
NUCLEAR FAMILY 19769








THE
MAGICALALPHABET
.........
.........
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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.gif)


THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
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- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
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- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
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9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
P |
= |
7 |
- |
5 |
POWER |
77 |
32 |
5 |
F |
= |
6 |
- |
6 |
FAILED |
37 |
28 |
1 |
H |
= |
8 |
- |
4 |
HIGH |
32 |
32 |
5 |
F |
= |
6 |
- |
7 |
FANTASY |
86 |
23 |
5 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
Y |
= |
7 |
- |
3 |
YET |
50 |
14 |
5 |
S |
= |
1 |
- |
5 |
SWIFT |
77 |
23 |
5 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
M |
= |
4 |
- |
4 |
MOVE |
55 |
19 |
1 |
- |
- |
49 |
- |
40 |
First Total |
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- |
- |
4+9 |
- |
4+0 |
Add to Reduce |
4+8+5 |
2+0+6 |
4+4 |
Q |
- |
|
- |
4 |
Second Total |
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- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
|
- |
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Essence of Number |
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E |
= |
5 |
- |
4 |
EVEN |
46 |
19 |
1 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
W |
= |
5 |
- |
5 |
WHEEL |
53 |
26 |
8 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
E |
= |
5 |
- |
5 |
EQUAL |
56 |
20 |
2 |
F |
= |
6 |
- |
4 |
FREE |
34 |
25 |
7 |
F |
= |
6 |
- |
4 |
FROM |
52 |
25 |
7 |
J |
= |
1 |
- |
4 |
JARS |
48 |
12 |
3 |
- |
- |
34 |
- |
34 |
First Total |
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- |
- |
3+4 |
- |
3+4 |
Add to Reduce |
3+8+4 |
1+5+0 |
3+3 |
Q |
- |
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- |
7 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
- |
- |
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- |
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Essence of Number |
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A |
= |
1 |
- |
7 |
ALREADY |
66 |
30 |
3 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
W |
= |
5 |
- |
4 |
WILL |
56 |
20 |
2 |
W |
= |
5 |
- |
4 |
WERE |
51 |
24 |
7 |
W |
= |
5 |
- |
7 |
WHEELED |
62 |
35 |
8 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
- |
- |
34 |
- |
38 |
First Total |
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- |
- |
3+4 |
- |
3+8 |
Add to Reduce |
4+2+5 |
1+8+2 |
4+7 |
Q |
- |
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- |
11 |
Second Total |
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- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
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- |
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Essence of Number |
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T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
M |
= |
4 |
- |
5 |
MOVES |
74 |
20 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
3 |
SUN |
54 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
5 |
OTHER |
66 |
30 |
3 |
S |
= |
1 |
- |
5 |
STARS |
77 |
14 |
5 |
- |
- |
22 |
- |
35 |
First Total |
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- |
- |
2+2 |
- |
3+5 |
Add to Reduce |
4+5+9 |
1+4+4 |
4+5 |
Q |
- |
|
- |
8 |
Second Total |
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- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
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- |
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Essence of Number |
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3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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10 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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.gif)

26 |
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4+3 |
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8 |
9 |
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14 |
15 |
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+ |
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7 |
8 |
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+ |
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8+3 |
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1+1 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
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17 |
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20 |
21 |
22 |
23 |
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2+3+6 |
= |
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1+1 |
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26 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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26 |
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1 |
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occurs |
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2 |
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2 |
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+ |
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occurs |
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3 |
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3 |
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3 |
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+ |
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occurs |
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4 |
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4 |
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4 |
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+ |
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occurs |
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1+2 |
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occurs |
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1+5 |
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+ |
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occurs |
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1+8 |
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occurs |
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2+1 |
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+ |
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occurs |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVENT 2275 ADVENT
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
- |
- |
41 |
|
53 |
First Total |
|
|
|
- |
- |
4+1 |
- |
5+3 |
Add to Reduce |
6+1+6 |
2+3+8 |
4+9 |
- |
- |
5 |
- |
8 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
C |
= |
3 |
- |
14 |
COMPREHENSIBLE |
144 |
72 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
T |
= |
2 |
- |
15 |
TECHNOLOGICALLY |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
ADVANCED |
54 |
27 |
9 |
S |
= |
1 |
- |
7 |
SOCIETY |
96 |
33 |
6 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
E |
= |
5 |
- |
5 |
EPOCH |
47 |
29 |
2 |
- |
- |
47 |
|
81 |
First Total |
|
|
|
- |
- |
4+7 |
- |
8+1 |
Add to Reduce |
9+3+1 |
4+0+0 |
8+5 |
- |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
- |
- |
49 |
|
57 |
First Total |
|
|
|
- |
- |
4+9 |
- |
5+7 |
Add to Reduce |
5+9+8 |
2+3+8 |
5+8 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
2+2 |
1+3 |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
- |
- |
19 |
|
28 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+8 |
Add to Reduce |
2+9+9 |
1+1+0 |
2+0 |
- |
- |
10 |
- |
|
Second Total |
|
|
|
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
2+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS
W |
= |
5 |
- |
4 |
WHAT |
52 |
16 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
L |
= |
3 |
- |
4 |
LOOK |
53 |
17 |
8 |
F |
= |
6 |
- |
3 |
FOR |
30 |
21 |
3 |
T |
= |
2 |
- |
9 |
THEREFORE |
100 |
46 |
1 |
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
B |
= |
2 |
- |
2 |
BE |
7 |
7 |
7 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
U |
= |
3 |
- |
9 |
UNIVERSAL |
121 |
40 |
4 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
|
|
41 |
|
53 |
|
|
|
49 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
4 |
KIND |
38 |
20 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
C |
= |
3 |
- |
4 |
THAT |
144 |
72 |
9 |
T |
= |
2 |
- |
5 |
WOULD |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
BE |
40 |
13 |
4 |
T |
= |
2 |
- |
14 |
COMPREHENSIBLE |
161 |
71 |
8 |
A |
= |
1 |
- |
2 |
TO |
54 |
27 |
9 |
S |
= |
1 |
- |
3 |
ANY |
96 |
33 |
6 |
I |
= |
9 |
- |
15 |
TECHNOLOGICALLY |
23 |
14 |
5 |
A |
= |
1 |
- |
2 |
ADVANCED |
40 |
13 |
4 |
E |
= |
5 |
- |
7 |
SOCIETY |
48 |
29 |
2 |
T |
= |
2 |
- |
2 |
IN |
49 |
13 |
4 |
W |
= |
5 |
- |
3 |
ANY |
75 |
21 |
3 |
B |
= |
2 |
- |
5 |
EPOCH |
7 |
7 |
7 |
|
|
47 |
|
81 |
|
|
|
85 |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
L |
= |
3 |
- |
9 |
LANGUAGES |
87 |
33 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
F |
= |
6 |
- |
3 |
FEW |
34 |
16 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
F |
= |
6 |
- |
3 |
FAR |
25 |
16 |
7 |
B |
= |
2 |
- |
7 |
BETWEEN |
74 |
29 |
2 |
B |
= |
2 |
- |
3 |
BUT |
43 |
7 |
7 |
M |
= |
4 |
- |
11 |
MATHEMATICS |
112 |
40 |
4 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
4 |
THEM |
46 |
19 |
1 |
|
|
49 |
|
57 |
|
|
|
58 |
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
73 |
28 |
1 |
|
|
19 |
|
28 |
|
|
|
20 |
|
|
|
|
|
|
|
|
|
- |
- |
156 |
|
219 |
First Total |
|
|
|
- |
- |
1+5+6 |
- |
2+1+9 |
Add to Reduce |
2+4+4+4 |
9+8+6 |
2+1+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+4 |
2+3 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MATHEMATICS A LANGUAGE OF LETTER AND NUMBER
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
L |
= |
3 |
- |
8 |
LANGUAGE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
S |
- |
19 |
|
26 |
First Total |
|
|
|
- |
- |
1+9 |
- |
2+6 |
Add to Reduce |
2+6+1 |
1+0+8 |
1+8 |
- |
- |
|
- |
|
Second Total |
9 |
9 |
9 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
9 |
9 |
9 |
11 |
THE ADVENT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ADVENT |
66 |
21 |
|
9 |
THE ADVENT |
99 |
36 |
9 |
- |
- |
9+9 |
3+6 |
- |
9 |
THE ADVENT |
9 |
9 |
9 |

