
NUCLEAR FAMILY 19769








THE
MAGICALALPHABET
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
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Essence of Number |
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A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
THE LIGHT IS RISING NOW RISING IS THE LIGHT

....

THE LIGHT IS RISING NOW RISING IS THE LIGHT

....

O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
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29 |
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18 |
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14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
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- |
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- |
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- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
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- |
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- |
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THE
MAGICALALPHABET
.........
.........
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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.........
.........
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE MAN WHO LOVED ONLY
NUMBERS
Paul Hoffman
1
999
Page 217
"Mathematicians in India in the sixth century had
developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after
it, or 10, is a very different
number from a 1 alone.
Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero,
but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).
In the seventh century, Hindu scholars introduced Islam to the Indian number scene,
and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout
the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202,
he wrote Liber abaci (Book of the Abacus), which, despite the
title had little to do with the Abacus and a lot to do with liberating
computations from the yoke of Roman numerals.
The book seems quaint from the vantage point of the twentieth century,
because it explains what we take for granted.
"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the
sign Zero. . . any number can be written."
6 |
DIVINE |
63 |
36 |
9 |
10 |
REVELATION |
121 |
49 |
4 |
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8 |
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1 |
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4+3 |
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8 |
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14 |
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19 |
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24 |
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26 |
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26 |
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8 |
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2 |
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+ |
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8+3 |
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1+1 |
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1 |
2 |
3 |
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6 |
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10 |
11 |
12 |
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16 |
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20 |
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25 |
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+ |
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2+3+6 |
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1+1 |
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26 |
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18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
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3+5+1 |
= |
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1 |
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3 |
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6 |
7 |
8 |
9 |
1 |
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3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
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1+2+6 |
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26 |
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occurs |
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1+2 |
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1+8 |
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2+1 |
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2+4 |
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occurs |
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1+8 |
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THE MAGIC MOUNTAIN
Thomas Mann 1875 - 1955
Page 660
"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."
"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
Page 287
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
LIGHT AND LIFE
Lars Olof Bjorn
1976
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).
IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
1 000 000 000 'LETTERS'.
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets
Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.
The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
THE PHOENIX
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
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A |
T |
U |
M |
- |
R |
A |
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- |
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1 |
20 |
21 |
13 |
- |
18 |
1 |
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= |
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1 |
2 |
3 |
4 |
- |
9 |
1 |
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= |
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A |
T |
U |
M |
- |
R |
A |
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- |
- |
1 |
- |
- |
- |
- |
- |
1 |
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occurs |
x |
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= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
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occurs |
x |
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= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
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occurs |
x |
|
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
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occurs |
x |
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= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
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occurs |
x |
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= |
9 |
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A |
T |
U |
M |
- |
R |
A |
|
|
19 |
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
|
10 |
- |
- |
- |
Q |
2+0 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
1 |
|
|
|
|
|
|
PTAH |
45 |
18 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SEKHMET |
81 |
36 |
|
|
SPHINX |
90 |
36 |
|
13 |
Add Reduce Deduce |
171 |
72 |
18 |
1+3 |
- |
1+7+1 |
7+2 |
- |
4 |
Essence of Number |
9 |
9 |
9 |
|
ATUM |
55 |
10 |
|
|
OSIRIS |
89 |
35 |
|
10 |
Add Reduce Deduce |
144 |
45 |
9 |
1+0 |
- |
1+4+4 |
4+5 |
- |
1 |
Essence of Number |
9 |
9 |
9 |
MYTH AND SYMBOL IN ANCIENT EGYPT
R. T. Rundle Clark 1959
Osiris Universalized
Page 138
"Another section of Chapter 175 provides a lively dialogue between Osiris and the High God, here called Atum. All the / Page 139 / decisions of the High God previously noticed were accepted without question. The sceptical spirit of the Herakleopolitan Age, however, did not stop at minor figures; it queried the ultimate rightness of the fates determined by God himsel£ After his death Osiris finds himself in a cheerless underworld and remonstrates about his lot:
'Osiris O Atum! What is this desert place into which I have come
It has no water, it has no air, it is depth unfathomable, it is black as the blackest night.
I wander helplessly herein.
One cannot live here in peace of heart, nor may the longings of love be satisfied herein.
Atum You may live in peace of heart. I have provided illumination in place of water and air, and satisfaction and quiet in the place of bread and beer.
Thus spoke Atum.
Osiris But shall I behold your face?
Atum I will not allow you to suffer sorrow.
Osiris But every other god has his place in the Boat of
Millions of Years.
Atum Your place now belongs to your son Horus.
Thus spoke Atum.
Osiris But will he be allowed to dispatch the Great Ones?
Atum I have allowed him to dispatch the Great Ones, for he will inherit your throne on the Isle of Fire.
Osiris How good would it be if one god could see
another!
Atum My face will look upon your face.
Osiris But how long shall I live ? says Osiris.
Atum You will live more than millions of years, an era of millions, but in the end I will destroy everything that I have created, /Page 140 /
the earth will become again part of the Primeval
Ocean, like the Abyss of waters in their original state. Then I will be what will remain, just I and Osiris, when I will have changed myself back into the Old
Serpent who knew no man and saw no god.
How fair is that which I have done for Osiris, a fate
different from that of all the other gods!
I have given him the region of the dead while I have
put his son Horus as heir upon his throne in the Isle of Fire;
I have thus made his place for him in the Boat of
Millions of Years, in that Horus remains on his
throne to carry on his work.
Osiris But will not also the soul of Seth be sent to the West-a fate differen.t ttom that of all the other gods ?
Atum I shall hold his soul captive in the Boat of the Sun
-such is my willso that he will no longer terrorize the Divine
Company.'
This is a direct criticism of the Osirian belief in the survival of the soul in the life of universal nature. Otto has shown
recently that the scepticism of the age was expressed in terms of
debates; 6 objections were raised with the High God about the seeming injustices of his ordering of the universe. In the present case, Osiris complains that the Underworld to which he has descended has none of the wordly amenities which he had expected. The High God replies that this may be so, but instead there is peace and contentment of mind. The lesson is that the future state is not to be thought of in material terms.
Although the text speaks of Osiris, the god is here the mouthpiece of the soul expressing its deepest anxieties. This is abundantly clear in the succeeding section, where Osiris, not / Page140 / completely satisfied with a metaphorical hereafter, breaks with the traditional mythology and wants to behold the light of day, the face of the Sun'God. The Egyptians believed that the soul assumed the form off a bird in order to ascend from the darkness of the tomb to see the daylight and then returned to comfort its body. The supreme beatification in the Pyramid Texts was to join the Sun God's boat or, to become 'one of those dwellers in the light'. The Osirian fate did not satisfy this longing for light. Atum's answer is ambiguous and so brings forth the reproach that all the other gods have their places in the divine barque'The Boat of Millions of Years'. Atum replies that Osiris must be content that hii place has been taken by his son Horus; the older generation must give way to the younger. The royal power has been transmitted to Horus who has ascended the throne- in the mythical centre of the world, the Isle of Fire. Humanly enough, Osiris longs to be able to see his son, but even this is denied him. Nevertheless the High God will behold him, for as the all/powerful one he can see down into the depths of the nether world, as the later Amun hymns remind us. Perhaps there is a reference here to the night sun and its visits to the lower regions. Osiris is still dissatisfied; how long will he have to endure his hapless lot? Darkly, Atum replies that he is not to be forgotten; for, one day, millions of years hence, he will bring the present dispensation to an end. Then creation will be reversed and all things return to the Primeval Waters. When all differences have disappeared he and Osiris, the transcendent and the emergent forms of deity, will be reunited in the universal primordial form of life, the original Serpent, the form in which divinity existed before the coming of gods or men. The final fate, then, is to return to the primordial unity. Here we see Egyptian thought reaching out to a concept very like that of the Upanishads.
