears three inscriptions: the top register in Ancient Egyptian hieroglyphs, the second in the Egyptian Demotic script, and the third in Ancient Greek.[7] These three scripts are not three different languages, as is commonly misunderstood.[8][9] The front surface is polished and the inscriptions lightly incised on it; the sides of the stone are smoothed, but the back is only roughly worked, presumably because it would have not been visible when the stele was erected.[5][10]

Original stele
"Image of the Rosetta Stone set against a reconstructed image of the original stele it came from, showing 14 missing lines of hieroglyphic text and a group of Egyptian deities and symbols at the top"
One possible reconstruction of the original stele
The Rosetta Stone is a fragment of a larger stele. No additional fragments were found in later searches of the Rosetta site.[11] Owing to its damaged state, none of the three texts is complete. The top register, composed of Egyptian hieroglyphs, suffered the most damage. Only the last 14 lines of the hieroglyphic text can be seen; all of them are broken on the right side, and 12 of them on the left. Below it, the middle register of demotic text has survived best; it has 32 lines, of which the first 14 are slightly damaged on the right side. The bottom register of Greek text contains 54 lines, of which the first 27 survive in full; the rest are increasingly fragmentary due to a diagonal break at the bottom right of the stone.[12]

The full length of the hieroglyphic text and the total size of the original stele, of which the Rosetta Stone is a fragment, can be estimated based on comparable steles that have survived, including other copies of the same order. The slightly earlier decree of Canopus, erected in 238 BC during the reign of Ptolemy III, is 2,190 millimetres high (7.19 ft) and 820 mm (32 in) wide, and contains 36 lines of hieroglyphic text, 73 of demotic text, and 74 of Greek. The texts are of similar length.[13] From such comparisons, it can be estimated that an additional 14 or 15 lines of hieroglyphic inscription are missing from the top register of the Rosetta Stone, amounting to another 300 millimetres (12 in).[14] In addition to the inscriptions, there would probably have been a scene depicting the king being presented to the gods, topped with a winged disc, as on the Canopus Stele. These parallels, and a hieroglyphic sign for "stela" on the stone itself (see Gardiner's sign list),

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9

 

Some glad morning when this life is over,
I'll fly away.
To a home on God's celestial shore,
I'll fly away.

I'll fly away, O Glory,
I'll fly away. (In the morning)
When I die, Hallelujah, bye and bye,
I'll fly away.

When the shadows of this life are gone,
I'll fly away.
Like a bird from prison bars has flown
I'll fly away.

I'll fly away, O Glory,
I'll fly away. (In the morning)
When I die, Hallelujah, bye and bye,
I'll fly away.

Just a few more weary days and then,
I'll fly away.
To a land where joy shall never end,
I'll fly away.

I'll fly away, O Glory,
I'll fly away. (In the morning)
When I die, Hallelujah, bye and bye,
I'll fly away.


I'll Fly Away - Wikipedia
"I'll Fly Away" is a hymn written in 1929 by Albert E. Brumley and published in 1932 by the Hartford Music company in a collection titled Wonderful Message. Brumley's writing was influenced by the 1924 secular ballad, "The Prisoner's Song". "I'll Fly Away" has been called the most recorded gospel song.

I'll fly away

 

 

1
-
S
=
1
-
3
SUN
54
9
9
2
-
M
=
4
-
7
MERCURY
103
40
4
3
-
V
=
4
-
5
VENUS
81
18
9
4
-
E
=
5
-
5
EARTH
52
25
7
5
-
M
=
4
-
4
MOON
57
21
3
6
-
M
=
4
-
4
MARS
51
15
6
7
-
J
=
1
-
7
JUPITER
99
36
9
8
-
S
=
1
-
6
SATURN
93
21
3
9
-
U
=
3
-
6
URANUS
94
22
4
10
-
N
=
5
-
7
NEPTUNE
95
32
5
11
-
P
=
7
-
5
PLUTO
84
21
3
66
-
-
-
39
-
59
First Total
863
260
62
6+6
-
-
-
3+9
-
5+9
Add to Reduce
8+6+3
2+6
6+2
12
-
-
-
12
-
14
Second Total
17
8
8
1+2
-
-
-
1+2
-
1+4
Reduce to Deduce
1+7
-
-
3
-
-
-
3
-
5
Essence of Number
8
8
8

 

 

 

 

SUN

MERCURYVENUSEARTHMOONMARSJUPITERSATURNURANUSNEPTUNEPLUTO

 

SU5

M5RCURYV55US5ARTHMOO5MARSJUPIT5RSATUR5URA5US55PTU55PLUTO

LOOK AT THE 5'S LOOK AT THE 5'S LOOK AT THE 5' THE 5' S THE 5'S

 

SUN 135 SUN

MERCURY 4593397 MERCURY

VENUS 45531 VENUS

EARTH 51928 EARTH

MOON 4665 MOON

MARS 4191 MARS

JUPITER 1379251 JUPITER

SATURN 112395 SATURN

URANUS 391531 URANUS

NEPTUNE 5572355 NEPTUNE

PLUTO 73326 PLUTO

 

 

SUN

MERCURYVENUSEARTHMOOMARSJUPITERSATURNURANUSNEPTUNEPLUTO

 

