
NUCLEAR FAMILY 19769


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THE
MAGICALALPHABET
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THE RAINBOW LIGHT |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
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THE |
33 |
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MIND |
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HUMANKIND |
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Essence of Number |
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A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
THE LIGHT IS RISING NOW RISING IS THE LIGHT

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THE LIGHT IS RISING NOW RISING IS THE LIGHT

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THE
MAGICALALPHABET
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THE RAINBOW LIGHT |
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.........
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A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE MAN WHO LOVED ONLY
NUMBERS
Paul Hoffman
1
999
Page 217
"Mathematicians in India in the sixth century had
developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after
it, or 10, is a very different
number from a 1 alone.
Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero,
but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).
In the seventh century, Hindu scholars introduced Islam to the Indian number scene,
and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout
the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202,
he wrote Liber abaci (Book of the Abacus), which, despite the
title had little to do with the Abacus and a lot to do with liberating
computations from the yoke of Roman numerals.
The book seems quaint from the vantage point of the twentieth century,
because it explains what we take for granted.
"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the
sign Zero. . . any number can be written."
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THE MAGIC MOUNTAIN
Thomas Mann 1875 - 1955
Page 660
"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."
"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
Page 287
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
LIGHT AND LIFE
Lars Olof Bjorn
1976
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).
IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
1 000 000 000 'LETTERS'."
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets
Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.
The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
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3+5 |
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Reduce to Deduce |
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Essence of Number |
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BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND


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HINOSXZ |
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HINOSXZ |
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19 |
10 |
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24 |
6 |
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1 |
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26 |
8 |
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43 |
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7 |
HINOSXZ |
115 |
52 |
43 |
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4+3 |
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- |
1+1+5 |
5+2 |
4+3 |
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7 |
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7 |
HINOSXZ |
7 |
7 |
7 |

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1 |
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19 |
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8 |
8 |
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26 |
8 |
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1 |
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9 |
9 |
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43 |
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7 |
HINOSXZ |
115 |
52 |
43 |
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4+3 |
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- |
1+1+5 |
5+2 |
4+3 |
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7 |
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7 |
HINOSXZ |
7 |
7 |
7 |

7 |
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- |
8 |
9 |
5 |
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= |
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9 |
14 |
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26 |
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= |
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7 |
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- |
P+O+E |
36 |
18 |
9 |
6 |
SPHINX |
- |
- |
- |
7 |
PHOENIX |
- |
- |
- |
- |
S+P |
35 |
17 |
8 |
ABCDEFGHIJKLMNOPQRSTUVWXYZ
HINOSXZ
ZXSONIH
ZYXWVUTSRQPONMLKJIHGFEDCBA
7 |
PHOENIX |
91 |
46 |
1 |
- |
- |
- |
- |
- |
6 |
SPHINX |
90 |
36 |
9 |
7 |
PHOENIX |
91 |
46 |
1 |
6 |
SPHINX |
90 |
36 |
9 |
7 |
HINOSXZ |
115 |
43 |
7 |

THE PHOENIX
Myth and Symbol in Ancient Egypt
R. T. Rundle Clark 1959
Page 245
"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'
One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created. and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regula... tion. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.
Fig. 40. The Phoenix (in Coffin Text 335) (omitted)
The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far;away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world:
'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age. We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:
Page 248
'I am that great Benu Bird in Heliopolis, who determines
what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy,;tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which I personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:
'I flew up as the Primeval God and assumed forms
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his
body. . .
I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."
FIRST CONTACT
STAR TREK
A novel by J.M. Dillard based on the film
STAR TREK; FIRST CONTACT
Story by Rick Berman & Brannon Braga & Ronald D. Moore
Screenplay by Brannon Braga & Ronald D. Moore
1996
First
STAR TREK
FIRST CONTACT
Second
STAR TREK
FIRST CONTACT
This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Third
STAR TREK
FIRST CONTACT
STAR TREK
A novel by J.M. Dillard based on the film
1996
STAR TREK; FIRST CONTACT
Page 43
"He'd named his ship the Phoenix.
Page 47
".........the Phoenix........."
".........the Phoenix........."
Page 48
".........the Phoenix........."
Page 54
"The Phoenix had risen"
Page 57
".........the Phoenix........."
".........the Phoenix........."
".........the Phoenix........."
Page 246
"Lily could not help but laugh delightedly along with the other settlers who had silently crept up hoping to catch a glimpse of the aliens.
The Phoenix had risen at last, and she was never coming down. . ."
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINE NUMBERS WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
UFO Evidence : SETI : The Search for Extraterrestrial Intelligence
There are many methods that SETI scientific teams use to search for .... tabloid nonsense instead of on far more evide-nce than has been provided for SETI. ... www.ufoevidence.org/topics/SETI.htm
Project Phoenix is the world's most sensitive and comprehensive search for extraterrestrial intelligence. It is an effort to detect extraterrestrial civilizations by listening for radio signals that are either being deliberately beamed our way, or are inadvertently transmitted from another planet. Phoenix is the successor to the ambitious NASA SETI program that was cancelled by a budget-conscious Congress in 1993.
COSMIC MESSAGE IN A BOTTLE
"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.
A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.
Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"
http://news.bbc.co.uk/2/hi/science/nature/2654755.stm
MESSAGE IN A BOTTLE
Lyrics Sting and Police
Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before I fall into despair, oh
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Walked out this morning, dont believe what I saw
Hundred billion bottles washed up on the shore
Seems Im not alone at being alone
Hundred billion castaways, looking for a home
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
THE PHOENIX AND THE MIRROR
Avram Davidson 1969
Page 244
CHAPTER THIRTEEN
THE RED MAN was seated, slumped, upon the ground when they reached him at last. The journey had evidently wearied him much, more than it had Vergil. Not until his blurred eyes focused on Laura did a flicker of interest show in them, and he slowly rose to his feet and prepared to mount. Vergil would have liked to take some of the scant food remaining in their packs, for, though he had drunk sweet water in a silver cup at the Cyclops' castle, he had not then thought to ask for anything to eat. But it was best to wait. Let them get well away.
Only. . .
"This is not the way we came," he called out to his guide
The Red Man shook his head slightly. "Another route. . . " his words came, faintly over his shoulder.
"That's wise. We will avoid the Troglodytes this time, I suppose?" But no answer came. He rode alongside of Laura, and spoke to her" but she had / Page 244 / little to say. Her manner was as passive as ever. Indeed, she seemed so blank and docile that Vergil felt a pang of doubt concerning his feelings for her. Could she really be little more than a lovely doll? Had Cornelia's state and beauty sapped and stunted her personality? Or was this merely a sort of protective shock?
Presently she was enough aroused to answer one or two of his questions-or, rather, to explain why it was she could not answer them. "1 do not know why they took me from the Great High Road," she said softly. "They said that Queenthat my mother had sent them, and they showed me a letter from her." .
"A forgery, doubtless. But it is very strange. . . to have brought you so far, when convenient hiding places were so much nearer. One wonders why, for what motive. Ransom?" But Laura did not know. She gazed out of her mild and lovely wine-dark eyes on the passing desert. From time to time Vergil suggested a halt, but the Red Man pressed on. Sometimes he shook his head, sometimes he gestured ahead with his driving stick; he never spoke. They had grown so gradually weary that it took some time for Vergil and Laura to realize that their present route had taken them quite definitely out of and away from the Sea of Sand. They were now, and had been for some time, in a region of stones, the land rising gradually on all sides.
They were discussing this, in weary wonder, when he observed that she had closed her eyes and pressed her hand to her temple. He drew his camel in close to hers and reached out to support her.
Page 246
We must stop now," he called out. "The princess is very faint."
Without turning his head, the Red Man said,
"We are almost ,there.."
"Almost there?" Vergil felt anger rising over fatigue." Almost where? I tell you, we must stop at once!" But Ebbed-Saphir spoke only to the mounts, and they would not pause now for all of Vergil 's urgings. It was a slight shift in the wind which brought tidings of what their eyes soon enough beheld. A perfume, a fragrance, as of some garden in Cyprus. . . he thought, at first, he
dreamed. . . Then he saw it.
But it was no garden. Up, up past a wilderness of polished stones glittering in the fading sun like giant gems the trail had led them, finally diemboguling into a high plateau. And there was a great pile, as large as a house, of logs: scented cedarwood and fragrant sandalwood and trees of myrrh and . other odorous timbers of balsam and the like. Intricately carved and carpeted steps led to the
summit and there was a pavilion somewhat furnished.
"A clap of thunder, a blaze of light sounded and shone in Vergil's head. Fragments whirled and danced and, suddenly, like pieces of a mosaic, came together in a visible pattern. "Man of fire! Man- of Tyre!" a voice shouted as the Red Man dismounted and.advanced. "Phoenician? No, not Phoenician alone, but. . . "
"Phoenix" said the Red Man. His face blazed with fiery light. .
Not just a Phoenician, but a Phoenix! Not, indeed, the symbolic, metaphorical bird of legend, / Page 247 / but the actual being itself. Gone now was all semblance of fatigue; all was joyful haste, as of a man going to a long-awaited tryst. The words poured forth from him. He, too, was old-if not as old as the Cyclops-but he was mortal, and his mortality indescribably wearied him. Up and down the world and to and fro, he had been coming and going for centuries: and now his time was at hand, had been at hand for these two years past. Only the fire could liberate him from the fretting, chafing shackles of his flesh, and, by its destruction of his present body, enable him to renew his youth.
The sign of regeneration. Vergil thought. Eagle, serpent, phoenix.
Aloud, he said, "If such is your need, Captain Phoenix, then it is not for me to stand in your way."
But the other looked at him, teeth and eyes gleaming in his blazing face. "You? You are nothing but a path on which I tread. The Phoenix has no need of wizards."
"Then do what you must. Why you have brought me here, I do not at all know. Is it to kindle your pyre? The task likes me not, but-"
An-Thon Ebbed-Saphir laughed his brief scorn. "I have little time to enjoy the irony of it, but I have brought you here to pull, as it were, my chestnuts from the fire. I know the Cyclops hates me. I was not certain that you would succeed in rescuing my bride from him-"
"Your Bride?"
The Red One nodded. "Yes. . . You spoke of my need. Little do you know of it, that you ask in such / Page 248 / astonishment. Yes, the Phoenix must have a bride! And, as the Phoenix is always male, he must take his bride from among the daughters of ordinary men. Our marriage, my marriage, the marriage of the Phoenix, is not an act of venery-though in such sweatings and writhings we usually join as gladly as the rest of you. No-only the union of male and female in the fire's dissolution can result in the formation of the magical egg from which the new Phoenix will emerge. My bride!" -he turned to Laura, extending his hand-"my bride!"
With a gasp and a quivering breath, she drew back within the shelter of Vergil's arm and cloak.
"You need not fear. The pain is brief and slight, the joy is exceeding great, and in these our wedding resembles weddings of mortality and flesh. Neither fear me nor disdain me, but come surmount with me our matrimonial pavilion on the pyre. . . You still fear? Believe me that you need not! I will be patient a moment more, but I have not forever. " ,
Vergil said, as the setting sun cast its red reflection on the other's face, "But why, Phoenix, out of all the world of women, have you selected this one woman? You see she does not wish it, nor should , you wonder. But surely in all the world there must
be at least one who would?:'
"There is. She was. Long ago, as this girl measures time, the other pledged her troth to this mystic wedding in return for long life, for love, and for the potency to gain a throne. She gained that throne, she shared that love, she was to live as long as her Phoenix lived: . . perhaps five hundred years. . . perhaps more. . . one can never be sure."

THE SCULPTURE OF VIBRATIONS 1971
Message boards : Cafe SETI ...
setiweb.ssl.berkeley.edu/forum_forum.
Fun with Numbers
Posted 12 Jun 2007 1:43:07 UTC
Last modified: 12 Jun 2007 2:13:56 UTC
666:
666: is the number of the Devil. If you look closely, you will see that there is never any post in any thread numbered 666 on Cafe Seti. The numbering goes to 665, then jumps to 667.
Question: Is that because the mods have been ordered to remove all 666 post numbers from the thread? Or, is this an administrative "fix" to keep the forums "Kid Friendly"? Or...is this some kind of religious cabal foisted on the forums by the Da Vinci Code guardians?
Posted 14 Jun 2007 2:45:31 UTC -
69
This number is often used as an example number. It is popular among hackers as an addition to metasyntactic variables (foo69, bar69). It is also notable because it is the largest number whose factorial can be calculated by a pocket calculator limited to standard scientific notation with a 2 digit exponent.
{Hahaha! Fooled ya! :-P)
Straight from the dictionary:
69
adj : being nine more than sixty
|
THE |
33 |
15 |
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|
SPHINX |
90 |
36 |
|
9 |
Add to Reduce |
123 |
51 |
15 |
|
Reduce to Deduce |
1+2+3 |
5+1 |
1+5 |
9 |
Essence of Number |
6 |
6 |
6 |
- |
SPHINX |
- |
- |
|
3 |
SPH |
43 |
16 |
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I |
9 |
9 |
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NX |
38 |
11 |
|
6 |
SPHINX |
90 |
36 |
18 |
|
- |
9+0 |
3+6 |
1+8 |
6 |
SPHINX |
9 |
9 |
9 |
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1 |
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19 |
10 |
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16 |
7 |
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1 |
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8 |
8 |
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1 |
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9 |
9 |
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1 |
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14 |
5 |
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1 |
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24 |
6 |
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18 |
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6 |
SPHINX |
90 |
45 |
18 |
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|
1+8 |
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- |
9+0 |
3+6 |
1+8 |
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9 |
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6 |
SPHINX |
9 |
9 |
9 |
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1 |
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19 |
10 |
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14 |
5 |
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1 |
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24 |
6 |
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1 |
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16 |
7 |
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1 |
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8 |
8 |
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1 |
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9 |
9 |
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18 |
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6 |
SPHINX |
90 |
45 |
18 |
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|
1+8 |
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- |
9+0 |
3+6 |
1+8 |
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9 |
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6 |
SPHINX |
9 |
9 |
9 |

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16 |
7 |
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1 |
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15 |
6 |
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5 |
5 |
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9 |
9 |
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1 |
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24 |
6 |
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46 |
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7 |
PHOENIX |
91 |
46 |
46 |
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4+6 |
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- |
9+0 |
4+6 |
4+6 |
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10 |
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7 |
PHOENIX |
10 |
10 |
10 |
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1+0 |
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- |
1+0 |
1+0 |
1+0 |
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1 |
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7 |
PHOENIX |
1 |
1 |
1 |
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1 |
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5 |
5 |
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14 |
5 |
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1 |
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15 |
6 |
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1 |
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24 |
6 |
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16 |
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1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
46 |
|
7 |
PHOENIX |
91 |
46 |
46 |
|
|
4+6 |
|
|
- |
9+0 |
4+6 |
4+6 |
|
|
10 |
|
7 |
PHOENIX |
10 |
10 |
10 |
|
|
1+0 |
|
|
- |
1+0 |
1+0 |
1+0 |
|
|
1 |
|
7 |
PHOENIX |
1 |
1 |
1 |
- |
P+O+E |
36 |
18 |
9 |
6 |
SPHINX |
- |
- |
- |
7 |
PHOENIX |
- |
- |
- |
- |
S+P |
35 |
17 |
8 |
6 |
SPHINX |
90 |
36 |
9 |
7 |
PHOENIX |
91 |
46 |
1 |
7 |
SOLOMON |
|
|
|
- |
S |
19 |
1 |
1 |
- |
O |
15 |
6 |
6 |
- |
L |
12 |
3 |
3 |
|
|
|
|
|
- |
M |
13 |
4 |
4 |
- |
O |
15 |
6 |
6 |
- |
O |
15 |
6 |
6 |
- |
N |
14 |
5 |
5 |
7 |
SOL-MOON |
103 |
31 |
31 |
- |
- |
1+0+3 |
3+1 |
3+1 |
7 |
SOLOMON |
4 |
4 |
4 |
7 |
SOLOMON |
103 |
31 |
4 |
- |
- |
|
|
|
- |
- |
|
|
|
7 |
|
|
|
|
3 |
SOL |
46 |
10 |
1 |
4 |
MOON |
57 |
21 |
3 |
7 |
SOL-MOON |
103 |
31 |
4 |
- |
|
1+0+3 |
3+1 |
|
7 |
SOL-MOON |
4 |
4 |
4 |
9 |
PRINCIPIA |
95 |
59 |
5 |
11 |
MATHEMATICA |
94 |
40 |
4 |
20 |
Reduce to Deduce |
189 |
99 |
9 |