EHT NAMUH 1977 THE HUMAN
(Something Inside) So Strong
Labi Siffre
The higher you build your barriers
The taller I become
The further you take my rights away
The faster I will run
You can deny me, you can decide
To turn your face away
No matter 'cause there's
Something inside so strong
I know that I can make it
Though you're doing me wrong, so wrong
You thought that my pride was gone, oh no
There's something inside so strong
Oh, something inside so strong
The more you refuse to hear my voice (ooh-weh ooh-weh ooh-weh ooh-weh)
The louder I will sing
You hide behind walls of Jericho (ooh-weh ooh-weh ooh-weh ooh-weh)
Your lies will come tumbling
Deny my place in time, you squander wealth that's mine
My light will shine so brightly it will blind you
Because there's
Something inside so strong, strong
I know that I can make it
Though…
Brothers and sisters
When they insist we're just not good enough
Well we know better
Just look him in his eyes and say
We're gonna do it anyway
We're gonna do it anyway
There's something inside so strong
And I know that I can make it
Though you're doing me wrong, so wrong
You thought that my pride was gone, oh no
There's something inside so strong, oh
Something inside so strong
Brothers and sisters
When they insist we're just not good enough
Well we know better
Just look him in his eyes and say
We're gonna do it anyway
We're gonna do it anyway
We're gonna do it anyway
We're gonna do it anyway
Because there's
Something inside so strong, (something inside so strong)
I know that I can make it
Though you're doing me wrong, so wrong
You thought that my pride was gone, oh no, oh no
There's something inside so strong
Something inside so strong (oh oh yeah)
I know that I can make it
Though you're doing me wrong, so wrong
You thought that my pride was gone, oh no, oh no
There's something inside so strong
Oh oh, something inside so strong
https://www.youtube.com/watch?v=SWSgOPo4OCM
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
- |
8 |
QUESTION |
120 |
39 |
3 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
B |
= |
2 |
- |
4 |
BEEN |
26 |
17 |
8 |
A |
= |
1 |
- |
5 |
ASKED |
40 |
13 |
4 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
5 |
AGAIN |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
T |
= |
2 |
- |
5 |
THERE |
56 |
29 |
2 |
S |
= |
1 |
- |
4 |
SOME |
52 |
16 |
7 |
M |
= |
4 |
- |
5 |
MEANS |
52 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
K |
= |
2 |
- |
7 |
KNOWING |
93 |
39 |
3 |
W |
= |
5 |
- |
4 |
WHEN |
50 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
6 |
MOMENT |
80 |
26 |
8 |
H |
= |
8 |
- |
3 |
HAS |
28 |
10 |
1 |
C |
= |
3 |
- |
4 |
COME |
36 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
T |
= |
2 |
- |
4 |
TAKE |
37 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
4 |
TIDE |
38 |
20 |
2 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
B |
- |
87 |
|
104 |
First Total |
|
|
|
- |
- |
8+7 |
- |
1+0+4 |
Add to Reduce |
1+1+0+8 |
4+6+0 |
1+1+8 |
- |
- |
15 |
- |
5 |
Second Total |
|
|
|
- |
- |
1+5 |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
1234 5 6789
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
1234 5 6789
LAND ENGAGE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
|
2 |
|
4 |
|
6 |
|
8 |
9 |
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
2 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
A |
= |
1 |
6 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
L |
= |
3 |
1 |
1 |
L |
12 |
3 |
3 |
|
|
|
|
|
U |
= |
3 |
5 |
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
G |
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
G |
= |
7 |
7 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
|
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
|
|
|
|
|
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
|
|
|
1+0 |
1+4 |
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
|
|
|
|
|
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
|
|
|
|
|
The phrase"do not be afraid" is written in the bible 365 times.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
10 |
- |
|
|
19 |
10 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
13 |
- |
|
|
49 |
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
7 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
- |
|
|
7 |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
9 |
1 |
F |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
30 |
- |
|
|
39 |
30 |
30 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
|
1+3 |
|
1+1+4 |
6+0 |
6+0 |
|
|
|
|
|
1+0 |
1+8 |
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
88 |
- |
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
8 |
- |
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
7 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
9 |
1 |
F |
6 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
8 |
- |
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
|
1+3 |
|
1+1+4 |
6+0 |
6+0 |
|
|
|
|
|
1+0 |
1+8 |
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
7 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
8 |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
88 |
- |
F |
= |
6 |
9 |
1 |
F |
6 |
6 |
6 |
|
|
|
3 |
|
|
|
7 |
8 |
- |
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
|
1+3 |
|
1+1+4 |
6+0 |
6+0 |
|
|
|
|
|
1+0 |
1+8 |
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
E |
= |
5 |
7 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
O |
= |
6 |
4 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
- |
F |
= |
6 |
9 |
1 |
F |
6 |
6 |
6 |
|
|
|
|
|
|
- |
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
|
1+3 |
|
1+1+4 |
6+0 |
6+0 |
|
|
|
|
1+0 |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADVENT
2278
FATHER SON MOTHER
FATHER CHILD MOTHER
EGYPTIAN MAGIC
E.A.Wallis Budge
1899
Page 139
THE SUFFERINGS OF RA.
The holy god opened his mouth and said, " 'I was passing along my path, and I was going / Page140 / "through the two regions of my lands according to "my heart's desire, to see that which I had created, " when lo! I was bitten by a serpent which I saw not. "Is it fire? Is it water? I am colder than water, I am hotter than fire. All my flesh sweateth, I quake, "my eye hath no strength, I cannot see the sky, and "the sweat rusheth to my face even as in the time of "summer.' Then said Isis unto Ra, ' O tell me thy " name, holy Father, for whosoever shall be delivered "by thy name shall live.' And Ra said, 'I have made "the heavens and the earth, I have knit together the "mountains, I have created all that is above them, "I have made the water, I have made to come into "being the goddess Meht-urt, and I have made the " " Bull of his mother," from whom spring the delights "of love. I have made the heavens, I have stretched "out the two horizons like a curtain, and I have placed "the soul of the gods within them. I am he who, if "he openeth his eyes, doth make the light, and, if he "closeth them, darkness cometh into being. At his "command the Nile riseth, and the gods know not "his name. I have made the hours, I have created "the days, I bring forward the festivals of the year, "I create the Nile-flood. I make the fire of life, and " I provide food in the houses. I am Khepera in the " morning, I am Ra at noon, and I am Temu at even.' "Meanwhile the poison was not taken away from his "body, but it pierced deeper, and the great god could " no longer walk.
Page 141
RA REVEALS HIS NAME TO ISIS.
"Then said Isis unto Ra, 'What thou hast said is "not thy name. O tell it unto me, and the poison "shall depart; for he shall live whose name shall be " revealed.' Now the poison burned like fire, and it "was fiercer than the flame and the furnace, and the "majesty of the great god said, 'I consent that Isis "shall search into me, and that my name shall pass "from me into her.' Then the god hid himself from "the gods, and his place in the Boat of Millions of "Years was empty. And when the time had arrived "for the heart of Ra to come forth, Isis spake unto "her son Horus, saying, 'The god hath bound himself "by oath to deliver up his two eyes (i.e., the sun and "the moon).' Thus was the name of the great god taken "from him, and Isis, the lady of words of magical "power, said, 'Depart, poison, go forth from Ra. - O "Eye of Horus, go forth from the god, and shine outside "his mouth. It is I who work, it is I who make to fall "down upon the earth the vanquished poison, for the "name of the great god hath been taken away from "him. Let Ra live, and let the poison die! Let the "poison die, and let Ra live!' These are the words " of Isis, the mighty lady, the mistress of the gods, who "knew Ra by his own name."
Page 139
THE SUFFERINGS OF RA.
The holy god opened his mouth and said, " 'I was passing along my path, and I was going / Page140 / "through the two regions of my lands according to "my heart's desire, to see that which I had created, " when lo! I was bitten by a serpent which I saw not. "Is it fire? Is it water? I am colder than water, I am hotter than fire. All my flesh sweateth, I quake, "my eye hath no strength, I cannot see the sky, and "the sweat rusheth to my face even as in the time of "summer.' Then said Isis unto Ra, ' O tell me thy " name, holy Father, for whosoever shall be delivered "by thy name shall live.' And Ra said, 'I have made "the heavens and the earth, I have knit together the "mountains, I have created all that is above them, "I have made the water, I have made to come into "being the goddess Meht-urt, and I have made the " " Bull of his mother," from whom spring the delights "of love. I have made the heavens, I have stretched "out the two horizons like a curtain, and I have placed "the soul of the gods within them. I am he who, if "he openeth his eyes, doth make the light, and, if he "closeth them, darkness cometh into being. At his "command the Nile riseth, and the gods know not "his name. I have made the hours, I have created "the days, I bring forward the festivals of the year, "I create the Nile-flood. I make the fire of life, and " I provide food in the houses. I am Khepera in the " morning, I am Ra at noon, and I am Temu at even.' "Meanwhile the poison was not taken away from his "body, but it pierced deeper, and the great god could " no longer walk.
Page139
"I have made "the heavens and the earth,
I have knit together the "mountains,
I have created all that is above them, "
I have made the water,
I have made to come into "being the goddess Meht-urt, and
I have made the " " Bull of his mother," from whom spring the delights "of love.
I have made the heavens,
I have stretched "out the two horizons like a curtain, and
I have placed "the soul of the gods within them. I am he who, if "he openeth his eyes, doth make the light, and, if he . . . . . . . . "closeth them, darkness cometh into being. At his "command the Nile riseth, and the gods know not "his name. . I have made the hours,
I have created "the days, I bring forward the festivals of the year, "I create the Nile-flood. I make the fire of life, and " I provide food in the houses. I am Khepera in the " morning, I am Ra at noon, and I am Temu at even.' "Meanwhile the poison was not taken away from his "body, but it pierced deeper, and the great god could " no longer walk.
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
I |
- |
H |
A |
V |
E |
- |
C |
O |
M |
E |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
8 |
1 |
22 |
5 |
- |
3 |
15 |
13 |
5 |
+ |
= |
81 |
8+1 |
= |
9 |
NINE |
9 |
- |
- |
- |
- |
2+2 |
|
- |
- |
1+5 |
1+3 |
- |
- |
|
- |
- |
- |
- |
- |
- |
9 |
- |
8 |
1 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
+ |
= |
45 |
4+5 |
= |
9 |
NINE |
9 |
I |
- |
H |
A |
V |
E |
- |
C |
O |
M |
E |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
- |
I HAVE |
45 |
27 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
5 |
HAVE I |
45 |
27 |
9 |
- |
- |
4+5 |
2+7 |
|
5 |
I HAVE |
9 |
9 |
9 |
|
5 |
I HAVE |
|
|
|
|
|
|
|
|
|
|
1+4 |
I+ HA+VE |
|
|
= |
|
4+5 |
= |
|
|
|
|
1+4 |
I+ HA+VE |
|
|
= |
|
2+7 |
= |
|
|
|
|
5 |
I HAVE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
2 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
3 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
4 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
5 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
6 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
7 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
8 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
9 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
10 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
11 |
5 |
I HAVE |
9 |
45 |
|
|
4+5 |
= |
|
|
|
66 |
55 |
First Total |
|
|
|
|
|
|
|
|
|
6+6 |
5+5 |
Add to Reduce |
9+9 |
3+9+6 |
|
|
|
|
9+9 |
|
9+9 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
1+2 |
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
1+8 |
|
1+8 |
3 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
- |
REDEMPTIVE |
- |
- |
- |
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
2 |
E+M |
18 |
9 |
|
|
P+T |
36 |
9 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
10 |
REDEMPTIVE |
117 |
54 |
54 |
| 1+0 |
|
1+1+7 |
5+4 |
5+4 |
1 |
REDEMPTIVE |
9 |
9 |
9 |
- |
THE DOG STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
DOG |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE DOG STAR |
|
|
|
| 1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE DOG STAR |
|
|
|
- |
THE GOD STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE GOD STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE GOD STAR |
|
|
|
- |
THE STAR GOD |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
STAR |
58 |
13 |
4 |
3 |
GOD |
26 |
17 |
8 |
10 |
THE STAR GOD |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE STAR GOD |
|
|
|
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
4 |
LIES |
45 |
18 |
9 |
3 |
THE |
33 |
15 |
6 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
6 |
THINKS |
81 |
27 |
9 |
2 |
AN |
15 |
6 |
6 |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
2 |
NO |
29 |
11 |
2 |
1 |
I |
9 |
9 |
9 |
2 |
AT |
21 |
3 |
3 |
3 |
ALL |
25 |
7 |
7 |
30 |
First Total |
|
|
|
|
Add to Reduce |
3+3+1 |
1+4+2 |
7+9 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
|
|
1+6 |
3 |
Essence of Number |
|
|
|
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
K |
= |
2 |
4 |
KNOW |
63 |
18 |
9 |
M |
= |
4 |
2 |
ME |
18 |
9 |
9 |
- |
- |
- |
- |
- |
COGITO ERGO SUM |
- |
- |
- |
C |
= |
3 |
|
6 |
COGITO |
69 |
33 |
6 |
E |
= |
5 |
|
4 |
|
45 |
27 |
|
S |
= |
1 |
|
3 |
|
53 |
17 |
|
- |
- |
|
- |
|
COGITO ERGO SUM |
|
|
|
|
- |
- |
- |
1+3 |
- |
1+6+7 |
7+7 |
2+3 |
- |
|
|
|
|
COGITO ERGO SUM |
|
|
|
|
|
- |
|
- |
|
1+4 |
1+4 |
- |
- |
|
|
|
|
COGITO ERGO SUM |
|
|
|
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
5 |
THINK |
62 |
26 |
8 |
T |
= |
2 |
9 |
THEREFORE |
100 |
55 |
1 |
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
2 |
AM |
14 |
5 |
5 |
|
|
23 |
18 |
First Total |
|
|
|
|
|
2+3 |
|
Add to Reduce |
1+9+4 |
1+0+4 |
3+2 |
|
|
5 |
9 |
Second Total |
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
5 |
9 |
Essence of Number |
|
|
|
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
5 |
THINK |
62 |
26 |
8 |
T |
= |
2 |
9 |
THEREFORE |
100 |
55 |
1 |
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
2 |
AM |
14 |
5 |
5 |
N |
= |
5 |
3 |
NOT |
49 |
13 |
4 |
|
|
28 |
21 |
Add to Reduce |
|
|
|
|
|
10 |
|
Reduce to Deduce |
2+4+3 |
1+1+7 |
3+6 |
|
|
1 |
3 |
Essence of Number |
|
|
|
18 |
I THINK THEREFORE I AM |
194 |
104 |
5 |
21 |
I THINK THEREFORE I AM NOT |
243 |
117 |
9 |
4 |
THAT |
49 |
13 |
4 |
1 |
I |
9 |
9 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
THINE |
56 |
29 |
9 |
3 |
AND |
19 |
10 |
1 |
4 |
MINES |
60 |
24 |
6 |
3 |
OWN |
52 |
16 |
7 |
4 |
MINDS |
59 |
23 |
5 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
1 |
I |
9 |
9 |
9 |
2 |
OF |
21 |
12 |
3 |
3 |
MIN |
60 |
24 |
6 |
4 |
THAT |
49 |
13 |
4 |
8 |
DREAMERS |
83 |
38 |
2 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
6 |
THINKS |
81 |
27 |
9 |
2 |
AN |
15 |
6 |
6 |
1 |
I |
9 |
9 |
9 |
1 |
ME |
9 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
10 |
1 |
3 |
KNOW |
49 |
13 |
4 |
1 |
I |
9 |
9 |
9 |
2 |
AT |
21 |
12 |
3 |
3 |
ALL |
25 |
7 |
7 |
3 |
LAW |
36 |
9 |
9 |
7 |
JUSTICE |
87 |
24 |
6 |
9 |
INJUSTICE |
110 |
38 |
2 |
KARM A A MARK
MADE
6 |
KARMAS |
63 |
18 |
9 |
3 |
LAW |
36 |
9 |
9 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
DIE |
18 |
9 |
9 |
7 |
REALITY |
90 |
36 |
9 |
18 |
|
O |
R |
T |
H |
|
|
|
|
|
H |
|
|
A |
S |
T |
|
W |
E |
S |
T |
- |
- |
- |
- |
- |
|
|
|
15 |
18 |
20 |
8 |
|
|
|
|
|
8 |
|
|
|
|
|
|
23 |
5 |
19 |
20 |
|
|
|
|
|
|
|
|
6 |
9 |
2 |
8 |
|
|
|
|
|
8 |
|
|
1 |
1 |
2 |
|
5 |
5 |
1 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
1 |
|
+ |
= |
4 |
|
|
|
|
|
|
|
2 |
|
|
|
|
|
2 |
|
|
|
|
|
2 |
|
|
|
|
2 |
+ |
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
+ |
= |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
5 |
5 |
|
|
+ |
= |
20 |
2+0 |
= |
2 |
|
|
6 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
12 |
|
|
3 |
|
|
- |
- |
- |
8 |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
+ |
= |
16 |
|
|
7 |
- |
- |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
+ |
= |
|
|
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
= |
4 |
|
|
|
|
|
|
|
= |
8 |
|
|
|
|
occurs |
x |
1 |
= |
3 |
|
|
|
|
occurs |
x |
4 |
= |
20 |
|
|
|
|
occurs |
x |
2 |
= |
12 |
|
|
|
|
occurs |
x |
2 |
= |
16 |
|
|
|
|
occurs |
x |
1 |
= |
9 |
|
|
|
4 |
EAST |
45 |
9 |
9 |
4 |
WEST |
67 |
13 |
4 |
5 |
NORTH |
75 |
30 |
3 |
5 |
SOUTH |
83 |
20 |
2 |
18 |
Add |
270 |
72 |
18 |
1+8 |
Reduce |
2+7+0 |
7+2 |
1+8 |
9 |
Deduce |
9 |
9 |
9 |
13 |
THE EYE OF HORUS |
170 |
80 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
1 |
I |
9 |
9 |
9 |
2 |
OF |
21 |
12 |
3 |
5 |
HORUS |
81 |
36 |
9 |
11 |
THE I OF HORUS |
144 |
72 |
27 |
1+1 |
- |
1+4+4 |
7+2 |
2+7 |
2 |
THE I OF HORUS |
9 |
9 |
9 |
3 |
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33 |
15 |
6 |
6 |
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72 |
18 |
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2 |
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21 |
12 |
3 |
3 |
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45 |
9 |
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171 |
54 |
27 |
1+4 |
- |
1+7+1 |
5+4 |
2+7 |
5
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- |
9 |
9 |
9 |
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878-1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'"
" 'When a man awakes he can die; when he dies he can be born' "