SUN

ME9CU9YVENUSEA9THMOOMA9SJUPITE9SATU9NU9ANUSNEPTUNEPLUTO

 

SUN 135 SUN

MERCURY 4593397 MERCURY

VENUS 45531 VENUS

EARTH 51928 EARTH

MOON 4665 MOON

MARS 4191 MARS

JUPITER 137925R JUPITER

SATURN12395 SATURN

URANUS 391531 URANUS

NEPTUNE 5572355NE PTUNE

PLUTO 7326 PLUTO

 

LOOK AT THE 9'S LOOK AT THE 9'S LOOK AT THE 9'S THE 95' S THE 9'S

 

 

SUN

MERCURYVENUSEARTHMOOMARSJUPITERSATURNURANUSNEPTUNEPLUTO

 

SUN

M59CU9YV55US5A9THMOOMA9SJUPIT59SATU95U9A5US55PTU55PLUTO

 

SUN 135 SUN

MERCURY 4593397 MERCURY

VENUS 45531 VENUS

EARTH 51928 EARTH

MOON 4665 MOON

MARS 4191 MARS

JUPITER 1379259 JUPITER

SATURN112395 SATURN

URANUS 391531 URANUS

NEPTUNE 5572355 NEPTUNE

PLUTO 7326 PLUTO

 

LOOK AT THE 9'S AND THE 5'S LOOK AT THE 9'S AND THE 5S LOOK AT THE 9S AND THE 5S

 

 

1
-
S
=
1
-
3
SUN
54
9
9
2
-
M
=
4
-
7
MERCURY
103
40
4
3
-
V
=
4
-
5
VENUS
81
18
9
4
-
E
=
5
-
5
EARTH
52
25
7
5
-
M
=
4
-
4
MOON
57
21
3
6
-
M
=
4
-
4
MARS
51
15
6
7
-
J
=
1
-
7
JUPITER
99
36
9
8
-
S
=
1
-
6
SATURN
93
21
3
9
-
U
=
3
-
6
URANUS
94
22
4
10
-
N
=
5
-
7
NEPTUNE
95
32
5
11
-
P
=
7
-
5
PLUTO
84
21
3
66
-
-
-
39
-
59
First Total
863
260
62
6+6
-
-
-
3+9
-
5+9
Add to Reduce
8+6+3
2+6
6+2
12
-
-
-
12
-
14
Second Total
17
8
8
1+2
-
-
-
1+2
-
1+4
Reduce to Deduce
1+7
-
-
3
-
-
-
3
-
5
Essence of Number
8
8
8

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GRAND
44
26
8
A
=
1
-
9
ALIGNMENT
95
41
5
-
-
10
4
17
First Total
172
82
19
-
-
1+0
-
2+3
Add to Reduce
2+7+1
1+0+9
1+9
-
-
1
-
5
Second Total
10
10
10
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
1
-
5
Essence of Number
1
1
1

 

 


 

THE RAINBOW LIGHT

RA IN BOW

THE SUN GOD RA

 

 

-
CIRCLE
-
-
-
5
CIRCL
45
27
9
1
E
5
5
5
6
CIRCLE
50
32
32
-
-
5+0
3+2
3+2
6
CIRCLE
5
5
5

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

CIRCLE CLERIC

 

R
=
9
-
ROUND
-
-
-
-
-
-
1
R
18
9
9
-
-
-
1
O
15
6
6
-
-
-
1
U
21
12
3
-
-
-
1
N
14
5
5
-
-
-
1
D
4
4
4
R
=
9
5
ROUND
72
36
27
-
-
-
-
-
7+2
3+6
2+7
R
=
9
5
ROUND
9
9
9

 

 

R
=
9
-
ROUND
-
-
-
-
-
-
1
R
18
9
9
-
-
-
2
O+U
36
9
9
-
-
-
2
N+D
18
9
9
R
=
9
5
ROUND
72
36
27
-
-
-
-
-
7+2
3+6
2+7
R
=
9
5
ROUND
9
9
9

 

 

R
=
9
-
ROUNDED
-
-
-
-
-
-
1
R
18
9
9
-
-
-
1
O
15
6
6
-
-
-
1
U
21
12
3
-
-
-
1
N
14
5
5
-
-
-
1
D
4
4
4
-
-
-
1
E
5
5
5
-
-
-
1
D
4
4
4
R
=
9
7
ROUNDED
81
45
45
-
-
-
-
-
8+1
4+5
4+5
R
=
9
7
ROUNDED
9
9
9

 

 

R
=
9
-
ROUNDED
-
-
-
-
-
-
1
R
18
9
9
-
-
-
2
O+U
36
9
9
-
-
-
2
N+D
18
9
9
-
-
-
1
E+D
5
5
5
R
=
9
7
ROUNDED
81
45
45
-
-
-
-
-
8+1
4+5
4+5
R
=
9
7
ROUNDED
9
9
9

 

 

-
ELECTRIC
-
-
-
5
ELECT
75
18
9
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ELECTRIC
75
39
30
-
-
7+5
3+9
3+0
8
ELECTRIC
12
12
3
-
-
1+2
1+2
-
8
ELECTRIC
3
3
3

 

ELECTRIC = ET CIRCLE = ET ELECTRIC

 