Atum has not disposed of the enemy. Osiris wonders whether Seth, whose crimes have justified his death, will not be sent down to the Underworld. If Seth is to join him there will be no peace for Osiris. Seth, says Atum, will not be consigned / Page 142 / to the 'West' but will be forced to live in the boat of the Sun God. There was a legend that Seth stood in the prow of the sun barque to ward off the attacks of the demon of darkness. This is quite different from the orthodox doctrine of the Pyramid Texts, wherein he had become Osiris' boat. By changing the fate of Seth the whole tone of the legend is altered: the principle of violent force remains in the world above, but it will be harnessed to protect the sun from annihilation.
The gods were personifications of natural forces or the embodiments of human desires and aspirations. Originally these elements existed all together in the various gods. During the era of the Coffin Texts the different elements began to disentangle
themselves. Seth becomes the storm itself rather than its patron; Osiris is the growth of the corn rather than the god who impersonates its force. At the same time this tendency to get at the natural phenomena behind the personality of a god leads to a deeper understanding of the principles of existence. Coffin Text 330 contains the clearest identification of the soul with nature that the ancients have left us:
'Whether I live or die I am Osiris,
I enter in and reappear through you,
I decay in you, I grow in you,
I fall down in you, I fall upon my side.
The gods are living in me for I live and grow in the corn that sustains the Honoured Ones.
I cover the earth,
whether I live or die I am Barley,
I am not destroyed.
I have entered the Order,
I rely upon the Order,
I become Master of the Order,
I emerge in the Order,
I make my form distinct,
I am the Lord of the Chennet (Granary ofMemphis),
I have entered into the Order,
I have reached its limits. . . .'
MYTH AND SYMBOL IN ANCIENT EGYPT
R. T. Rundle Clark 1959
THE PHOENIX
Page 245
"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'
One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created, and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regula... tion. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.
Fig. 40. The Phoenix (in Coffin Text 335) (omitted)
The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far;away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world
'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age. We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:
Page 248
'I am that great Benu Bird in Heliopolis, who determines
what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy-tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which 1 personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:
'I flew up as the Primeval God and assumed forms
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his
body. . .
I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."
5 |
DYING |
59 |
32 |
5 |
6 |
RISING |
76 |
40 |
4 |
11 |
|
|
|
|
|
|
1+3+5 |
7+2 |
- |
2 |
|
|
|
|
O
BLESSED
NAMUH
HEARETH
THEE MY VOICE AND LET MY CRY COME UNTO THEE
5 |
DYING |
59 |
32 |
5 |
3 |
AND |
19 |
10 |
1 |
6 |
RISING |
76 |
40 |
4 |
14 |
|
|
|
|
|
|
1+5+4 |
8+2 |
1+0 |
5 |
|
|
|
|
|
|
1+0 |
1+0 |
- |
5 |
|
|
|
|
FIRST LAW 1836 LAW FIRST
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
1 |
|
19 |
1 |
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
5 |
|
72 |
27 |
|
|
|
|
|
1 |
|
12 |
3 |
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
3 |
|
36 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
1+0+8 |
7+7 |
2+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
THE BIOLOGY OF DEATH
Lyall Watson 1974
Page 49
"As long ago as 1836, in a Manual of Medical Jurisprudence, this was said: 'Individuals who are apparently destroyed in a sudden manner, by certain wounds, diseases or even decapitation, are not really dead, but are only in conditions incompatible with the persistence of life. '231 This is an elegant and vital distinction. Death is not 'incompatible with the persistence of life'. Our ability to bring all kinds of death back to life is limited only by the state of our technology."
THE
MAGIKALALPHABET
ROOT
VALUE OF THE WORDS
I = 9 9 = I
ME = 9 9 = ME
EGO = 9 9 = EGO
CONSCIENCE = 9 9 = CONSCIENCE
DIVINE = 9 9 = DIVINE
THOUGHT = 9 9 = THOUGHT
OUR = 9 9 = OUR
LOVE = 9 9 = LOVE
REAL = 9 9 = REAL
REALITY = 9 9 = REALITY
SUN = 9 9 = SUN
EARTH = 7 7 = EARTH
MOON = 3 3 = MOON
JUPITER = 9 9 = JUPITER
MAGNETIC = 9 9 = MAGNETIC
FIELD = 9 9 = FIELD
PHYSICS = 9 9 = PHYSICS
ORIONIS = 9 9 = ORIONIS ASCENSION = 9 9 = ASCENSION ORIONIS = 9 9 = ORIONIS
973 GOD OF NAMES 99 NAMES OF GOD = 9 9 9 9 = GOD OF NAMES 99 NAMES OF GOD 973
http://www.askoxford.com/asktheexperts/faq/aboutwords/frequency?view=uk
Frequently Asked QuestionsWhat is the frequency of the letters of the Alphabet in English?
The inventor of Morse code, Samuel Morse (1791-1872), needed to know this so that he could give the simplest codes to the most frequently used letters. He did it simply by counting the number of letters in sets of printers' type. The figures he came up with were:
12,000 |
E |
2,500 |
F |
9,000 |
T |
2,000 |
W, Y |
8,000 |
A, I, N, O, S |
1,700 |
G, P |
6,400 |
H |
1,600 |
B |
6,200 |
R |
1,200 |
V |
4,400 |
D |
800 |
K |
4,000 |
L |
500 |
Q |
3,400 |
U |
400 |
J, X |
3,000 |
C, M |
200 |
Z |
However, this gives the frequency of letters in English text, which is dominated by a relatively small number of common words (see What are the commonest English words?). For word games, it is often the frequency of letters in English vocabulary, regardless of word frequency, which is of more interest. We did an analysis of the letters occurring in the words listed in the main entries of the Concise Oxford Dictionary (9th edition, 1995) and came up with the following table:
The third column represents proportions, taking the least common letter (q) as equal to 1. The letter E is over 56 times more common than Q in forming individual English words.
The frequency of letters at the beginnings of words is different again. There are more English words beginning with the letter 's' than with any other letter. (This is mainly because clusters such as 'sc', 'sh', 'sp', and 'st' act almost like independent letters.) The letter 'e' only comes about halfway down the order, and the letter 'x' unsurprisingly comes last.
E |
11.1607% |
56.88 |
M |
3.0129% |
15.36 |
A |
8.4966% |
43.31 |
H |
3.0034% |
15.31 |
R |
7.5809% |
38.64 |
G |
2.4705% |
12.59 |
I |
7.5448% |
38.45 |
B |
2.0720% |
10.56 |
O |
7.1635% |
36.51 |
F |
1.8121% |
9.24 |
T |
6.9509% |
35.43 |
Y |
1.7779% |
9.06 |
N |
6.6544% |
33.92 |
W |
1.2899% |
6.57 |
S |
5.7351% |
29.23 |
K |
1.1016% |
5.61 |
L |
5.4893% |
27.98 |
V |
1.0074% |
5.13 |
C |
4.5388% |
23.13 |
X |
0.2902% |
1.48 |
U |
3.6308% |
18.51 |
Z |
0.2722% |
1.39 |
D |
3.3844% |
17.25 |
J |
0.1965% |
1.00 |
P |
3.1671% |
16.14 |
Q |
0.1962% |
(1) |
The third column represents proportions, taking the least common letter (q) as equal to 1. The letter E is over 56 times more common than Q in forming individual English words.