THE TIBETAN BOOK OF THE DEAD
Greta Thunberg mocks world leaders in 'blah, blah, blah' speech
HERE IS A PROPHET IF YOU DID NOT KNOW IT
BLAH BLAH BLAH
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BLAH BLAH BLAH |
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BLAH BLAH BLAH |
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BLAH BLAH BLAH |
15 |
6 |
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1+5 |
1+0 |
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BLAH BLAH BLAH |
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BLAH BLAH BLAH |
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BLAH BLAH BLAH |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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6 |
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BLAH BLAH BLAH |
69 |
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1+2 |
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6+9 |
4+2 |
4+2 |
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1+2 |
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2+4 |
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BLAH BLAH BLAH |
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BLAH BLAH BLAH |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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BLAH BLAH BLAH |
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6+9 |
4+2 |
4+2 |
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1+2 |
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2+4 |
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6 |
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3 |
BLAH BLAH BLAH |
15 |
6 |
6 |
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1+5 |
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BLAH BLAH BLAH |
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8 |
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1 |
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8 |
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BLAH BLAH BLAH |
69 |
42 |
42 |
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1+2 |
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6+9 |
4+2 |
4+2 |
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1+2 |
2+4 |
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6 |
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3 |
BLAH BLAH BLAH |
15 |
6 |
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1+5 |
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6 |
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3 |
BLAH BLAH BLAH |
6 |
6 |
6 |
|
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|
Greta Thunberg mocks world leaders in 'blah, blah, blah' speech
HERE IS A PROPHET IF YOU DID NOT KNOW IT
BLAH BLAH BLAH
- |
- |
- |
- |
- |
BLAH BLAH BLAH |
- |
- |
- |
B |
2 |
+ |
- |
4 |
BLAH |
23 |
14 |
5 |
B |
2 |
+ |
- |
4 |
BLAH |
23 |
14 |
5 |
B |
2 |
+ |
- |
4 |
BLAH |
23 |
14 |
5 |
- |
6 |
- |
- |
12 |
BLAH BLAH BLAH |
69 |
42 |
15 |
- |
- |
- |
- |
1+2 |
- |
6+9 |
4+2 |
1+5 |
- |
6 |
- |
- |
3 |
BLAH BLAH BLAH |
15 |
6 |
6 |
- |
- |
- |
- |
- |
- |
1+5 |
1+0 |
1+0 |
- |
6 |
- |
- |
3 |
BLAH BLAH BLAH |
6 |
6 |
6 |
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35 |
8 |
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25 |
7 |
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76 |
22 |
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48 |
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55 |
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27 |
9 |
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133 |
61 |
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121 |
49 |
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9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
74 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
52 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
4 |
|
30 |
21 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
4 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
4+6 |
Add to Reduce |
4+7+7 |
2+0+7 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
HUMANITY CAUGHT BETWEEN THE DEVIL AND THE DEEP BLUE SEA
How you have fallen from heaven, bright morning star,
felled to the earth, sprawling helpless across the nations!
You thought in your own mind,
I will scale the heavens; I will set my throne high above the stars of God,
I will sit on the mountain where the gods meet
in the far recesses of the north.
I will rise high above the cloud-banks
and make myself like the Most High.
Yet you shall be brought down to Sheol, to the depths of the abyss.
Those who see you will stare at you, they will look at you and ponder. . .
10 |
NAMES OF GOD |
99 |
45 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
OSIRIS ISIS SISI SIRISO
SO IRIS ISIS SISI ISRI OS
ISIS IS IRIS SIRI SI SISI
SIRIUS SUIRIS
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
ORI |
42 |
24 |
6 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
18 |
|
- |
9+9 |
5+4 |
1+8 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
nounWord forms: Latin genitive Orionis (???r?'??n?s ) a conspicuous constellation near Canis Major containing two first magnitude stars (Betelgeuse and Rigel) and a distant bright emission nebula (the Orion Nebula) associated with a system of giant molecular clouds and star formation.
Orionis definition and meaning | Collins English Dictionary
www.collinsdictionary.com › dictionary › english › orionis
Orionis | Definition & Meaning - Merriam-Webster
www.merriam-webster.com › dictionary › orionis
The following 3 entries include the term orionis. Alpha Orionis. noun. : betelgeuse. See the full definition. Beta Orionis.
(astronomy) Genitive form of Orion used when naming stars, such as a Orionis.
HURRAH FOR RAH FOR RAH HURRAH.
the Alpha star of Orion we have to say “Alpha Orionis”, meaning “Alpha of Orion” – “Orionis” be-ing the genitive of Orion. Likewise, Eta of Carina is “Eta ... www.pretoria-astronomy.co.za/pdf/newsletters_august_2008
"If we want to talk about
the Alpha star of Orion we have to say “Alpha Orionis”, meaning “Alpha of Orion” – “Orionis” being
the genitive of Orion."
[as genitive] (O·ri·o·nis / ˌôrēˈōnis/ ) used with a preceding letter or numeral to ... Orion is outlined by the prominent stars Betelgeuse (Alpha Orionis. ... www.encyclopedia.com/doc/1O999-orion.html
O·ri·on / əˈrīən/ 1. Greek Mythol. a giant and hunter who was changed into a constellation at his death. 2. Astron. a conspicuous constellation (the Hunter), said to represent a hunter holding a club and shield. It lies on the celestial equator and contains many bright stars, including Rigel, Betelgeuse, and a line of three that form Orion's belt. ∎ [as genitive] (O·ri·o·nis / ˌôrēˈōnis/ ) used with a preceding letter or numeral to designate a star in this constellation: the multiple star Theta Orionis.
RANKING STARS IN A CONSTELLATION
Or, for constellations not ending in "-us," add "-is" (e.g., Orion becomes Orionis). For your convenience, the genitive case is indicated at the top of the ... homepage.mac.com/kvmagruder/bcp/aster/constellations/alpha.htm
"Lift your eyes and look to the heavens: Who created all these?
He who brings out the starry host one by one, and calls them each by name.
Because of his great power and mighty strength, not one of them is missing."
Isaiah 40:25
Stars within a given constellation are usually ranked according to relative brightness by the Greek alphabet. The brightest star is alpha, the second-brightest beta, the third-brightest gamma, and so forth. There are some exceptions, when an especially common constellation (such as Ursa Major or Crux) is numbered according to its linear sequence, like a dot-to-dot diagram.
Star names have two parts; the first is the Greek letter indicating its brightness. The second part of a star name indicates its constellation. To obtain this constellation part of the star name, the letter of the Greek alphabet which indicates a star's brightness is conjoined with the Latin genitive case of the name of the constellation. For example, the brightest star of the constellation Centaurus is "alpha-Centauri," which happens to be the star nearest to our own Sun (though it is actually a multiple star system). "Centauri" is the Latin genitive case of "Centaurus." In general, the genitive case is obtained by changing the suffix "-us" to "-i," (e.g., Taurus becomes Tauri). Or, for constellations not ending in "-us," add "-is" (e.g., Orion becomes Orionis).
As to why it's Orionis rather than Orion, etc.—these are just the genitive (possessive) cases of the Latin names/words for the constellations. ... www.astro.cornell.edu/research/projects/CAS/faq.html
Cornell Astronomical Society
7) What do these names like "Delta Orionis" mean? Why is it "Orionis" and not "Orion?"
Some stars have their own proper names, like Rigel (in Orion), Vega (in Lyra), or Polaris (in Ursa Minor). These are either prominent, bright stars, or they occupy particular places in the constellations. (For example, two fun star names are Zubenelgenubi and Zubeneschamali, Arabic names meaning "The Southern Claw" and "The Northern Claw," respectively; the stars are in Libra, the Balance. Libra used to be part of Scorpius, the Scorpion; these stars were its two claws.)
Most stars, however, don't have special names. For those such stars visible to the eye, we use a system developed by Johann Bayer in the 17th century. He ranked stars in constellations in order from brightest to dimmest, using letters of the Greek alphabet: Alpha is the brightest star of a constellation, Beta the second brightest, etc. When the Greek alphabet has been exhausted, numbers are used. This latter system was devised by the 17th century British astronomer John Flamsteed, who assigned numbers even to stars that Bayer had given letter designations; most people only use the Flamsteed numbers for stars that do not have proper names or Greek letters.
As to why it's Orionis rather than Orion, etc.—these are just the genitive (possessive) cases of the Latin names/words for the constellations. Thus, "Delta Orionis" is "4th brightest star of the constellation Orion." While you need to learn Latin for the details (and it's very useful to know Latin, so you should consider it!), for nearly all the constellations the rules are: 1) if the name ends in "a" (Lyra, Andromeda,...), the genitive will end in "ae" (Lyrae, Andromedae,...); 2) if the name ends in "us" or "um" (Cygnus, Cepheus, Scutum,...), the genitive will end in "i" (Cygni, Cephei, Scuti,...); 3) anything else (Orion, Virgo,...) is likely a "3rd declension noun," which indicates a sort of kitchen-sink situation re whether/how the base portion of the noun changes—simple answer is, memorize the genitive versions.
9 Jun 2008 ... is designated R followed by the genitive of the constellation name (eg. ... At maximum light, FU Orionis stars are of spectral type A - G after which the spectral ... For more information, see: Orion variable stars ...
en.citizendium.org/wiki/Variable_star
Variable star - encyclopedia - Citezendium
FU Orionis stars
Named after the prototype of this class, FU Orionis (GCVS code: FU), these stars are characterized by a slow outburst in which the brightness of the star increases up to 6 magnitudes over a number of months and stays at maximum brightness for up to several years after which a slow decline sets in that dims the star by a couple of magnitudes. During an outburst the spectral type of the stars can change significantly and an emission spectrum develops as well. At maximum light, FU Orionis stars are of spectral type A - G after which the spectral type becomes later. All FU Orionis stars are associated with reflecting nebulae.[2][3]
FU Orionis stars are pre-main sequence stars somewhat similar to T Tauri stars. The prototype was first discovered in 1939 by A. Wachmann when the star increased some 100-fold in brightness. FU Orionis was studied in depth by George Herbig in the 1960s and 1970s.[2] There are some 10 stars known of this type.
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
OR |
33 |
15 |
6 |
4 |
IRON |
56 |
29 |
2 |
2 |
IS |
28 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ORIONIS |
99 |
54 |
9 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
ORI |
42 |
24 |
6 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
18 |
|
- |
9+9 |
5+4 |
1+8 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
36 |
|
- |
9+9 |
5+4 |
3+6 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
ORION IS IS ORION
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
7 |
ORIONIS |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
ORIONIS
ORIONIS OSIRION OSIRION ORIONIS
OSIRION
- |
OSIRION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
S |
19 |
10 |
1 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
7 |
OSIRION |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
OSIRION |
|
|
|
|
- |
1+8 |
- |
- |
|
OSIRION |
|
|
|
OSIRION
20 |
|
|
|
|
|
O+S |
34 |
16 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
- |
I |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
9 |
- |
U+S |
40 |
13 |
4 |
20 |
|
|
|
|
- |
|
|
|
|
|
ISIS |
56 |
38 |
|
|
IRIS |
55 |
37 |
|
|
OSIRIS |
89 |
44 |
|
|
SIRIUS |
95 |
50 |
|
20 |
|
|
|
|
|
|
2+9+5 |
1+6+9 |
1+6 |
|
|
|
|
|
- |
- |
1+6 |
1+6 |
- |
2 |
|
|
|
|
THE SIRIUS MYSTERY
Was Earth visited by intelligent beings from a planet in the system of the star Sirius?
Robert K.G.Temple 1976
Page 69
" Back to Anubis. Wallis Budge says of him:26 'His worship is very ancient, and there is no doubt that even in the earliest times his cult was general in Egypt; it is probable that it is older than that of Osiris.' Also he points out here, as elsewhere, that the face of the deceased human becomes identified with Anubis, and it is just the head of Anubis which is symbolically represented by the jackal or dog. I have already pointed out that he is described as the circle or orbit separating the dark Nephthys from the light Isis or Sirius. In other words, I take Anubis to represent the orbit of Sirius B around Sirius A. We also find him described as 'time',27 a particularly intelligent way of looking at an orbit as progressive and sequential in time. 'Time the devourer', a motif common to us all, is no stranger to the Egyptians. It should not surprise us that Anubis is also represented as a devourer! More specifically, he is accused of devouring the Apis bull. The Apis bull is the animal into which the dead Osiris was sewn and transported, according to a late legend which is widely known. But more basically, the 'Apis Bull' (the deity known under the Ptolemies as Serapis) is Asar-Hapi. It is Osiris himself! In The Gods of the Egyptians, we read 'Apis is called "the life of Osiris, the lord of heaven" , and 'Apis was, in fact, believed to be animated by the soul of Osiris, and to be Osiris incarnate'. 28
So, consequently, when Anubis devoured Apis, he was eating the husband of Isis! It is very colourfully represented in these dramatic mythological terms, but the meaning is clear.. We read later:29
'Others again are of the opinion that by Anubis is meant Time, and that his denomination of Kuon [the Greek word for 'dog'] does not so much allude to any likeness which he has to the dog, though this be the general rendering of the word, as to that other significance of the term taken from breeding; because Time begets all things out of itself, bearing them within itself, as it were in a womb. But this is one of those secret doctrines which are more fully made known to those who are initiated into the worship of Anubis.'
Exactly. A secret doctrine! What one would give for a fuller account! This is the trouble with most of our sources; they give away little except by inference. Secret doctrines are not scribbled down too frequently and left for posterity. The most secret doctrine" of the Dogon was only revealed with great reluctance after many, many years, and following upon a conference by the initiates. The Egyptians were no fools, and we can hardly expect them to have left papyri or texts specifically revealing in so many words what they were not supposed to reveal. We can only try to piece together clues. But we will see our clues eventually turn into a veritable avalanche.
The last passage from Wallis Budge was a quotation by him from Plutarch's 'Isis and Osiris'. Many Egyptologists have remarked on the irony that we have nowhere in Egyptian sources a full, coherent account of Isis and Osiris not even in all the sources put together! And we are forced to rely on Plutarch, who did preserve a long account which he wrote in his native Greek. Plutarch is thought to have been a priest himself, and was certainly a Delphic initiate.
Page 70
"He had a talent for befriending priests and priestesses. One of his best friends was the priestess Clea of the oracle at Delphi. His treatise 'Isis and Osiris' is dedicated to Clea and addressed to her. It begins with these words: 'All good things, my dear Clea, sensible men must ask from the gods; and especially do we pray that from those mighty gods we may, in our quest, gain a knowledge of themselves, so far as such a thing is attainable by men.' This gives some indication of what Plutarch was like as a man.
The Introduction to the Loeb edition of Isis and Osiris by F. C. Babbitt says: '[Plutarch] once visited Egypt, but how long he stayed and how much he learned we have no means of knowing. It is most likely that his treatise represents the knowledge current in his day, derived, no doubt, from two sources: books and priests.' It is certain that Plutarch's friend Clea, who was so important at Delphi, would have seen to it that Plutarch had ample introductions to leading
priests of Egypt. This sort of thing was standard practice - as with the study of Egyptian religion and astronomy undertaken centuries earlier by the Greek scholar Eudoxus (colleague of Plato and Aristotle), who was given a letter of introduction to the last of the native Pharaohs, Nectanebo, by the Spartan general Agesilaus, and who in turn sent him off to associate with his priests. The fact that Plutarch's treatise is addressed to Clea may indicate a debt to her for its preparation as well as common religious enthusiasms. So, no doubt Plutarch did with the Egyptian priests what Griaule and Dieterlen did with the Dogon - drew some secret traditions out of them. It is thus not surprising that Plutarch's essay is more respected by Egyptologists than by classicists.
Plutarch says: 'Some are of the opinion that Anubis is Cronos.'30 Chronos, of course, was the Greek 'time the devourer', spelt with an h. Cronos in Latin is Saturn. There is a considerable debate among scholars whether Cronos (Saturn), the former chief god prior to Zeus (J u pi ter), has any definite relation to the word chronos spelt with the h and sometimes used as a proper name for Time. From this latter word we derive chronology, chronicle, etc. The Sumerian god Anu is quite similar to the Greek Cronos because both Cronos and Anu were 'old' gods who were displaced by younger blood - by Zeus and Enlil
respectively. Thus another possible link between Anu and Anubis, if one be willing to grant that Cronos and Chronos are not entirely separate words and concepts in ancient pre-classical Greece.
Wallis Budge continues with reference to Plutarch:
Referring to Osiris as the 'common Reason which pervades both the superior and inferior regions of the universe', he [Plutarch] says that it is, moreover, called 'Anubis, and sometimes likewise Hermanubis (i.e. Heru-em-Anpu); the first of these names expressing the relation it has to the superior, as the latter, to the inferior world. And for this reason it is, they sacrifice to him two Cocks, the one white, as a proper emblem of the purity and brightness of things above, the other of a saffron colour, expressive of that mixture and variety which is to found on those lower regions.'
Here is what I take to be a possible reference to the white Sirius A and the 'darker' Sirius B. But also, the 'lower regions' are the horizons, where white heavenly bodies at their 'births' and 'deaths' become saffron-coloured.
There is a clearer translation by Babbitt in the precise description of Anubis / Page 71 / as 'the combined relation of the things'31 rather than as 'the common Reason which pervades' the light world and the dark world. A circular orbit is just that - 'a combined relation' between the star revolving and the star revolved around. In order to make this more firmly established less as fancy than as fact, I shall cite Plutarch's words from his next paragraph (Babbitt's translation):
'Moreover, they (the Egyptians) record that in the so-called books of Hermes (the Trismegistic literature?) it is written in regard to the sacred names
that they call the power which is assigned to direct the revolution of the Sun Horus . . .'
This is important because we see here that they specifically call the orbit of the sun by a god's name. If they can call the revolution of the sun by a god's name, they can call the revolution of Sirius B (assuming they really knew about it) by a god's name. We are dealing with a precedent. Now we resume this quotation because it is interesting for other reasons: '. . . but the Greeks call it Apollo; and the power assigned to the wind some call Osiris and others Serapis; and Sothis in Egyptian signifies "pregnancy" (cyesis) or "to be pregnant" (cyein): therefore in Greek, with a change of accent, the star is called the Dog-star (Cyon), which they regard as the special star of Isis.'
A further piece of information from Plutarch about Anubis is :32 I 'And when the child (Anubis, child of Nephthys by Osiris) had been found, after great toil and trouble, with the help of dogs which led Isis to it, it was brought up and became her guardian and attendant, receiving the name Anubis, and it is said to protect the gods just as dogs protect men.'
If Anubis is conceived of as an orbit around Sirius, then he would indeed be attendant upon Isis! He would go round and round her like a guard dog.
Plutarch has an interesting tale: 'Moreover, Eudoxus says that the Egyptians have a mythical tradition in regard to Zeus that, because his legs were grown together, he was not able to walk. . .'33 This sounds very like the amphibious Oannes of the Sumerians who had a tail for swimming instead of legs for walking.
Plutarch provides us with an important and crucial clue linking Isis with the Argo and the Argonauts and demonstrating a probable derivation of an idea that has puzzled classicists enormously (and later on we shall see the links between Isis and the Argo considerably elaborated): 'Like these also are the Egyptian beliefs; for they often times call 1sis by the name of Athena, expressive
of some such idea as this, "I came of myself," which is indicative of selfimpelled motion. '34
I t must be remembered that the Greek goddess Athena, the goddess of the mind and of wisdom, was reputed to have sprung full-fledged from the brow of Zeus. She was not born. She came of herself. However, the quotation must be continued to make the point:
Typhon, as has been said, is named Seth and Bebon and Smu, and these names would indicate some forcible and preventive check or opposition or reversal.
Moreover, they call the lodestone the bone of Horus, and iron the bone of Typhon, as Manetho records. For, as the iron oftentimes acts as if it were being attracted and drawn toward the stone, and oftentimes is rejected / Page 72 / and repelled in the opposite direction, in the same way the salutary and good and rational movement of the world at one time, by persuasion, attracts and draws towards itself a:1d renders more gentle that harsh and Typhonian movement, and then again it gathers itself together and reverses it and plunges it into difficulties.
The identification of Isis with Athena here in connection with lodes tones and 'self-impelled motion' brings to mind the placing by Athena of a cybernetic* oak timber from the holy sanctuary of Dodona (supposedly founded by Deukalion, the Greek Noah, after his ark landed) in the keel of the Argo. H. W. Parke in his books Greek Oracles and The Oracles of Zeus refers to this: 'Athena when the Argo was built took a timber from the oak tree of Dodona (the oracular centre of Zeus) and fitted it into the keel. This had the result that the Argo itself could speak and guide or warn the Argonauts at critical moments, as it actually is represented as doing in our extant epics on the subject. The original epic is lost, but there is no reason to doubt that this miraculous feature went back to it, and, if so, was at least as old as the Odyssey in which the Argo and its story are mentioned.' Parke then emphasizes most strongly that it is the timber itself that acts as guide. It is self-sufficient and not merely an oracular medium. Thus we see that the Argo had a unique capacity for 'selfimpelled motion' which was built into it by Athena (whom Plutarch identifies with Isis). 35
Now is a suitable stage to return to the Sumerians, as in their culture we shall find many significant references to 'fifty heroes', 'fifty great gods', etc. But first we shall leave the fifty Argonauts and their magical ship to turn our attention to what appears to be a rather precise Egyptian description of the Sirius system preserved in an unusual source. The source is G. R. S. Mead (who was a friend of the poet Yeats and is mentioned by his nickname 'Old Crore' in Ezra Pound's Cantos), whose three-volume Thrice Greatest Hermes36 contains a translation of, with extensive prolegomena and notes to, the obscure and generally ignored ancient 'Trismegistic literature' of the Hermetic tradition. These writings are largely scorned by classical scholars who consider them Neoplatonic forgeries. Of course, ever since the wild Neoplatonic boom in the Italian Renaissance period when Marsilio Ficino translated and thereby preserved for posterity (one must grant the Medicis the credit for finding and purchasing the manuscripts!) such Neoplatonists as Iamblichus, as well as these Trismegistic writings, the Neoplatonists have been in the doghouse. The Loeb Classical Library still has not published all of Plotinus even now.
But most readers will not be familiar either with the term 'trismegistic' or with the Neoplatonists. So I had better explain. The Neoplatonists are Greek philosophers who lived long enough after Plato to have lost the name of Platonists as far as modern scholars are concerned (though they were intellectual disciples of Plato and considered themselves Platonists). Modern scholars have added the prefix 'Neo-' to 'Platonist' for their own convenience, in order to / Page 73 / distinguish them from their earlier predecessors, those Platonists who lived within 150 years of Plato himself. The Platonic Academy existed for over nine centuries at Athens. In actuality, scholars talk about 'Middle Platonists', 'Syrian Platonists', 'Christian Platonists', 'Alexandrian Platonists', and so on. I suggest the reader look at my Appendix I, which will tell him a lot about the Neoplatonists and their connection with the Sirius mystery, and which deals primarily with Proclus.
G. R. S. Mead, at the beginning of his work Thrice Greatest Hermes, explains fully what 'the Trismegistic Literature' is. He calls it 'Trismegistic' instead of
by its earlier designation 'Hermetic' (from the name of the Greek god Hermes) in order to distinguish it from other less interesting writings such as the Egyptian Hermes prayers and also the 'Hermetic Alchemical Literature'. The Trismegistic writings are now fragmentary and consist of a large amount of exceedingly strange sermons, dialogues, excerpts by Stobaeus and the Fathers of the Church from lost writings, etc. I hesitate to give a brief summary of them and suggest that the interested reader actually look into this subject himself. There are some matters which defy summary, and I consider this to be one of them. The writings contain some 'mystical' elements and certainly some sublime elements. Old Cosimo de Medici was told by Ficino that he could translate for him either the Hermetic Literature or the dialogues of Plato, but not both at once. Cosimo knew he was dying. He said something like: 'If only I could read the Books of Hermes, I would die happy. Plato would be nice but not as important. Do the Hermes, Ficino.' And Ficino did.
As I explain fully in Appendix I, the Neoplatonists are so thoroughly despised through the bias of the moment, however one cares to define that bias, that "the Trismegistic literature suffers with Neoplatonism under the onus of being considered too far removed from reality and logic and being inclined towards the mystical. This does not fit well with the hard rationalism of an age still bound by the (albeit decaying) fetters of nineteenth-century scientific deterministic prejudice. The sublime irony is, of course, that proven and authentic Egyptian texts are obviously mystical, but that is considered all right. However, as long as there is a belief that the Trismegistic literature is Neoplatonic it will be despised because it is mystical.
The Trismegistic literature may be Neoplatonic. But that does not make what it has to say about Egyptian religion any less valid per se than the 'Isis and Osiris' by the Greek Plutarch, who was only slightly earlier in time than the Neoplatonist Greeks. It is time for scholars to pay some attention to this sadly neglected material. Much of the Trismegistic literature probably goes back to genuine sources or compilations such as Manetho's lost So this. Or the literature may be quite ancient, in which case some of it cannot, in its present form, be earlier than the Ptolemaic period when the Zodiac as we know it was introduced into Egypt by the Greeks who in turn had it from Babylon. (I cannot here discuss the matter of earlier forms of zodiac, such as at Denderah.)
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries I take this to refer to to the Egyptian priests. However, one of the most significant passages in the treatsie follows immediately upon this / Page 75 /
statement, and indicates to me that this treatise must have some genuine Egyptian source, for no late Greek should have been capable of incorporating this. But in order to recognize this one must know about the extraordinary Imhotep, a brilliant genius, philosopher, doctor, and Prime Minister (to use our terms) during the Third Dynasty in Egypt circa 2600 B.O. under King Zoser, whose tomb and temple he constructed and designed himself. (This is the famous step-pyramid at Sakkara, the first pyramid ever built and the world's earliest stone building according to some.) Imhotep was over the centuries gradually transformed into a god and 'a son of Ptah'. One reason why the process of his deification may have been retarded for some thousands of years is that writings by him survived, rather like the survival of the Cathas by Zarathustra (Zoroaster), making it impossible to claim that a man who left writings could in fact have been a god. Just like Mohammed and Zoroaster, Imhotep remained a sort of 'prophet' through his surviving writings.
For the significant passage, now, here is the entire paragraph: 'To him (Hermes) succeeded Tat, who was at once his son and heir unto these knowledges [this almost certainly implies a priesthood] ; and not long afterwards AsclepiusImuth, according to the will of Ptah who is Hephaestus, and all the rest who were to make enquiry of the faithful certitude of heavenly contemplation, as Foreknowledge (or Providence) willed, Foreknowledge queen of all.'
Now this is a really striking passage. We have the mysterious 'Hermes' succeeded by an Egyptian priesthood of Thoth. Then 'not long afterwards' we have someone called Asclepius-Imuth 'according to the will of Ptah'. This is Imhotep! Ptah, known to the Greeks as Hephaestus, was considered the father of Imhotep in late Egyptian times. In fact, it is interesting that this text avoids the late form 'son of Ptah' to describe Imhotep. Imhotep was known to the Greeks and provided the basis for their god Asclepi us (the Greek god of medicine, corresponding to Imhotep's late form as Egyptian god of medicine). Imhotep is also spelled Imouthes, Imothes, Imutep, etc. Hence the form in this treatise 'Asclepius-Imuth' .
There is absolutely no question that Imhotep is being referred to here. And in the light of that, certain other statements in this passage become quite interesting.
It has already been mentioned that in a treatise like 'The Virgin of the World', where gods' names are thrown round like birdseed, the authors were exceedingly restrained to have avoided labelling Asclepius-Imhotep as 'a son of Ptah-Hephaestus'. This may, indeed, point to a genuine early source from the time before that when the Egyptians ceased to regard Imhotep as a mortal.
Hurry says :38
For many years Egyptologists have been puzzled to explain why Imhotep, who lived in the days of King Zoser, ca. 2900 B.O., was not ranked among the full gods of Egypt until the Persian period, dating from 525 B.O. The apotheosis of a man, however distinguished, so many centuries after his life on earth seems mysterious. The explanation appears to be that first
suggested by Erman, viz. that Imhotep, at any rate during a large part of the interval was regarded as a sort of hero or demigod and received semidivine worship. Erman suggested that this rank of demigod was bestowed / Page 76 / on him at the time of the New Kingdom, i.e. about 1580 B.C., but more recent evidence seems to indicate that this demigod stage was reached at a much earlier period.
Here a bit of chronology helps. 'The Virgin of the World' correctly described Imhotep as 'not long afterwards', following upon the creation of the Egyptian priesthood, presumably in the First Dynasty after Menes, in the form in which it would be known after the unification of Egypt. Imhotep lived in the Third Dynasty, at the beginning of the Old Kingdom. I. E. S. Edwards39 estimates this as commencing about 2686 B.G. He puts the start of the First Dynasty about 3100 B.G. Imhotep is thus literally 'not long afterwards'. Whoever wrote 'The Virgin of the World' knew his Egyptian chronology and also did not call Imhotep 'son of Ptah'.
There is another point. Looking at this statement from 'The Virgin of the World': '. . . and all the rest (i.e. after Imhotep) who were to make enquiry of the faithful certitude of heavenly contemplation. . .', we find that we have a
reference to successors of Imhotep who 'enquired' into the riddles of the universe and also a description of Imhotep's own activities as an 'enquirer'. This also is accurate and reflects considerable knowledge of the subject. For Imhotep is often described as the first genuine philosopher known by name.
And on p. 30 of his book, Hurry refers to apparent successors mentioned in an
Oxyrhyncus papyrus (in Greek, edited by Grenfell and Hunt) which relates that 'Imhotep was worshipped as early as the IVth Dynasty, and his temple was resorted to by sick and afflicted persons'. Hurry further says: 'The other persons are Horus son of Hermes, and Kaleoibis son of Apollo (Imhotep being a son of Pta h) ; it is not known who these were.' Could they have been successors
of Imhotep at 'enquiring'? It seems likely that we shall be learning more of these people as excavations in Egypt proceed. In 1971-2 there came to light at Sakkara a remarkable group of texts written by a man named Hor (from Horus), describing his life at an Egyptian temple in the Ptolemaic period, recounting his dreams and his political encounters. These texts should have been published by 1976 by the Egypt Exploration Society.
Hurry refers to the Trismegistic (Hermetic) literature as follows: 'If the references to Imhotep in Hermetic literature can be trusted, he was also interested in astronomy and astrology, although no special observations are associated with his name. Sethe gives various references to that literature, showing that Imhotep was reputed to have been associated with the god Thoth (Hermes) in astronomical observations.'4o Obviously Imhotep, as chief priest under King Zoser (for he held that office as well), was associated with Thoth
(Tat) in the form of the priesthood previously mentioned who had the 'Dark Rite' as their highest mystery. Here is actual confirmation, then, that it was astronomical matters with which they dealt. In other words, my astronomical interpretation receives some confirmation from this source as well. It is nice when loose ends tie up.
Inscriptions in a temple at Edfu built by Ptolemy In Euergetes I (237 B.G.) describe Imhotep as 'the great priest Imhotep the son of Ptah, who speaks or lectures'. Hurry says 'Imhotep enjoyed the reputation of being "one of the greatest of Egyptian sages" ;41 his fame for wisdom made so deep an impression / Page 77 / on his countrymen that it endured as a national tradition for many centuries.
'As regards his literary activities, he is said to have produced works on medicine and architecture, as well as on more general subjects, and some of his works were extant at the dawn of the Christian era. . . . his eminence as a man of letters led him to be recognized as the "patron of scribes." ,
In other words, he was the first great philosopher. And he obviously 'spoke and lectured' in his lifetime. Perhaps he was the first classical Greek in prototype. We also have something to look forward to - his tomb has yet to be discovered. It is thought to be at Sakkara, and the late Professor Emery more than once thought he had come close to discovering it in his excavations there, which are now being carried on by Professor Smith, who is a man with a strange enough aura about him to convince anyone that he is capable of making a discovery which would be the most important in archaeological history and beside which the minor and later tomb of a boy Pharaoh named Tutankhamen would entirely pale by comparison. But perhaps the most interesting thing about the possible forthcoming discovery of Imhotep's tomb is that it will almost certainly be full of books. Would a man like Imhotep be buried without them?
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'
We 'will chase out into the height' of space to 'observe the nature of the motions of the Heavens', says this old (indeterminately old) treatise. How correct it was. We have now landed on the moon, which is 'chasing out into the height' with a vengeance. And we are indeed 'observing the nature of the motion of the Heavens'. And the treatise is also right in saying that 'these are yet moderate things'. For, as everyone knows, the people in the space programme feel as if they have only just begun. Man will only pause properly again when he has made the entire solar system his familiar and his own. Then we shall / Page 78 / be faced with the limitations of our solar system and the barrier that separates it from the stars. What then ? Yes, what we have done to date certainly deserves the description of 'yet moderate things'. Vasco da Gama may have congratulated himself on his brilliant navigational accomplishments, but as we can clearly see in his case, a beginning is only a beginning. It is 'yet moderate things'.
According to the treatise, after these moderate things we shall 'in our daring' even learn the greatest secret. . . we shall discover 'Night'. And the meaning of the 'Dark Rite' will become clear. And as this rite and this mystery concern Isis and the star Sirius and by the context of this prophecy clearly concerns the heavens, can we be accused of sensationalism in making the suggestion that nothing would shake up the human race more than having the discovery of intelligent life elsewhere in the universe proven for the first time? And what if the dark companion of Sirius really does hold the answer to this mystery? What if the nearest centre of civilization really is based at the Sirius system and keeps a watchful eye on us from time to time? What if this is proven by our detecting on our radio telescopes actual traces of local radio communica.. tions echoing down those nine light years of space in the vast spreading ripple of disintegrating signals that any culture remotely near to us in development would be bound to dribble forth into the surrounding universe? What if this happens ? It will be like the sky falling in, won't it?
Page 72 Note
"* Norbert Wiener in Cybernetics, the pioneer textbook of computer theory, said: 'We have decided to call the entire field of control and communication theory, whether in the machine or in the animal) by the name Cybernetics. . . (from the Greek for) steersman.'
- |
SOKAR OSIRIS |
- |
- |
- |
6 |
|
89 |
35 |
8 |
5 |
SOKAR |
64 |
19 |
1 |
11 |
OSIRIS SOKAR |
|
|
|
|
|
1+5+3 |
5+4 |
- |
2 |
|
|
|
|
- |
PTAH SOKAR OSIRIS |
- |
- |
- |
4 |
PTAH |
45 |
18 |
9 |
6 |
SOKAR |
64 |
19 |
1 |
6 |
|
89 |
35 |
8 |
16 |
PTAH SOKAR OSIRIS |
|
|
|
|
|
1+5+3 |
5+4 |
1+8 |
7 |
|
|
|
|
B |
= |
2 |
- |
4 |
BLUE |
40 |
13 |
4 |
P |
= |
7 |
- |
6 |
PLANET |
68 |
23 |
5 |
- |
- |
9 |
|
10 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+0+8 |
3+6 |
1+8 |
- |
- |
9 |
- |
|
Essence of Number |
|
|
|

THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 74
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."
Page 77
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all."
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
|
|
1 |
1 |
V |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
2 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
3 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
4 |
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
7 |
|
O |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
8 |
1 |
F |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
9 |
1 |
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
10 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
11 |
|
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
12 |
1 |
W |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
13 |
|
O |
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
14 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
15 |
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
D |
|
|
16 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
1+6 |
|
|
|
|
|
|
|
|
|
1+5 |
1+8 |
|
|
3+6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
|
|
9 |
1 |
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
15 |
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
V |
|
|
1 |
1 |
V |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
D |
|
|
16 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
12 |
1 |
W |
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
11 |
|
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
7 |
|
O |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
|
8 |
1 |
F |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
13 |
|
O |
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
4 |
1 |
G |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
10 |
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
2 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
3 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
5 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
14 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
- |
1+6 |
|
|
|
|
|
|
|
|
|
1+5 |
1+8 |
|
|
3+6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
VIRGIN |
- |
- |
- |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
- |
|
VIRGIN |
|
|
|
- |
- |
4+3 |
- |
- |
- |
7+9 |
4+3 |
4+3 |
- |
- |
|
- |
|
VIRGIN |
|
|
|
- |
- |
- |
- |
- |
- |
1+6 |
- |
- |
- |
- |
|
- |
|
VIRGIN |
|
|
|
VIRGIN
V
ORIGIN
- |
- |
- |
- |
- |
VIRGIN |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
V |
- |
- |
- |
- |
- |
- |
- |
- |
ORIGIN |
- |
- |
- |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
- |
|
ORIGIN |
|
|
|
- |
- |
4+5 |
- |
- |
- |
7+2 |
4+5 |
4+5 |
- |
- |
|
- |
|
ORIGIN |
|
|
|
V |
= |
4 |
- |
6 |
VIRGIN |
79 |
43 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
5 |
WORLD |
72 |
27 |
9 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
1+7 |
- |
1+6 |
Add to Reduce |
2+0+5 |
9+7 |
2+5 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+6 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|