-
-
-
-
-
ELECTRIC
-
-
-
E
-
5
-
1
E
5
5
5
T
-
2
-
1
T
20
2
2
C
-
3
-
1
C
3
3
3
I
-
9
-
1
I
9
9
9
R
-
9
-
1
R
18
9
9
C
=
3
-
1
C
3
3
3
L
=
3
-
1
L
12
3
3
E
=
5
-
1
E
5
5
5
-
-
39
-
8
ELECTRIC
75
39
39
-
-
3+9
-
-
-
7+5
3+9
3+9
-
-
12
-
8
ELECTRIC
12
12
12
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
3
-
8
ELECTRIC
3
3
3

 

 

-
-
-
-
-
ELECTRIC
-
-
-
E
-
5
-
1
E+T
25
7
7
C
-
3
-
1
C
3
3
3
I
-
9
-
1
I
9
9
9
R
-
9
-
1
R
18
9
9
C
=
3
-
1
C
3
3
3
L
=
3
-
1
L
12
3
3
E
=
5
-
1
E
5
5
5
-
-
39
3
8
ELECTRIC
75
39
39
-
-
3+9
-
-
-
7+5
3+9
3+9
-
-
12
3
8
ELECTRIC
12
12
12
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
3
3
8
ELECTRIC
3
3
3

 

 

-
-
-
-
-
ELECTRIC
-
-
-
E
-
5
-
1
E
5
5
5
L
-
2
-
1
L
12
3
3
E
-
3
-
1
E
5
5
5
C
-
9
-
1
C
3
3
3
T
-
9
-
1
T
20
2
2
R
=
3
-
1
R
18
9
9
I
=
3
-
1
I
9
9
9
C
=
5
-
1
C
3
3
3
-
-
39
-
8
ELECTRIC
75
39
39
-
-
3+9
-
-
-
7+5
3+9
3+9
-
-
12
-
8
ELECTRIC
12
12
12
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
3
-
8
ELECTRIC
3
3
3

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
5
CYCLE
48
21
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
C
=
3
-
6
CIRCLE
50
32
5
-
-
16
-
19
First Total
185
95
23
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
7
-
10
Second Total
14
14
5
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
7
-
1
Essence of Number
5
5
5

 

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
6
CIRCLE
50
32
5
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
C
=
3
-
5
CYCLE
48
21
3
-
-
16
-
19
First Total
185
95
23
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
7
-
10
Second Total
14
14
5
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
7
-
1
Essence of Number
5
5
5