4 |
|
- |
- |
- |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
S |
|
|
|
4 |
|
- |
- |
- |



SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 198
"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
|
|
|
|
6 |
OSIRIS |
89 |
35 |
8 |
|
|
|
|
4 |
UNAS |
55 |
10 |
1 |
|
|
|
|
4 |
TAKE |
37 |
10 |
1 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
35 |
17 |
|
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
81 |
27 |
|
|
|
32 |
|
27 |
Add to Reduce |
351 |
126 |
36 |
|
|
3+2 |
|
2+7 |
Reduce to Deduce |
1+8+0 |
8+1 |
3+6 |
|
|
3 |
|
9 |
Essence of Number |
9 |
9 |
9 |
Page 198
"Then come fourteen utterances, each preceded by the formula
"Osiris Unas, take the Eye of Horus,"
followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
- |
- |
84 |
- |
|
- |
|
|
|
- |
- |
8+4 |
- |
3+7+8 |
- |
4+9+1+4 |
1+7+6+4 |
5+0+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+2 |
- |
2+7 |
- |
1+8 |
8+1 |
- |
- |
- |
|
- |
|
- |
|
|
|
OSIRIS UNAS TAKE THE EYE OF HORUS
THE ANCIENT EGYPTIAN PYRAMID TEXTS
1910
R. O. Faulkner
Page 49
Utterance 222
The king joins the sun-god
The officiating priest addresses the king
Stand upon it, this earth which issued from Atum, this spittle1 which issued §199 from Khoprer; come into being upon it, be exalted upon it, so that your father may see you, so that Re( may see you.
The king speaks2
I have come to you, my father, I have come to you, O Re,
I have come to you, my father, I have come to you, O Ndi.3
I have come to you, my father, I have come to you, O Pndn.
I have come to you, my father, I have come to you, O Dndn.
I have come to you, my father, I have come to you, O Great Wild Bull.
I have come to you, my father, I have come to you, O Great Float-user. 4
I have come to you, my father, I have come to you,O Sopd ./ Page 50
I have come to you, my father, I have come to you, O Sharp of Teeth.5
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
9 |
H |
= |
8 |
4 |
HAVE |
36 |
18 |
9 |
9 |
C |
= |
3 |
4 |
COME |
36 |
18 |
9 |
9 |
T |
= |
2 |
2 |
TO |
35 |
8 |
8 |
- |
Y |
= |
7 |
3 |
YOU |
61 |
16 |
7 |
- |
M |
= |
4 |
2 |
MY |
38 |
11 |
2 |
- |
F |
= |
6 |
6 |
FATHER |
58 |
31 |
4 |
- |
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
9 |
H |
= |
8 |
4 |
HAVE |
36 |
18 |
9 |
9 |
C |
= |
3 |
4 |
COME |
36 |
18 |
9 |
9 |
The king speaks2
I have come to you, my father, I have come to you, O Re,
I have come to you, my father, I have come to you, O Ndi.3
I have come to you, my father, I have come to you, O Pndn.
I have come to you, my father, I have come to you, O Dndn.
I have come to you, my father, I have come to you, O Great Wild Bull.
I have come to you, my father, I have come to you, O Great Float-user. 4
I have come to you, my father, I have come to you,O Sopd ./ Page 50
I have come to you, my father, I have come to you, O Sharp of Teeth.5
|
|
|
2 |
RE |
23 |
14 |
5 |
|
|
|
|
4 |
SOPD |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
9 |
H |
= |
8 |
4 |
HAVE |
36 |
18 |
9 |
9 |
C |
= |
3 |
4 |
COME |
36 |
18 |
9 |
9 |
T |
= |
2 |
2 |
TO |
35 |
8 |
8 |
|
Y |
= |
7 |
3 |
YOU |
61 |
16 |
7 |
|
M |
= |
4 |
2 |
MY |
38 |
11 |
2 |
|
F |
= |
6 |
6 |
FATHER |
58 |
31 |
4 |
|
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
9 |
H |
= |
8 |
4 |
HAVE |
36 |
18 |
9 |
9 |
C |
= |
3 |
4 |
COME |
36 |
18 |
9 |
9 |
T |
= |
2 |
2 |
TO |
35 |
8 |
8 |
|
Y |
= |
7 |
3 |
YOU |
61 |
16 |
7 |
|
O |
= |
6 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
96 |
|
|
|
|
|
|
4+6+5 |
1+8+6 |
9+6 |
5+4 |
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
1+5 |
1+5 |
1+5 |
- |
|
|
|
|
|
|
|
6 |
|
JOSEPH AND HIS BROTHERS
Thomas Mann 1875-1955
Page 935
"Come nearer, my friend," he said, as the bee studded curtain closed behind them, "pray come close to me, dear Khabiru from the Retenu, fear not, nor startle in your step, come quite close to me! This is the mother of god, Tiy, who lives a million years. And I am Pharaoh. But think no more of that, lest it make you fearful. Pharaoh is God and Man, but sets as much store by the second as the first, yes he rejoices, sometimes his rejoicing amounts to defiance and scorn that he is a man like all men, seen from one side; he rejoices to snap his fingers at those sour faces who would have him bear himself uniformly as God
SIMULATIONS OF GOD
THE SCIENCE OF BELIEF
John Lilly 1975
Page xi
"I am only an extraterrestrial who has come to the / Page xii / planet Earth to inhabit a human body, Everytime I leave this body and go back to my own civilization, I am expanded beyond all human imaginings, When I must return I am squeezed down into the limited vehicle."
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
THE BOOK OF THE DEAD
E.A. Wallis Budge
First Published
1899
THE ADDRESSES OF HORUS
[Chap. clxxiii.
CHAPTER
CLXXIII.
[From the Papyrus of Nebseni (Brit. Mus. Nc. 9900, sheets 9 and 10).]
Vignette: "Osiris, the great god, the lord of Abtu, the lord of transformations, the prince of eternity," seated in a shrine; to the left of the text the deceased stands, with hands raised in adoration, before the god, and the ground between them is covered with the bodies of birds and beasts which have been
prepared for sacrifice (see pp. 390, 391).
Page 589 Chap. clxxiii. IO]
THE ADDRESSES OF HORUS
Text: THE SPEECHES OF HORUS TO HIS' DIVINE FATHER OSIRIS WHEN HE ENTERETH IN TO SEE HIM, AND .WHEN HE COMETH FORTH FROM NEAR THE GREAT ABT CHAMBER TO LOOK UPON RA AS UN-NEFER, THE LORD OF TA-TCHESERT; THEN DOTH EACH EMBRACE THE OTHER AT THB PLEASURE OF HIS KHU, THERE IN THE UNDERWORLD. (1) A Hymn of Praise to Osiris, governor of those in the underworld, the great god, the lord of Abydos, the king of eternity, the prince of everlastingness, the holy god in Re-stau, (2) by the scribe Nebseni, who saith :- (3)
"I ascribe praise unto thee, O lord of the gods, thou "God One, who livest (4) upon right and truth, behold, "I thy son Horus come unto thee; (5) I have avenged "thee, and I have brought to thee maat-even to the "place where is. the company of thy gods. (6) Grant "thou that I may have my being among those who are "in thy following, for I have overthrown all thy (7) "foes, and I have stablisherl all those who are of thy "substance upon the earth for ever and ever,"
[Here follow forty declarations, each of which is preceded by the words "Hail, Osiris, I am thy " son." ]
(8).. "I have come, and I have avenged [thee, O my"father Osiris]. .
(9).. "I have come, and I have overthrown for thee "thine enemies.
(10) "I have come, and I have done away with every "evil thing which belongeth unto thee.Page 590 [Chap. clxxiii.33
(11) "I have come, and I have slain for thee him that " attacked thee. .
(12) "I have come, and I have sent forth mine arm "against those who were hostile towards thee.
(13) "I have come, and I have brought unto thee "the fiends of Set with their fetters upon them.
(14) "I have come, and I have brought unto thee "the land of the South, and I have united unto thee " the land of the North.
(15) "I have come, and I have stablished for thee " divine offerings from the South and from the North.
(16) "I have come, and I have ploughed 1 for thee "the fields.
(17) "I have come, and I have filled for thee the"canals with water.
(18) "I have come, and I have hoed up for thee the "ground.
(19) "I have come, and I have built cisterns for thee.
(20) "I have come, and I have gone round about the "Boil for thee.
(21) "I have come, and I have made sacrificial "victims of those who were hostile to thee.Page 591 Chap. clxxiii. 32]
(22) "I have come, and I have made sacrifices unto "thee of thine animals and victims for slaughter.
(23) "I have come, and I have supplied [thee] with " food in abundance [of the creatures which are upon " earth l
(24) "I have come, and I have brought unto thee " . . . . . .
(25) "I have come, and I have slain for thee " . . . . . . . .
(26) "I have come, and I have smitten for thee"emasculated beasts.
(27) "I have come, and I have netted for thee birds "and feathered fowl.
(28) "I have come, and I have taken captive for "thee thine enemies in their chains.
(29) "I have come, and I have fettered for thee thine "enemies with fetters.
(30) "I have come, and I have brought for thee cool "water from Abu (Elephantine), wherewith thou "mayest refresh thine heart.
(31) "I have come, and I have brought unto thee " herbs of every kind.
(32) "I have come, and I have stablished for thee "those who are of thy substance daily.Page 592 [Chap. clxxiii. 33(33) "I have (33) "I have come, and I have made thy cakes in "the city of Pe of the red barley.
(34) "I nave come, and I have made thy ale in the "city of Tepu of the white grain.
(35) "I have come, and I have ploughed for thee "wheat and barley in Sekhet-Aaru.
(36) "I have come, and I have reaped it for thee "therein.
(37) "I have come, and I have glorified thee.
(38) "I have come, and I have given [to thee] thy "souls.
(39) "I have come, and I have given [to thee] thy "power.
(40) "I have come, and I have given [to thee thy]." . . . . .
(41) "I have come, and I have given [to thee thy] " . . . . .
(42) "I have come, and I have given [to thee] thy "terror.
(43) "I have come, and I have gIven [to thee] thy "victory.
(44) "I have come, and I have given to thee thine "eyes, [which are] the plumes on thy head.
(45) "I have'come, and I have give)l [to thee] Isis "and Nephthys that they may stablish thee.
(46) "I have come, and I have filled for thee the "Eye of Horus [with] oil (or unguent).
(47) "I have come, and I have brought?nto thee the "Eye of Horus, whereby thy face shall be destroyed."
Page 590 Note 1 The text actually has, I have overthrown."
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
I |
- |
H |
A |
V |
E |
- |
C |
O |
M |
E |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
8 |
1 |
22 |
5 |
- |
3 |
15 |
13 |
5 |
+ |
= |
81 |
8+1 |
= |
9 |
NINE |
9 |
- |
- |
- |
- |
2+2 |
|
- |
- |
1+5 |
1+3 |
- |
- |
|
- |
- |
- |
- |
- |
- |
9 |
- |
8 |
1 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
+ |
= |
45 |
4+5 |
= |
9 |
NINE |
9 |
I |
- |
H |
A |
V |
E |
- |
C |
O |
M |
E |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
9 |
I HAVE COME |
I |
HAVE |
COME |
- |
- |
- |
- |
I |
HAVE |
COME |
9 |
1+4+4 |
I+ HA+VE CO+ME |
9 |
8-1-22-5 |
3-15-13-5 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
9 |
1+4+4 |
I+ HA+VE CO+ME |
9 |
8-1-4-5 |
3-6-4-5 |
+ |
= |
45 |
4+5 |
9 |
NINE |
9 |
9 |
9 |
I HAVE COME |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
I |
HAVE |
COME |
- |
- |
- |
- |
- |
- |
- |
1 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
2 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
3 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
4 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
5 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
6 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
7 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
8 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
9 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
10 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
11 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
12 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
13 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
14 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
15 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
16 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
17 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
18 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
19 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
20 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
21 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
22 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
23 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
24 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
25 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
26 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
27 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
28 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
29 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
30 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
31 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
32 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
33 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
34 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
35 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
36 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
37 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
38 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
39 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
40 |
9 |
I HAVE COME |
9 |
36 |
36 |
+ |
= |
81 |
8+1 |
9 |
NINE |
9 |
820 |
360 |
First Total |
360 |
1440 |
1440 |
- |
- |
3240 |
- |
360 |
- |
360 |
8+2+0 |
3+6+0 |
Add to Reduce |
3+6+0 |
1+4+4+0 |
1+4+4+0 |
- |
- |
3+2+4+0 |
- |
3+6+0 |
- |
3+6+0 |
10 |
9 |
Second Total |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
9 |
1+0 |
- |
Reduce to Deduce |
- |
- |
- |
|
|
- |
|
- |
|
- |
1 |
9 |
Essence of Number |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
9 |
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
4 |
COME |
36 |
18 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
HA |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
2 |
CO |
18 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
5 |
HORUS |
81 |
36 |
9 |
HURRAH FOR RAH FOR RAH FOR RAH HURRAH
I
HAVE
COME
153 x 12 = 1836 1836 = 12 x 153