The frequency of letters at the beginnings of words is different again. There are more English words beginning with the letter 's' than with any other letter. (This is mainly because clusters such as 'sc', 'sh', 'sp', and 'st' act almost like independent letters.) The letter 'e' only comes about halfway down the order, and the letter 'x' unsurprisingly comes last.
Frequently Asked Questions
What are the commonest English Words?
The only way to measure this is to analyse a large collection (or 'corpus') of texts, but lists based on different collections (or 'corpora') tend to disagree about even the top ten words in English. A rough top thirty might look something like this:
the
of
and
a
to
in
is
that
it
was
he
for
as
on
with
his
be
at
you
I
are
this
by
from
had
have
they
not
or
one
But you, for example, comes 8th in a list derived from the 'American Heritage' corpus (Carroll et al, 1971), 12th in a list based on the British National Corpus, 32nd in a list based on the 'LOB' (Lancaster-Oslo/Bergen) corpus (Hofland & Johansson 1982), and 33rd in a list based on the 'Brown' corpus (Francis & Kucera 1982).
4 |
|
60 |
24 |
|
1 |
|
18 |
9 |
|
3 |
|
33 |
15 |
|
5 |
|
79 |
25 |
|
2 |
|
21 |
12 |
|
5 |
|
77 |
32 |
|
|
First Total |
|
|
|
2+0 |
Add to Reduce |
2+8+8 |
1+1+7 |
3+6 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
Essence of Number |
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
5 |
|
79 |
25 |
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
5 |
|
79 |
25 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
1+4 |
|
1+5 |
Add to Reduce |
2+1+2 |
7+7 |
2+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
-
.gif)
18 |
THE ENGLISH ALPHABET |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ENGLISH |
74 |
38 |
|
|
ALPHABET |
65 |
29 |
|
18 |
THE ENGLISH ALPHABET |
172 |
82 |
10 |
1+8 |
- |
1+7+2 |
8+2 |
1+0 |
9 |
THE ENGLISH ALPHABET |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
9 |
THE ENGLISH ALPHABET |
1 |
1 |
1 |
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
R |
= |
9 |
- |
8 |
REACTORS |
99 |
36 |
9 |
- |
- |
|
- |
16 |
First Total |
|
|
|
- |
- |
1+2 |
- |
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
1+8 |
- |
- |
|
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
7 |
Essence of Number |
|
|
|


A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
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1 |


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LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT


-

-

THE LIGHT IS RISING RISING IS THE LIGHT

THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

THE LIGHT IS RISING NOW RISING IS THE LIGHT
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
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STUVWXYZ 180 ZYXWVUTS
STUVWXYZ 36 ZYXWVUTS
STUVWXYZ 9 ZYXWVUTS
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
PLANETS STARS AND LIFE
Page 24
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
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EIGHTEEN |
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THIRTYSIX |
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Essence of Number |
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54 |
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55 |
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Essence of Number |
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1 |
CITY OF REVELATION
John Michell
1972
Page 109
"At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation.
The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'
The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'
The number 666 in metrology
The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
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- |
A |
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- |
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- |
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O |
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- |
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N |
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A |
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N |
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M |
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M |
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A |
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T |
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- |
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- |
O |
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- |
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- |
N |
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A |
T |
O |
N |
E |
M |
E |
N |
T |
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- |
M |
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- |
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- |
E |
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- |

3 |
GOD |
26 |
17 |
8 |
1 |
O |
15 |
6 |
6 |
4 |
GOOD |
41 |
23 |
5 |
|
GOOD |
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- |
10 |
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19 |
10 |
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4 |
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41 |
23 |
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6 |
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60 |
33 |
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2 |
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22 |
13 |
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2 |
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19 |
10 |
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4 |
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41 |
23 |
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8 |
GOOD GO DO |
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- |
8+2 |
4+6 |
|
8 |
GOOD DO GO |
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- |
1+0 |
1+0 |
|
8 |
GOOD GO DO |
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0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
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4+5 |
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4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
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Deduce |
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0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
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1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
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2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
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3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
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4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
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5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
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6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
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7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
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8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
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4 |
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9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
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|
45 |
|
- |
- |
42 |
- |
40 |
Add |
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|
4+5 |
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|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
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|
1+8 |
1+4 |
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9 |
- |
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Deduce |
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4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
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|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
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|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
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REAL REALITY REVEALED
I
SAY
HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
YET
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1 |
1 |
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9 |
9 |
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2 |
3 |
|
45 |
18 |
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3 |
4 |
|
36 |
18 |
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4 |
1 |
|
9 |
9 |
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|
5 |
9 |
|
99 |
45 |
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6 |
4 |
|
45 |
18 |
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|
7 |
6 |
|
63 |
36 |
|
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|
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|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
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|
9 |
4 |
HAVE |
36 |
18 |
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|
10 |
1 |
|
9 |
9 |
|
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|
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|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
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|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
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|
13 |
3 |
|
50 |
14 |
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First Total |
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|
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|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