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
6
CIRCLE
50
32
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
-
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
-
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
3
THE
33
15
15
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
CIRCLE
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
4
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
5
-
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
6
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
7
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
8
-
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
9
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
6
CIRCLE
50
32
32
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
OF
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
10
-
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
11
-
F
6
6
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
2
OF
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
12
-
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
13
-
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
14
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
3
THE
33
15
15
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
CYCLE
-
-
-
-
-
-
-
-
-
-
-
-
-
C
=
3
15
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
16
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
17
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
18
-
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
19
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
CYCLE
33
15
15
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
18
4
20
12
7
16
18
T
=
2
-
3
THE
33
15
6
-
-
-
1+8
-
-
1+2
-
1+6
1+8
C
=
3
-
6
CIRCLE
50
32
5
-
1
4
9
4
2
3
7
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
9
4
2
3
7
7
9
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
1
4
9
4
2
3
7
7
9
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
10
Second Total
14
14
5
-
1
4
9
4
2
3
7
7
9
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
1
Essence of Number
5
5
5
-
1
4
9
4
2
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
6
CIRCLE
50
32
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
-
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
-
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
4
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
5
-
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
6
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
7
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
8
-
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
9
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
-
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
11
-
F
6
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
12
-
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
13
-
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
14
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
15
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
16
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
17
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
18
-
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
19
-
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
18
4
20
12
7
16
18
T
=
2
-
3
THE
33
15
6
-
-
-
1+8
-
-
1+2
-
1+6
1+8
C
=
3
-
6
CIRCLE
50
32
5
-
1
4
9
4
2
3
7
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
9
4
2
3
7
7
9
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
1
4
9
4
2
3
7
7
9
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
10
Second Total
14
14
5
-
1
4
9
4
2
3
7
7
9
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
1
Essence of Number
5
5
5
-
1
4
9
4
2
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
6
CIRCLE
50
32
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
-
T
20
2
2
-
1
2
-
4
-
-
-
-
-
T
=
2
12
-
T
20
2
2
-
1
2
-
4
-
-
-
-
-
C
=
3
4
-
C
3
3
3
-
1
-
3
4
-
-
-
-
-
C
=
3
7
-
C
3
3
3
-
1
-
3
4
-
-
-
-
-
L
=
3
8
-
L
12
3
3
-
1
-
3
4
-
-
-
-
-
C
=
3
15
-
C
3
3
3
-
1
-
3
4
-
-
-
-
-
C
=
3
17
-
C
3
3
3
-
1
-
3
4
-
-
-
-
-
L
=
3
18
-
L
12
3
3
-
1
-
3
4
-
-
-
-
-
H
=
8
2
-
H
8
8
8
-
1
-
-
4
-
-
-
8
-
E
=
5
3
-
E
5
5
5
-
1
-
-
4
5
-
-
-
-
E
=
5
9
-
E
5
5
5
-
1
-
-
4
5
-
-
-
-
E
=
5
14
-
E
5
5
5
-
1
-
-
4
5
-
-
-
-
E
=
5
19
-
E
5
5
5
-
1
-
-
4
5
-
-
-
-
O
=
6
10
-
O
15
6
6
-
1
-
-
4
-
6
-
-
-
F
=
6
11
-
F
6
6
6
-
1
-
-
4
-
6
-
-
-
Y
=
7
16
-
Y
25
7
7
-
1
-
-
4
-
-
7
-
-
H
=
8
13
-
H
8
8
8
-
1
-
-
4
-
-
-
8
-
I
=
9
5
-
I
9
9
9
-
1
-
-
4
-
-
-
-
9
R
=
9
6
-
R
18
9
9
-
1
-
-
4
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
1
4
18
4
20
12
7
16
18
T
=
2
-
3
THE
33
15
6
-
-
-
1+8
-
-
1+2
-
1+6
1+8
C
=
3
-
6
CIRCLE
50
32
5
-
1
4
9
4
2
3
7
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
9
4
2
3
7
7
9
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
1
4
9
4
2
3
7
7
9
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
10
Second Total
14
14
5
-
1
4
9
4
2
3
7
7
9
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
1
Essence of Number
5
5
5
-
1
4
9
4
2
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
-
2
3
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
C
=
3
-
6
CIRCLE
50
32
5
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
3
5
6
7
8
9
T
=
2
1
-
T
20
2
2
-
2
-
-
-
-
-
-
T
=
2
12
-
T
20
2
2
-
2
-
-
-
-
-
-
C
=
3
4
-
C
3
3
3
-
-
3
-
-
-
-
-
C
=
3
7
-
C
3
3
3
-
-
3
-
-
-
-
-
L
=
3
8
-
L
12
3
3
-
-
3
-
-
-
-
-
C
=
3
15
-
C
3
3
3
-
-
3
-
-
-
-
-
C
=
3
17
-
C
3
3
3
-
-
3
-
-
-
-
-
L
=
3
18
-
L
12
3
3
-
-
3
-
-
-
-
-
E
=
5
3
-
E
5
5
5
-
-
-
5
-
-
-
-
E
=
5
9
-
E
5
5
5
-
-
-
5
-
-
-
-
E
=
5
14
-
E
5
5
5
-
-
-
5
-
-
-
-
E
=
5
19
-
E
5
5
5
-
-
-
5
-
-
-
-
O
=
6
10
-
O
15
6
6
-
-
-
-
6
-
-
-
F
=
6
11
-
F
6
6
6
-
-
-
-
6
-
-
-
Y
=
7
16
-
Y
25
7
7
-
-
-
-
-
7
-
-
H
=
8
2
-
H
8
8
8
-
-
-
-
-
-
8
-
H
=
8
13
-
H
8
8
8
-
-
-
-
-
-
8
-
I
=
9
5
-
I
9
9
9
-
-
-
-
-
-
-
9
R
=
9
6
-
R
18
9
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4
18
20
12
7
16
18
T
=
2
-
3
THE
33
15
6
-
-
1+8
-
1+2
-
1+6
1+8
C
=
3
-
6
CIRCLE
50
32
5
-
4
9
2
3
7
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
4
9
2
3
7
7
9
C
=
3
-
5
CYCLE
48
21
3
-
-
-
-
-
-
-
-
-
-
16
-
19
First Total
185
95
23
-
4
9
2
3
7
7
9
-
-
1+6
-
1+9
Add to Reduce
1+8+5
9+5
2+3
-
-
-
-
-
-
-
-
-
-
7
-
10
Second Total
14
14
5
-
4
9
2
3
7
7
9
-
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
7
-
1
Essence of Number
5
5
5
-
4
9
2
3
7
7
9

 

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
6
CIRCLE
50
32
5
I
=
9
-
2
IS
28
10
1
P
=
7
-
7
PERFECT
73
37
1
I
=
9
-
2
IS
28
10
1
P
=
7
-
7
PERFECT
73
37
1
I
=
9
-
2
IS
28
10
1
T
=
2
-
3
THE
33
15
6
C
=
3
-
6
CIRCLE
50
32
5
-
-
51
-
38
First Total
396
198
27
-
-
5+1
-
3+8
Add to Reduce
3+9+6
1+9+8
2+7
-
-
6
-
11
Second Total
18
18
9
-
-
-
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
6
-
2
Essence of Number
9
9
9

 

 

-
-
-
-
CIRCLING
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
I
9
9
9
-
-
-
1
N
14
5
5
-
-
-
1
G
7
7
7
C
=
3
6
CIRCLING
75
48
48
-
-
-
-
-
7+5
4+8
4+8
C
=
3
6
CIRCLING
12
12
12
-
-
-
-
-
1+2
1+2
1+2
C
=
3
6
CIRCLING
3
3
3

 

 

-
-
-
-
CIRCLING
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
I
9
9
9
-
-
-
2
N+G
21
12
3
C
=
3
8
CIRCLING
75
48
39
-
-
-
-
-
7+5
4+8
3+9
C
=
3
8
CIRCLING
12
12
12
-
-
-
-
-
1+2
1+2
1+2
C
=
3
8
CIRCLING
3
3
3