|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
6 |
1 |
9 |
|
9 |
1 |
|
9 |
1 |
9 |
1 |
|
1 |
|
- |
9 |
- |
1 |
+ |
= |
66 |
6+6 |
= |
12 |
1+2 |
= |
3 |
|
15 |
19 |
9 |
|
9 |
19 |
|
9 |
19 |
9 |
19 |
|
19 |
|
- |
9 |
- |
19 |
+ |
= |
183 |
1+8+3 |
= |
12 |
1+2 |
= |
3 |
16 |
|
|
|
|
|
|
|
I |
S |
I |
S |
|
S |
I |
R |
I |
U |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
+ |
= |
240 |
2+4+0 |
= |
6 |
- |
- |
6 |
|
|
|
|
|
|
|
|
9 |
1 |
9 |
1 |
|
1 |
9 |
9 |
9 |
3 |
1 |
|
|
|
|
|
15 |
1+5 |
= |
|
|
|
1 |
|
|
|
1 |
|
- |
1 |
- |
1 |
|
|
- |
- |
- |
- |
1 |
+ |
= |
6 |
- |
- |
6 |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
3 |
- |
+ |
= |
3 |
- |
- |
3 |
- |
- |
3 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
+ |
= |
6 |
|
|
6 |
- |
- |
6 |
|
|
|
9 |
9 |
9 |
|
|
9 |
|
9 |
- |
|
- |
9 |
9 |
|
- |
- |
+ |
= |
|
7+2 |
= |
|
- |
- |
|
16 |
|
|
|
|
|
|
|
I |
S |
I |
S |
|
S |
I |
R |
I |
U |
S |
- |
- |
|
|
|
- |
- |
- |
|
- |
- |
- |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
- |
- |
9 |
9 |
9 |
- |
- |
+ |
= |
72 |
7+2 |
= |
9 |
- |
- |
9 |
- |
O |
S |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
S |
I |
R |
I |
U |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
6 |
1 |
9 |
|
9 |
1 |
|
9 |
- |
9 |
1 |
|
1 |
|
- |
9 |
- |
1 |
+ |
= |
65 |
6+5 |
= |
11 |
1+1 |
= |
2 |
|
15 |
19 |
9 |
|
9 |
19 |
|
9 |
- |
9 |
19 |
|
19 |
|
- |
9 |
- |
19 |
+ |
= |
164 |
1+6+4 |
= |
11 |
1+1 |
= |
2 |
16 |
|
|
|
|
|
|
|
I |
R |
I |
S |
|
S |
I |
R |
I |
U |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
+ |
= |
239 |
2+3+9 |
= |
14 |
1+4 |
= |
5 |
|
|
|
|
|
|
|
|
9 |
9 |
9 |
1 |
|
1 |
9 |
9 |
9 |
3 |
1 |
|
|
|
|
|
14 |
1+4 |
= |
|
|
|
1 |
|
|
|
1 |
|
- |
- |
- |
1 |
|
|
- |
- |
- |
- |
1 |
+ |
= |
5 |
- |
- |
5 |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
3 |
- |
+ |
= |
3 |
- |
- |
3 |
- |
- |
3 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
+ |
= |
6 |
|
|
6 |
- |
- |
6 |
|
|
|
9 |
9 |
9 |
|
|
9 |
|
9 |
- |
|
- |
9 |
9 |
|
- |
- |
+ |
= |
|
8+1 |
= |
9 |
- |
- |
|
16 |
|
|
|
|
|
|
|
I |
R |
I |
S |
|
S |
I |
R |
I |
U |
S |
- |
- |
|
|
|
- |
- |
- |
|
- |
- |
- |
9 |
9 |
9 |
- |
- |
9 |
9 |
9 |
- |
- |
- |
9 |
9 |
9 |
- |
- |
+ |
= |
81 |
8+1 |
= |
9 |
- |
- |
9 |
- |
O |
S |
I |
R |
I |
S |
- |
I |
R |
I |
S |
- |
S |
I |
R |
I |
U |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
= |
5 |
|
|
|
|
|
|
|
= |
3 |
|
|
|
6 |
occurs |
x |
1 |
= |
6 |
|
|
6 |
9 |
occurs |
x |
9 |
= |
81 |
|
|
9 |
19 |
|
|
|
|
95 |
|
|
23 |
1+9 |
|
|
1+6 |
|
9+5 |
|
|
2+3 |
10 |
- |
- |
7 |
- |
14 |
- |
- |
5 |
1+0 |
- |
- |
- |
- |
1+4 |
- |
- |
- |
1 |
- |
- |
7 |
- |
5 |
- |
- |
7 |
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
9 |
|
9 |
|
1 |
|
|
|
2+0 |
|
|
|
|
|
|
- |
- |
19 |
9 |
|
9 |
|
19 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
9 |
|
3 |
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
- |
|
|
18 |
|
21 |
|
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
19 |
9 |
18 |
9 |
21 |
19 |
|
|
|
9+5 |
|
|
1+4 |
|
|
|
- |
- |
1 |
9 |
9 |
9 |
3 |
1 |
|
|
|
3+2 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
1 |
- |
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
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|
|
|
- |
- |
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
|
- |
9 |
|
|
|
|
|
|
1+3 |
|
|
|
|
3+2 |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
9 |
|
|
3 |
1 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|