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|
|
|
|
|
|
9+9 |
|
|
|
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|
Second Total |
|
|
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|
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|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
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|
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|
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|
|
|
|
|
|
|
1 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
45 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
6 |
|
63 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
7 |
THOUGHT |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
HAVE |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
9 |
|
99 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+4 |
|
5+6 |
Add to Reduce |
6+4+8 |
2+8+8 |
1+0+8 |
|
|
|
|
|
|
|
|
|
9+9 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS
MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
I |
9 |
9 |
|
- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
- |
REAL |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
4 |
REAL |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
4 |
REAL |
9 |
9 |
9 |
- |
REALITY |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
7 |
REALITY |
90 |
36 |
36 |
- |
- |
9+0 |
3+6 |
3+6 |
7 |
REALITY |
9 |
9 |
9 |
- |
REVEALED |
- |
- |
- |
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
8 |
REVEALED |
72 |
36 |
36 |
- |
- |
7+2 |
3+6 |
3+6 |
8 |
REVEALED |
9 |
9 |
9 |
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
|
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
3+6 |
|
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
REAL REALITY |
- |
- |
|
R |
= |
9 |
9 |
9 |
REAL |
36 |
18 |
|
R |
= |
9 |
9 |
9 |
REALITY |
90 |
36 |
|
- |
- |
- |
- |
- |
REAL REALITY |
126 |
54 |
18 |
- |
- |
- |
- |
- |
- |
1+2+6 |
5+4 |
1+8 |
R |
= |
9 |
9 |
- |
REAL REALITY |
9 |
9 |
9 |
REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
-- |
- |
- |
- |
- |
I |
9 |
9 |
|
-- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
IT WAS BUT YESTERDAY WE MET IN A DREAM
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
|
|
|
R |
= |
9 |
- |
- |
REAL |
36 |
18 |
9 |
R |
= |
9 |
- |
4 |
REALITY |
90 |
36 |
9 |
R |
= |
9 |
- |
7 |
REVEALED |
72 |
36 |
9 |
- |
- |
27 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
2+7 |
- |
1+0 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REAL |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
36 |
- |
9 |
REAL |
36 |
18 |
18 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REALITY |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
36 |
- |
7 |
REALITY |
90 |
36 |
36 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
36 |
- |
7 |
REVEALED |
72 |
36 |
36 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REAL |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
- |
- |
- |
- |
- |
REALITY |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5= 20
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 20
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
7 |
REALITY |
90 |
36 |
9 |
6 |
LIVING |
73 |
37 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MYTH |
66 |
21 |
3 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+6+2 |
1+0+9 |
1+9 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
2 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
REALITY |
90 |
36 |
9 |
3 |
THE |
33 |
15 |
6 |
6 |
LIVING |
73 |
37 |
1 |
4 |
MYTH |
66 |
21 |
3 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+6+2 |
1+0+9 |
1+9 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
2 |
Essence of Number |
|
|
|


GREETINGS CITIZENS OF PLANET EARTH
FIRST CONTACT
STAR TREK
A novel by J.M. Dillard based on the film
STAR TREK; FIRST CONTACT
Story by Rick Berman & Brannon Braga & Ronald D. Moore
Screenplay by Brannon Braga & Ronald D. Moore
1996
First
STAR TREK
FIRST CONTACT
Second
STAR TREK
FIRST CONTACT
This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Third
STAR TREK
FIRST CONTACT
ADVENT 2112 ADVENT
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
11 |
HUMAN RIGHTS |
- |
- |
- |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
R |
= |
9 |
- |
6 |
RIGHTS |
81 |
45 |
9 |
- |
- |
17 |
- |
11 |
HUMAN RIGHTS |
|
|
|
- |
- |
1+7 |
- |
1+1 |
- |
1+3+8 |
6+6 |
1+2 |
- |
- |
8 |
- |
2 |
HUMAN RIGHTS |
|
|
|
- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
- |
- |
8 |
- |
2 |
HUMAN RIGHTS |
|
|
|
HUMAN RIGHTS HUMAN
5 |
WORLD |
72 |
27 |
9 |
5 |
PEACE |
30 |
21 |
3 |
10 |
First Total |
|
|
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
|
|
72 |
27 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
LETTERS RE-ARRANGED NUMERICALLY
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
30 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
PEACE |
30 |
21 |
3 |
|
|
|
|
1+5 |
|
|
|
|
|
12 |
|
10 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+0 |
Add to Reduce |
1+0+2 |
4+8 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
- |
1+2 |
- |
|
|
|
|
|
|
|
|
|
|
3 |
|
1 |
Essence of Number |
3 |
|
3 |
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
UNITED |
73 |
28 |
1 |
7 |
NATIONS |
92 |
29 |
2 |
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
1+4 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
7 |
NATIONS |
33 |
15 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
10 |
12 |
|
16 |
- |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
|
|
73 |
28 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
|
|
92 |
38 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+5 |
|
|
|
1+8 |
|
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
NATIONS |
92 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
16 |
First Total |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
7 |
NATIONS |
33 |
15 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
10 |
12 |
|
16 |
- |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+5 |
|
|
|
1+8 |
|
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
NATIONS |
92 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
16 |
First Total |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
|
|
|
7 |
NATIONS |
33 |
15 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
10 |
12 |
|
16 |
- |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+5 |
|
|
|
1+8 |
|
|
|
|
6 |
UNITED |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
NATIONS |
92 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
16 |
First Total |
|
72 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
Add to Reduce |
1+9+8 |
7+2 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS RE-ARRANGED IN NUMERICAL ORDER
T |
|
3 |
THE |
33 |
15 |
6 |
U |
|
6 |
UNITED |
73 |
28 |
1 |
N |
|
7 |
NATIONS |
33 |
15 |
2 |
- |
10 |
16 |
- |
|
72 |
9 |
- |
1+0 |
1+6 |
- |
1+9+8 |
7+2 |
2+4 |
|
|
|
|
|
|
|
- |
- |
- |
- |
1+8 |
- |
- |
- |
|
|
- |
|
|
|
T |
= |
2 |
- |
6 |
TWENTY |
107 |
26 |
8 |
F |
= |
6 |
- |
4 |
FOUR |
60 |
24 |
6 |
H |
= |
8 |
- |
5 |
HOURS |
81 |
27 |
9 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
3 |
DAY |
30 |
12 |
3 |
- |
- |
30 |
|
21 |
Add to Reduce |
|
|
|
- |
- |
2+0 |
- |
2+1 |
Reduce to Deduce |
3+0+2 |
1+0+4 |
3+2 |
- |
- |
8 |
- |
3 |
Essence of Number |
|
|
|
M |
= |
4 |
- |
6 |
MINUTE |
82 |
28 |
1 |
- |
1 |
H |
= |
8 |
- |
4 |
HOUR |
62 |
26 |
8 |
- |
8 |
D |
= |
4 |
- |
3 |
DAY |
30 |
12 |
3 |
- |
3 |
S |
= |
1 |
- |
6 |
SECOND |
60 |
33 |
6 |
- |
6 |
- |
- |
17 |
|
19 |
First Total |
|
|
|
|
|
- |
- |
1+7 |
- |
1+9 |
Add to Reduce |
2+3+4 |
9+9 |
1+8 |
- |
1+8 |
- |
- |
8 |
- |
10 |
Second Total |
|
|
|
- |
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
- |
- |
8 |
- |
1 |
Essence of Number |
9 |
|
9 |
- |
9 |
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
9 |
THE ADVENT |
9 |
9 |
9 |
10 |
SON OF
WOMAN |
- |
- |
- |
|
SON |
48 |
21 |
|
|
OF |
21 |
12 |
|
|
WOMAN |
66 |
21 |
|
10 |
SON OF WOMAN |
135 |
54 |
9 |
1+0 |
- |
1+3+5 |
5+4 |
- |
1 |
SON OF WOMAN |
9 |
9 |
9 |
BLESSED BE THE FRUIT OF THAT WOMBS FOETUS
8 |
SON OF
MAN |
- |
- |
- |
|
SON |
48 |
21 |
|
|
OF |
21 |
12 |
|
|
MAN |
28 |
10 |
|
8 |
SON OF MAN |
97 |
43 |
7 |
- |
- |
9+7 |
4+3 |
- |
8 |
SON
OF MAN |
16 |
7 |
7 |
- |
- |
1+6 |
- |
- |
8 |
SON OF MAN |
7 |
7 |
7 |
11 |
THIRTYTHREE |
- |
- |
- |
|
THIRTY |
100 |
37 |
|
|
THREE |
56 |
29 |
|
11 |
THIRTYTHREE |
156 |
66 |
3 |
- |
- |
1+5+6 |
6+6 |
- |
11 |
THIRTYTHREE |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
11 |
THIRTYTHREE |
3 |
3 |
3 |
I AM THE OPPOSITE OF
THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE
AM I
I
ALWAYS
AM
114 |
NINENINETYNINE
|
171 |
81 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
36 |
First
Total |
378 |
216 |
54 |
3+6 |
Add
to Reduce |
3+7+8 |
2+1+6 |
5+4 |
9 |
Second
Total |
18 |
9 |
9 |
- |
Reduce
tio Deduce |
1+8 |
- |
- |
9 |
Essence
of Number |
9 |
9 |
9 |
11 |
THE
STAR GATE |
- |
- |
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
4 |
GATE |
33 |
15 |
|
11 |
THE
STAR GATE |
124 |
43 |
16 |
1+1 |
- |
1+2+4 |
4+3 |
1+6 |
2 |
THE
STAR GATE |
7 |
7 |
7 |
15 |
THE
RAINBOW LIGHT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE
RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE
RAINBOW LIGHT |
9 |
9 |
3 |
GREETINGS
CHILD
OF
THE
RAINBOW
|
ENTERS |
81 |
36 |
|
|
THE |
33 |
15 |
|
|
GOLDEN |
57 |
30 |
|
|
CHILD |
36 |
27 |
|
20 |
- |
207 |
108 |
27 |
2+0 |
- |
2+0+7 |
1+0+8 |
2+7 |
2 |
- |
9 |
9 |
3 |
THE
HOURS OF HORUS
THAT I OF THAT
I OF THAT I THAT
I
AM
SALUTES
THE
ALMIGHTY
THAT
IS
THEE
PEACE BE UNTO YOU
GOODWILL UNTO ALL SENTIENT
BEINGS
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
Page XIV
EARLY DYNASTIC PERIOD 2950-2575
Unification of Egypt
Narmer
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 20