 

 

-
-
-
-
Q
CONCENTRIC
7
7
7
-
1
2
3
4
5
6
7
8
9
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
-
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
-
-
-
-
-
-
50
4
10
CONCENTRIC
104
50
50
-
1
2
9
4
15
6
7
8
18
-
-
5+0
Q
1+0
Q
1+0+4
5+0
5+0
-
-
-
-
-
1+5
-
-
-
1+8
Q
-
5
-
1
CONCENTRIC
5
5
5
-
1
2
9
4
6
6
7
8
9

 

 

-
-
-
-
Q
CONCENTRIC
7
7
7
-
2
3
5
6
9
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
T
=
2
-
1
T
20
2
2
-
2
-
-
-
-
R
=
9
-
1
R
9
9
9
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
9
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
-
-
50
4
10
CONCENTRIC
104
50
50
-
2
9
15
6
18
-
-
5+0
Q
1+0
Q
1+0+4
5+0
5+0
-
-
-
1+5
-
1+8
Q
-
5
-
1
CONCENTRIC
5
5
5
-
2
9
6
6
9

 

 

-
-
-
-
Q
CONCENTRIC
7
7
7
-
2
3
5
6
9
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
2
-
-
-
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
C
=
3
-
1
C
3
3
3
-
-
3
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
R
=
9
-
1
R
9
9
9
-
-
-
-
-
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
9
-
-
-
-
Q
-
Q
Q
Q
-
-
-
-
-
-
-
-
50
4
10
CONCENTRIC
104
50
50
-
2
9
15
6
18
-
-
5+0
Q
1+0
Q
1+0+4
5+0
5+0
-
-
-
1+5
-
1+8
Q
-
5
-
1
CONCENTRIC
5
5
5
-
2
9
6
6
9

 

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

 

8
CIRCULAR
85
40
4
6
MOTION
86
32
5
14
Add to Reduce
171
72
9
1+4
Reduce to Deduce
1+7+1
7+2
-
5
Essence of Number
9
9
9

 

 

 

 

8
CIRCULAR
85
40
4
7
CIRCLES
69
33
6
4
RING
48
30
3

 

 

6
CIRCLE
50
32
5
5
CIRCL
45
27
9

 

 

3
SUN
54
18
9
7
CIRCLED
54
36
9
5
ROUND
72
27
9
4
BALL
27
9
9
7
SPHERES
90
36
9
5
CIRCL
45
27
9
7
CIRCLES
69
33
6
7
CIRCLE
50
32
5
8
CIRCULAR
85
40
4
8
CIRCLING
75
48
3

 

 

6
CIRCUS
73
28
1
4
RING
48
30
3

 

 

3
THE
33
15
6
6
CIRCUS
73
28
1
4
RING
48
30
3
13
First Total
154
73
10
1+3
Add to Reduce
1+5+4
7+3
1+0
4
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
4
Essence of Number
1
1
1

 

 

C
=
3
-
12
CIRCUMCISION
-
-
-
-
-
-
3
-
C
3
3
3
-
-
-
-
-
I
9
9
9
-
-
-
-
-
R
18
9
9
-
-
-
3
-
C
3
3
3
-
-
-
3
-
U
21
3
3
-
-
-
-
-
M
13
4
4
-
-
-
3
-
C
3
3
3
-
-
-
3
-
SION
57
30
3
C
=
3
-
12
CIRCUMCISION
136
64
37
-
-
-
-
1+2
-
1+3+6
6+4
3+7
C
=
3
-
3
CIRCUMCISION
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
C
=
3
-
3
CIRCUMCISION
1
1
1

 

 

C
=
3
-
12
CIRCUMCISION
-
-
-
-
-
-
-
-
3
-
C
3
3
3
-
3
-
-
-
-
-
I
9
9
9
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
3
-
C
3
3
3
-
3
-
-
-
3
-
U
21
3
3
-
3
-
-
-
-
-
M
13
4
4
-
-
-
-
-
3
-
C
3
3
3
-
3
-
-
-
-
-
SION
57
30
3
-
3
C
=
3
-
12
CIRCUMCISION
136
64
37
-
15
-
-
-
-
1+2
-
1+3+6
6+4
3+7
-
1+5
C
=
3
-
3
CIRCUMCISION
10
10
10
-
6
-
-
-
-
-
-
1+0
1+0
1+0
-
C
=
3
-
3
CIRCUMCISION
1
1
1
-
6

 

 