THE NAMES OF OSIRIS
THE NAMES OF OSIRIS IN EVERY SHRINE WHEREIN HE DWELLETH
1. ASAR UN-NEFER
2. ASAR ANKHTI
3. ASAR NEB-ANKH
4. ASAR NEB-ER-TCHER
5. ASAR KHENTI
6. ASAR SAH
7. ASAR SAA
8. ASAR KHENTI-PERU
9. ASAR EM RESENT
10. ASAR EM MEHENET
11. ASAR NUB-HEH
12. ASAR BATI ERPIT
13. ASAR PTAH-NEB-ANKH
14. ASAR LHENTI RE-ARAU
15. ASAR HER-AB SEMT
16. ASAR EM ATI {ANETCH}
17. ASAR EM SEHET
18. ASAR EM NETCHEFET
19. ASAR EM RESU
20. ASAR EM PE
21. ASAR EM NETERU
22. ASAR EM SAU-KHERI
23. ASAR EM BAKET
24. ASAR EM REHENET
25. ASAR EM SUNNU
25. ASAR SEKRI EM PET-SHE
26. ASAR EM APER
27. ASAR QEFTENNU
28. ASAR SEKRI EM PET-SHE
29. ASAR KHENTI NUT-F
30. ASAR EM PESEK-RE
31. ASAR EM-AST-F-AMU-TA-MEH
32. ASAR EM PET
33. ASAR EM-AST-F-AMU-RE-STAU
34. ASAR NETCHESTI
35. ASAR SMAM-UR
36. ASAR SEKRI
37. ASAR HEQ-TCHETTA
38. ASAR TUA
39. ASAR EM ATER
40. ASAR EM SEK
41. ASAR NEB-TCHETTA
42. ASAR ATHI
43. ASAR TAITI
44. ASAR EM RE-STAU
45. ASAR HER-SHAI-F
46. ASAR KHENTI-SEH-HEMT
47. ASAR EM TAU-ENENET
48. ASAR EM NETEBIT
49. ASAR EM SATI
50. ASAR EM BETESHU
51. ASAR EM TEPU
52. ASAR EM SAU-HERI
53. ASAR EM NEPERT
54. ASAR EM SAU-HERI
55. ASAR EM HENKET
56. ASAR EM TA-SEKRI
57. ASAR EM SHAU
58. ASAR EM FAT-HERU
59. ASAR EM MATTI
60. ASAR EM HENA
NAMES OF OSIRIS IN EVERY SHRINE IN WHICH HE DWELLETH
{SAITE RECENSION, ABOUT B.C.300}
1. ASAR UN-NEFER
2. ASAR ANKHI
3. ASAR NEB ANKH
4. ASAR NEB-ER-TCHER
5. ASAR AP-.......TAUI
6. ASAR KHENTET UN
7. ASAR KHENTET NEPRA
8. ASAR SAH
9. ASAR SEPS-BIU-ANNU
10. ASAR KHENTI-THENENET
11. ASAR EM RESENET
12. ASAR EM MEHENET
13. ASAR NEB HEH
14. ASAR SA ERPETI
15. ASAR PTAH NEB ANKH
16. ASAR KHENT RE-STAU
17. ASAR TAIU HER-AB TATTU
18. ASAR HER-AB SET
19. ASAR BA SHEPS EM TATTU
20. ASAR BA ATEP
21. ASAR EM HEST,OR, NETER-SEHT
22. ASAR NEB TA ANKHTET
23. ASAR EM SAU
24. ASAR EM NETCHET
25. ASAR EM RESU, OR, EM TCHATCHAT
26. ASAR EM PE
27. ASAR EM TEPT
28. ASAR EM NETRA
29. ASAR EM SAU KHERT
30. ASAR EM SAU HERT
31. ASAR EM AN-RUT-F
32. ASAR EM BAKUI
33. ASAR EM SUNNU
34. ASAR EM RENEN
35. ASAR EM APER
36. ASAR EM QEFENNU
37. ASAR EM SEKRI
38. A SAR EM PETET
39. ASAR EM HET-F EM RE-STAU
40. ASAR EM NIF-UR
41. ASAR EM NETIT
42. ASAR KHENTI NUT-F
43. ASAR HENTI
44. ASAR EM PEKES
45. ASAR EM HET-F-AM TA RESET.
46. ASAR EM HET-F AM TA MEHT
47. ASAR EM PET
48. ASAR EM TA
49. ASAR EM NEST
50. ASAR EM ATEF-UR
51. ASAR SEKER EM SHETAT
52. ASAR HEQ TCHETTA EM ANNU
53. ASAR UTET
54. ASAR EM SEKET
55. ASAR EM RERTU-NIFU
56. ASAR NEB-TCHETTA
57. ASAR NEB-HEH
58. ASAR EM TESHER
59. ASAR EM SESHET
60. ASAR EM AAT-URT
63. ASAR EM APERT
64. ASAR EM SHENNU
65. ASAR EM HEKENNUT, OR HESERTET
66. ASAR EM SEKER
67. ASAR EM SHAU
68. ASAR FA-HERU
69. ASAR EM UU-PEK
70. ASAR EM MAATI
71. ASAR EM MENA
72. ASAR BAIU TET-F
73. ASAR NEB TAIU SUTEN NETERU
74. ASAR EM BENER
75. ASAR EM TAI
76. ASAR HER SHAI-F
77. ASAR EM BENER
78. ASAR EM SA
79. ASAR EM SATI
80. ASAR EM ASHER
81. ASAR EM TAUI NEBU
82. ASAR KHENT SHET AA-PERTI
83. ASAR EM HET BENBENET
84. ASAR EM ANNU
85. ASAR AAU AM ANNU
86. ASA EM HEMAK
87. ASAR EM AKESH
88. ASAR EM PE NU
89. ASAR EM HET-AAT
90. ASAR NEB-ANKH EM ABTU
91. ASAR NEB-TATTU
92. ASAR KHENT KA-AST
93. ASAR ATHI HER-AB ABTU
94. ASAR ATHI HER-AB SHETAT
95. ASAR EM ANKH EM PTAH-HET-KAT
96. ASAR NEB PEHTET PETPET SABA
97. ASAR BA HER-AB QEMT
98. ASAR AHETI
99. ASAR SEH
100. ASAR HERU-KHUTI
101. TEM KA KHA PAUTNETERU AAT
102. AP-UAT REST SEKEM TAUI
103. AP-UAT MEHT SEKEM PET
104. PTAH TETTET SHEPS AST RA
105. UA SEQEB EM HET-BENBEN
106. SEB ERPAT NETERU
107. HERU-UR
108. HERU-KHENTET-AN-MAATI
109. HERU-SA-AST
110. AMSU {MIN}-SUTEN-HERU-NEKHT
111. AN-MUT-F-AB-PERUI-HETEP
112. KHNEMU-HERU-HETEP
113. HERU-SEKHAI
114. HERU-KHENT-KHATTHI
115. HERU-TEHUTI
116. AN-HER
117. ANPU-KHENT-NETER-SEH
118. NUT
119. AST NETERT EM REN-S NEBU
120. RE-SEKHAIT
121. SHENTHIT
122. HEQTIT
123. NESHNET NEB TCHETTA
124. NET
125. SERQET
126. MAAT
127. AHIT
128. TA FTU MESKHENU AMU ABTU
129. MESKHEN AAT
130. MESKHEN SEQEBET
131. MESKHEN MENT {?}
132. MESKHEN NEFERT
133. AMSETH
134. HAPI
135. TUA-MUT-F
136. QEBH-SENNU-F
137. AARAT HER-AB NETER HET
138. NETERU SEMU TUAT
139. NETERU QERTI
140. ATURTI NETERIT AMU ABTU
141. ATURTI REST MEHT
142. AMKHIU NU ASAR
143. ASAR KHENT AMENTET
144. ASAR EM AST-F NEBU
145. ASAR EM AST-F EM TA REST
146. ASAR EM AHAT-F EM TA MEHT
147. ASAR EM AST-F NEB MERI KA-F AM
148. ASAR EM SEH-F NEBU
149. ASAR EM QEMA-F NEBU
150. ASAR EM REN-F NEBU
151. ASAR EM KER-F NEB
152. ASAR EM KHAU-F NEBU
153. ASAR EM KHAKERU-F NEBU
154. ASAR EM AHAT-F NEBU
155. HERU-NETCH-TEF-F EM REN-F NEB
156. ANPU KHENT NETER SEH EM REN-F NEB
157. ANPU AM UHET
158. NETERU ENT NETER-KHERT ENT AMU TUAT

144 |
ASAR EM AST-F NEBU |
145 |
ASAR EM AST-F EM TA REST |
146 |
ASAR EM AHAT-F EM TA MEHT |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
ASAR EM SEH-F NEBU |
149 |
ASAR EM QEMA-F NEBU |
150 |
ASAR EM REN-F NEBU |
151 |
ASAR EM KER-F NEB |
152 |
ASAR EM KHAU-F NEBU |
144 |
|
= |
1 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
|
= |
1 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
|
= |
1 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
= |
1 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
= |
1 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
|
= |
1 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
|
= |
1 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
|
= |
1 |
- |
13 |
ASAR EM KER-F NEB |
152 |
|
= |
1 |
- |
15 |
ASAR EM KHAU-F NEBU |
144 |
|
= |
1 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
|
= |
1 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
|
= |
1 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
= |
1 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
= |
1 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
|
= |
1 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
|
= |
1 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
|
= |
1 |
- |
13 |
ASAR EM KER-F NEB |
152 |
|
= |
1 |
- |
15 |
ASAR EM KHAU-F NEBU |
144 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
- |
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
- |
14 |
ASAR EM SEH-F NEBU |
149 |
- |
15 |
ASAR EM QEMA-F NEBU |
150 |
- |
14 |
ASAR EM REN-F NEBU |
151 |
- |
13 |
ASAR EM KER-F NEB |
152 |
- |
15 |
ASAR EM KHAU-F NEBU |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
19 |
1 |
18 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
- |
- |
|
1+9 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
1 |
9 |
+ |
= |
21 |
2+1 |
= |
3 |
- |
|
|
|
- |
1+0 |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
145 |
ASAR EM AST-F EM TA REST |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
146 |
ASAR EM AHAT-F EM TA MEHT |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
148 |
ASAR EM SEH-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
149 |
ASAR EM QEMA-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
150 |
ASAR EM REN-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
151 |
ASAR EM KER-F NEB |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
152 |
ASAR EM KHAU-F NEBU |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
19 |
1 |
18 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
- |
- |
|
1+9 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
1 |
|
1 |
9 |
+ |
= |
21 |
2+1 |
= |
3 |
- |
|
|
|
- |
1+0 |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1 |
1 |
1 |
9 |
+ |
= |
12 |
1+2 |
- |
- |
- |
3 |
- |
- |
A |
S |
A |
R |
- |
- |
- |
- |
- |
- |
- |
- |
144 |
- |
14 |
ASAR EM AST-F NEBU |
145 |
- |
18 |
ASAR EM AST-F EM TA REST |
146 |
- |
19 |
ASAR EM AHAT-F EM TA MEHT |
147 |
|
22 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
|
14 |
ASAR EM SEH-F NEBU |
149 |
|
15 |
ASAR EM QEMA-F NEBU |
150 |
|
14 |
ASAR EM REN-F NEBU |
151 |
|
13 |
ASAR EM KER-F NEB |
152 |
|
15 |
ASAR EM KHAU-F NEBU |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
- |
- |
18 |
5 |
13 |
+ |
= |
9 |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
|
- |
R |
E |
M |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
145 |
ASAR EM AST-F EM TA REST |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
146 |
ASAR EM AHAT-F EM TA MEHT |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
148 |
ASAR EM SEH-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
149 |
ASAR EM QEMA-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
150 |
ASAR EM REN-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
151 |
ASAR EM KER-F NEB |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
152 |
ASAR EM KHAU-F NEBU |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
- |
- |
18 |
5 |
13 |
+ |
= |
9 |
- |
9 |
- |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
5 |
4 |
+ |
= |
18 |
1+8 |
9 |
- |
- |
R |
E |
M |
- |
- |
- |
- |
- |
144 |
ASAR EM AST-F NEBU |
145 |
ASAR EM AST-F EM TA REST |
146 |
ASAR EM AHAT-F EM TA MEHT |
147 |
ASAR EM AST-F NEB MERI KA-F AM |
148 |
ASAR EM SEH-F NEBU |
149 |
ASAR EM QEMA-F NEBU |
150 |
ASAR EM REN-F NEBU |
151 |
ASAR EM KER-F NEB |
152 |
ASAR EM KHAU-F NEBU |
Y |
= |
7 |
- |
9 |
YESTERDAY |
|
|
|
T |
- |
2 |
- |
5 |
TODAY |
|
|
|
T |
= |
2 |
- |
8 |
TOMORROW |
|
|
|
- |
- |
|
- |
22 |
- |
|
|
|
- |
- |
1+1 |
- |
2+2 |
- |
3+2+4 |
1+0+8 |
- |
- |
- |
|
- |
|
- |
|
|
3 |
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
M |
= |
|
- |
1 |
M |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
N |
= |
|
- |
1 |
N |
|
|
|
E |
= |
|
- |
1 |
E |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
O |
= |
|
- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
|
- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
N |
= |
|
- |
1 |
N |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
M |
= |
|
- |
1 |
M |
|
|
|
E |
= |
|
- |
1 |
E |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
O |
= |
|
- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
|
- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
8 |
RAMESSES |
I |
1293-1291
|
99
|
27
|
9
|
8 |
RAMESSES |
II |
1279-1212
|
99
|
27
|
9
|
8 |
RAMESSES |
III |
1182-1151
|
99
|
27
|
9
|
8 |
RAMESSES |
IV |
1151-1145
|
99
|
27
|
9
|
8 |
RAMESSES |
V |
1145-1141
|
99
|
27
|
9
|
8 |
RAMESSES |
VI |
1141-1133
|
99
|
27
|
9
|
8 |
RAMESSES |
VII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
VIII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
IX |
1126-1108
|
99
|
27
|
9
|
8 |
RAMESSES |
X |
1108-1098
|
99
|
27
|
9
|
8 |
RAMESSES |
XI |
1098-1070
|
99
|
27
|
9
|
7 |
PTOLEMY |
I |
106
|
34
|
7
|
7 |
PTOLEMY |
II |
106
|
34
|
7
|
7 |
PTOLEMY |
III |
106
|
34
|
7
|
7 |
PTOLEMY |
IV |
106
|
34
|
7
|
7 |
PTOLEMY |
V |
106
|
34
|
7
|
7 |
PTOLEMY |
VI |
106
|
34
|
7
|
7 |
PTOLEMY |
VII |
106
|
34
|
7
|
7 |
PTOLEMY |
VIII |
106
|
34
|
7
|
7 |
PTOLEMY |
IX |
106
|
34
|
7
|
7 |
PTOLEMY |
X |
106
|
34
|
7
|
7 |
PTOLEMY |
XI |
106
|
34
|
7
|
7 |
PTOLEMY |
XII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIV |
106
|
34
|
7
|
7 |
PTOLEMY |
XV |
106
|
34
|
7
|
9 |
CLEOPATRA |
- |
91 |
37 |
1 |
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
Ptolemy
ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm
Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the
Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.
- Ptolemy's epigram, from the Almagest, probably written by himself
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
Ptolemies - Livius
www.livius.org › index › ancient Greece › ancient Egypt
This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
The fourteen kings of this dynasty were all called Ptolemy
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
The fourteen kings of this dynasty were all called Ptolemy
1 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
11 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
13 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
14 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+4+8+4 |
4+7+6 |
2+3+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+7 |
1+7 |
1+7 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
6+3+7 |
2+5+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+6 |
1+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
2+4+4 |
1+7+2 |
2+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
SHABTI |
- |
- |
- |
S |
= |
|
- |
1 |
S |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
B |
= |
|
- |
1 |
B |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
I |
= |
|
- |
1 |
I |
|
|
|
- |
- |
|
- |
6 |
SHABTI |
|
|
|
- |
- |
2+3 |
- |
- |
- |
5+9 |
3+2 |
2+3 |
- |
- |
|
- |
|
SHABTI |
|
|
|
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
|
- |
|
SHABTI |
|
|
|
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
END OF INNOCENCE (2175-1541 BC)
PARADISE POSTPONED
Page 155
O shabti, detailed to (serve) me ... if I am summoned or if I am detailed to do any work which is to be done in the afterlife ... you shall detail yourself to me every time, (whether) for maintaining the fields, irrigating the banks or ferrying sand from east to west. 'Look, here I am', you shall say.'
When it came to life after death, a shabti was the perfect insurance policy.
Truth will out
One final, crucial aspect of the afterlife adventure also made its first appearance in the years following the collapse of the Old Kingdom. Like the Coffin Texts, magical objects and servant figurines, the concept of a last judgement reflected the mixture of hope and fear that beset the ancient Egyptians in their musings about life after death. Perhaps more than any other feature of Egyptian religion, the idea of a final, inevitable reckoning before a divine judge had a profound and lasting impact on the subsequent development of pharaonic beliefs. Unlike hedgehogs, hippos and shabtis, the last judgement was picked up by other religious traditions of the Near East as well notably Christianity.
The imaginary geography of The Book of Two Ways began with the Island of Fire, where the wicked were consumed in flames but the good were provided with refreshing water for their arduous journey through the underworld. The concept of 'trial by fire' is an ancient one, but this relatively simplistic notion of judgement — whereby the unrighteous dead were separated from the righteous by means of /Page 156/ a single, swift test — was itself to be refined in the flames of social. change. Once again, the shattered illusions that accompanied thie break-up of the Egyptian state proved a fertile breeding ground for new ideas. In troubled times, death came to be seen not as a transition to another dimension of creation, but as a discontinuiry, a break that might prove terminal. Whether an individual achieved rebirth as a divine being or suffered a second death depended on his or her own actions during life. The literary text known as The Instruction for Merikara, purportedly composed by a Herakleopolitan king, summed up this new belief:
When a man remains after passing away,
His deeds are set alongside him . . .
He who reaches (the next life) without wrongdoings
Will exist there like a god . . . 3
In this scheme of things, virtue was no longer enough: it had to be accompanied by freedom from vice. In inscriptions of the period, the boastfulness and bombast typical of Old Kingdom autobiographies are joined for the first time by notes of doubt and defensiveness. A man might enumerate his many qualities and achievements but also take pains to state 'I never spoke a falsehood against any living person'.4 The 'negative confession', a declaration not to have committed a prescribed list of wrongful acts, became an essential component of the judgement process.
Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit. From such tentative beginnings, the concept of judgement rapidly acquired a central place in Egyptian funerary religion, to the extent that the term 'true of voice' became the most common euphemism for 'deceased'. In a society as / Page 157/ obsessed with bureaucracy and accountancy as ancient Egypt, it is perhaps not surprising that theologians imagined the weighing of a' poison's worth taking place on a giant set of goldsmith's scales. The accuracy of the balance perfectly expressed the unerring judgement of the divine tribunal. A spell from the Coffin Texts describes the scales as 'that balance of Ra on which Maat is lifted up',5 indicating that the judgement is authorised by Ra himself, god of the sun and of creation, and that the deeds of the deceased are to be weighed against Maat, the goddess of truth. In this ultimate assessment, there was no room for cheating. The outcome of the judgement process was visualised as a division of the deceased between the justified and the unjust, `numbering the dead and counting the blessed spirits'.6 The differing fates of the two groups were crystal clear.
With eternal survival at stake in the last judgement, the fevered Egyptian imagination swung into action. Conceiving further hurdles hand in hand with the means of overcoming them seems to have given the ancient Egyptians the courage to face the uncertainties of death. In the case of judgement before the tribunal, the greatest danger was that one's own heart — seat of the intellect, fount of emotion and storehouse of memories — might decide to bear false witness and so tip the balance against a favorable verdict. To counter this awful risk, powerful magic was required. Somehow, the heart had to be prevented from blurting out untruths (or hidden truths) that might seal its owner's fate. The ingenious solution was a new type of amulet, first introduced into burials in the late Middle Kingdom. It took the familiar shape of a scarab beetle, a potent symbol of rebirth (because young beetles hatch from a ball of dung, emblematic of death and decay). But unlike the usual scarab amulets it had a human head and was engraved with a protective spell, addressed to the heart. After the body had undergone mummification, the 'heart scarab' was placed over the heart, with clear instructions as to how the organ should behave at the moment of truth:
Do not stand up against me
Do not witness against me,
Do not oppose me in the tribunal,
Do not incline against me ... 7
Page 158
158
In time the heart itself came to stand for the deceased and his deeds, and the pictorial representation of the 'weighing of the heart' against the feather of Truth became an essential image for inclusion on a funerary papyrus, an encapsulation of the final judgement. It remains one of the most instantly recognisable, characteristic and evocative scenes from the entire repertoire of ancient Egyptian art.
And the concept of a 'dreadful day of judgement, when the secrets of all hearts shall be disclosed' is still with us, four thousand years later.
Page 156
“Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit.”
'his voice is true in the calculation of differences'
HIS VOICE IS TRUE IN THE CALCULATION OF DIFFERENCES
|
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|
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|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
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|
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|
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|
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|
|
4 |
|
11 |
|
94 |
58 |
|
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First Total |
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|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
Essence of Number |
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
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|
|
OUT OF ZERO COMETH ONE