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 20
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11 |
AMEN THE NAME |
99 |
45 |
18 |
|
|
|
|
|
|
- |
- |
- |
- |
1+1 |
|
9+9 |
4+5 |
1+8 |
|
|
|
|
|
|
- |
- |
8 |
|
2 |
AMEN THE NAME |
18 |
9 |
9 |
|
|
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- |
- |
- |
- |
- |
|
1+8 |
- |
- |
|
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- |
- |
8 |
|
2 |
AMEN THE NAME |
9 |
9 |
9 |
|
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|
NARMER N RAM E R NARMER
|
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3 |
RAM |
- |
- |
- |
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R |
18 |
9 |
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A |
1 |
1 |
|
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M |
13 |
4 |
|
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3 |
|
32 |
14 |
14 |
|
|
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|
- |
- |
3+2 |
1+4 |
1+4 |
|
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3 |
|
15 |
5 |
5 |
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3 |
RAM |
- |
- |
- |
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R |
18 |
9 |
|
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A+M |
14 |
5 |
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3 |
|
32 |
14 |
14 |
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- |
- |
3+2 |
1+4 |
1+4 |
|
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3 |
|
5 |
5 |
5 |
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5 |
MENES |
- |
- |
- |
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M |
13 |
4 |
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E |
5 |
5 |
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N |
14 |
5 |
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E |
5 |
5 |
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S |
19 |
10 |
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5 |
|
56 |
29 |
20 |
|
|
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- |
- |
5+6 |
2+9 |
2+0 |
|
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|
5 |
|
11 |
11 |
2 |
|
|
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- |
- |
1+1 |
1+1 |
- |
|
|
|
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5 |
|
2 |
2 |
2 |
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5 |
MENES |
- |
- |
- |
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|
S |
19 |
10 |
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E |
5 |
5 |
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M |
13 |
4 |
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E |
5 |
5 |
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N |
14 |
5 |
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5 |
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56 |
29 |
20 |
|
|
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- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
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|
|
- |
- |
1+1 |
1+1 |
- |
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5 |
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2 |
2 |
2 |
Menes
From Wikipedia, the free encyclopedia
This article is about the Pharaoh. For the H. P. Lovecraft character, see The Cats of Ulthar. For the Macedonian general, see Menes of Pella. For the Romanian village of Miniş, called Ménes in Hungarian, see Ghioroc.
Menes
Africanus: Mênês
Eusebius: Mênês
The cartouche of Menes on the Abydos King List
The cartouche of Menes on the Abydos King List
Pharaoh
Successor
Hor-Aha?
Menes (/ˈmiːniːz/; Egyptian: Mnj, probably pronounced */maˈnij/;[5] Ancient Greek: Μήνης;[4] Arabic: مينا) was an ancient Egyptian pharaoh of the early dynastic period, credited by classical tradition with having united Upper and Lower Egypt, and as the founder of the first dynasty (Dynasty I).[6]
The identity of Menes is the subject of ongoing debate, although mainstream Egyptological consensus identifies Menes with the protodynastic pharaoh Narmer[1][2][3] (most likely) or first dynasty Hor-Aha.[7] Both pharaohs are credited with the unification of Egypt, to different degrees by various authorities.
The commonly used Menes derives from Manetho, an Egyptian historian and priest who lived during the Ptolemaic period. Manetho used the name in the form Μήνης (transliterated: Mênês).[4][8] An alternative Greek form, Μιν (transliterated: Min), was cited by the 5th-century BCE historian Herodotus,[9] a variant no longer considered the result of contamination from the name of the god Min.[10]
The Egyptian form, Meni, is taken from the Turin and Abydos king lists (dated Dynasty XIX).
The name, Menes, means "He who endures", which, Edwards (1971) suggests, may have been coined as "a mere descriptive epithet denoting a semi-legendary hero [...] whose name had been lost".[4] Rather than a particular person, the name may conceal collectively the protodynastic pharaohs Ka, Scorpion and Narmer.[4]
§Narmer and Menes[edit]
Main article: Narmer
The almost complete absence of any mention of Menes in the archaeological record,[4] and the comparative wealth of evidence of Narmer, a protodynastic figure credited by posterity and in the archaeological record with a firm claim[2] to the unification of Upper and Lower Egypt, has given rise to a theory identifying Menes with Narmer.
The chief archaeological reference to Menes is an ivory label from Naqada which shows the royal Horus-name Aha (the pharaoh Hor-Aha) next to a building, within which is the royal nebty-name mn,[11] generally taken to be Menes.[4][a] From this, various theories on the nature of the building (a funerary booth or a shrine), the meaning of the word mn (a name or the verb endures) and the relationship between Hor-Aha and Menes (as one person or as successive pharaohs) have arisen.[1]
The Turin and Abydos king lists, generally accepted to be correct,[1] list the nebty-names of the pharaohs, not their Horus-names,[2] and are vital to the potential reconciliation of the various records: the nebty-names of the king lists, the Horus-names of the archaeological record and the number of pharaohs in Dynasty I according to Manetho and other historical sources.[2]
Petrie first attempted this task,[2] associating Iti with Djer as the third pharaoh of Dynasty I, Teti (Turin) (or another Iti (Abydos)) with Hor-Aha as second pharaoh, and Menes (a nebty-name) with Narmer (a Horus-name) as first pharaoh of Dynasty I.[1][2] Lloyd (1994) finds this succession "extremely probable",[2] and Cervelló-Autuori (2003) categorically states that "Menes is Narmer and the First Dynasty begins with him".[3] However, Seidlmayer (2004) states that it is "a fairly safe inference" that Menes was Hor-Aha.[7]
§Dates[edit]
Egyptologists, archaeologists and scholars from the 19th century have proposed different dates for the era of Menes, or the date of the first dynasty:[12][b]
Jean-François Champollion (1840) – 5867 BC
August Böckh (1845) – 5702 BC
Auguste Mariette (1871) – 5004 BC
Flinders Petrie (1887) – 4777 BC
Heinrich Karl Brugsch (1859) – 4455 BC
Franz Joseph Lauth (1869) – 4157 BC
Karl Richard Lepsius (1856) – 3892 BC
Christian Charles Josias Bunsen (1848) – 3623 BC
Reginald Stuart Poole (1851) – 2717 BC
James Strong (1878) – 2515 BC
John Gardner Wilkinson (1835) – 2320 BC
Modern consensus dates the era of Menes or the start of the first dynasty between c. 3100–3050 BC; some academic literature uses c. 3000 BC.[13]
§History[edit]
By 500 BC mythical and exaggerated claims had made Menes a cultural hero, and most of what is known of him comes from a much later time.[14]
Ancient tradition ascribed to Menes the honor of having united Upper and Lower Egypt into a single kingdom,[15] and becoming the first pharaoh of Dynasty I.[16]
However, his name does not appear on extant pieces of the Royal Annals (Cairo Stone and Palermo Stone), which is a now-fragmentary king's list that was carved onto a stela during the Fifth dynasty. He typically appears in later sources as the first human ruler of Egypt, directly inheriting the throne from the god Horus.[17] He also appears in other, much later, king's lists, always as the first human pharaoh of Egypt. Menes also appears in demotic novels of the Graeco-Roman Period, demonstrating that, even that late, he was regarded as important figure.[18]
Menes was seen as a founding figure for much of the history of Ancient Egypt, similar to Romulus in Ancient Rome.[19]
Manetho records that Menes "led the army across the frontier and won great glory".[8][16]
§Capital[edit]
Manetho associates the city of Thinis with the first dynasties (Dynasty I and Dynasty II) and, in particular, Menes, a "Thinite" or native of Thinis.[8][16] Herodotus contradicts Manetho in stating that Menes founded the city of Memphis as his capital[20] after diverting the course of the River Nile through the construction of a dyke.[21] Manetho ascribes the building of Memphis to Menes' son, Athothis,[16] and calls no pharaohs earlier than Dynasty III "Memphite".[22] Herodotus and Manetho's stories of the foundation of Memphis are probably later inventions: in 2012 a relief mentioning the visit of Memphis by Iry-Hor --a predynastic ruler of Upper Egypt reigning before Namer-- was discovered in Sinai, indicating that the city was already in existence in the early 32nd century BC.[23]
§Cultural influence[edit]
Diodorus Siculus stated that Menes had introduced the worship of the gods and the practice of sacrifice[24] as well as a more elegant and luxurious style of living.[24] For this latter invention, Menes' memory was dishonoured by the Dynasty XXIV pharaoh Tefnakht, and Plutarch mentions a pillar at Thebes on which was inscribed an imprecation against Menes as the introducer of luxury.[24]
In Pliny's account, Menes was credited with being the inventor of writing in Egypt.