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
-
12
CIRCUMCISION
136
64
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
1
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
2
-
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
3
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
4
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
5
-
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
6
-
M
13
4
4
-
-
-
-
4
-
-
-
-
-
C
=
3
7
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
8
-
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
9
-
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
10
-
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
11
-
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
12
-
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
37
-
12
CIRCUMCISION
136
64
37
-
1
2
12
4
5
6
7
8
36
-
-
3+7
-
1+2
-
1+3+6
6+4
3+7
-
-
-
1+2
-
-
-
-
-
3+6
-
-
10
-
3
CIRCUMCISION
10
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
3
CIRCUMCISION
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
4
5
6
9
C
=
3
-
12
CIRCUMCISION
136
64
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
3
4
5
6
9
C
=
3
1
-
C
3
3
3
-
-
3
-
-
-
-
I
=
9
2
-
I
9
9
9
-
-
-
-
-
-
9
R
=
9
3
-
R
18
9
9
-
-
-
-
-
-
9
C
=
3
4
-
C
3
3
3
-
-
3
-
-
-
-
U
=
3
5
-
U
21
3
3
-
-
3
-
-
-
-
M
=
4
6
-
M
13
4
4
-
-
-
4
-
-
-
C
=
3
7
-
C
3
3
3
-
-
3
-
-
-
-
I
=
9
8
-
I
9
9
9
-
-
-
-
-
-
9
S
=
1
9
-
S
19
10
1
-
1
-
-
-
-
-
I
=
9
10
-
I
9
9
9
-
-
-
-
-
-
9
O
=
6
11
-
O
15
6
6
-
-
-
-
-
6
-
N
=
5
12
-
N
14
5
5
-
-
-
-
5
-
-
-
-
37
-
12
CIRCUMCISION
136
64
37
-
1
12
4
5
6
36
-
-
3+7
-
1+2
-
1+3+6
6+4
3+7
-
-
1+2
-
-
-
3+6
-
-
10
-
3
CIRCUMCISION
10
10
10
-
1
3
4
5
6
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
1
-
3
CIRCUMCISION
1
1
1
-
1
3
4
5
6
9

 

 

 

 

CIRCUMCISION

CIRCUMSCRIBE INCISION CIRCUMSCRIBE

 

C
=
3
-
13
CIRCUMSCRIBED
-
-
-
-
-
-
3
-
C
3
3
3
-
-
-
-
-
I
9
9
9
-
-
-
-
-
R
18
9
9
-
-
-
3
-
C+U+M+S+C
59
14
5
-
-
-
-
-
R
18
9
9
-
-
-
-
-
I
9
9
9
-
-
-
-
-
B
2
2
2
-
-
-
-
-
E+D
9
9
9
C
=
3
12
13
CIRCUMSCRIBED
127
64
55
-
-
-
1+2
1+3
-
1+2+7
6+4
5+5
C
=
3
3
4
CIRCUMSCRIBED
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
C
=
3
3
4
CIRCUMSCRIBED
1
1
1

 

 

C
=
3
-
13
CIRCUMSCRIBED
-
-
-
-
-
-
3
-
C
3
3
3
-
-
-
-
-
I
9
9
9
-
-
-
-
-
R
18
9
9
-
-
-
3
-
C
3
3
3
-
-
-
3
-
U
21
3
3
-
-
-
-
-
M
13
4
4
-
-
-
-
-
S
19
10
1
-
-
-
3
-
C
3
3
3
-
-
-
-
-
R
18
9
9
-
-
-
-
-
I
9
9
9
-
-
-
-
-
B
2
2
2
-
-
-
-
-
E
5
5
5
-
-
-
-
-
D
4
4
4
C
=
3
12
13
CIRCUMSCRIBED
127
73
64
-
-
-
1+2
1+3
-
1+2+7
7+3
6+4
C
=
3
3
4
CIRCUMSCRIBED
10
10
10
-
-
-
1+0
1+0
1+0
C
=
3
3
4
CIRCUMSCRIBED
1
1
1

 

 

3
THE
33
15
6
13
CIRCUMFERENCE
123
69
6
2
OF
21
12
3
1
A
1
1
1
6
CIRCLE
50
32
5
25
First Total
228
129
21
2+5
Add to Reduce
2+2+8
1+2+9
2+1
7
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
7
Essence of Number
12
3
3

 

 

13
CIRCUMFERENCE
-
-
-
-
C
3
3
3
-
I
9
9
9
-
R
18
9
9
-
C
3
3
3
-
U
21
3
3
-
M+F+E
24
15
6
-
R
18
9
9
-
E+N+C+E
18
9
9
13
CIRCUMFERENCE
123
69
51
1+3
-
1+2+3
6+9
5+1
4
CIRCUMFERENCE
6
15
6
-
-
-
1+5
-
4
CIRCUMFERENCE
6
6
6

 

 

5
SPACE
44
17
8
13
CIRCUMFERENCE
123
69
6

 

 

1
A
1
1
1
6
CIRCLE
50
32
5
2
IS
28
19
1
1
A
1
1
1
6
CURVED
73
28
1
4
LINE
40
22
4
8
RESOLVED
100
37
1
28
First Total
293
140
14
2+8
Add to Reduce
2+9+3
1+4+0
1+4
10
Second Total
14
5
5
1+0
Reduce to Deduce
1+4
-
-
1
Essence of Number
5
5
5

 

 

8
RESOLVED
-
-
-
-
R
18
9
9
-
E+S
24
6
6
-
O+L
27
9
9
-
V+E
27
9
9
-
D
4
4
4
8
RESOLVED
100
37
37
-
-
1+0+0
3+7
3+7
8
RESOLVED
1
10
10
-
-
-
1+0
1+0
8
RESOLVED
1
1
1

 

 

8
INFINITY
106
52
7
3
THE
33
15
6
8
INFINITE
86
50
5

 

INFINITE

-
-
-
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

From Wikipedia, the free encyclopedia

The infinity symbol (∞) is a mathematical symbol representing the concept of infinity. This symbol is also called a lemniscate,[1] after the lemniscate curves of a similar shape studied in algebraic geometry,[2] or "lazy eight", in the terminology of livestock branding.[3]

This symbol was first used mathematically by John Wallis in the 17th century, although it has a longer history of other uses. In mathematics, it often refers to infinite processes (potential infinity) rather than infinite values (actual infinity). It has other related technical meanings, such as the use of long-lasting paper in bookbinding, and has been used for its symbolic value of the infinite in modern mysticism and literature. It is a common element of graphic design, for instance in corporate logos as well as in older designs such as the Métis flag.