|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
9 |
|
9 |
|
1 |
|
|
|
2+0 |
|
|
|
|
|
|
- |
19 |
9 |
|
9 |
|
19 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
9 |
|
3 |
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
|
|
18 |
|
21 |
|
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
19 |
9 |
18 |
9 |
21 |
19 |
|
|
|
9+5 |
|
|
1+4 |
|
|
|
- |
1 |
9 |
9 |
9 |
3 |
1 |
|
|
|
3+2 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
1 |
- |
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
9 |
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
1+3 |
|
|
|
|
3+2 |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
9 |
|
|
3 |
1 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
4 |
BLUE |
40 |
13 |
4 |
P |
= |
7 |
- |
6 |
PLANET |
68 |
23 |
5 |
- |
- |
9 |
|
10 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+0+8 |
3+6 |
1+8 |
- |
- |
9 |
- |
|
Essence of Number |
|
|
|
EARTH 7 EARTH
EARTH 25 EARTH
EARTH 52 EARTH
PLANET EARTH PLANT E PLANT EARTH PLANET
EARTH 52 EARTH
EARTH 25 EARTH
EARTH 7 EARTH
SEVEN EVENS SEVEN
EVENS SEVEN EVENS
SEVEN EVENS SEVEN
HEAVEN HA EVEN HA HEAVEN
https://en.wikipedia.org/wiki/Sirius
Sirius (/'s?ri?s/, a romanization of Greek Se, Seirios, lit . "glowing" or "scorching") is a star system and the brightest star in the Earth's night sky. With a visual apparent magnitude of -1.46, it is almost twice as bright as Canopus, the next brightest star.
https://en.wiktionary.org/wiki/Sirius
Proper noun. Sirius. (astronomy) A binary star system in the constellation Canis Major long understood as a single extremely luminous white star, associated in ancient Egypt with the Nile flood and in Greek and Roman culture with the "dog days" of summer.
https://www.behindthename.com/bb/fact/23715
5 Feb 2003 - Indees, Sirius is the Latin form of the Greek Seirios meaning "scorcher". "Seirios kyon" is indeed the Dog Star. Seirios is used as an adjective for ...
SEIRIOS E OSIRIS E SEIRIOS
SIRIUS = 95 = SIRIUS
SO
THIS
SOTHIS
IS
- |
- |
- |
- |
- |
SEIRIOS |
|
|
- |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
E |
= |
5 |
- |
7 |
|
|
|
|
- |
- |
- |
- |
- |
|
9+4 |
5+8 |
4+0 |
E |
= |
5 |
- |
7 |
|
|
|
4 |
6 |
- |
- |
- |
- |
|
1+3 |
1+3 |
- |
E |
= |
5 |
- |
7 |
|
|
|
4 |
SIRIUS R U SERIOUS SERIOUS U R SIRIUS
O
U
R
SERIOUS
O
WOW
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
9 |
|
9 |
|
5 |
|
|
|
3+3 |
|
|
|
|
|
|
- |
- |
19 |
9 |
|
9 |
|
14 |
|
|
|
5+1 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
9 |
|
3 |
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
- |
|
|
18 |
|
21 |
|
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
19 |
9 |
18 |
9 |
21 |
14 |
|
|
|
9+0 |
|
|
|
|
|
|
- |
- |
1 |
9 |
9 |
9 |
3 |
5 |
|
|
|
3+6 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
- |
9 |
|
|
|
|
|
|
1+8 |
|
|
|
|
3+6 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
9 |
9 |
9 |
3 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
9 |
|
9 |
|
5 |
|
|
|
3+3 |
|
|
|
|
|
|
- |
19 |
9 |
|
9 |
|
14 |
|
|
|
5+1 |
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
9 |
|
3 |
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
|
|
18 |
|
21 |
|
|
|
|
3+9 |
|
|
1+2 |
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
19 |
9 |
18 |
9 |
21 |
14 |
|
|
|
9+0 |
|
|
|
|
|
|
- |
1 |
9 |
9 |
9 |
3 |
5 |
|
|
|
3+6 |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1 |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
9 |
9 |
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
1+8 |
|
|
|
|
3+6 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
9 |
9 |
9 |
3 |
5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
OSIRIS IRIS ISIS SIRIUS |
|
|
|
- |
O+S |
34 |
16 |
|
- |
I |
9 |
9 |
|
- |
R |
18 |
9 |
|
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
|
- |
I |
9 |
9 |
|
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
S |
19 |
10 |
1 |
- |
S |
19 |
10 |
1 |
- |
I |
9 |
9 |
|
- |
R |
18 |
9 |
9 |
- |
I |
9 |
9 |
|
- |
U+S |
40 |
13 |
4 |
20 |
|
|
|
|
20 |
|
|
|
|
|
ISIS |
56 |
38 |
|
|
IRIS |
55 |
37 |
|
|
OSIRIS |
89 |
44 |
|
|
SIRIUS |
95 |
50 |
|
20 |
|
|
|
|
|
|
2+9+5 |
1+6+9 |
1+6 |
20 |
|
|
|
|
- |
- |
1+6 |
1+6 |
- |
20 |
|
|
|
|
- |
ISIS OSIRIS |
|
|
|
|
ISIS |
56 |
38 |
|
|
OSIRIS |
89 |
44 |
|
|
ISIS OSIRIS |
|
|
|
1+0 |
|
1+4+5 |
8+2 |
1+0 |
|
ISIS OSIRIS |
|
|
|
- |
- |
1+0 |
1+0 |
- |
1 |
ISIS OSIRIS |
|
|
|
- |
IRIS OSIRIS |
|
|
|
|
IRIS |
55 |
37 |
|
|
OSIRIS |
89 |
44 |
|
10 |
IRIS OSIRIS |
|
|
|
|
|
1+4+4 |
8+1 |
- |
1 |
IRIS OSIRIS |
|
|
|
|
ISIS |
9 |
1 |
9 |
1 |
- |
- |
|
IRIS |
9 |
9 |
9 |
1 |
- |
- |
|
OSIRIS |
6 |
1 |
9 |
9 |
9 |
1 |
6 |
SIRIUS |
1 |
9 |
9 |
9 |
3 |
1 |
- |
|
|
|
|
|
|
|
|
ISIS |
9 |
1 |
9 |
1 |
- |
|
|
OSIRIS |
6 |
1 |
9 |
9 |
9 |
|
|
ISIS OSIRIS |
|
|
18 |
10 |
9 |
|
1+0 |
|
1+5 |
- |
1+8 |
1+0 |
- |
- |
|
|
|
|
9 |
1 |
9 |
|
- |
|
|
|
|
|
|
|
|
IRIS |
9 |
9 |
9 |
1 |
- |
|
|
OSIRIS |
6 |
1 |
9 |
9 |
9 |
|
10 |
IRIS OSIRIS |
|
|
18 |
10 |
9 |
|
|
|
1+5 |
1+0 |
1+8 |
1+0 |
- |
- |
1 |
|
|
|
9 |
1 |
9 |
|
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
N |
= |
5 |
- |
6 |
NEBULA |
55 |
19 |
1 |
S |
- |
11 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+1 |
= |
1+1 |
Reduce to Deduce |
1+2+6 |
5+4 |
- |
S |
- |
2 |
|
2 |
Essence of Number |
|
|
|
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
"Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south."
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
WHICH MAKETH ARCTURUS ORION AND PLEIADES AND THE CHAMBERS OF THE SOUTH
W |
= |
5 |
- |
5 |
WHICH |
51 |
33 |
6 |
M |
= |
4 |
- |
6 |
MAKETH |
58 |
22 |
4 |
A |
= |
1 |
- |
8 |
ARCTURUS |
121 |
31 |
4 |
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
- |
8 |
PLEIADES |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
8 |
CHAMBERS |
69 |
33 |
6 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SOUTH |
83 |
20 |
2 |
- |
- |
39 |
|
59 |
First Total |
|
|
|
- |
- |
3+9 |
- |
5+9 |
Add to Reduce |
6+4+9 |
2+7+1 |
5+5 |
- |
- |
12 |
- |
14 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+4 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
- |
- |
|
- |
|
Third Totalr |
|
|
|
- |
- |
- |
- |
1+4 |
Reduce to Produce |
1+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
69965 619991 199931 9991 9191 9191 9991 199931 619991 69965
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
Daily Mail
Monday February 23, 2009
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
Page 57
QUESTION Are the three stars that make up Orion's belt a similar distance from the Earth or do they just appear that way?
ORION, the giant huntsman of Greek mythology whom Zeus placed among the stars as the constellation, has three stars of apparently similar brightness and colour (bluish-white) in his belt, given the Arabic names (from left to right) Alnitak, Alnilam and Mintaka.
In fact, Alnitak is 800 light years away from us, Alnilam 1,300 light years and Mintaka 900 light years. They appear in a straight line only in our line of sight.
Despite this, the three stars appear to be closely associated. Each is a luminous, hot supergiant having luminosities at least 100,000 times that of the Sun, and surface temperatures exceeding 25,000c (our Sun is 5,500c).
It's believed the three stars, and several other equally hot
and luminous stars in the constellation Orion, were formed together as a close cluster. The passage of time has seen them drift apart.
Such luminous stars use up hydrogen at a prodigious rate so they're only a few million years old and have no more than a few million years to live before blowing themselves up in a supernova explosion.
These timescales are short in astronomical terms. Our Sun, with its far lower luminosity and lower fuel consumption, has shone for five billion years and is expected to shine steadily for the same amount of time before it, too, dies, in a much more sedate fashion than a supernova explosion.
The five billion years that our Sun has been around has meant that life has had time to develop on one of its planets — Earth.
It seems most unlikely that any hypopthetical planet around a star in Orion's belt could have developed sort of life when the history of the star, from birth to death, is only a few million years.
Norman Wallace, Sutton Coldfield, W Mids
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 74
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."
Page 77
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."
Page 82
"We must note Stecchini's remarks about Delphi as follows :38
The god of Delphi, Apollo, whose name means 'the stone', was identified with an object, the omphalos, 'navel', which has been found. It consisted of an ovoidal stone. . . . The omphalos of Delphi was similar to the object which represented the god Amon in Thebes, the 'navel' of Egypt. In 1966 I presented to the annual meeting of the Archaeological Institute of America a paper in which I maintained that historical accounts, myths, and legends, and some monuments of Delphi, indicate that the oracle was established there by the Pharaohs of the Ethiopian Dynasty.
SIRIUS = 95 = SIRIUS
IN
THE
BEGINNING
WAS THE WORD AND THE WORD WAS
WITH
GOD AND THE WORD WAS GOD
THE
SAME WAS IN THE BEGINNING WITH
GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD
WAS
NOT
ANYTHING
MADE THAT WAS MADE
IN
GOD
WAS LIFE AND THE LIFE WAS
THE
LIGHT
OF
HUMANKIND
AND
THE
LIGHT
SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT
I
AM
ALPHA AND OMEGA
THE BEGINNING AND THE END THE FIRST AND THE LAST
I
AM
THE ROOT AND THE OFFSPRING
OF
DAVID
AND
THE BRIGHT AND MORNING STAR
AND
THE SPIRIT AND THE BRIDE SAY COME
AND
LET THEM THAT HEARETH SAY COME
AND
LET THEM THAT IS ATHIRST COME
AND
WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY
THE CHRISTOS THE
CHRIST
CHRISTOS SEE HERE IS THE CHRISTOS
LOVELESS HEARTS SHALL LOVE
TOMORROW, HEARTS THAT HAVE
LOVED SHALL LOVE ANEW,
SPRING IS YOUNG NOW, SPRING
IS SINGING, IN THE SPRING
THE WORLD FIRST GREW.
Anonymous – Latin about 4th century
4 |
LIVE |
48 |
21 |
3 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
4 |
LOVE |
54 |
18 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+2+6 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
|
LOVE |
|
|
- |
2 |
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
4 |
LOVE |
|
|
|
|
- |
5+4 |
1+8 |
1+8 |
4 |
LOVE |
|
|
|
“Ah! Sweet Mystery of Life” | National Museum of American ...
“Ah! Sweet Mystery of Life.” Rida Johnson Young wrote the lyrics of the song and Victor Herbert composed the music. The song came from Hebert’s operetta Naughty Marietta, one of his greatest successes. Sheet music published in 1910
AH! SWEET MYSTERY OF LIFE AT LAST I'VE FOUND THEE
AH! I KNOW AT LAST THE SECRET OF IT ALL;
ALL THE LONGING, SEEKING, STRIVING, WAITING, YEARNING
THE BURNING HOPES, THE JOY AND IDLE TEARS THAT FALL!
FOR 'TIS LOVE, AND LOVE ALONE, THE WORLD IS SEEKING,
AND 'TIS LOVE, AND LOVE ALONE, THAT CAN REPAY!
'TIS THE ANSWER, 'TIS THE END AND ALL OF LIVING
FOR IT IS LOVE ALONE THAT RULES FOR AYE!
LOVE AND LOVE ALONE, THE WORLD IS SEEKING,
FOR 'TIS LOVE, AND LOVE ALONE, THAT CAN REPAY!
'TIS THE ANSWER, 'TIS THE END AND ALL OF LIVING
FOR IT IS LOVE ALONE THAT RULES FOR AYE
AH! SWEET MYSTERY OF LIFE AT LAST I'VE FOUND THEE
AH! I KNOW AT LAST THE SECRET OF IT ALL;
A |
|
|
|
|
|
|
|
|
S |
|
|
|
|
SWEET |
|
|
|
M |
|
|
|
|
|
|
|
|
O |
|
|
|
|
OF |
|
|
|
L |
|
|
|
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
L |
|
|
|
|
|
|
|
|
I |
|
|
|
|
I'VE |
|
|
|
F |
|
|
|
|
FOUND |
|
|
|
T |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
I |
|
|
|
|
I |
|
|
|
K |
|
|
|
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
L |
|
|
|
|
|
|
|
|
T |
|
|
|
|
|
|
|
|
S |
|
|
|
|
SECRET |
|
|
|
O |
|
|
|
|
OF |
|
|
|
I |
|
|
|
|
IT |
|
|
|
A |
|
|
|
|
ALL |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
1 |
|
|
|
- |
|
71 |
- |
67 |
1 |
|
|
|
|
|
|
|
|
|
7+9+8 |
2+8+5 |
1+2+3 |
- |
- |
8 |
1 |
13 |
1 |
|
|
|
|
|
|
|
1+3 |
|
2+4 |
1+5 |
- |
- |
- |
8 |
1 |
|
1 |
|
|
|
3 |
|
33 |
15 |
6 |
6 |
|
72 |
18 |
|
2 |
|
21 |
12 |
3 |
6 |
BUCKLE |
54 |
18 |
9 |
|
|
|
|
|
1+7 |
|
1+8+0 |
6+3 |
2+7 |
|
|
|
|
|
|
3 |
TET |
45 |
9 |
9 |
4 |
ANKH |
34 |
16 |
7 |
6 |
|
44 |
26 |
8 |
7 |
|
63 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
2 |
7 |
|
79 |
34 |
7 |
11 |
|
135 |
63 |
9 |
1+1 |
|
1+3+5 |
6+3 |
- |
2 |
|
9 |
9 |
9 |
9 |
MEH UTCHAT |
99 |
36 |
9 |
3 |
MEH |
26 |
17 |
8 |
6 |
UTCHAT |
73 |
19 |
1 |
9 |
MEH UTCHAT |
99 |
36 |
9 |
9 |
RA OSIRIS |
108 |
63 |
9 |
9 |
OSIRIS RA |
108 |
63 |
9 |
- |
- |
- |
- |
- |
THE HOLY FAMILY |
- |
- |
- |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
|
4 |
|
60 |
24 |
|
F |
= |
6 |
|
6 |
|
66 |
30 |
|
- |
- |
|
- |
|
THE HOLY FAMILY |
|
|
|
|
- |
1+6 |
- |
1+3 |
- |
1+5+9 |
6+9 |
1+5 |
- |
|
|
|
|
THE HOLY GHOST |
|
|
|
|
|
- |
|
- |
- |
1+5 |
1+5 |
- |
- |
|
|
|
|
THE HOLY GHOST |
|
|
|
- |
- |
- |
- |
- |
THE HOLY FAMILY |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
- |
H |
= |
8 |
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
- |
F |
= |
6 |
|
6 |
|
66 |
30 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
THE HOLY FAMILY |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
|
|
- |
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
- |
- |
15 |
- |
|
|
33 |
15 |
15 |
6 |
- |
|
|
|
|
|
- |
|
- |
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
- |
O |
= |
6 |
5 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
L |
= |
3 |
6 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
Y |
= |
7 |
7 |
1 |
Y |
25 |
7 |
7 |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
24 |
- |
|
|
60 |
24 |
24 |
6 |
- |
|
|
|
|
|
|
|
- |
F |
= |
6 |
8 |
1 |
F |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
- |
M |
= |
4 |
10 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
|
|
|
|
|
- |
I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
|
|
L |
= |
3 |
12 |
1 |
L |
12 |
3 |
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THE HOLY FAMILY |
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THE HOLY FAMILY |
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Experience - Wikipedia
en.wikipedia.org › wiki › Experience
Experience refers to conscious events in general, more specifically to perceptions, or to the practical knowledge and familiarity that is produced by these ...
Experience refers to conscious events in general, more specifically to perceptions, or to the practical knowledge and familiarity that is produced by these conscious processes. Understood as a conscious event in the widest sense, experience involves a subject to which various items are presented. In this sense, seeing a yellow bird on a branch presents the subject with the objects "bird" and "branch", the relation between them and the property "yellow". Unreal items may be included as well, which happens when experiencing hallucinations or dreams. When understood in a more restricted sense, only sensory consciousness counts as experience. In this sense, experience is usually identified with perception and contrasted with other types of conscious events, like thinking or imagining. In a slightly different sense, experience refers not to the conscious events themselves but to the practical knowledge and familiarity they produce. In this sense, it is important that direct perceptual contact with the external world is the source of knowledge. So an experienced hiker is someone who actually lived through many hikes, not someone who merely read many books about hiking. This is associated both with recurrent past acquaintance and the abilities learned through them.
Many scholarly debates on the nature of experience focus on experience as conscious event, either in the wide or the more restricted sense. One important topic in this field is the question of whether all experiences are intentional, i.e. are directed at objects different from themselves. Another debate focuses on the question of whether there are non-conceptual experiences and, if so, what role they could play in justifying beliefs. Some theorists claim that experiences are transparent, meaning that what an experience feels like only depends on the contents presented in this experience. Other theorists reject this claim by pointing out that what matters is not just what is presented but also how it is presented.
A great variety of types of experiences is discussed in the academic literature. Perceptual experiences, for example, represent the external world through stimuli registered and transmitted by the senses. The experience of episodic memory, on the other hand, involves reliving a past event one experienced before. In imaginative experience, objects are presented without aiming to show how things actually are. The experience of thinking involves mental representations and the processing of information, in which ideas or propositions are entertained, judged or connected. Pleasure refers to experience that feels good. It is closely related to emotional experience, which has additionally evaluative, physiological and behavioral components. Moods are similar to emotions, with one key difference being that they lack a specific object found in emotions. Conscious desires involve the experience of wanting something. They play a central role in the experience of agency, in which intentions are formed, courses of action are planned, and decisions are taken and realized. Non-ordinary experience refers to rare experiences that significantly differ from the experience in the ordinary waking state, like religious experiences, out-of-body experiences or near-death experiences.
Experience is discussed in various disciplines. Phenomenology is the science of the structure and contents of experience. It uses different methods, like epoché or eidetic variation. Sensory experience is of special interest to epistemology. An important traditional discussion in this field concerns whether all knowledge is based on sensory experience, as empiricists claim, or not, as rationalists contend. This is closely related to the role of experience in science, in which experience is said to act as a neutral arbiter between competing theories. In metaphysics, experience is involved in the mind-body problem and the hard problem of consciousness, both of which try to explain the relation between matter and experience. In psychology, some theorists hold that all concepts are learned from experience while others argue that some concepts are innate.
1.practical contact with and observation of facts or events.
'he had learned his lesson by painful experience'
synonyms: involvement in, participation in, contact with, acquaintance with, exposure to, observation of, awareness of, familiarity with, conversance with, understanding of, impression of, insight into
2.an event or occurrence which leaves an impression on someone.
'audition day is an enjoyable experience for any seven-year old'
synonyms: incident, occurrence, event, happening, affair, episode, encounter, adventure, exploit, escapade, circumstance, case, test, trial, ordeal
verb
encounter or undergo (an event or occurrence).
'the company is experiencing difficulties'
synonyms: undergo, encounter, meet, have experience of, come into contact with, run into, come across, come up against, face, be faced with, confront, be forced to contend with, feel, know, become familiar with, live/go through, sustain, suffer, endure, tolerate, participate in, taste, try
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
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3 |
3 |
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4 |
1 |
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5 |
5 |
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1 |
1 |
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5 |
5 |
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7 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
5 |
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10 |
1 |
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5 |
5 |
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X |
= |
6 |
2 |
1 |
X |
24 |
6 |
6 |
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1 |
2 |
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4 |
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8 |
- |
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3 |
1 |
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16 |
7 |
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5 |
1 |
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18 |
9 |
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6 |
1 |
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9 |
9 |
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1 |
2 |
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- |
- |
- |
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5+9 |
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1+0 |
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1+0+4 |
5+9 |
5+9 |
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2+5 |
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1+8 |
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1+4 |
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1+4 |
1+4 |
1+4 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
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- |
- |
- |
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3 |
3 |
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4 |
1 |
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5 |
5 |
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1 |
1 |
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5 |
5 |
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7 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
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10 |
1 |
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5 |
5 |
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X |
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2 |
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6 |
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8 |
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3 |
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16 |
7 |
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5 |
1 |
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18 |
9 |
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6 |
1 |
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9 |
9 |
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- |
- |
- |
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5+9 |
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1+0 |
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1+0+4 |
5+9 |
5+9 |
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2+5 |
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1+8 |
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1+4 |
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1+4 |
1+4 |
1+4 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
Regeneration definition: the act or process of regenerating or the state of being regenerated; rebirth or renewal
REGENERATION
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- |
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5 |
1 |
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18 |
9 |
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1 |
1 |
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5 |
5 |
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3 |
1 |
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7 |
7 |
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1 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
5 |
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1 |
1 |
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5 |
5 |
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5 |
1 |
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18 |
9 |
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A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
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- |
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
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- |
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6 |
1 |
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9 |
9 |
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O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
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- |
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8 |
1 |
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14 |
5 |
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- |
- |
- |
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6+8 |
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1+4 |
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1+3+1 |
6+8 |
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2+5 |
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2+7 |
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1+4 |
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1+4 |
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- |
- |
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5 |
1 |
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18 |
9 |
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1 |
1 |
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5 |
5 |
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3 |
1 |
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7 |
7 |
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1 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
5 |
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1 |
1 |
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5 |
5 |
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5 |
1 |
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18 |
9 |
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A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
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- |
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
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- |
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6 |
1 |
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9 |
9 |
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O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
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- |
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8 |
1 |
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14 |
5 |
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- |
- |
- |
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6+8 |
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1+4 |
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1+3+1 |
6+8 |
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2+5 |
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2+7 |
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1+4 |
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1+4 |
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|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
Regeneration definition: the act or process of regenerating or the state of being regenerated; rebirth or renewal
5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
REGENERATION
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- |
- |
- |
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A |
= |
1 |
9 |
1 |
A |
1 |
1 |
1 |
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- |
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
- |
- |
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- |
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1 |
1 |
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5 |
5 |
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1 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
5 |
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1 |
1 |
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5 |
5 |
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8 |
1 |
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14 |
5 |
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O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
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- |
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3 |
1 |
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7 |
7 |
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5 |
1 |
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18 |
9 |
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5 |
1 |
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18 |
9 |
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6 |
1 |
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9 |
9 |
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- |
- |
- |
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6+8 |
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1+4 |
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1+3+1 |
6+8 |
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2+5 |
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2+7 |
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1+4 |
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1+4 |
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5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
What is 'regeneration' and who needs it? - Nature
www.nature.com › ... › comment
22 May 2018 · According to the Oxford English Dictionary, to be regenerated is to be 're-born; brought again into existence; formed anew', no doubt an ...
Regeneration definition and meaning | Collins English Dictionary
www.collinsdictionary.com › dictionary › english › regeneration
Regeneration definition: the act or process of regenerating or the state of being regenerated; rebirth or renewal
Regenerate definition and meaning | Collins English Dictionary
www.collinsdictionary.com › dictionary › english › regenerate
To regenerate something means to develop and improve it to make it more active, successful, or important, especially after a period when it has been getting
regenerated - Wiktionary
en.wiktionary.org › wiki › regenerated
Physically formed or created
regenerated (comparative more regenerated, superlative most regenerated)
1.Spiritually made again; reborn. [quotations ?]
2.Physically formed or created again; restored, remade, revived.
3.(biology, medicine) Formed by regeneration. [quotations ?]
4.(chemistry, textiles) Reprecipitated after chemical treatment, especially in the form of fibres; pertaining to fibres prepared in this way.
- |
- |
- |
- |
14 |
THE HUMAN GENOME |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
5 |
HUMAN |
57 |
21 |
3 |
G |
= |
7 |
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6 |
GENOME |
59 |
32 |
5 |
- |
- |
17 |
- |
14 |
THE HUMAN GENOME |
|
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|
- |
- |
1+7 |
- |
1+4 |
- |
1+4+9 |
6+8 |
1+4 |
- |
- |
8 |
- |
5 |
THE HUMAN GENOME |
|
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|
- |
- |
- |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
8 |
- |
5 |
THE HUMAN GENOME |
|
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|
- |
- |
- |
- |
12 |
THE HUMAN GENOME |
- |
- |
- |
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T |
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2 |
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THE |
33 |
15 |
6 |
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8 |
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5 |
HUMAN |
57 |
21 |
3 |
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7 |
- |
6 |
GENOME |
59 |
32 |
5 |
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- |
- |
17 |
- |
14 |
THE HUMAN GENOME |
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33 |
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21 |
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5 |
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11 |
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14 |
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6 |
12 |
1 |
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15 |
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6 |
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4 |
13 |
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13 |
4 |
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32 |
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32 |
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THE HUMAN GENOME |
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GENOME |
59 |
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17 |
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THE HUMAN GENOME |
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THE HUMAN GENOME |
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THE HUMAN GENOME |
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12 |
THE HUMAN GENOME |
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14 |
THE HUMAN GENOME |
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14 |
THE HUMAN GENOME |
- |
- |
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2 |
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HUMAN |
57 |
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GENOME |
59 |
32 |
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17 |
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14 |
THE HUMAN GENOME |
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1+7 |
- |
1+4 |
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6+8 |
1+4 |
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8 |
- |
5 |
THE HUMAN GENOME |
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- |
- |
- |
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- |
8 |
- |
5 |
THE HUMAN GENOME |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
- |
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12 |
THE HUMAN GENOME |
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- |
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T |
= |
2 |
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3 |
THE |
33 |
15 |
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8 |
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5 |
HUMAN |
57 |
21 |
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= |
7 |
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6 |
GENOME |
59 |
32 |
5 |
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17 |
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14 |
THE HUMAN GENOME |
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14 |
THE HUMAN GENOME |
- |
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T |
= |
2 |
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3 |
THE |
33 |
15 |
6 |
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= |
8 |
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5 |
HUMAN |
57 |
21 |
3 |
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GENOME |
59 |
32 |
5 |
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17 |
- |
14 |
THE HUMAN GENOME |
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- |
- |
1+7 |
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1+4 |
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1+4+9 |
6+8 |
1+4 |
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5 |
THE HUMAN GENOME |
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- |
- |
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- |
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1+4 |
1+4 |
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8 |
- |
5 |
THE HUMAN GENOME |
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THE FULCANELLI PHENOMENON
Kenneth Rayner Johnson 1980
Page 263
"It will be as well to recall here what Fulcanelli's reply was when Bergier asked him what the real nature of alchemy consisted in. He said:
'The secret of alchemy is that there exists a means of manipulating matter and energy so as to create what modern science calls a force-field' This force field acts upon the observer and puts him in a privileged position in relation to the universe. From this privileged position he has access to realities that space and time matter and energy, normally conceal from us. This is what we call the Great Work.' "