I
THAT
AM
DRAW THE GREAT BOW HERE THOU ART O NAMUH DRAW THE GREAT BOW

RAMESSES
Egypt's Greatest Pharaoh
Joyce Tyldesley 2000
Page xxvi
"The Egyptians wrote their hieroglyphic texts without vowels, using consonants not found in our modem alphabet. In consequence, although we can read and understand the ancient writings we cannot be certain of the correct pronunciation of any word or name. This explains why different authors refer to the same individual by seemingly different names. Ramesses II, for example, variously appears in print as Ramesses, Ramses, Ramesse and Remeses while Queen Nefertari occasionally occurs as Nofretari. Throughout this book the most simple ,and widely accepted version of each proper name has been used with Ramesses preferred to the increasingly popular Ramses as the former most accurately represents the original Egyptian name. I follow current convention in using the words king and pharaoh interchangeably."
Page 1
1
Introducing Ramesses
"Some of Egypt's kings and queens have emerged from the obscurity of the tomb in sudden and spectacular fashion. The decoding of hieroglyphics, a tantalizing mystery until 1822, revealed the unexpected existence of the two aberrant New Kingdom pharaohs Hatchepsut and Akhenaten. The 1912 recovery of a magnificent portrait head from the ruined city of Amarna brought the beautiful Queen Nefertiti back to life, Above all, the unparalleled 1922 discovery of a virtually intact royal tomb in the Valley of the Kings allowed the hitherto insignificant boy-king Tutankha-men to triumph over death. Ramesses II, however, has never been in need of such a renaissance. Over the three millennia that have passed since his reign, his name - albeit in a distorted form - has never been forgotten.
Sixty-six relatively peaceful years on the throne had allowed Ramesses ample opportunity for self-promotion. By the time of his death in 1213 BC his monuments and image were to be found in every comer of his realm, The name of Ramesses was known and respected throughout the varied but inter-related kingdoms which made up what archaeologists now term the' Ancient World' - a wide circle of states encompassing Northern Turkey, Iran, Central Africa, Libya and the Balkans and extending as far west as Italy and even Spain. Within Egypt the highly efficient royal propaganda machine had elevated Ramesses to the status of living legend with divine attributes. In Nubia, Ramesses had already become a fully fledged god. A fortunate combination of circumstances - optimal Nile floods leading to good harvests, international stability and, of course, the extraordinary longevity which caused Ramesses to outlive not only his contemporaries but many of his children and grandchildren - had allowed Egypt to enjoy a continuity of government which was the envy of her neighbours. Whether by good luck or good management, Egypt flourished under Ramesses, and her people were grateful"
Page 34
A NEW BEGINNING: LIFE BEFORE RAMESSES
"Quietly and effectively, Horemheb laid the foundations for a renewed Egyptian prosperity whilst systematically erasing all trace of the unorthodox Amama period. This is generally regarded as an impersonal, political cleansing rather than a frenzied hate campaign; we have little evidence to suggest that Horemheb bore a personal grudge against Akhenaten and his god, although the dismantling and subsequent reconstruction, upside-down and mutilated, of Queen Nefertiti' s Theban Ben-ben temple within his own Karnak gateway hints at more complex feelings towards his sister-in-law. Could Horemheb's apparent dislike of Nefertiti have stemmed from his bad relationship with her daughter Ankhesenamen? Ultimately, however, Horemheb was too closely identified with the economic and military decline which ended the 18th Dynasty to escape entirely from the Amama shadow. Manetho chose to classify Horemheb, whom he knew as Oros, as the last king of the ailing 18th Dynasty and it was Horemheb's protege and successor, Ramesses I, a man with no personal links with the Amarna period, who was to be celebrated as the founder of the 19th.
Like his three immediate predecessors Horemheb had no son to follow him on to the throne and he too looked to the army for an heir, a sensible decision which would ensure that his successor would enjoy the full support of the military. Horemheb selected an ex-officer turned administrator called Paramessu, or Ramesses, son of the Commander of Troops Seti. This Ramesses, a near-contemporary of Horemheb, had proved his / Page 35 / abilities through many years of loyal service, first as a soldier where he rose to the position of General, and then as one of Egypt's two Viziers. In many ways his career mirrored that of Horemheb before him, but there was one important difference: Ramesses and his wife Sitre already had a living son and a living grandson, and therefore had the potential to found a dynasty. When Ramesses died after less than two years as king, Horemheb's judgement was vindicated. The throne passed smoothly to Ramesses' son Seti and Egypt was spared the doubts and uncertainties that had plagued her immediate past. Meanwhile, it now fell to Ramesses to bury Horemheb."
8 |
|
|
|
|
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
- |
M+E |
18 |
9 |
9 |
- |
S+S+E+S |
62 |
35 |
8 |
8 |
RAMESSES |
99 |
54 |
27 |
- |
- |
9+9 |
5+4 |
2+7 |
8 |
RAMESSES |
18 |
9 |
9 |
| - |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
8 |
|
|
|
|
- |
R+A |
19 |
10 |
1 |
- |
M+E+S+S+E+S |
80 |
44 |
8 |
8 |
RAMESSES |
99 |
54 |
9 |
- |
- |
9+9 |
5+4 |
- |
8 |
RAMESSES |
18 |
9 |
9 |
| - |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
8 |
RAMESSES |
- |
- |
- |
|
R |
18 |
9 |
|
|
A+M+E+S+S+E+S |
81 |
18 |
|
8 |
RAMESSES |
99 |
27 |
18 |
- |
- |
9+9 |
2+7 |
1+8 |
8 |
RAMESSES |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
Page 2
"Ramesses III was followed by his son, Ramesses IV, another Ramesses a wannabe', and then by a further six called Ramesses, a jumbled mixture of fathers sons, uncles and nephews all descended from Ramesses III :and all 'attempting to emulate the great Ramesses II"
Page 2
" Meanwhile the cult of the divine RAMESSES as a living god, continued to flourish."
Ramesses - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Ramesses
Ramesses also commonly spelled Rameses or Ramses is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New ...
Ramesses II - Ramesses I - Ramesses III - Ramesses XI
Ramesses
From Wikipedia, the free encyclopedia
Ramesses
in hieroglyphs
Ramesses (/ˈræməsiːz/) — also commonly spelled Rameses or Ramses (/ˈræmsiːz/) — is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New Kingdom period. The name Ramesses means "Ra [is] the one who gave birth [to] him".
Variants of the name include Ramose and Paramessu; these various spellings could be used to refer to the same person.[1]
19th DynastyRamesses I: founder of the 19th Dynasty
Ramesses II ("the Great")
20th Dynasty Ramesses III: adversary of the Sea Peoples
Ramesses IV
Ramesses V
Ramesses VI
Ramesses VII
Ramesses VIII
Ramesses IX
Ramesses X
Ramesses XI
8 |
RAMESSES |
I |
1293-1291
|
99
|
27
|
9
|
8 |
RAMESSES |
II |
1279-1212
|
99
|
27
|
9
|
8 |
RAMESSES |
III |
1182-1151
|
99
|
27
|
9
|
8 |
RAMESSES |
IV |
1151-1145
|
99
|
27
|
9
|
8 |
RAMESSES |
V |
1145-1141
|
99
|
27
|
9
|
8 |
RAMESSES |
VI |
1141-1133
|
99
|
27
|
9
|
8 |
RAMESSES |
VII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
VIII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
IX |
1126-1108
|
99
|
27
|
9
|
8 |
RAMESSES |
X |
1108-1098
|
99
|
27
|
9
|
8 |
RAMESSES |
XI |
1098-1070
|
99
|
27
|
9
|
N |
= |
5 |
9 |
NEFERTARI |
96 |
51 |
6 |
R |
= |
9 |
8 |
RAMESSES |
99 |
27 |
9 |
2 |
|
19 |
10 |
1 |
6 |
|
86 |
23 |
5 |
3 |
|
48 |
12 |
3 |
|
|
|
|
|
1+1 |
|
1+5+3 |
4+5 |
|
|
|
|
|
|
FINGERPRINTS OF THE GODS
Graham Hancock 1995
Page 382
"Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always-described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced off spring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8
- |
REDEMPTIVE |
- |
- |
- |
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
2 |
E+M |
18 |
9 |
|
|
P+T |
36 |
9 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
10 |
REDEMPTIVE |
117 |
54 |
54 |
1+0 |
|
1+1+7 |
5+4 |
5+4 |
1 |
REDEMPTIVE |
9 |
9 |
9 |
- |
THE DOG STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
DOG |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE DOG STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE DOG STAR |
|
|
|
- |
THE GOD STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE GOD STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE GOD STAR |
|
|
|
- |
THE STAR GOD |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
STAR |
58 |
13 |
4 |
3 |
GOD |
26 |
17 |
8 |
10 |
THE STAR GOD |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE STAR GOD |
|
|
|
LIFE OUT THEIR
THE TRUTH OF - AND SEARCH FOR - EXTRATERRESTRIAL LIFE
Michael White 1998
Page 97
"The first venue for Phoenix was / Page 98 / Australia, where astronomers used the Parkes 64-metre antenna and the Mopra 22-metre antenna, both in New South Wales. Because Australia was the first site, a very high proportion of the stars in the targeted group were those seen only in the Southern Hemisphere, including 650 G-Dwarf stars. In 1996, the system was taken back to the National Radio Astronomy Observatory in West Virginia, where a 40-metre dish was used to follow through the next stage of the search. The project is currently established at the largest radio telescope in the world - the 305-metre Arcibo radio telescope in Puerto Rico.
At the time of going to press, the interstellar 'airwaves' remain silent, but no one involved in the Phoenix project thought there would be much chance of immediate success. And indeed, there are some astronomers who suggest that the official SETI teams are going about things the wrong way. They argue that radio telescopes should be turned towards the centre of the Milky Way, where the stars are far more densely packed and where, they say, there is a far greater chance of finding something interesting. But this has associated problems, not least of which is the fact that it would be very difficult to'separate the multitude of natural signals constantly emitted from so many stellar objects. As the British astronomer Michael Rowan-Robinson says: 'Looking along the plane of the galaxy, like looking at car headlights in a traffic jam, makes it very difficult to detect one source of radio emission from another. And, if such radio emissions would also fade away over distance, we would probably detect nothing.'
An alternative argument is that we should not be looking for radio signals at all. Some researchers suggest that an advanced alien race would have dispensed with radio long ago, and may be . sending information using lasers. Others assume that the majority of surviving civilisations in the Universe would be far in advance of us and might be located by searching for the heat they generate as a by-product of their energy-production systems.
The eminent American physicist, and one-time associate of Albert Einstein, Freeman Dyson, who works at the Institute of Advanced Study in Princeton, has proposed a scheme by which a very advanced technology could produce an almost limitless fuel / Page 99 /
supply. He speculates that a sufficiently developed civilisation could harness the total energy output of their home sun by building a sphere of receivers and energy converters around it. These 'Dyson spheres', as they have become known, would of course provide tremendous amounts of energy but would also radiate commensurate amounts of heat, which could be detected lightyears away in the infrared region of the spectrum. Others have taken this idea even further by suggesting that civilisations perhaps millions of years in advance of our own could utilise the energy output of an entire galaxy, or even a cluster of galaxies, and that some of the many types of energy source we see in distant parts of the Universe are the waste products from such processes." This has led those involved with SETI to categorise potential civilis ations into three distinct classes.
Type-I cultures (which include us) are those which have developed to the point where they can exploit the natural resources of a single, home world. A Type-II civilisation would be capable of building something like Dyson spheres and processing the entire energy output of their sun. This level of development would almost certainly be associated with the ability to travel interstellar distances. Such cultures may also have developed means by which they could circumnavigate the hurdles presented by the light-speed restriction. A culture that had reached this stage of development would be thousands or perhaps tens of thousands of years in advance of us.
A Type-III civilisation would be millions of years ahead of us, / Page 100 /
and would have developed the technology to utilise the entire resources of their galaxy, an ability which to us appears God-like but is actually possible within the laws of physics. It is nothing more supernatural than a consequence of a life-form starting their evolutionary development a little before us in relative, universal terms. To us, such beings would demonstrate God-like powers, but they too would have originated in a slurry of single-celled organisms on some far-distant planet. They would simply have had a longer time in which to develop.
This classification was first postulated in the 1960s, quickly becoming an internationally accepted standard. This was also the most active period of Soviet work on the search for alien civilisations, and on one occasion scientists in the USSR actually thought for a while that they had encountered a Type-III civilisation.
It was 1965, the Russians were leading the world in efforts to detect messages from ETs, and their top researcher was a man named Nikolai Kardashev (who was also the first to discuss seriously the idea of super-civilisations and civilisation types). One morning at the Crimea Deep Space Station, Kardashev's team detected an incredibly strong signal that was certainly of extraterrestrial origin. The interesting thing about it was not simply its power, but the fact that the signal seemed to slowly change frequency over time, sweeping through a broad band. This type of signal was quite unprecedented, and to the Soviet team almost certainly the fingerprint of a civilisation attempting to make contact.
Against his better judgement, but bowing to pressure from his colleagues, Kardashev decided to announce the finding publicly, declaring to the world's press that the source was almost certainly an extraterrestrial civilisation. Sadly, it was not to be. Within hours, scientists at Caltech in the US contacted their Russian colleagues to inform them that what they had observed fitted exactly the description of an object they too had detected a few months earlier and had been studying ever since. They called the source a 'quasar', or quasi-stellar object, and it was definitely not a signal from an advanced civilisation of any description.
Quasars are still only partially understood. Scientists know that they are tremendously powerful sources of electromagnetic radi-/ Page 101 / ation and that they are moving away from us at high speeds. They are believed to be extremely turbulent galaxies - a seething mass of matter and energy very different from our own stable Milky Way. It is suspected that at the heart of each quasar lies a black hole which traps within its intense gravitational field anything that approaches it. As matter and energy are sucked in, but before they disappear behind what physicists call the 'event horizon' (from which there is no return), they collide with other forms of matter already trapped there and emit energy that may just escape the gravitational clutches of the nearby black hole.
Quasars are fascinating and exotic stellar objects, and their close study has provided new insights into the nature of the Universe; but they are not the only strange objects to be discovered by accident and mistaken for the hallmarks of extraterrestrial intelligence.
In 1967, a Ph.D. student at Cambridge University named Jocelyn Bell detected a strong, regular signal coming from deep space in the waterhole region of the spectrum. After reporting the findings to her supervisor, Anthony Hewish, they agreed they would not go public until they had investigated the signal fully. Gradually they eliminated all possible conventional sources until they realised that the signal was actually an emission from a strange object in deep space that was sending out an almost p.erfectly regular pulse. The object was then found to be a neutron star, or 'pulsar', the remains of a dead star that had collapsed under its own gravitational field so much that the electrons orbiting the nucleus of the atoms making up the star had been jammed into the nuclei and fused with protons to form neutrons. This super-dense matter emits pulses with such regularity that pulsars are thought to be'the most accurate clocks in th'e Universe.