The infinity symbol and several variations of the symbol are available in various character encodings.

 

8
INFINITY
106
52
7
3
THE
33
15
6
8
INFINITE
86
50
5

 

INFINITY

106 - 52 - 7

INFINITY

 

 

THE

HOLY GRAIL A HOLY GIRL IS

 

 

ATUM=1234= 4321=MUTA

 

A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

A
T
U
M
M
U
T
A
1
20
21
13
13
21
20
1
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A
-
-
-
4
4
-
-
-
-
-
3
-
-
3
-
-
-
2
-
-
-
-
2
-
1
-
-
-
-
-
-
1
A
T
U
M
M
U
T
A
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A
1
2
3
4
4
3
2
1
1
20
21
13
13
21
20
1
A
T
U
M
M
U
T
A

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

ATUM

THE COMPLETE AND ALL CONTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
C
=
3
-
10
CONTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
16
-
30
Add to Reduce
306
135
36
-
-
1+6
-
3+0
Reduce to Deduce
3+0+6
1+3+5
3+6
-
-
7
-
3
Essence of Number
9
9
9

 

 

ATUM

THE COMPLETE AND ALL SUSTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
S
=
1
-
10
SUSTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
14
-
30
Add to Reduce
333
126
36
-
-
1+4
-
3+0
Reduce to Deduce
3+3+3
1+2+6
3+6
-
-
5
-
3
Essence of Number
9
9
9

 


egyptmythology.com
The Myth of Atum: The First God and His Creation
I. Introduction

Atum is one of the most significant deities in ancient Egyptian mythology, known as the first god from whom all creation sprang. His mythology represents a profound understanding of existence and the universe’s origins, reflecting the beliefs of a culture deeply engaged with the mysteries of life, death, and rebirth.

Creation myths play a crucial role in ancient cultures, providing explanations for the world around them and their existence within it. These narratives help to establish cultural identity and moral frameworks, guiding societies through the complexities of life.

This article aims to explore the myth of Atum, detailing his origins, the creation of the universe, his relationships with other deities, and his lasting legacy in Egyptian culture.

II. The Origins of Atum
Historically, Atum’s prominence can be traced back to the early dynastic periods of ancient Egypt, where he was worshipped particularly in Heliopolis, a city that served as a religious center. In the Heliopolitan creation myth, Atum is seen as the source of all gods and the universe itself.

Atum’s significance is evident in the way he embodies the concept of self-creation. He is often depicted as the ultimate creator, representing both chaos and order, which were central themes in Egyptian theology. This duality highlights the complexities of existence, as Atum is both the initiator of creation and the balance that maintains it.

III. The Creation of the Universe
The creation narrative surrounding Atum begins with the primordial waters known as Nun. Atum emerged from these chaotic waters, signifying the transition from chaos to order. His self-creation is a profound illustration of the idea that existence can arise from nothingness.

The symbolism of chaos and order in Atum’s creation is critical to understanding the nature of the universe in Egyptian thought. Atum’s emergence represented the establishment of boundaries and the formation of the cosmos. The role of Nun was vital, as it represented the chaotic potential from which all creation arose.

IV. Atum and the Creation of Other Deities
Atum’s methods of creation are as unique as his character. He is said to have created the first deities through two primary acts: spitting and masturbation. These acts led to the births of Shu, the god of air, and Tefnut, the goddess of moisture.

Shu: Representing air and light, Shu is vital for life and order.
Tefnut: As the goddess of moisture, Tefnut is essential for fertility and sustenance.
The familial relationships among these deities highlight the importance of lineage in Egyptian mythology. Atum’s offspring not only established the pantheon but also represented essential elements of existence that contributed to the balance of the universe.

V. Atum’s Role in the Cycle of Life and Death
Atum is not only a creator but also a sustainer of life. His role extends into the realms of life and death, where he embodies the cyclical nature of existence. In Egyptian thought, life and death are intertwined, and Atum’s influence pervades both states.

The connection between Atum and the afterlife is significant. He is often associated with the sun and the cycle of day and night, symbolizing rebirth and the eternal nature of the soul. Myths surrounding Atum’s death and rebirth reflect the cyclical nature of existence, with Atum being reborn each dawn, ensuring the continuation of life.

VI. Atum’s Symbolism and Iconography
Atum has been represented in various forms throughout Egyptian art and sculpture. Common depictions include:

A man with a double crown, symbolizing his rule over both Upper and Lower Egypt.
A serpent or a ram, which signifies his role as a creator god.
The symbolic meanings associated with Atum reflect his status as the source of all creation. As a figure of completeness and unity, Atum’s influence can also be seen in later Egyptian deities, as his essence is woven into the very fabric of Egyptian mythology.