§Crocodile episode[edit]
Diodorus Siculus recorded a story of Menes,[25] related by the priests of the crocodile-god Sobek at Crocodilopolis, in which the pharaoh Menes, attacked by his own dogs while out hunting,[26] fled across Lake Moeris on the back of a crocodile and, in thanks, founded the city of Crocodilopolis.[26][27]
Faber (1816), taking the word campsa to mean either crocodile or ark and preferring the latter, identifies Menes with Noah and the entire story as a deluge myth.[28]
Edwards (1974) states that "the legend, which is obviously filled with anachronisms, is patently devoid of historical value",[27] but Maspero (1910), while acknowledging the possibility that traditions relating to other kings may have become mixed up with this story, dismisses the suggestions of some commentators[24] that the story should be transferred to the Dynasty XII pharaoh Amenemhat III and sees no reason to doubt that Diodorus did not correctly record a tradition of Menes.[26]
§Death[edit]
According to Manetho, Menes reigned for 62 years and was killed by a hippopotamus.[8][16]
Menes | biography - king of Egypt | Encyclopedia Britannica
www.britannica.com/EBchecked/topic/374923/Menes
Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper and Lower Egypt in ...
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5 |
MENES |
- |
- |
- |
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M |
13 |
4 |
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E |
5 |
5 |
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|
N |
14 |
5 |
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E |
5 |
5 |
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S |
19 |
10 |
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5 |
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56 |
29 |
20 |
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- |
- |
5+6 |
2+9 |
2+0 |
|
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|
|
5 |
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11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
|
|
|
|
5 |
|
2 |
2 |
2 |
|
|
|
|
5 |
MENES |
- |
- |
- |
|
|
|
|
|
M+S |
32 |
14 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
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N |
14 |
5 |
|
|
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|
E |
5 |
5 |
|
|
|
|
|
5 |
|
56 |
29 |
20 |
|
|
|
|
- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
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|
|
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5 |
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2 |
2 |
2 |
MENES
MEME
|
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4 |
MEME |
- |
- |
- |
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M |
13 |
4 |
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E |
5 |
5 |
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M |
13 |
4 |
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|
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E |
5 |
5 |
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|
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|
4 |
|
36 |
18 |
18 |
|
|
|
|
- |
- |
3+6 |
1+8 |
1+8 |
|
|
|
|
4 |
|
9 |
9 |
9 |
|
|
|
|
4 |
MEME |
- |
- |
- |
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|
M+E |
18 |
9 |
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M+E |
18 |
9 |
|
|
|
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|
4 |
|
36 |
18 |
18 |
|
|
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- |
- |
3+6 |
1+8 |
1+8 |
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4 |
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9 |
9 |
9 |
meme \MEEM\ noun. 1 : an idea, behavior, style, or usage that spreads from person to person within a culture. 2 : an amusing or interesting item (such as a captioned picture or video) or genre of items that is spread widely online especially through social media.
- |
MIN |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
I |
9 |
9 |
9 |
- |
N |
14 |
5 |
5 |
3 |
MIN |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
3 |
MIN |
9 |
9 |
9 |
THE
MIND OF MIN
Y |
= |
7 |
- |
9 |
YESTERDAY |
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T |
- |
2 |
- |
5 |
TODAY |
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T |
= |
2 |
- |
8 |
TOMORROW |
|
|
|
- |
- |
|
- |
22 |
- |
|
|
|
- |
- |
1+1 |
- |
2+2 |
- |
3+2+4 |
1+0+8 |
- |
- |
- |
|
- |
|
- |
|
|
3 |
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
M |
= |
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- |
1 |
M |
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A |
= |
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- |
1 |
A |
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N |
= |
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- |
1 |
N |
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E |
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- |
1 |
E |
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T |
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1 |
T |
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H |
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1 |
H |
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O |
= |
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- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
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- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
N |
= |
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- |
1 |
N |
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A |
= |
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- |
1 |
A |
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M |
= |
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- |
1 |
M |
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E |
= |
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- |
1 |
E |
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T |
= |
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- |
1 |
T |
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H |
= |
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- |
1 |
H |
|
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|
O |
= |
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- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
|
- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
8 |
RAMESSES |
I |
1293-1291
|
99
|
27
|
9
|
8 |
RAMESSES |
II |
1279-1212
|
99
|
27
|
9
|
8 |
RAMESSES |
III |
1182-1151
|
99
|
27
|
9
|
8 |
RAMESSES |
IV |
1151-1145
|
99
|
27
|
9
|
8 |
RAMESSES |
V |
1145-1141
|
99
|
27
|
9
|
8 |
RAMESSES |
VI |
1141-1133
|
99
|
27
|
9
|
8 |
RAMESSES |
VII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
VIII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
IX |
1126-1108
|
99
|
27
|
9
|
8 |
RAMESSES |
X |
1108-1098
|
99
|
27
|
9
|
8 |
RAMESSES |
XI |
1098-1070
|
99
|
27
|
9
|
7 |
PTOLEMY |
I |
106
|
34
|
7
|
7 |
PTOLEMY |
II |
106
|
34
|
7
|
7 |
PTOLEMY |
III |
106
|
34
|
7
|
7 |
PTOLEMY |
IV |
106
|
34
|
7
|
7 |
PTOLEMY |
V |
106
|
34
|
7
|
7 |
PTOLEMY |
VI |
106
|
34
|
7
|
7 |
PTOLEMY |
VII |
106
|
34
|
7
|
7 |
PTOLEMY |
VIII |
106
|
34
|
7
|
7 |
PTOLEMY |
IX |
106
|
34
|
7
|
7 |
PTOLEMY |
X |
106
|
34
|
7
|
7 |
PTOLEMY |
XI |
106
|
34
|
7
|
7 |
PTOLEMY |
XII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIV |
106
|
34
|
7
|
7 |
PTOLEMY |
XV |
106
|
34
|
7
|
9 |
CLEOPATRA |
- |
91 |
37 |
1 |
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
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Ptolemy
ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm
Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the
Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.