IN SEARCH OF EXTRA TERRESTRIALS
Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth
Alan Landsburg 1976
Page 79
" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
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SIRIUS |
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1 |
S |
19 |
10 |
1 |
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= |
9 |
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1 |
I |
9 |
9 |
9 |
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= |
9 |
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1 |
R |
18 |
9 |
9 |
I |
= |
9 |
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1 |
I |
9 |
9 |
9 |
U |
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3 |
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1 |
U |
21 |
3 |
3 |
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1 |
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3+2 |
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1+4 |
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DOES GOD PLAY DICE
THE NEW MATHEMATICS OF CHAOS
Ian Stewart 1989
Page 1
PROLOGUE
CLOCKWORK OR CHAOS?
"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."
Albert Einstein, Letter to Max Born
Neverland - Wikipedia
en.wikipedia.org › wiki › Neverland
Neverland is a fictional island featured in the works of J. M. Barrie and those based on them. It is an imaginary faraway place where Peter Pan, Tinker Bell, Captain Hook, the Lost Boys, and some other imaginary beings and creatures live.
Although not all people who come to Neverland cease to age, its best-known resident famously refused to grow up. Thus, the term is often used as a metaphor for eternal childhood (and childishness), as well as immortality and escapism.
The concept was first introduced as "the Never Never Land" in Barrie's theatre play Peter Pan, or The Boy Who Wouldn't Grow Up, first staged in 1904. In the earliest drafts of the play, the island was called "Peter's Never Never Never Land", a name possibly influenced by the 'Never Never', a contemporary term for outback Australia. In the 1928 published version of the play's script, the name was shortened to "the Never Land". Although the caption to one of F. D. Bedford's illustrations also calls it "The Never Never Land," Barrie's 1911 novelisation Peter and Wendy simply refers to it as "the Neverland," and its many variations "the Neverlands."[1]
Neverland has been featured prominently in subsequent works that either adapted Barrie's works or expanded upon them. These Neverlands sometimes vary in nature from the original.
In the earliest drafts of the play, the island was called "Peter's Never Never Never Land",
PETERS NEVER NEVER NEVER LAND
- |
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PETERS NEVER NEVER NEVER LAND |
- |
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P |
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2 |
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6 |
PETERS |
83 |
38 |
2 |
N |
= |
8 |
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64 |
28 |
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6 |
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64 |
28 |
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NEVER |
64 |
28 |
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PETERS NEVER NEVER NEVER LAND |
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1+6 |
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2+5 |
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3+0+6 |
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PETERS NEVER NEVER NEVER LAND |
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1+5 |
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PETERS NEVER NEVER NEVER LAND |
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PETER'S NEVER NEVER NEVER LAND |
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PETER'S |
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PETER'S NEVER NEVER NEVER LAND |
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15 |
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PETERS NEVER NEVER NEVER LAND
|
83 |
38 |
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24 |
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PETERS NEVER NEVER NEVER LAND
|
64 |
28 |
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5 |
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24 |
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-PETERS NEVER NEVER NEVER LAND
|
64 |
28 |
28 |
1 |
- |
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- |
N |
= |
5 |
17 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
E |
= |
5 |
18 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
V |
= |
4 |
19 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
|
|
|
- |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
|
|
- |
- |
24 |
- |
|
PETERS NEVER NEVER NEVER LAND
|
64 |
28 |
28 |
1 |
- |
|
|
|
|
|
|
|
- |
L |
= |
3 |
22 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
|
|
|
|
|
- |
A |
= |
1 |
23 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
24 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
|
|
- |
D |
= |
4 |
25 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
30 |
- |
|
|
31 |
13 |
13 |
4 |
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
PETERS NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETERS |
83 |
38 |
2 |
|
|
|
|
1+6 |
6+0 |
|
|
|
3+6 |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2+5 |
- |
2+5 |
- |
3+0+6 |
1+3+5 |
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
PETER'S NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETER'S |
83 |
38 |
2 |
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
- |
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
PETER'S NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
|
|
|
|
6 |
|
7 |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
6 |
|
7 |
- |
E |
= |
5 |
4 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
R |
= |
9 |
5 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
6 |
|
7 |
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
V |
= |
4 |
9 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
R |
= |
9 |
11 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
V |
= |
4 |
14 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
R |
= |
9 |
16 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
|
= |
5 |
17 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
18 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
V |
= |
4 |
19 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
L |
= |
3 |
22 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
|
|
6 |
|
7 |
- |
A |
= |
1 |
23 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
7 |
- |
N |
= |
5 |
24 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
D |
= |
4 |
25 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
- |
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
|
6 |
|
7 |
|
- |
- |
- |
- |
- |
PETERS NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETERS |
83 |
38 |
2 |
|
|
|
|
1+6 |
6+0 |
|
|
|
3+6 |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2+5 |
- |
2+5 |
- |
3+0+6 |
1+3+5 |
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 12 = 60
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 12 = 60
- |
- |
- |
- |
- |
PETER'S NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETER'S |
83 |
38 |
2 |
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
- |
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
PETER'S NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
6 |
|
7 |
- |
A |
= |
1 |
23 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
6 |
|
7 |
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
6 |
|
7 |
- |
L |
= |
3 |
22 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
|
|
6 |
|
7 |
- |
V |
= |
4 |
9 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
V |
= |
4 |
14 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
V |
= |
4 |
19 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
D |
= |
4 |
25 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
|
|
6 |
|
7 |
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
|
|
|
|
6 |
|
7 |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
4 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
N |
= |
5 |
17 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
18 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
N |
= |
5 |
24 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
6 |
|
7 |
- |
R |
= |
9 |
16 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
R |
= |
9 |
11 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
R |
= |
9 |
5 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
6 |
|
7 |
|
- |
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
|
6 |
|
7 |
|
- |
- |
- |
- |
- |
PETERS NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETERS |
83 |
38 |
2 |
|
|
|
|
1+6 |
6+0 |
|
|
|
3+6 |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2+5 |
- |
2+5 |
- |
3+0+6 |
1+3+5 |
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
|
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
- |
- |
- |
- |
- |
PETER'S NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETER'S |
83 |
38 |
2 |
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
- |
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
PETER'S NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
6 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
- |
A |
= |
1 |
23 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
- |
T |
= |
2 |
3 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
|
|
- |
L |
= |
3 |
22 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
|
|
|
- |
V |
= |
4 |
9 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
|
- |
V |
= |
4 |
14 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
|
- |
V |
= |
4 |
19 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
|
|
|
- |
D |
= |
4 |
25 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
|
|
|
- |
P |
= |
7 |
1 |
1 |
P |
16 |
7 |
7 |
- |
- |
|
|
|
|
|
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
4 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
8 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
15 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
N |
= |
5 |
17 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
18 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
E |
= |
5 |
20 |
1 |
E |
5 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
N |
= |
5 |
24 |
1 |
N |
14 |
5 |
5 |
- |
|
|
- |
- |
|
|
- |
R |
= |
9 |
16 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
R |
= |
9 |
11 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
R |
= |
9 |
21 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
R |
= |
9 |
5 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
|
|
|
|
- |
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
PETERS NEVER NEVER NEVER LAND |
- |
- |
- |
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
PETERS |
83 |
38 |
2 |
|
|
|
|
1+6 |
6+0 |
|
3+6 |
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
5 |
NEVER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
L |
= |
3 |
|
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
|
- |
2+5 |
- |
2+5 |
- |
3+0+6 |
1+3+5 |
- |
- |
|
|
|
|
|
|
|
- |
|
|
|
|
PETERS NEVER NEVER NEVER LAND |
|
|
|
|
|
|
|
|
|
|
|
PETERS NEVER NEVER NEVER LAND
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
PETERS NEVER NEVER NEVER LAND
READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
en.wikipedia.org › wiki › Holy_Family
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the ...
Veneration · In art · Patronages and customs
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on,[1] but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the first bishop of New France, who founded a confraternity.
The Feast of the Holy Family is a liturgical celebration in the Catholic Church, as well as in many Lutheran and Anglican churches, in honour of Jesus, His mother, and his legal father, Saint Joseph, as a family;[2] it has been observed since 1921 when it was inserted by Pope Benedict XV.[3] The primary purpose of this feast is to present the Holy Family as a model for Christian families.[4] There are many churches dedicated to the Holy Family.
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on,[1] but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the first bishop of New France, who founded a confraternity.
The Feast of the Holy Family is a liturgical celebration in the Catholic Church, as well as in many Lutheran and Anglican churches, in honour of Jesus, His mother, and his legal father, Saint Joseph, as a family;[2] it has been observed since 1921 when it was inserted by Pope Benedict XV.[3] The primary purpose of this feast is to present the Holy Family as a model for Christian families.[4] There are many churches dedicated to the Holy Family.
Feast of the Holy Family of Jesus, Mary, and Joseph, - Vatican News
www.vaticannews.va › liturgical-holidays › feast-of-the-holy-family-of-jes...
The Feast of the Holy Family of Jesus, Mary, and Joseph is normally celebrated on the Sunday after Christmas. This feast developed at the beginning of the ...
Jesus, Mary, and Joseph, Holy Family Song - YouTube
www.youtube.com › watch
the holy family jesus mary and joseph
9 Aug 2021 · Let's pray and sing to The Holy Family! "Jesus, Mary, Joseph, we love you, save souls!" Don ...
Duration: 1:39
Posted: 9 Aug 2021
The Holy Family of Jesus, Mary, and Joseph – Feast - My Catholic Life!
mycatholic.life › Catholic Saints A-Z › Catholic Saint of the Day
Feast of the Holy Family of Jesus, Mary, and Joseph. Sunday in the Octave of Christmas—Feast (December 30 if there is no such Sunday)
The Holy Family of Jesus, Mary, and Joseph: Our true home
angelusnews.com › faith › sunday-readings › feast-of-the-holy-family-year-c
22 Dec 2021 · In the Holy Family of Holy Family of Jesus, Mary, and Joseph, God reveals our true home. We're to live as his children, “chosen ones, holy and beloved,” as ...
The Holy Family : Jesus, Mary, and Joseph, Paperback - Amazon UK
www.amazon.co.uk › Holy-Family-Jesus-Mary-Joseph
The Holy Family : Jesus, Mary, and Joseph, by Slaves of the Immaculate Heart of Mary. Saint Ben (ISBN: ) from Amazon's Book Store.
The Holy Family of Jesus, Mary, and Joseph, Cycle A | Loyola Press
www.loyolapress.com › ... › Liturgical Year › Sunday Connection
Say: Mary and Joseph were faithful to God, and they taught Jesus how to be faithful in the Jewish tradition. When Jesus was just a baby, the Holy Family ...
Feast of the Holy Family of Jesus, Mary, and Joseph, - Catholic Culture
www.catholicculture.org › culture › liturgicalyear › calendar › day
Christmas: December 26th. Feast of the Holy · Feast of the Holy Family of Jesus, Mary, and Joseph,· MASS READINGS · COLLECT PRAYER · Recipes (3) · Activities (7).
Meaning of the Number 5 in the Bible
Holy Family Joseph Jesus, Mary Statue Figurine with Light Christ ...
www.ebay.co.uk › itm
the Holy Family of Joseph Jesus, Mary.
THE HOLY FAMILY
JOSEPH JESUS MARY
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
THE HOLY FAMILY
JOSEPH JESUS MARY
6 |
JOSEPH |
1 |
6+1 |
1 |
5 |
JESUS |
2 |
5+2 |
2 |
4 |
MARY |
3 |
4+3 |
3 |
|
- |
- |
- |
|
1+5 |
- |
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
5 |
JESUS |
2 |
5+2 |
7 |
4 |
MARY |
3 |
4+3 |
7 |
|
- |
- |
- |
|
1 2 3 4 4 5 6
GIVE ME A I GIVE ME A 2 GIVE ME A 3 GIVE ME A 4 GIVE ME A 5 GIVE ME A 6
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+

RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
Holy Family, The Holy Family, Mary Jesus and Joseph, Nativity, Christmas Cards, Catholic Christmas Cards, Catholic Greeting Cards, Holiday.
Holy Family the Holy Family Mary Jesus and Joseph Nativity - Etsy UK
www.etsy.com › ... › Christmas & Seasonal Cards › Christmas Cards
Rating 5.0
(1,250) · £12.96 to £80.37 · In stock
Holy Family, The Holy Family, Mary Jesus and Joseph, Nativity, ... Great quality with plenty of space to include personal messages and love the red ...
The perfect example of a holy family: Mary, Jesus, and Joseph,
The Holy Family: The Pillar of Christian Life | Savelli Religious
savellireligious.com › Blog
11 Jun 2020 · Their lives interlace to form the story of the Holy Family, ... Mary, Jesus, and Joseph are an earthly reflection of the Holy Trinity.
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
HOW MANY TIMES IS THE NUMBER 7 MENTIONED IN THE BIBLE
?
Seven is God's favorite number - Yahoo News Singapore
ph.news.yahoo.com › seven-gods-favorite-number-170039364
17 May 2014 · Throughout the Bible (from Genesis to Revelation), the number seven appears many times. Seven is used 735 times in the Holy Bible. In the Book ...
Meaning of the Number 7 in the Bible
www.biblestudy.org › Unique Studies
It derives much of its meaning from being tied directly to creation. Used 735 times (54 times in Revelation alone), it symbolizes completeness and perfection ( ...
What is the biblical significance of the number seven/7?
www.gotquestions.org › Content Index › Bible › Studying the Bible
4 Jan 2022 · With the book of Revelation, the Word was complete (Revelation 22:18). In all, the number 7 is used in the Bible more than seven hundred times.
Seven is God's favorite number - Yahoo News Singapore
ph.news.yahoo.com › seven-gods-favorite-number-170039364
17 May 2014 · Throughout the Bible (from Genesis to Revelation), the number seven appears many times. Seven is used 735 times in the Holy Bible. In the Book ...
Meaning of the Number 7 in the Bible
www.biblestudy.org › Unique Studies
It derives much of its meaning from being tied directly to creation. Used 735 times (54 times in Revelation alone), it symbolizes completeness and perfection ( ...
What is the biblical significance of the number seven/7?
www.gotquestions.org › Content Index › Bible › Studying the Bible
4 Jan 2022 · With the book of Revelation, the Word was complete (Revelation 22:18). In all, the number 7 is used in the Bible more than seven hundred times.
READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878-1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'"
" 'When a man awakes he can die; when he dies he can be born' "

- |
- |
- |
- |
- |
ITS THE FINAL COUNTDOWN |
- |
- |
- |
I |
= |
9 |
|
3 |
ITS |
48 |
21 |
3 |
T |
= |
2 |
|
3 |
|
33 |
15 |
|
F |
= |
6 |
|
5 |
|
42 |
24 |
|
C |
= |
3 |
|
9 |
COUNTDOWN |
129 |
39 |
3 |
- |
- |
|
- |
|
ITS THE FINAL COUNTDOWN |
|
|
|
|
- |
2+0 |
- |
2+0 |
- |
2+5+2 |
9+9 |
1+8 |
- |
|
|
|
|
ITS THE FINAL COUNTDOWN |
|
|
|
|
|
- |
|
- |
|
- |
1+8 |
- |
- |
|
|
|
|
ITS THE FINAL COUNTDOWN |
|
|
|
- |
- |
- |
- |
- |
THE FIVE WOUNDS |
- |
- |
- |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
4 |
|
42 |
24 |
|
W |
= |
5 |
|
6 |
|
96 |
33 |
|
- |
- |
|
- |
|
THE FIVE WOUNDS |
|
|
|
|
- |
1+3 |
- |
1+3 |
- |
1+7+1 |
7+2 |
1+8 |
- |
|
|
|
|
THE FIVE WOUNDS |
|
|
|
HERFORE NEVER SEEK TO KNOW FOR WHOM THE BELL TOLLS IT TOLLS FOR THEE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
|
100 |
55 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
|
63 |
18 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
6 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
7 |
4 |
|
59 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
4 |
|
31 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
10 |
5 |
|
78 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
47 |
|
43 |
|
542 |
209 |
47 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
11 |
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
78 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
14 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
43 |
|
184 |
67 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6+0 |
|
5+8 |
Add to Reduce |
7+2+6 |
2+7+6 |
6+0 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
1+5 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|

SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|

SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|

SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
http://en.wikipedia.org/wiki/Rishi
RISHI
ETYMOLOGY
The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".
In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.
Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.
In Vedic astronomy, the Saptarsh form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarsh may stand for the seven senses or the seven vital airs of the body.
"Seven Rishis (the Saptarsh) are often mentioned in the Brahmanas"
"In Vedic astronomy, the Saptarsh form the constellation of Ursa Major"
"Saptarsh may stand for the seven senses or the seven vital airs of the body"

SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISH SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
PAST |
56 |
11 |
|
|
RISH |
54 |
27 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
|
|
|
|
3 |
S+A+P |
36 |
18 |
9 |
2 |
T+A |
21 |
3 |
3 |
4 |
R+S+H+I |
27 |
18 |
9 |
9 |
SAPTARSHI |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
SAPTARSHI |
111 |
39 |
3 |
9 |
A
STARSHIP |
111 |
39 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
9 |
SAPTARSHI |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
SAPTARSHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
A
STARSHIP |
3 |
3 |
3 |
- |
|
|
|
|
1 |
A |
1 |
1 |
1 |
3 |
S+T+A |
40 |
13 |
4 |
1 |
R |
18 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
P |
16 |
7 |
7 |
9 |
A STARSHIP |
111 |
57 |
39 |
- |
- |
1+1+1 |
5+7 |
3+9 |
9 |
A STARSHIP |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
9 |
SAPTARSHI |
3 |
3 |
3 |
SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
9 |
SAPTARSHI |
- |
- |
- |
|
A |
1 |
1 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
9 |
SAPTARSHI |
111 |
39 |
12 |
- |
- |
1+1+1 |
3+9 |
1+2 |
9 |
SAPTARSHI |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
9 |
SAPTARSHI |
3 |
3 |
3 |
9 |
SAPTARSHI |
111 |
39 |
12 |
|
|
|
|
|
|
|
|
|
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
|
IS |
19 |
10 |
|
13 |
Add to Reduce |
162 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |

SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI

SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
The earliest list of the Seven Rishis is given by Jaiminiya Brahmana 2.218-221: Agastya, Atri, Bhardwaja, Gautam, Jamadagni, Vashistha and Vishvamitra followed by Brihadaranyaka Upanisad 2.2.6 with a slightly different list: Gautama and Bharadvaja, Vishvamitra and Jamadagni, Vashistha and Kashyapa and Atri, Bhrigu. The late Gopatha Brahmana 1.2.8 has Vashistha, Vishvamitra, Jamadagni, Gautama, Bharadvaja, Gungu, Agastya, Bhrigu and Kashyapa.
In post-Vedic texts, different lists appear; some of these rishis were recognized as the 'mind-born sons' (Sanskrit: ??? ?????, manasputra) of Brahma, the representation of the Supreme Being as Creator. Other representations are Mahesh or Shiva as the Destroyer and Vishnu as the Preserver. Since these seven rishis were also among the primary seven rishis, who were considered to be the ancestors of the Gotras of Brahmins, the birth of these rishis was mythicized.
In ancient Indian astronomy, the constellation of the Big Dipper (Ursa Major) is called saptarishi, with the seven stars representing seven rishis, namely "Vashistha", "Marichi", "Pulastya", "Pulaha", "Atri", "Angiras" and "Kratu". There is another star slightly visible within it, known as "Arundhati". Arundhati is the wife of Vashistha. Vashishtha and Arundhati together form the Mizar double.[1]
Stars of Saptarishi (Ursa Major) with their Indian astronomical names
As per legend, the seven Rishis in the next Manvantara will be Diptimat, Galava, Parashurama, Kripa, Drauni or Ashwatthama, Vyasa and Rishyasringa.
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
P |
16 |
7 |
7 |
1 |
T |
20 |
2 |
2 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
H |
8 |
8 |
8 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
1 |
S |
19 |
10 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
A |
1 |
1 |
1 |
1 |
S |
19 |
10 |
1 |
1 |
T |
20 |
2 |
2 |
1 |
P |
16 |
7 |
7 |
1 |
H |
8 |
8 |
8 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+2+0 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
- |
|
|
|
|
2 |
S+A |
20 |
11 |
2 |
2 |
P+T |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
SH |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
10 |
SAPTARISHI |
120 |
66 |
48 |
1+0 |
- |
1+1+1 |
6+6 |
4+8 |
1 |
SAPTARISHI |
3 |
12 |
12 |
- |
- |
- |
1+2 |
1+2 |
1 |
SAPTARISHI |
3 |
3 |
3 |
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
THIS IS THE SEEN OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
- |
- |
26 |
|
29 |
First Total |
|
|
|
- |
- |
2+6 |
- |
2+9 |
Add to Reduce |
3+3+8 |
1+6+7 |
3+2 |
- |
- |
8 |
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THIS IS THE SEEN OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
T |
= |
2 |
- |
4 |
THIS |
56 |
29 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
S |
= |
1 |
- |
4 |
SEEN |
43 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
U |
= |
3 |
- |
6 |
UNSEEN |
78 |
33 |
6 |
T |
= |
2 |
- |
4 |
THIS |
56 |
29 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SCENE |
46 |
28 |
1 |
- |
- |
58 |
|
72 |
First Total |
|
|
|
- |
- |
5+8 |
- |
7+2 |
Add to Reduce |
8+3+3 |
4+2+8 |
7+7 |
- |
- |
13 |
- |
|
Second Total |
|
|
|
- |
- |
1+3 |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
SAPTARISHI
Saptarishi
From Wikipedia, the free encyclopedia
Matsya (fish) rescues the Saptarishi and Manu from the great Deluge
The Saptarishi (seven great yogis) (from Sanskrit:(saptarshi), a Sanskrit dvigu meaning "seven sages") are the seven rishis in ancient India, who are extolled at many places in the Vedas and Jivan literature. The Vedic Samhitas never enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the Vedic religion.
CHRIST = 77 = CHRIST
CHRIST = 41 = CHRIST
CHRIST = 5 = CHRIST
CHRIST C RISH T CHRIST
C RISH THE RISH C
SEE THE RISH SEE
- |
RISH |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
4 |
RISH |
54 |
36 |
27 |
- |
- |
5+4 |
3+6 |
2+7 |
4 |
RISH |
9 |
9 |
9 |
Rish Name Meaning, Origin, Personality Traits and Horoscopehttps://angelsname.com › boy › rish › meaning-origin-...
Based on numerology value 9, Rish is Kind, Wise, Experienced, Spiritual, Sacrificial, Compassionate, Accepting, Humanitarian, Aware. Rish is original and ...
Rish | Definition of Rish at Definifyhttps://www.definify.com › word › rish
Rish. ,. Noun. A rush (the plant). [Obs.] Chaucer. Definition 2022. Rish. Rish. See also: rish ... Pronoun. rish. 3rd person singular of rish.
- |
RISH |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
1 |
H |
8 |
8 |
8 |
4 |
RISH |
54 |
36 |
27 |
- |
- |
5+4 |
3+6 |
2+7 |
4 |
RISH |
9 |
9 |
9 |
http://www.funscience.in/study-zone/Physics/Universe/StarConstellations.php#sthash.tebFfNXy.dpbs
STAR CONSTELLATIONS
Constellations are small groups of stars which appear in sky in specific shapes. There are about 88 constellations known to us. The names of these constellations have been derived from the names of animals or objects to which they appear to resemble. Some of the important and easily recognizable constellations are:
Ursa Constellation or Great Bear Constellation
The great bear constellation is also called ursa major, big bear and saptarishi (in Hindi). This constellation consists of seven stars making up a pattern resembling with a big bear. This constellation can be seen easily in the north sky in the month of July.
With the help of great bear constellation, the position of pole star can be easily located. Pole star is also called Dhruv tara in Hindi. It is situated immediately above the north pole of the earth. Pole star remains stationary at its position, and all the other stars appear to revolve around the pole star from east to west direction. To locate the position of pole star with the help of great bear constellation, imagine a line between the star 1 and star 2. Now, extend this imaginary line in north direction. This extended imaginary line always leads to the pole star.
SAPTARISHI
|
SHAPESHIFTERS |
|
|
- |
|
SHAPE |
49 |
22 |
|
|
SHIFTERS |
104 |
41 |
|
13 |
SHAPESHIFTERS |
153 |
63 |
|
1+3 |
|
1+5+3 |
6+3 |
|
4 |
|
9 |
9 |
|
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
SIRIUS |
95 |
32 |
5 |
6 |
SOTHIS |
90 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
THE
CHRISTOS
SEE HERE IS THE CHRISTOS
SO C HERE IS THE CHRIST
SO SEE HERE IS THE RISH
SO C HERE IS THE RISH
SO C HERE IS THE 999
RE IS IS RE
95 IS IS 95

CHRIST C RISH T CHRIST

OSIRIS 619991 OSIRIS
IRIS ISIS ISIS IRIS
KRISHNA 2991851 KRISHNA
RISH N KA KA N RISH
RISH 5 KA KA 5 RISH
- |
RISHI |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
5 |
RISHI |
63 |
45 |
27 |
- |
- |
6+3 |
4+5 |
2+7 |
5 |
RISHI |
9 |
9 |
9 |
SPIRIT I TRIPS I SPIRIT
Maharishi - definition of maharishi by The Free Dictionary
www.thefreedictionary.com/maharishi
Define maharishi. maharishisynonyms, maharishi pronunciation, maharishi translation, English dictionary definition of maharishi. n. pl. ma·ha·ri·shis Hinduism 1.
maharishi
Also found in: Encyclopedia, Wikipedia.
ma·ha·ri·shi
(mä′hə-rē′shē, mə-här′ə-shē)
n. pl. ma·ha·ri·shis Hinduism
1. A teacher of mysticism and spiritual knowledge.
2. Used as a title for such a person.
[Sanskrit mahārṣiḥ : mahā-, great; see meg- in Indo-European roots + ṛṣiḥ, seer, sage, saint; see ers- in Indo-European roots.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2011 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
maharishi
(ˌmɑːhɑːˈriːʃɪ; məˈhɑːriːʃɪ)
n
1. (Hinduism) Hinduism a Hindu teacher of religious and mystical knowledge
[from Hindi, from mahā great + rishi sage, saint]
Collins English Dictionary – Complete and Unabridged © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003
ma•ha•ri•shi
(mɑ həˈri ʃi, məˈhɑr ə-)
n., pl. -shis.
a Hindu religious sage.
[< Skt, =maha- great + -rṣi, comb. form of ṛṣi saint]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved
maharishi
A Hindi word meaning great sage, used to mean a teacher of spiritual knowledge.
maharishi: meaning and definitions - Dictionary - Infoplease
dictionary.infoplease.com/maharishi
maharishi: Definition and Pronunciation.
ma•ha•ri•shi
Pronunciation: (mä-hu-rē'shē, mu-här'u-), [key]
—n. Hinduism.
1. a teacher of spiritual and mystical knowledge; religious sage: often used as an honorary title.
2. any of the seven great mythological seers of the Vedic and post-Vedic writings: identified with the seven stars of Ursa Major.



THE SCULPTURE OF VIBRATIONS 1971