VII. The Legacy of Atum in Egyptian Culture
Atum’s worship was prevalent in ancient Egypt, particularly in the city of Heliopolis, where temples were dedicated to him. His legacy is evident in the rituals and practices surrounding creation and the afterlife.

The impact of Atum on Egyptian literature and philosophy is profound. His creation myth influenced numerous texts, shaping the understanding of existence and the divine. Modern interpretations and adaptations of Atum’s myth continue to resonate, as they reflect universal themes of creation, existence, and the human experience.

VIII. Conclusion
In summary, Atum holds a significant place in the pantheon of Egyptian gods, representing the essence of creation and existence. His myth encapsulates the complexities of life, death, and rebirth, illustrating the enduring power of mythology in shaping human understanding.

Reflection on Atum’s legacy reveals the profound impact of creation myths on culture and identity. As we explore these ancient narratives, we recognize their relevance in contemporary society, allowing us to connect with the timeless questions of existence and our place in the universe.

Ultimately, Atum remains a cornerstone of Egyptian mythology, a testament to the creativity and depth of human thought in the face of life’s mysteries.

 

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

ATUM

THE COMPLETE AND ALL CONTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
C
=
3
-
10
CONTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
16
-
30
Add to Reduce
306
135
36
-
-
1+6
-
3+0
Reduce to Deduce
3+0+6
1+3+5
3+6
-
-
7
-
3
Essence of Number
9
9
9

 

 

ATUM

THE COMPLETE AND ALL SUSTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
S
=
1
-
10
SUSTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
14
-
30
Add to Reduce
333
126
36
-
-
1+4
-
3+0
Reduce to Deduce
3+3+3
1+2+6
3+6
-
-
5
-
3
Essence of Number
9
9
9

 

ATUM=1234= 4321=MUTA

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

ATUM=1234=ATUM

ATUM=1234=ATUM

 

A
=
1
-
6
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
6
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
6
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
6
ATUM
5
5
5

 

ATUM=1234=ATUM=1234=ATUM=1234=ATUM

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

ONE EIGHT THREE SIX

 

1
-
3
ONE
6
5
5
-
-
=
=
16
1+6
=
7
-
7
8
-
5
EIGHT
5
9
7
8
2
=
=
31
3+1
=
4
-
4
3
-
5
THREE
2
8
9
5
5
=
=
29
2+9
=
11
1+1
2
6
-
3
SIX
1
9
6
-
-
=
=
16
1+6
=
7
-
7
18
-
16
Add
14
31
27
13
7
-
-
92
-
-
29
-
20
1+8
-
1+6
-
1+4
3+1
2+7
1+3
1+2
-
-
9+2
-
-
2+9
-
2+0
9
-
7
Reduce
5
7
9
4
7
-
-
11
-
-
11
-
2
-
-
-
-
-
-
1+3
-
-
-
-
1+1
-
-
1+1
-
-
9
-
7
Deduce
5
7
4
4
7
-
-
2
-
-
2
-
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
8
-
E
=
5
-
5
EIGHT
49
31
4
3
-
T
=
2
-
5
THREE
56
29
2
6
-
S
=
1
-
3
SIX
52
16
7
18
-
-
-
14
-
16
Add
191
92
20
1+8
-
-
-
1+4
-
1+6
Reduce
1+9+1
9+2
2+0
9
-
-
-
5
4
7
Deduce
11
11
2
-
-
-
-
-
-
-
Produce
1+1
1+1
-
9
-
-
-
5
-
7
Essence
2
2
2

 

 

A
=
1
-
1
A
1
1
1
P
=
7
-
6
PROTON
98
35
8
H
=
8
-
3
HAS
28
10
1
-
-
-
-
-
1836
-
-
-
T
=
2
-
5
TIMES
66
21
3
T
=
2
-
3
THE
33
15
6
R
=
9
-
4
REST
62
17
8
M
=
4
-
4
MASS
52
7
7
O
=
6
-
2
OF
21
12
3
A
=
1
-
2
AN
15
6
6
E
=
5
-
8
ELECTRON
92
38
2
-
-
45
4
38
First Total
468
162
45
-
-
4+5
-
3+8
Add to Reduce
4+6+8
1+6+2
4+5
-
-
9
-
11
Second Total
18
9
9
-
-
-
-
1+1
Reduce to Deduce
1+8
-
-
-
-
9
-
2
Essence of Number
9
9
9

 

A
=
1
-
1
A
1
1
1
P
=
7
-
6
PROTON
98
35
8
H
=
8
-
3
HAS
28
10
1
-
-
-
-
4
1836
18
18
9
T
=
2
-
5
TIMES
66
21
3
T
=
2
-
3
THE
33
15
6
R
=
9
-
4
REST
62
17
8
M
=
4
-
4
MASS
52
7
7
O
=
6
-
2
OF
21
12
3
A
=
1
-
2
AN
15
6
6
E
=
5
-
8
ELECTRON
92
38
2
-
-
45
4
42
First Total
486
180
54
-
-
4+5
-
4+2
Add to Reduce
4+8+6
1+8+0
5+4
-
-
9
-
6
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
9
-
6
Essence of Number
9
9
9

 

 

 

 

 

 
 
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