- Ptolemy's epigram, from the Almagest, probably written by himself
P |
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7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
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7 |
- |
7 |
PTOLEMY |
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Ptolemies - Livius
www.livius.org › index › ancient Greece › ancient Egypt
This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
The fourteen kings of this dynasty were all called Ptolemy
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The fourteen kings of this dynasty were all called Ptolemy
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LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
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The fourteen kings of this dynasty were all called Ptolemy
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The fourteen kings of this dynasty were all called Ptolemy
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
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"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
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BERENICE |
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BERENICE |
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I |
= |
|
- |
1 |
I |
|
|
|
- |
- |
|
- |
6 |
SHABTI |
|
|
|
- |
- |
2+3 |
- |
- |
- |
5+9 |
3+2 |
2+3 |
- |
- |
|
- |
|
SHABTI |
|
|
|
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
|
- |
|
SHABTI |
|
|
|
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
END OF INNOCENCE (2175-1541 BC)
PARADISE POSTPONED
Page 155
O shabti, detailed to (serve) me ... if I am summoned or if I am detailed to do any work which is to be done in the afterlife ... you shall detail yourself to me every time, (whether) for maintaining the fields, irrigating the banks or ferrying sand from east to west. 'Look, here I am', you shall say.'
When it came to life after death, a shabti was the perfect insurance policy.
Truth will out
One final, crucial aspect of the afterlife adventure also made its first appearance in the years following the collapse of the Old Kingdom. Like the Coffin Texts, magical objects and servant figurines, the concept of a last judgement reflected the mixture of hope and fear that beset the ancient Egyptians in their musings about life after death. Perhaps more than any other feature of Egyptian religion, the idea of a final, inevitable reckoning before a divine judge had a profound and lasting impact on the subsequent development of pharaonic beliefs. Unlike hedgehogs, hippos and shabtis, the last judgement was picked up by other religious traditions of the Near East as well notably Christianity.
The imaginary geography of The Book of Two Ways began with the Island of Fire, where the wicked were consumed in flames but the good were provided with refreshing water for their arduous journey through the underworld. The concept of 'trial by fire' is an ancient one, but this relatively simplistic notion of judgement — whereby the unrighteous dead were separated from the righteous by means of /Page 156/ a single, swift test — was itself to be refined in the flames of social. change. Once again, the shattered illusions that accompanied thie break-up of the Egyptian state proved a fertile breeding ground for new ideas. In troubled times, death came to be seen not as a transition to another dimension of creation, but as a discontinuiry, a break that might prove terminal. Whether an individual achieved rebirth as a divine being or suffered a second death depended on his or her own actions during life. The literary text known as The Instruction for Merikara, purportedly composed by a Herakleopolitan king, summed up this new belief:
When a man remains after passing away,
His deeds are set alongside him . . .
He who reaches (the next life) without wrongdoings
Will exist there like a god . . . 3
In this scheme of things, virtue was no longer enough: it had to be accompanied by freedom from vice. In inscriptions of the period, the boastfulness and bombast typical of Old Kingdom autobiographies are joined for the first time by notes of doubt and defensiveness. A man might enumerate his many qualities and achievements but also take pains to state 'I never spoke a falsehood against any living person'.4 The 'negative confession', a declaration not to have committed a prescribed list of wrongful acts, became an essential component of the judgement process.
Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit. From such tentative beginnings, the concept of judgement rapidly acquired a central place in Egyptian funerary religion, to the extent that the term 'true of voice' became the most common euphemism for 'deceased'. In a society as / Page 157/ obsessed with bureaucracy and accountancy as ancient Egypt, it is perhaps not surprising that theologians imagined the weighing of a' poison's worth taking place on a giant set of goldsmith's scales. The accuracy of the balance perfectly expressed the unerring judgement of the divine tribunal. A spell from the Coffin Texts describes the scales as 'that balance of Ra on which Maat is lifted up',5 indicating that the judgement is authorised by Ra himself, god of the sun and of creation, and that the deeds of the deceased are to be weighed against Maat, the goddess of truth. In this ultimate assessment, there was no room for cheating. The outcome of the judgement process was visualised as a division of the deceased between the justified and the unjust, `numbering the dead and counting the blessed spirits'.6 The differing fates of the two groups were crystal clear.
With eternal survival at stake in the last judgement, the fevered Egyptian imagination swung into action. Conceiving further hurdles hand in hand with the means of overcoming them seems to have given the ancient Egyptians the courage to face the uncertainties of death. In the case of judgement before the tribunal, the greatest danger was that one's own heart — seat of the intellect, fount of emotion and storehouse of memories — might decide to bear false witness and so tip the balance against a favorable verdict. To counter this awful risk, powerful magic was required. Somehow, the heart had to be prevented from blurting out untruths (or hidden truths) that might seal its owner's fate. The ingenious solution was a new type of amulet, first introduced into burials in the late Middle Kingdom. It took the familiar shape of a scarab beetle, a potent symbol of rebirth (because young beetles hatch from a ball of dung, emblematic of death and decay). But unlike the usual scarab amulets it had a human head and was engraved with a protective spell, addressed to the heart. After the body had undergone mummification, the 'heart scarab' was placed over the heart, with clear instructions as to how the organ should behave at the moment of truth:
Do not stand up against me
Do not witness against me,
Do not oppose me in the tribunal,
Do not incline against me ... 7
Page 158
158
In time the heart itself came to stand for the deceased and his deeds, and the pictorial representation of the 'weighing of the heart' against the feather of Truth became an essential image for inclusion on a funerary papyrus, an encapsulation of the final judgement. It remains one of the most instantly recognisable, characteristic and evocative scenes from the entire repertoire of ancient Egyptian art.
And the concept of a 'dreadful day of judgement, when the secrets of all hearts shall be disclosed' is still with us, four thousand years later.
Page 156
“Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit.”
'his voice is true in the calculation of differences'
HIS VOICE IS TRUE IN THE CALCULATION OF DIFFERENCES
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|
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|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
ATUM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
87 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
79 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
23 |
|
288 |
99 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
55 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
15 |
|
180 |
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
3+8 |
Add to Reduce |
4+6+8 |
1+5+3 |
3+6 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
R |
= |
9 |
- |
7 |
ROSETTA |
98 |
26 |
8 |
S |
= |
1 |
- |
5 |
STONE |
73 |
19 |
1 |
- |
- |
10 |
- |
12 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
- |
1+2 |
Reduce to Deduce |
1+7+1 |
4+5 |
|
Q |
- |
1 |
- |
3 |
Essence of Number |
|
|
|
"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us).
Matthew 1:23 "The virgin will conceive and give birth to a ...
biblehub.com/matthew/1-23.htm
The Meaning of Immanuel, God with Us
www.orlutheran.com/html/immanuel.html
And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ...
Matthew 1:23 "The virgin will conceive and give birth to a ...
matthew/1-23.
“Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). New American Standard Bible "BEHOLD ...
Christ Emmanuel or God with Us - Grace Gems!
www.gracegems.org/W/e1.htm
"They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.
Isaiah 7:14 Explained - Immanuel God With Us
www.bibleanswerstand.org/immanuel.htm
This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).
Why wasn't Jesus named Immanuel? - GotQuestions.org
www.gotquestions.org/Immanuel-Jesus.html
by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.