Since Bell and Hewish's discovery, other regular signals have been detected which have not originated from pulsars or any terrestrial source, but have appeared only once. A team led by Professor Michael Horowitz at Harvard University has reported thirty-seven such signals during the past ten years, all within twenty-five light-years of Earth, but because they have not been repeated they do not qualify as genuine candidates for signals from a race trying to contact us. They could, of course, be one-off / Page 102 /
leakages from specific events, but we might never know, and for scientists to analyse a signal properly, they need a repeated, strong, regular pulse.
So far, the most important find was a signal detected at the Ohio State University 'Big Ear' radio telescope in August 1977. Known by SETI researchers and enthusiasts as the 'Wow' signal, after the monosyllabic exclamation written on the computer print-out by an astonished astronomer at the station, it lasted exactly thirty-seven seconds and appears to have come from the direction of Sagittarius. Although, most strikingly, the signal was a narrow-band signal precisely at the hydrogen frequency of 1420 MHz, it has not been detected even a second time, in Sagittarius or anywhere else.
So, what of the future? Is the continuing search for intelligent life in the Universe a total waste of money, as its opponents insist, or are we perhaps on the threshold of a great discovery?
In commercial terms, SETI is potentially the greatest scientific bargain ever. The cost of the project to the US government was a tenth of 1 per cent of NASA's annual budget and is now financed privately, so even the die-hard sceptics cannot claim that it is drain on the tax-payer. Furthermore, the potential gains from the success of the project would be unparalleled in human history. Quite simply, there is absolutely nothing to lose in trying.
More problematic will be maintaining the momentum of a project which, year after year, fails to deliver the goods. The argument against this is that both pulsars and quasars were discovered indirectly through the efforts of SETI researchers, and it is also true that improvements in techniques. and development of new types of equipment used in the search will filter down into other areas of research and then on to everyday use.
However, one difficulty for future researchers will be the growing level of terrestrial interference. Some enthusiasts argue that we are currently living through a window of opportunity in the search for extraterrestrial intelligence, and that the embryonic communications revolution will soon work against our chances of detecting a pure signal from another world."
Page 99 notes
• For more than twenty-five years, astronomers have been observing sudden bursts of energy from a variety of different locations in the cosmos. They detect these bursts, which are thought to be the result of the most powerful explosions ever witnessed, by following a left-over trace of gamma rays (a form of electromagnetic radiation) that reach the Earth. There are literally hundreds of theories that attempt to explain these bursts, including the notion that they could be the result of the activities of some super-civilisation. Recently, one such burst was carefully monitored and found to have come from an explosion so powerful that in ten minutes the source produced more energy than the total output of our Sun during its lifetime. Astronomers are actively chasing the source and the cause of this phenomenon and hope to solve the mystery after one more sustained observation of the effect. The trouble is, no one knows when or where the next one will be.
THE DEAD SEA SCROLLS
J. M. Allegro 1956
Page 152
"IN THAT DAY I WILL RAISE UP THE TABERNACLE OF DAVID THAT IS FALLEN"
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THE HOLY WORD |
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1+5+3 |
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THE HOLY WORD |
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HOLY BIBLE
King James Version
Amos 9:11 (KJV)
In that day will I raise up the tabernacle of David that is fallen,
and close up the breaches thereof; and I will raise up his ruins, and I will build it as in the days of old:
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HOLY BIBLE |
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H |
= |
8 |
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4 |
HOLY |
60 |
24 |
6 |
B |
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2 |
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BIBLE |
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21 |
3 |
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10 |
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HOLY BIBLE |
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1+0 |
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9+0 |
4+5 |
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1 |
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HOLY BIBLE |
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List of books of the King James Version - Wikipedia
https://en.wikipedia.org › wiki › List_of_books_of_the...
There are 80 books in the King James Bible—39 in the Old Testament, 14 in the Apocrypha, and 27 in the New Testament.
THE
HOLY BIBLE
CONTAINING THE OLD AND NEW TESTAMENTS
AUTHORIZED VERSION
SCOFIELD REFERENCES
THE NAMES AND ORDER OF ALL THE
BOOKS OF THE OLD AND NEW TESTAMENT
THE OLD TESTAMENT
39
BOOKS
THE NEW TESTAMENT
27
BOOKS
GOD WITH US
G |
= |
7 |
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3 |
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26 |
17 |
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W |
= |
5 |
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4 |
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60 |
24 |
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U |
= |
3 |
- |
2 |
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40 |
4 |
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- |
- |
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Add to Reduce |
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1+5 |
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Reduce to Deduce |
1+2+6 |
4+5 |
1+8 |
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Essence of Number |
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7 |
7 |
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6 |
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4 |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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GOD WITH US
GOD WITHIN US
God within us - Mystery and Beyond
www.mysteryandbeyond.org/within/within19.asp
The essential reality the thing that really matters, is what God does in our heart “The kingdom of God is within you”. (Luke 17:21). Since we are body as well as ...
The Kingdom of God is within you. —Jesus. | Inspirational Quotes ...
https://www.pinterest.co.uk/pin/296252481723084508/
The Kingdom of God Bible Scriptures, Daily Scripture, Bible Quotes, Daily .....
but the kingdom of God is within us, for the word of God is very near, in our mouth ...
TOP 25 GOD WITHIN US QUOTES (of 175) | A-Z Quotes
https://www.azquotes.com/quotes/topics/god-within-us.html
Enjoy our god within us quotes collection. Best god within us quotes selected by thousands of our users!
G |
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First Total |
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9 |
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20 |
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8 |
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1 |
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9 |
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1 |
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14 |
5 |
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21 |
3 |
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19 |
10 |
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1+1 |
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1+4+9 |
6+8 |
5+9 |
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1+8 |
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1+4 |
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- |
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1+4 |
1+4 |
1+4 |
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GOD WITHIN US
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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1 |
1 |
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19 |
10 |
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2 |
1 |
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20 |
2 |
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|
|
|
|
|
|
|
|
|
3 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
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|
|
8 |
1 |
|
7 |
7 |
|
|
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|
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|
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|
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|
|
|
9 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
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|
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|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+9 |
|
1+1 |
|
1+4+9 |
6+8 |
5+9 |
|
|
|
|
|
1+0 |
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
- |
|
1+4 |
1+4 |
1+4 |
|
|
|
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|
GOD WITHIN US
4 |
|
45 |
18 |
|
1 |
|
9 |
9 |
|
5 |
|
54 |
27 |
|
|
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+0+8 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
G |
= |
7 |
- |
8 |
|
98 |
53 |
|
W |
= |
5 |
- |
6 |
|
83 |
38 |
|
U |
= |
3 |
- |
2 |
|
40 |
13 |
|
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
1+5 |
- |
1+6 |
Reduce to Deduce |
2+2+1 |
1+0+4 |
1+4 |
- |
- |
|
- |
|
Essence of Number |
|
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|
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|
|
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1 |
1 |
|
7 |
7 |
|
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2 |
1 |
|
15 |
6 |
|
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3 |
1 |
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15 |
6 |
|
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4 |
1 |
|
4 |
4 |
|
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5 |
1 |
|
14 |
5 |
|
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6 |
1 |
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5 |
5 |
|
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7 |
1 |
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19 |
10 |
|
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8 |
1 |
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19 |
10 |
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9 |
1 |
|
23 |
5 |
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10 |
1 |
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9 |
9 |
|
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11 |
1 |
|
20 |
2 |
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12 |
1 |
|
8 |
8 |
|
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13 |
1 |
|
9 |
9 |
|
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14 |
1 |
|
14 |
5 |
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15 |
1 |
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21 |
3 |
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16 |
1 |
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19 |
10 |
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7+7 |
|
1+6 |
|
2+2+1 |
1+0+4 |
7+7 |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
|
|
|
|
|
|
|
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|
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|
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|
|
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1+4 |
|
- |
|
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|
1+4 |
|
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|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
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7 |
1 |
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19 |
10 |
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8 |
1 |
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19 |
10 |
|
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16 |
1 |
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19 |
10 |
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11 |
1 |
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20 |
2 |
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15 |
1 |
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21 |
3 |
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4 |
1 |
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4 |
4 |
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5 |
1 |
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14 |
5 |
|
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6 |
1 |
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5 |
5 |
|
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9 |
1 |
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23 |
5 |
|
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14 |
1 |
|
14 |
5 |
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2 |
1 |
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15 |
6 |
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3 |
1 |
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15 |
6 |
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1 |
1 |
|
7 |
7 |
|
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12 |
1 |
|
8 |
8 |
|
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10 |
1 |
|
9 |
9 |
|
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13 |
1 |
|
9 |
9 |
|
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|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+6 |
|
2+2+1 |
1+0+4 |
7+7 |
|
|
|
|
|
2+0 |
1+2 |
|
|
1+8 |
|
|
|
|
|
|
|
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|
|
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|
1+4 |
|
- |
|
|
|
1+4 |
|
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GOODNESS WITHIN US
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 74
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."
Page 77
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."
Page 82
"We must note Stecchini's remarks about Delphi as follows :38
The god of Delphi, Apollo, whose name means 'the stone', was identified with an object, the omphalos, 'navel', which has been found. It consisted of an ovoidal stone. . . . The omphalos of Delphi was similar to the object which represented the god Amon in Thebes, the 'navel' of Egypt. In 1966 I presented to the annual meeting of the Archaeological Institute of America a paper in which I maintained that historical accounts, myths, and legends, and some monuments of Delphi, indicate that the oracle was established there by the Pharaohs of the Ethiopian Dynasty.
IN
THE
BEGINNING
WAS THE WORD AND THE WORD WAS
WITH
GOD AND THE WORD WAS GOD
THE
SAME WAS IN THE BEGINNING WITH
GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD
WAS
NOT
ANYTHING
MADE THAT WAS MADE
IN
GOD
WAS LIFE AND THE LIFE WAS
THE
LIGHT
OF
HUMANKIND
AND THE
LIGHT
SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT
I
AM
ALPHA AND OMEGA
THE BEGINNING AND THE END THE FIRST AND THE LAST
I
AM
THE ROOT AND THE OFFSPRING
OF
DAVID
AND
THE BRIGHT AND MORNING STAR
AND
THE SPIRIT AND THE BRIDE SAY COME
AND
LET THEM THAT HEARETH SAY COME
AND
LET THEM THAT IS ATHIRST COME
AND
WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY
THE CHRISTOS THE
CHRIST
CHRISTOS SEE HERE IS THE CHRISTOS
OSIRIS
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
ATUM
THE COMPLETE AND ALL CONTAINING ONE
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
3 |
|
33 |
15 |
|
C |
= |
3 |
- |
8 |
COMPLETE |
89 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
C |
= |
3 |
- |
10 |
CONTAINING |
106 |
52 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
- |
- |
16 |
- |
30 |
Add to Reduce |
|
|
|
|
|
1+6 |
|
3+0 |
Reduce to Deduce |
3+0+6 |
1+3+5 |
3+6 |
- |
- |
7 |
- |
3 |
Essence of Number |
|
|
|
ATUM
THE COMPLETE AND ALL SUSTAINING ONE
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
3 |
|
33 |
15 |
|
C |
= |
3 |
- |
8 |
COMPLETE |
89 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
S |
= |
1 |
- |
10 |
SUSTAINING |
106 |
52 |
7 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
- |
- |
14 |
- |
30 |
Add to Reduce |
|
|
|
|
|
1+4 |
|
3+0 |
Reduce to Deduce |
3+3+3 |
1+2+6 |
3+6 |
- |
- |
5 |
- |
3 |
Essence of Number |
|
|
|
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |


|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
- |
- |
- |
4 |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
REACTORS CREATORS REACTORS
CREATIVE REACTIVE CREATIVE
REACTING CREATING REACTING
C RE ACT I ON GODS RE ACT I ON C
SEE RE ACTIONS GODS ACTIONS RE SEE
RE 9 AND 5 AND 5 AND 9 RE
OSIRIS SO IRI IS IS IRI SO OSIRIS
RE ATUM RE
ATUM RE ATUM
1234 95 1234
ATUM RE ATUM
ATUM E ATUM
1234 5 1234
ATUM E ATUM
ATUM RE ATUM
1234 95 1234
ATUM RE ATUM
RE ATUM RE
OSIRIS SO IRI IS IS IRI SO OSIRIS
ATUM RE ATUM E ATUM RE ATUM
1234 5 1234
ATUM RE ATUM E ATUM RE ATUM
ESOTERIC = O SECRET I = ESOTERIC
ESOTERIC 6 SECRET 9 ESOTERIC
ESOTERIC = 9 SECRET 6 = ESOTERIC
ESOTERIC = I SECRET O = ESOTERIC
ATUM 1234 4321 MUTA
MUT 234 432 TUM
ATUM 1234 4321 MUTA
RE ATUM RE
Ancient Egyptian Religion: Old Kingdom
At the time of the Old Kingdom his cult and some of his characteristics was taken over by Re but he lived on in the combined forms of the names Re-Atum and ...
Egyptian deities
The ancient Egyptians adopted the solar disc standing for the suffix –ri as the name of the sun-god and called it Ra, as shown below. ...
www.astroset.com/bireysel_gelisim/ancient/a22.htm - Cached - Similar
Atum (Egyptian god) -- Britannica Online Encyclopedia
Atum's myth merged with that of the great sun god Re, giving rise to the deity Re-Atum. When distinguished from Re, Atum was the creator’s original form, ...
www.britannica.com/EBchecked/topic/42347/Atum
Atum's myth merged with that of the great sun god Re, giving rise to the deity Re-Atum. When distinguished from Re, Atum was the creator’s original form, living inside Nun, the primordial waters of chaos. At creation he emerged to engender himself and the gods. He was identified with the setting sun and was shown as an aged figure who had to be regenerated during the night, to appear as Khepri at dawn and as Re at the sun’s zenith.
- |
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- |
- |
- |
- |
18 |
5 |
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2+3 |
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- |
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- |
- |
9 |
5 |
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1+4 |
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2 |
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- |
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1 |
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occurs |
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6 |
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7 |
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8 |
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occurs |
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= |
9 |
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3+1 |
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1+4 |
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1+4 |
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- |
- |
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5 |
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- |
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- |
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- |
- |
- |
- |
18 |
5 |
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2+3 |
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- |
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- |
- |
9 |
5 |
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1+4 |
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2 |
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- |
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1 |
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2 |
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3 |
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4 |
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5 |
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occurs |
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= |
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6 |
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7 |
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8 |
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occurs |
x |
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= |
9 |
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3+1 |
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1+4 |
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1+4 |
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- |
- |
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5 |
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- |
- |
- |
18 |
5 |
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2+3 |
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- |
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- |
9 |
5 |
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1+4 |
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2 |
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- |
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5 |
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occurs |
x |
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= |
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occurs |
x |
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= |
9 |
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1+4 |
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1+4 |
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- |
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5 |
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- |
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- |
- |
- |
- |
8 |
THE ENNEA |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
2 |
RE |
23 |
14 |
5 |
A |
= |
1 |
- |
4 |
ATUM |
55 |
10 |
1 |
S |
= |
1 |
- |
3 |
SHU |
48 |
12 |
3 |
T |
= |
2 |
- |
6 |
TEFNUT |
86 |
23 |
5 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
N |
= |
5 |
- |
3 |
NUT |
55 |
10 |
1 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
46 |
- |
- |
- |
42 |
|
|
|
|
4+6 |
- |
- |
- |
4+2 |
|
5+8+5 |
2+2+5 |
4+5 |
10 |
- |
- |
- |
6 |
|
|
|
|
1+0 |
- |
- |
- |
|
|
1+8 |
- |
- |
1 |
- |
- |
- |
6 |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
55 |
10 |
|
- |
- |
- |
- |
3 |
SHU |
48 |
12 |
|
- |
- |
- |
- |
6 |
TEFNUT |
86 |
23 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8+9 |
4+5 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
- |
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|
|
|
|
|
|
- |
- |
- |
- |
18 |
1 |
|
|
|
1+9 |
|
|
1+0 |
|
- |
- |
9 |
1 |
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|
1+0 |
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2 |
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- |
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1 |
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occurs |
x |
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= |
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2 |
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3 |
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6 |
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7 |
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8 |
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occurs |
x |
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= |
9 |
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3+5 |
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1+0 |
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1+0 |
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- |
- |
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1 |
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- |
- |
- |
- |
18 |
1 |
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1+9 |
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1+0 |
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- |
- |
9 |
1 |
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1+0 |
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2 |
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- |
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1 |
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occurs |
x |
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= |
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2 |
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4 |
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7 |
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8 |
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occurs |
x |
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= |
9 |
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3+5 |
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1+0 |
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1+0 |
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- |
- |
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1 |
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- |
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LIFE LIVE A LIVE LIFE
LIFE DEATH LIFE DEATH LIFE
RESURRECTION INCARNATION RESURRECTION
THE DEATH OF FOREVER
A NEW FUTURE FOR HUMAN CONSCIOUSNESS
Darryl Reanney 1991
Page 101
"99.9"
5 |
LIGHT |
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RE 95 RE
REARRANGED NUMERICALLY REARRANGED
RE 95 RE
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BREATH |
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26 |
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27 |
|
22 |
Add to Reduce |
|
180 |
36 |
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- |
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Reduce to Deduce |
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- |
- |
9 |
- |
4 |
Essence of Number |
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G |
= |
7 |
- |
7 |
GLORY |
77 |
32 |
5 |
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= |
2 |
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2 |
TO |
35 |
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9 |
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IN |
23 |
14 |
5 |
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2 |
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3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
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2 |
HIGHEST |
76 |
40 |
4 |
B |
- |
35 |
|
22 |
Add to Reduce |
|
126 |
36 |
- |
- |
3+5 |
- |
2+2 |
Reduce to Deduce |
2+7+0 |
1+2+6 |
3+6 |
- |
- |
8 |
- |
4 |
Essence of Number |
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|
9 |
SHIVA 18941 SHIVA
SHIVA 995 SHIVA
SHIVA 95 SHIVA
SHIVA 5 SHIVA
Flood myth
Wikipedia
https://en.wikipedia.org › wiki › Flood_myth
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine ...
?Mythologies · ?Historicity · ?Comets · ?Art
From Wikipedia, the free encyclopedia
"Great Flood" redirects here. For other uses, see Great Flood (disambiguation).
"The Deluge", frontispiece to Gustave Doré's illustrated edition of the Bible
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primaeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life".[1]
The flood-myth motif occurs in many cultures, including the Mesopotamian flood stories, Native American in North America, the Genesis flood narrative, manvantara-sandhya in Hinduism, and Deucalion and Pyrrha in Greek mythology.
Mythologies
One example of a flood myth is the Epic of Gilgamesh. Many scholars believe that this account was copied from the Akkadian Atra-Hasis,[a] which dates to the 18th century BCE.[3][b] In the Gilgamesh flood myth, the highest god, Enlil, decides to destroy the world with a flood because humans have become too noisy. The god Ea, who had created humans out of clay and divine blood, secretly warns the hero Utnapishtim of the impending flood and gives him detailed instructions for building a boat so that life may survive.[5][6] Both the Epic of Gilgamesh and Atra-Hasis are preceded by the similar Sumerian creation myth (c. 1600 BCE)[7]—the oldest surviving example of such a flood-myth narrative, known from tablets found in the ruins of Nippur in the late 1890s and translated by assyriologist Arno Poebel.[8]
George Smith, who discovered and translated the Epic of Gilgamesh
Academic Yi Samuel Chen[9] analyzed various texts from the Early Dynastic III Period through to the Old Babylonian Period, and argues that the flood narrative was only added in texts written during the Old Babylonian Period. With regard to the Sumerian King List, observations by experts have always indicated that the portion of the Sumerian King List talking about before the flood differs stylistically from the King List Proper. Essentially Old Babylonian copies tend to represent a tradition of before the flood apart from the actual King List, whereas the Ur III copy of the King List and the duplicate from the Brockmon collection indicate that the King List Proper once existed independent of mention of the flood and the tradition of before the flood. Essentially, Chen gives evidence to prove that the section of before the flood and references to the flood in the Sumerian King List were all later additions added in during the Old Babylonian Period, as the Sumerian King List went through updates and edits. The flood as a watershed in early history of the world was probably a new historiographical concept emerging in the Mesopotamian literary traditions during the Old Babylonian Period, as evident by the fact that the flood motif didn't show up in the Ur III copy and that earliest chronographical sources related to the flood show up in the Old Babylonian Period. Chen also concludes that the name of "Ziusudra" as a flood hero and the idea of the flood hinted at by that name in the Old Babylonian Version of "Instructions of Shuruppak" are only developments during that Old Babylonian Period, when also the didactic text was updated with information from the burgeoning Antediluvian Tradition.[10]
In Hindu mythology, texts such as the Satapatha Brahmana[11] (c. 6th century BCE)[12] and the Puranas contain the story of a great flood, "manvantara-sandhya",[13][14] wherein the Matsya Avatar of the Vishnu warns the first man, Manu, of the impending flood, and also advises him to build a giant boat.[15][16][17] In Zoroastrian Mazdaism, Ahriman tries to destroy the world with a drought, which Mithra ends by shooting an arrow into a rock, from which a flood springs; one man survives in an ark with his cattle.[18] Norbert Oettinger[who?] argues that the story of Yima and the Vara[clarification needed] was originally a flood myth, and the harsh winter was added in due to the dry nature of Eastern Iran, as flood myths didn't have as much of an effect as harsh winters. He has argued that the mention of melted water flowing in Videvdad 2.24 is a remnant of the flood myth, and mentions that the Indian flood myths originally had their protagonist as Yama, but it was changed to Manu later.[19]
In Plato's Timaeus, written c. 360 BCE, Timaeus describes a flood myth similar to the earlier versions. In it, the Bronze race of humans angers the high god Zeus with their constant warring. Zeus decides to punish humanity with a flood. The Titan Prometheus, who had created humans from clay, tells the secret plan to Deucalion, advising him to build an ark in order to be saved. After nine nights and days, the water starts receding and the ark lands on a mountain.[20]
The Cheyenne, a North American Great Plains tribe, believe in a flood which altered the course of their history, perhaps occurring in the Missouri River Valley.[21]
Historicity
Floods in the wake of the Last Glacial Period (c. 115,000 – c. 11,700 years ago) are speculated to have inspired myths that survive to this day.[22] Plato's allegory of Atlantis is set over 9,000 years before his time, leading some scholars to suggest that a Stone Age society which lived close to the Mediterranean Sea could have been wiped out by the rising sea level, an event which could have served as the basis for the story.[23]
Archaeologist Bruce Masse stated that some of the narratives of a Great Flood discovered in many cultures around the world may be linked to an oceanic asteroid impact that occurred between Africa and Antarctica, around the time of a solar eclipse, that caused a tsunami.[24] His hypothesis suggests that a meteor or comet crashed into the Indian Ocean around 3000–2800 BCE on May 10, which created the 30-kilometre (19 mi) undersea Burckle Crater and Fenambosy Chevron, and generated a giant tsunami that flooded coastal lands.[25]
Mesopotamia
Mesopotamia, like other early sites of riverine civilisation, was flood-prone; and for those experiencing valley-wide inundations, flooding could destroy the whole of their known world.[26] According to the excavation report of the 1930s excavation at Shuruppak (modern Tell Fara, Iraq), the Jemdet Nasr and Early Dynastic layers at the site were separated by a layer of sand and silt that was interpreted as a flood layer. However, more recently it has been suggested that the nature of this deposit is more like that being created by river avulsion, a process that was very common in the Tigris–Euphrates river system. Similar layers have been recorded at other sites as well, all dating to different periods, which would be consistent with the nature of river avulsions.[27]
Earth's sea level rose dramatically in the millennia after the Last Glacial Maximum
The geography of the Mesopotamian area changed considerably with the filling of the Persian Gulf after sea waters rose following the last glacial period. Global sea levels were about 120 m (390 ft) lower around 18,000 BP and rose until 8,000 BP when they reached current levels, which are now an average 40 m (130 ft) above the floor of the Gulf, which was a huge (800 km × 200 km, 500 mi × 120 mi) low-lying and fertile region in Mesopotamia, in which human habitation is thought to have been strong around the Gulf Oasis for 100,000 years. A sudden increase in settlements above the present-day water level is recorded at around 7,500 BP.[28][29]
Mediterranean Basin
Historian Adrienne Mayor theorizes that global flood stories may have been inspired by ancient observations of seashells and fish fossils in inland and mountain areas. The ancient Greeks, Egyptians, and Romans all documented the discovery of such remains in such locations; the Greeks hypothesized that Earth had been covered by water on several occasions, citing the seashells and fish fossils found on mountain tops as evidence of this idea.[30]
Speculation regarding the Deucalion myth has postulated a large tsunami in the Mediterranean Sea, caused by the Thera eruption (with an approximate geological date of 1630–1600 BCE), as the myth's historical basis. Although the tsunami hit the South Aegean Sea and Crete, it did not affect cities in the mainland of Greece, such as Mycenae, Athens, and Thebes, which continued to prosper, indicating that it had a local rather than a region-wide effect.[31]
Black Sea deluge hypothesis
The Black Sea deluge hypothesis offers a controversial account of long-term flooding; the hypothesis argues for a catastrophic irruption of water about 5600 BCE from the Mediterranean Sea into the Black Sea basin. This has become the subject of considerable discussion.[32][33] The Younger Dryas impact hypothesis offers another proposed natural explanation for flood myths; this idea is similarly controversial.[citation needed]
Comets
Painting from 1840 depicting a comet causing the Great Flood
The Eve of the Deluge, by John Martin, 1840. Depicts a comet causing the Great Flood.[34]
The earliest known hypothesis about a comet that had a widespread effect on human populations can be attributed to Edmond Halley, who in 1694 suggested that a worldwide flood had been the result of a near-miss by a comet.[35][36] The issue was taken up in more detail by William Whiston, a protégé of and popularizer of the theories of Isaac Newton, who argued in his book A New Theory of the Earth (1696) that a comet encounter was the probable cause of the Biblical Flood of Noah in 2342 BCE.[37] Whiston also attributed the origins of the atmosphere and other significant changes in the Earth to the effects of comets.[38]
In Pierre-Simon Laplace's book Exposition Du Systême Du Monde (The System of the World), first published in 1796, he stated:[39]
[T]he greater part of men and animals drowned in a universal
- |
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THE GREAT FLOOD |
- |
- |
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T |
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2 |
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THE |
33 |
15 |
6 |
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7 |
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5 |
GREAT |
51 |
24 |
6 |
F |
= |
6 |
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5 |
FLOOD |
52 |
25 |
7 |
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15 |
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17 |
THE GREAT FLOOD |
136 |
64 |
19 |
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- |
1+5 |
- |
1+7 |
|
1+3+6 |
6+4 |
1+9 |
- |
- |
6 |
|
8 |
THE GREAT FLOOD |
10 |
10 |
10 |
- |
- |
- |
|
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
6 |
|
8 |
THE GREAT FLOOD |
1 |
1 |
1 |
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- |
THE GREAT FLOOD |
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GREAT |
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THE GREAT FLOOD |
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8 |
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|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
3 |
THE GREAT FLOOD |
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
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|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
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|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
THE GREAT FLOOD |
52 |
25 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
5 |
THE GREAT FLOOD |
51 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE GREAT FLOOD |
- |
- |
- |
|
|
|
|
|
10 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+0 |
1+8 |
|
|
|
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
12 |
THE GREAT FLOOD |
136 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+2 |
|
1+3+6 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE GREAT FLOOD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
13 |
THE GREAT FLOOD |
136 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT FLOOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE GREAT FLOOD |
- |
- |
- |
|
|
|
|
|
10 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+0 |
1+8 |
|
|
|
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
12 |
THE GREAT FLOOD |
136 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+2 |
|
1+3+6 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
THE GREAT FLOOD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
13 |
THE GREAT FLOOD |
136 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT FLOOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE GREAT FLOOD |
- |
- |
- |
|
|
|
|
|
10 |
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+0 |
1+8 |
|
|
|
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
5 |
FLOOD |
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
12 |
THE GREAT FLOOD |
136 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+2 |
|
1+3+6 |
6+4 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE GREAT FLOOD |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
Genesis flood narrative
Wikipedia
https://en.wikipedia.org › wiki › Genesis_flood_narrat...
Some Christian biblical scholars suggest that the flood is a picture of salvation in Christ—the Ark was planned by God and there is only one way of salvation ...
?Summary · ?Flood chronology · ?Theology: the flood and the... · ?Later traditions
The Genesis flood narrative (chapters 6–9 of the Book of Genesis) is a Hebrew flood myth.[1][a] It tells of God's decision to return the universe to its pre-creation state of watery chaos and remake it through the microcosm of Noah's ark.[2]
The Book of Genesis was probably composed around the 5th century BCE,[3] although some scholars believe that Primeval history (chapters 1–11), including the flood narrative, may have been composed and added as late as the 3rd century BCE.[4][5] It draws on two sources, called the Priestly source and the non-Priestly or Yahwist,[6] and although many of its details are contradictory,[7] the story forms a unified whole.[8]
A global flood as described in this myth is inconsistent with the physical findings of geology, archeology, paleontology, and the global distribution of species.[9][10][11] A branch of creationism known as flood geology is a pseudoscientific attempt to argue that such a global flood actually occurred.[12] Some Christians have preferred to interpret the narrative as describing a local flood, instead of a global event.[13]
The story of the flood takes up chapters 6–9 of the Book of Genesis, the first book of the Bible. Ten generations after the creation of Adam God saw that the earth was corrupt and filled with violence, and he decided to destroy what he had created. But God found one righteous man, Noah, and to him he confided his intention: "I am about to bring on the Flood ... to eliminate everywhere all flesh in which there is the breath of life ... ." So God instructed him to build an ark (in Hebrew, a chest or box), and Noah entered the Ark in his six hundredth year, and on the 17th day of the second month of that year "the fountains of the Great Deep burst apart and the floodgates of heaven broke open" and rain fell for forty days and forty nights until the highest mountains were covered to a depth of 15 cubits, and all life perished except Noah and those with him in the Ark. After 150 days, "God remembered Noah ... and the waters subsided" until the Ark rested on the mountains of Ararat, and on the 27th day of the second month of Noah's six hundred and first year the earth was dry. Then Noah built an altar and made a sacrifice, and God made a covenant with Noah that man would be allowed to eat every living thing but not its blood, and that God would never again destroy all life by a flood.[14]
Genesis 6:9-9:17 NIV - Noah and the Flood
Bible Gateway
https://www.biblegateway.com › passage
For forty days the flood kept coming on the earth, and as the waters increased they lifted the ark high above the earth. ... The waters rose and increased greatly ...
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19 |
8 |
9 |
22 |
1 |
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5+9 |
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1+4 |
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1 |
8 |
9 |
4 |
1 |
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2+3 |
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- |
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- |
1 |
8 |
9 |
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1+8 |
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- |
19 |
8 |
9 |
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3+6 |
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- |
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- |
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4 |
1 |
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- |
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22 |
1 |
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2+3 |
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- |
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- |
19 |
8 |
9 |
22 |
1 |
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5+9 |
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1+4 |
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- |
1 |
8 |
9 |
4 |
1 |
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2+3 |
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5 |
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- |
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- |
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occurs |
x |
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- |
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- |
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occurs |
x |
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4 |
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- |
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- |
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- |
- |
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occurs |
x |
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8 |
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- |
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occurs |
x |
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= |
9 |
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2+3 |
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- |
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- |
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2+2 |
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2+3 |
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- |
1 |
8 |
9 |
4 |
1 |
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- |
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- |
- |
1 |
8 |
9 |
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1+8 |
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- |
19 |
8 |
9 |
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3+6 |
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- |
- |
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4 |
1 |
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- |
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22 |
1 |
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2+3 |
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- |
- |
19 |
8 |
9 |
22 |
1 |
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5+9 |
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1+4 |
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- |
1 |
8 |
9 |
4 |
1 |
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2+3 |
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5 |
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- |
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- |
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occurs |
x |
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= |
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occurs |
x |
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= |
4 |
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- |
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occurs |
x |
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= |
8 |
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- |
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- |
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occurs |
x |
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= |
9 |
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VISHNU
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VISHNU
KRISHNA
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18 |
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SHIVA
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SHIVA
VISHNU
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VISHNU
KRISHNA
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KRISHNA
OF TIME AND STARS
Arthur C. Clarke 1972
FOREWORD
"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
3 |
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2 |
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21 |
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3 |
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26 |
17 |
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1+2+1 |
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Page 15
The Nine Billion Names of God
'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'
Page16
'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "
Page 68
Into the Comet
"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"
I
SAY
THREAD THAT THREAD
THREAD READ DEATH DEATH READ THREAD
THREAD R DEATH DEATH R THREAD
THREAD READ DEAR THREAD
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
Circa 1900
FOURTH EDITION
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN
REFERENCE DICTIONARY
An up-to-date vocabulary of the living English language
FOURTH EDITION
Circa 1900
Page 1472
thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
l
isle t
hread: l
isle t
hread
A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Def
in
it
ion - of L
isle f
rom
Dictiona
ry.net
Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY
1974
Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
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32 |
23 |
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60 |
42 |
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27 |
9 |
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1 |
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1 |
1 |
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6 |
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56 |
29 |
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First Total |
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Add to Reduce |
1+7+6 |
1+0+4 |
2+3 |
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Second Total |
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Reduce to Deduce |
1+4 |
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Essence of Number |
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1 |
R |
18 |
9 |
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5 |
DEATH |
38 |
20 |
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THREAD |
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LIFE HANGING BY A THREAD
- |
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1+3 |
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19 |
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2 |
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13 |
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6 |
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43 |
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59 |
23 |
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6 |
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30 |
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Add to Reduce |
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Reduce to Deduce |
2+5+2 |
1+0+8 |
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Essence of Number |
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3 |
THE |
33 |
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LAST |
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13 |
Add to Reduce |
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THE LAST SUPPER |
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13 |
THE LAST SUPPER |
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6 |
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4 |
THE LAST SUPPER |
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THE LAST SUPPER |
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LAST |
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SUPPER |
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13 |
THE LAST SUPPER |
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1 |
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3 |
THE LAST SUPPER |
33 |
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15 |
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4 |
1 |
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|
|
|
|
|
7 |
|
4 |
THE LAST SUPPER |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
5 |
THE LAST SUPPER |
51 |
41 |
32 |
|
|
|
|
|
10 |
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
41 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+8+0 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
5 |
THE LAST SUPPER |
51 |
41 |
32 |
|
|
|
|
|
10 |
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
41 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+8+0 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
5 |
THE LAST SUPPER |
51 |
41 |
32 |
|
|
|
|
|
10 |
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+4 |
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
41 |
5 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+8+0 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
7 |
7 |
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
32 |
5 |
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
32 |
|
5 |
THE LAST SUPPER |
51 |
41 |
32 |
|
|
|
|
10 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+4 |
|
|
- |
- |
- |
- |
- |
THE LAST SUPPER |
- |
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LAST |
52 |
16 |
7 |
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SUPPER |
95 |
41 |
5 |
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
13 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+8+0 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
6 |
|
4 |
THE LAST SUPPER |
|
|
|
|
|
|
|
|
|
|
|