Words Around "Emmanuel" in the English Dictionary
"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
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|
|
|
|
|
|
|
G |
= |
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
2 |
|
40 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
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|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
= |
7 |
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
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= |
9 |
|
1 |
|
9 |
9 |
|
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= |
2 |
|
1 |
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20 |
2 |
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= |
8 |
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1 |
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8 |
8 |
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= |
3 |
|
1 |
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21 |
3 |
|
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= |
1 |
|
1 |
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19 |
10 |
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GOD WITH US |
|
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4+5 |
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|
1+2+6 |
5+4 |
4+5 |
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GOD WITH US |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
- |
- |
- |
- |
- |
- |
- |
- |
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- |
- |
- |
- |
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- |
- |
- |
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- |
- |
- |
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|
= |
5 |
|
1 |
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19 |
10 |
|
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= |
7 |
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1 |
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20 |
2 |
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= |
3 |
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1 |
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21 |
3 |
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= |
7 |
|
1 |
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4 |
4 |
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= |
5 |
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1 |
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23 |
5 |
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= |
3 |
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1 |
|
15 |
6 |
|
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= |
5 |
|
1 |
|
7 |
7 |
|
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= |
5 |
|
1 |
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8 |
8 |
|
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= |
3 |
|
1 |
|
9 |
9 |
|
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GOD WITH US |
|
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|
4+5 |
|
|
|
1+2+6 |
5+4 |
4+5 |
|
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GOD WITH US |
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|
GOD WITH US 123456789 987654321 US WITH GOD
|
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|
3 |
|
33 |
15 |
|
|
|
|
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|
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|
5 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
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|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
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|
|
|
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|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
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|
|
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|
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
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|
|
|
|
|
First Total |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
3+7 |
|
3+2 |
Add to Reduce |
2+9+7 |
1+8+9 |
3+6 |
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
Add to Reduce |
1+8 |
1+8 |
|
|
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|
Essence of Number |
|
|
|
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|
|
|
|
|
|
|
|
|
4 |
|
45 |
18 |
|
1 |
|
9 |
9 |
|
5 |
|
54 |
27 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
O |
= |
6 |
|
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
|
ISIS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
6 |
SIRIUS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
|
IRIS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
K |
= |
2 |
- |
|
KRISHNA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
V |
= |
4 |
- |
|
VISHNU |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
= |
2 |
- |
|
BRAHMA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
|
SHIVA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
= |
3 |
- |
|
CHRIST |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
|
RISH |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
9 |
SAPTARSHI |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
|
ISHI |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
9 |
SAPTARSHI |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
= |
6 |
|
6 |
OSIRIS |
OS999S |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
|
ISIS |
9S9S |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
6 |
SIRIUS |
S999US |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
|
IRIS |
999S |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
K |
= |
2 |
- |
|
KRISHNA |
K999NA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
V |
= |
4 |
- |
|
VISHNU |
V99NU |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
B |
= |
2 |
- |
|
BRAHMA |
B99MA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
|
SHIVA |
99A |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
= |
3 |
- |
|
CHRIST |
C999T |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
|
RISH |
999 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
7 |
SHRISTI |
999ST9 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
|
4 |
ISHI |
999 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
|
9 |
SAPTARSHI |
SA9A999 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
TRIMURTI |
- |
- |
- |
T |
= |
|
- |
1 |
T |
|
|
|
R |
= |
|
- |
1 |
R |
|
|
|
I |
= |
|
- |
1 |
I |
|
|
|
M |
= |
|
- |
1 |
M |
|
|
|
U |
= |
|
- |
1 |
U |
|
|
|
R |
= |
|
- |
1 |
R |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
I |
= |
|
- |
1 |
I |
|
|
|
- |
- |
|
- |
8 |
TRIMURTI |
|
|
|
- |
- |
4+7 |
- |
- |
- |
1+2+8 |
4+7 |
4+7 |
- |
- |
|
- |
8 |
TRIMURTI |
|
|
|
- |
- |
1+1 |
- |
- |
- |
1+1 |
1+1 |
1+1 |
- |
- |
|
- |
8 |
TRIMURTI |
|
|
|
Swayambhu (Sanskrit:is a Sanskrit word that means "self-manifested", "self-existing", or "that is created by its own accord".
Often, the word swayambhu is used to describe a self-manifested image of a deity, which was not made by human hands, but instead is naturally arisen, or generated by nature. According to the Ramayana and Mahabharata, Vishnu is called swayambhu. The word etymology of swayambhu is 'Svayam' which means 'self' or 'on its own' and 'bhu' (??) which means 'to take birth' or 'arising'. This is applicable to the physical and tangible idols of Gods that we see or to the intangible yet existing God whom we cannot see. For example, the jyotirlingas are considered swayambhu- the idol of Venkateshwara at Tirumala and some other ones are considered Swayambu- which means they are not installed by any person but they exist on their own. The word Swayambhu is also applicable to Gods- for example- Vishnuis described as swayambhu in Ramayana, Vishnu is called swayambhu in Matsya purana. As per the Vedas, Shiva is considered swayambhu.
- |
- |
- |
- |
9 |
SVAYAMBHU |
- |
- |
- |
S |
= |
|
- |
1 |
S |
|
|
|
V |
= |
|
- |
1 |
V |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
Y |
= |
|
- |
1 |
Y |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
M |
= |
|
- |
1 |
M |
|
|
|
B |
= |
|
- |
1 |
B |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
U |
= |
|
- |
1 |
U |
|
|
|
- |
- |
|
- |
9 |
SVAYAMBHU |
|
|
|
- |
- |
3+1 |
- |
- |
- |
1+1+2 |
4+0 |
3+1 |
- |
- |
|
- |
9 |
SVAYAMBHU |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
9 |
SVAYAMBHU |
|
|
|
6 |
HONEST |
81 |
27 |
9 |
|
|
- |
- |
|
|
|
- |
- |
|
7 |
HONESTY |
106 |
34 |
7 |
3 |
AND |
19 |
10 |
1 |
5 |
TRUTH |
87 |
24 |
6 |
21 |
First Total |
|
|
|
2+1 |
Add to Reduce |
2+1+2 |
6+8 |
1+4 |
|
Second Total |
|
14 |
5 |
- |
Reduce to Deduce |
- |
1+4 |
- |
|
Essence of Number |
|
|
|
HONESTY AND TRUTH TRUTH AND HONESTY
DO I KNOW DO YOU KNOW DOES SHE KNOW DOES HE KNOW DO THEY KNOW
GOD KNOWS THAT THAT THAT GOD KNOWS
GOD IS PERFECT CREATIVITY PERFECT IS GOD
RIGHT AND WRONG AND WRONG AND RIGHT
NONE ESCAPES THAT PERFECT JUDGEMENT GODS JUDGEMENT PERFECT THAT ESCAPES NONE
3 |
|
26 |
17 |
|
5 |
|
82 |
19 |
|
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
1+0+8 |
3+6 |
- |
|
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
8 |
|
99 |
36 |
|
10 |
|
111 |
57 |
|
|
Add to Reduce |
|
|
|
2+1 |
Reduce to Deduce |
2+4+3 |
1+0+8 |
1+8 |
|
Essence of Number |
|
|
|
GREETINGS
CHILD
OF
THE
RAINBOW
LIGHT
|
ENTERS |
81 |
36 |
|
|
THE |
33 |
15 |
|
|
GOLDEN |
57 |
30 |
|
|
CHILD |
36 |
27 |
|
20 |
- |
207 |
108 |
27 |
2+0 |
- |
2+0+7 |
1+0+8 |
2+7 |
2 |
- |
9 |
9 |
3 |
THE
HOURS OF HORUS
THAT I OF THAT I OF THAT I THAT
I
AM
SALUTES
THE
ALMIGHTY
THAT
IS
THEE
PEACE BE UNTO YOU
GOODWILL UNTO ALL SENTIENT
BEINGS