THE LAST SUPPER 1977
|
|
|
|
|
|
|
|
|
|
|
|
|
P |
E |
R |
|
|
|
|
|
|
|
- |
- |
|
|
20 |
8 |
5 |
|
12 |
1 |
19 |
20 |
|
19 |
21 |
16 |
16 |
5 |
18 |
|
|
|
|
|
|
|
- |
|
|
|
2 |
8 |
5 |
|
3 |
1 |
1 |
2 |
|
1 |
3 |
7 |
7 |
5 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
occurs |
x |
|
= |
4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
FOUR |
|
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
SIX |
|
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
- |
|
|
|
|
occurs |
x |
|
= |
14 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
3+5 |
|
|
1+3 |
|
5+4 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
4 |
|
9 |
|
9 |
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
- |
- |
8 |
- |
10 |
SIMON PETERR |
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+3+4 |
6+2 |
1+8 |
- |
- |
8 |
|
1 |
SIMON PETER |
|
|
|
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
SIMON PETER |
70 |
34 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
5 |
SIMON PETER |
64 |
28 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
18 |
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
1+5 |
|
|
|
1+8 |
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETERR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+3+4 |
6+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
1 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
18 |
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
1+5 |
|
|
|
1+8 |
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETERR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+3+4 |
6+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
1 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
18 |
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
1+5 |
|
|
|
1+8 |
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETERR |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+3+4 |
6+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
1 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
18 |
- |
- |
- |
- |
- |
SIMON PETER |
- |
- |
- |
|
|
|
|
1+5 |
|
|
1+8 |
S |
= |
1 |
- |
5 |
SIMON |
70 |
34 |
7 |
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
5 |
PETER |
64 |
28 |
1 |
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
10 |
SIMON PETERR |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+3+4 |
6+2 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
8 |
|
1 |
SIMON PETER |
|
|
|
|
|
|
|
|
|
|
|
Matthew 16:18 And I tell you that you are Peter, and on this ...
Bible Hub
https://biblehub.com › matthew
Now I say to you that you are Peter (which means 'rock'), and upon this rock I will build my church, and all the powers of hell will not conquer it.
?Parallel Commentaries · ?Keys to the kingdom of Heaven · ?17
you are Peter and upon this rock I will build my church
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
21 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
6 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
4+4 |
Add to Reduce |
5+4+9 |
2+3+4 |
4+5 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
YOU ARE PETER AND UPON THIS ROCK I WILL BUILD MY CHURCH.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
21 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
6 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
4+4 |
Add to Reduce |
5+4+9 |
2+3+4 |
4+5 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
21 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
6 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
4+4 |
Add to Reduce |
5+4+9 |
2+3+4 |
4+5 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
64 |
28 |
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
9 |
|
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
21 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
3 |
|
6 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
4+4 |
Add to Reduce |
5+4+9 |
2+3+4 |
4+5 |
|
|
|
|
|
1+4 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
2+3 |
1+4 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
46 |
19 |
|
4 |
|
18 |
18 |
|
5 |
|
44 |
26 |
|
|
Add to Reduce |
|
|
|
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
|
|
Essence of Number |
|
|
|
https://en.wikipedia.org › wiki › Wepwawet
WEPWAWET OPENER OF THE WAYS
In late Egyptian mythology, Wepwawet (hieroglyphic wp-w3w.t; also rendered Upuaut, Wep-wawet, Wepawet, and Ophois) was originally a war deity, whose cult centre was Asyut in Upper Egypt (Lycopolis in the Greco-Roman period). His name means opener of the ways and he is often depicted as a wolf standing at the prow of a solar-boat. Some interpret that Wepwawet was seen as a scout, going out to clear routes for the army to proceed forward.[1] One inscription from the Sinai states that Wepwawet "opens the way" to king Sekhemkhet's victory.[2]
Wepwawet originally was seen as a wolf deity, thus the Greek name of Lycopolis, meaning city of wolves, and it is likely the case that Wepwawet was originally just a symbol of the pharaoh, seeking to associate with wolf-like attributes, that later became deified as a mascot to accompany the pharaoh. Likewise, Wepwawet was said to accompany the pharaoh on hunts, in which capacity he was titled (one with) sharp arrow more powerful than the gods alone.
Over time, the connection to war and thus to death led to Wepwawet also being seen as one who opened the ways to, and through, Duat, for the spirits of the dead. Through this, and the similarity of the jackal to the wolf, Wepwawet became associated with Anubis, a deity that was worshiped in Asyut, eventually being considered his son. Seen as a jackal, he also was said to be Set's son. Consequently, Wepwawet often is confused with Anubis.[2] This deity appears in the Temple of Seti I at Abydos.[2]
In later Egyptian art, Wepwawet was depicted as a wolf or a jackal, or as a man with the head of a wolf or a jackal. Even when considered a jackal, Wepwawet usually was shown with grey, or white fur, reflecting his lupine origins. He was depicted dressed as a soldier, as well as carrying other military equipment—a mace and a bow.
For what generally is considered to be lauding purposes of the pharaohs, a later myth briefly was circulated claiming that Wepwawet was born at the sanctuary of Wadjet, the sacred site for the oldest goddess of Lower Egypt that is located in the heart of Lower Egypt. Consequently, Wepwawet, who had hitherto been the standard of Upper Egypt alone, formed an integral part of royal rituals, symbolizing the unification of Egypt.
In later Pyramid Texts, Wepwawet is called "Ra" who has gone up from the horizon, perhaps as the "opener" of the sky.[2] In the later Egyptian funerary context, Wepwawet assists at the Opening of the mouth ceremony and guides the deceased into the netherworld.[2]
Wepwawet – Occult World
https://occult-world.com › wepwawet
Wepwawet. Wepwawet – Opener of the Ways. Wepwawet is a road opener: • He clears the path to success and good fortune. • He opens the way to victory in ...
Wepwawet was an Egyptian jackal god whose name means “Opener of the Ways.” As such, he helped the deceased through the frequently dangerous paths to the afterlife, clearing the way to the final judgment of the dead.
W |
= |
5 |
- |
8 |
WEPWAWET |
116 |
35 |
8 |
O |
= |
6 |
- |
6 |
OPENER |
73 |
37 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
4 |
WAYS |
68 |
14 |
5 |
- |
- |
24 |
|
23 |
Add to Reduce |
|
|
|
- |
- |
2+4 |
- |
2+3 |
Reduce to Deduce |
3+1+1 |
1+1+3 |
2+3 |
- |
- |
6 |
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
WEPWAWET |
|
|
- |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
- |
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
8 |
WEPWAWET |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
OPENER |
|
|
- |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
- |
N |
14 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
- |
R |
18 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
6 |
OPENER |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
OF |
|
|
- |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
16 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
- |
F |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
2 |
OF |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
THE |
|
|
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
- |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
- |
|
- |
|
3 |
THE |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
WAYS |
|
|
- |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
Y |
= |
7 |
- |
- |
Y |
25 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
- |
S |
19 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
WAYS |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
- |
2+3 |
REDUCE |
3+1+1 |
1+1+3 |
2+3 |
- |
|
|
|
|
5+0 |
1+8 |
2+1 |
|
|
|
- |
|
- |
|
DEDUCE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
WEPWAWET OPENER OF THE WAYS
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
3 |
|
5 |
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
3 |
|
5 |
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
3 |
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
3 |
|
5 |
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
3 |
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
3 |
|
5 |
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
3 |
|
5 |
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
|
|
|
3 |
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
15 |
6 |
6 |
- |
|
|
3 |
|
|
|
|
|
|
P |
= |
7 |
- |
- |
P |
16 |
7 |
7 |
- |
|
|
3 |
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
5 |
|
|
|
|
N |
= |
5 |
- |
- |
N |
14 |
5 |
5 |
- |
|
|
|
|
5 |
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
|
|
|
5 |
|
|
|
|
R |
= |
9 |
- |
- |
R |
18 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
- |
O |
15 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
F |
= |
6 |
- |
- |
F |
6 |
6 |
6 |
- |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
- |
T |
20 |
2 |
2 |
- |
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
- |
H |
8 |
8 |
8 |
- |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
- |
E |
5 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
W |
= |
5 |
- |
- |
W |
23 |
5 |
5 |
- |
|
- |
|
|
|
|
|
|
|
A |
= |
1 |
- |
- |
A |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
Y |
= |
7 |
- |
- |
Y |
25 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
- |
S |
19 |
10 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
23 |
ADD |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+3 |
- |
2+3 |
REDUCE |
3+1+1 |
1+2+2 |
1+1+3 |
- |
|
|
|
|
5+0 |
1+8 |
2+1 |
|
|
|
- |
|
- |
|
DEDUCE |
|
|
|
- |
|
|
|
|
|
|
|
|
|
WEPWAWET OPENER OF THE WAYS
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 10 = 50
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 10 = 50
WEPWAWET OPENER OF THE WAYS
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REDUCE |
3+1+1 |
1+2+2 |
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1+8 |
2+1 |
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DEDUCE |
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WEPWAWET OPENER OF THE WAYS
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 10 = 50
"The most common letter in the English alphabet is E."
"The most common letter transposed into number in the English alphabet is 5."
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REDUCE |
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1+2+2 |
1+1+3 |
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1+8 |
2+1 |
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WEPWAWET OPENER OF THE WAYS
WEPWAWET OSIRIS WENNEFER
Results 1 - 10 of about 152 for Wepwawet Osiris Wennefer. (0.22 seconds)
Search ResultsResults include your SearchWiki notes for Wepwawet Osiris Wennefer.
The Egyptian Book of the Dead: The Book of Going Forth by Day - Google Books Result by Raymond O. Faulkner, Dr. Ogden Goelet, Carol ... - 2008 - History - 174 pages
I have given the sweet breath of the north wind to Osiris Wennefer as when ... this my name of Wepwawet; I have given praise and have made homage to Osiris ...
books.google.com/books?isbn=0811864898
... - Wadjet, Wepwawet Jump to Wesir/Osiris.: Also sometimes Wennefer (Gr: Onnophris) which means "the eternally good being" or "the perfect one". Wesir/Osiris has been ...
www.philae.nu/akhet/NetjeruW.html - Cached - Similar
-Osiris, Anhur, Onuris, Wesir Also sometimes Wennefer (Gr: Onnophris) which means "the eternally good being" or "the perfect one". Wesir/Osiris has been called "Lord of the Duat ...
www.philae.nu/akhet/NetjeruO.html - Cached - Similar
-Ikhernofret's Description of the Osiris Passion Play at Abydos I organized the going forth of Wepwawet when he proceeded to avenge his father; ... I avenged Wennefer that day of the great fight; I overthrew all his ...
www.touregypt.net/passionplay.htm - Cached - Similar
-The origins of theater in ancient Greece and beyond: from ritual ... - Google Books Result by Eric Csapo, Margaret Christina Miller - 2007 - Performing Arts - 440 pages
I repulsed the attackers of the w^wrt-bark,26 felling the foes of Osiris. ... and I protected Wennefer (= Osiris) on that day of the Great Battle, ...
books.google.com/books?isbn=0521836824
... - Kheruef ; TT192 ; TT 192 ; tombe Egypte (5) ... in the presence of Wennefer (the fully regenerated Osiris), for the ka of . ... "An offering which the king gives to Wepwawet of Upper Egypt, .... Osiris, Geb, Nut, Isis and Nephthys, Anubis, as well as to Wepwawet of Upper Egypt. ...
www.osirisnet.net/tombes/nobles/kheru/e_kherouef_05.htm
- Cached -OSIRIS - REALM OF THE GODS One of these is, "Wennefer" which means "eternally good" or "eternally ... procession of Osiris`s barque (neshmet) which followed the jackal-god, Wepwawet. ...
gtae.users.btopenworld.com/godsOtoR.htm - Cached - Similar
-A Protective Measure at Abydos in the Thirteenth Dynasty of Abydos for his father Wepwawet, lord of the necropolis, like that which Horus did for his father Osiris Wennefer ,d forbiddinge (3) anyone to trespassf ...
www.jstor.org/stable/3821898 -
by A Leahy - 1989 - Cited by 5 - Related articles
Oriental Institute | Highlights from the Collection: Mummies 7 Feb 2007 ... Two images of the jackal god Wepwawet, protector of the necropolis, decorate the upper ... Lord of Shechet, and Wennefer (a form of Osiris), ... oi.uchicago.edu › Museum › Highlights from the Collections - Cached - Similar
-[PPT] The Origins of Drama and Theatre File Format: Microsoft Powerpoint - View as HTML
Ikhernofret's Description of the Osiris "Passion Play" at Abydos. “I organized the going forth of Wepwawet when he proceeded to avenge his father; ... I avenged Wennefer that day of the great fight; I overthrew all his enemies upon the ...
www.drama.uwaterloo.ca/origins.ppt
WEPWAWET WENNEFER
A Protective Measure at Abydos in the Thirteenth ... - JSTOR
https://www.jstor.org › stableby A Leahy · 1989 · Cited by 66 — of Abydos for his father Wepwawet, lord of the necropolis, like that which Horus did for his father Osiris Wennefer,d forbiddinge (3) anyone to trespassf upon thisg ...
Toby Wilkinson · 2016 · ?History
Sekhmet Seth Shesmu Shu Sirius Sokar Southofhiswall Tefnut Thoth Wennefer Wepwawet
Flickr photos, groups, and tags related to the "wennefer" Flickr tag. ... King Khakaure (Senusert III) beloved of the gods Osiris Wennefer and Wepwawet.
Seth - Research Explorer - The University of Manchester
https://www.research.manchester.ac.uk › FULL_TEXT
by PJ Turner · Cited by 3 — before the countenance of Wennefer, the Justified. He has fed of the Abdu ..
Egret who went up from the cultivation and the Wepwawet- jackal which emerged ...
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14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
206 |
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
1+6 |
|
2+0+6 |
8+0 |
1+7 |
|
|
|
|
|
5+5 |
|
|
|
|
|
|
|
|
|
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
8 |
8 |
|
|
|
|
|
1 |
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 11 = 55
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 11 = 55
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
= |
|
|
8 |
WEPWAWET |
116 |
35 |
8 |
|
|
|
|
|
|
|
|
|
|
W |
= |
|
|
8 |
WENNEFER |
90 |
45 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
|
16 |
|
206 |
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WEPWAWET WENNEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
2 |
1 |
|
5 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
4 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
23 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
7 |
1 |
|
5 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
9 |
1 |
|
23 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
11 |
1 |
|
14 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
206 |
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
8+0 |
|
1+6 |
|
2+0+6 |
8+0 |
1+7 |
|
|
|
|
|
5+5 |
|
|
|
|
|
|
|
|
|
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
8 |
8 |
|
|
|
|
|
1 |
|
|
|
|
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 11 = 55
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 11 = 55
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
= |
|
|
8 |
WEPWAWET |
116 |
35 |
8 |
|
|
|
|
|
|
|
W |
= |
|
|
8 |
WENNEFER |
90 |
45 |
9 |
|
|
|
|
|
|
|
- |
- |
10 |
|
16 |
|
206 |
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
WEPWAWET WENNEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
23 |
5 |
|
|
|
|
5 |
|
|
|
|
|
5 |
2 |
1 |
|
5 |
5 |
|
|
|
|
5 |
|
|
|
|
|
|
4 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
23 |
5 |
|
|
|
|
5 |
|
|
|
|
|
5 |
7 |
1 |
|
5 |
5 |
|
|
|
|
5 |
|
|
|
|
|
|
9 |
1 |
|
23 |
5 |
|
|
|
|
5 |
|
|
|
|
|
5 |
10 |
1 |
|
5 |
5 |
|
|
|
|
5 |
|
|
|
|
|
|
11 |
1 |
|
14 |
5 |
|
|
|
|
5 |
|
|
|
|
|
|
12 |
1 |
|
14 |
5 |
|
|
|
|
5 |
|
|
|
|
|
5 |
13 |
1 |
|
5 |
5 |
|
|
|
|
5 |
|
|
|
|
|
5 |
15 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
206 |
80 |
17 |
|
|
|
|
|
|
|
|
|
8+0 |
|
1+6 |
|
2+0+6 |
8+0 |
1+7 |
|
|
|
5+5 |
|
|
|
|
|
|
|
|
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
8 |
8 |
|
|
|
1 |
|
|
|
WEPWAWET WENNEFER
LETTERS TRANSPOSED INT0 NUMBER REARRANGED IN NUMERICAL ORDER
WEPWAWET WENNEFER
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 11 = 55
"The most common letter in the English alphabet is E."
"The most common letter transposed into number in the English alphabet is 5."
WHEREVER WHATEVER WHENEVER WENNEFER WENNEFER WHENEVER WHATEVER WHEREVER
WENNEFER WEPWAWET WENNEFER
- |
- |
- |
- |
- |
WEPWAWET |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
5 |
P |
= |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
5 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
- |
- |
- |
WEPWAWET |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
WENNEFER |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
1 |
W |
23 |
5 |
5 |
- |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
5 |
F |
= |
6 |
- |
1 |
F |
6 |
6 |
6 |
- |
- |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
- |
5 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
WENNEFER |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
|
|
8 |
WEPWAWET |
116 |
35 |
8 |
|
8 |
W |
= |
|
|
8 |
WENNEFER |
90 |
45 |
9 |
|
9 |
- |
- |
10 |
|
16 |
|
206 |
80 |
17 |
|
17 |
- |
- |
1+0 |
- |
1+6 |
|
2+0+6 |
8+0 |
1+7 |
- |
1+7 |
- |
- |
1 |
|
7 |
|
8 |
8 |
8 |
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UNNEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
38 |
|
7 |
|
83 |
38 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WENEN |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
|
70 |
34 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NEFER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
|
5 |
|
48 |
30 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ONNOPHRIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
56 |
|
9 |
|
128 |
65 |
56 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
320 |
158 |
149 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4+9 |
|
2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
|
|
|
|
|
7+0 |
2+4 |
|
|
3+6 |
|
|
|
|
|
Second Total |
|
14 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|

UNNEFER WENEN NEFER ONNOPHRIS
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1 |
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21 |
3 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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6 |
6 |
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5 |
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1 |
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5 |
5 |
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1 |
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18 |
9 |
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1 |
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23 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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6 |
6 |
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5 |
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1 |
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5 |
5 |
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1 |
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18 |
9 |
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1 |
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15 |
6 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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1 |
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15 |
6 |
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1 |
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16 |
7 |
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1 |
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8 |
8 |
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1 |
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18 |
9 |
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1 |
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9 |
9 |
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1 |
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19 |
10 |
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First Total |
320 |
158 |
149 |
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1+4+9 |
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2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
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7+0 |
2+4 |
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3+6 |
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Second Total |
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14 |
14 |
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1+4 |
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Reduce to Deduce |
|
1+4 |
1+4 |
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Essence of Number |
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5 |
5 |
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UNNEFER WENEN NEFER ONNOPHRIS
LETTERS TRANSPOSED INT0 NUMBER REARRANGED IN NUMERICAL ORDER
UNNEFER WENEN NEFER ONNOPHRIS
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 11 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
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1 |
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19 |
10 |
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1 |
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21 |
3 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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23 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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1 |
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6 |
6 |
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1 |
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6 |
6 |
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1 |
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15 |
6 |
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1 |
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15 |
6 |
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1 |
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16 |
7 |
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1 |
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8 |
8 |
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1 |
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18 |
9 |
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1 |
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18 |
9 |
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1 |
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18 |
9 |
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1 |
|
9 |
9 |
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|
First Total |
320 |
158 |
149 |
|
|
|
|
|
|
|
|
|
|
|
|
1+4+9 |
|
2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
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7+0 |
2+4 |
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|
3+6 |
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Second Total |
|
14 |
14 |
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|
1+4 |
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Reduce to Deduce |
|
1+4 |
1+4 |
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Essence of Number |
|
5 |
5 |
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LOOK AT THE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
UNNEFER WENEN NEFER ONNOPHRIS
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
"The most common letter in the English alphabet is E."
"The most common letter transposed into number in the English alphabet is 5."
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1 |
|
19 |
10 |
|
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1 |
|
21 |
3 |
|
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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|
5 |
|
1 |
|
5 |
5 |
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|
5 |
|
1 |
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5 |
5 |
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|
1 |
|
23 |
5 |
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|
5 |
|
1 |
|
5 |
5 |
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1 |
|
14 |
5 |
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|
5 |
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1 |
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5 |
5 |
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1 |
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14 |
5 |
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1 |
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14 |
5 |
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5 |
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1 |
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5 |
5 |
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|
5 |
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1 |
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5 |
5 |
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1 |
|
14 |
5 |
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1 |
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14 |
5 |
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1 |
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6 |
6 |
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1 |
|
6 |
6 |
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1 |
|
15 |
6 |
|
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1 |
|
15 |
6 |
|
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|
1 |
|
16 |
7 |
|
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|
|
1 |
|
8 |
8 |
|
|
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|
|
|
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|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
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|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
320 |
158 |
149 |
|
|
|
|
|
|
|
|
|
|
1+4+9 |
|
2+6 |
Add to Reduce |
3+2+0 |
1+5+8 |
1+4+9 |
|
|
|
7+0 |
2+4 |
|
|
3+6 |
|
|
|
|
|
Second Total |
|
14 |
14 |
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
5 |
5 |
|
|
|
|
|
|
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|
LOOK AT THE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
UNNEFER WENEN NEFER ONNOPHRIS
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.

WENNEFER WEPWAWET WENNEFER
55555F5R 55P5A55T 55555F5R
WENNEFER WEPWAWET WENNEFER
WHEREVER WHATEVER WHENEVER WENNEFER WENNEFER WHENEVERWHATEVERWHEREVER
W |
= |
5 |
- |
8 |
WEPWAWET |
116 |
35 |
|
W |
= |
5 |
- |
8 |
WENNEFER |
90 |
54 |
9 |
W |
= |
5 |
- |
8 |
WHENEVER |
100 |
46 |
1 |
- |
- |
15 |
- |
24 |
Add to Reduce |
306 |
135 |
18 |
- |
- |
1+5 |
- |
2+4 |
Reduce to Deduce |
3+0+6 |
1+3+5 |
1+8 |
|
|
6 |
|
6 |
Essence of Number |
9 |
9 |
9 |
N-NEFER ONNOPHRIS
355565559 55555-55659 655678991
UNNEFER WENEN-NEFER ONNOPHRIS
U |
= |
|
|
7 |
UNNEFER |
83 |
38 |
2 |
W |
= |
|
|
5 |
WENEN |
61 |
25 |
7 |
N |
= |
|
|
5 |
NEFER |
48 |
30 |
3 |
O |
= |
|
|
9 |
ONNOPHRIS |
128 |
56 |
2 |
- |
- |
19 |
|
26 |
|
320 |
149 |
14 |
- |
- |
1+9 |
- |
2+6 |
|
3+2+0 |
1+4+9 |
1+4 |
- |
- |
10 |
|
8 |
|
5 |
14 |
5 |
- |
- |
1+0 |
- |
- |
- |
|
1+4 |
|
- |
- |
1 |
|
8 |
|
5 |
5 |
5 |
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.
UNNEFER WENEN-NEFER ONNOPHRIS
355565559 55555-55659 655678991
UNNEFER WENEN-NEFER ONNOPHRIS
UNNEFER WENEN-NEFER ONNOPHRIS
355565559 55555-55659 655678991
UNNEFER WENEN-NEFER ONNOPHRIS
U |
= |
|
|
7 |
UNNEFER |
83 |
38 |
2 |
W |
= |
|
|
5 |
WENEN |
61 |
25 |
7 |
N |
= |
|
|
5 |
NEFER |
48 |
30 |
3 |
O |
= |
|
|
9 |
ONNOPHRIS |
128 |
56 |
2 |
- |
- |
19 |
|
26 |
|
320 |
149 |
14 |
- |
- |
1+9 |
- |
2+6 |
|
3+2+0 |
1+4+9 |
1+4 |
- |
- |
10 |
|
8 |
|
5 |
14 |
5 |
- |
- |
1+0 |
- |
- |
- |
|
1+4 |
|
- |
- |
1 |
|
8 |
|
5 |
5 |
5 |
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is ...
www.schools.pinellas.k12.fl.us/educators/tec/egypt/egygods/sld066.htm
First Previous Next Last · Index Text. Slide 66 of 97.
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.
Egyptian Divinities: The All Who Are the One - Page 104 - Google Books Result
books.google.co.uk/books?isbn=1931446040
Moustafa Gadalla - 2001 - History
Un-Nefer (Wenen-nefer, Onnophris) means he who is continually happy, which describes the deceased, in his/her form as Ausar (Osiris), after his/her ...
Egyptian Culture - East Buchanan Community Schools
www.east-buc.k12.ia.us/02_03/Cul/Egypt/egypt.htm
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection. Anubis: The guardian of the Necropolis ...
List of Ancient Egyptian gods - Ehab Samy
www.ehabweb.net/list-of-ancient-egyptian-gods/
UNNEFER (WENEN-NEFER, ONNOPHRIS),: a name meaning 'he who is continually happy', given to Osiris after his resurrection. WEPWAWET (UPUAUT): the ...
Eternal Gods, Eternal Lives - Ancient Worlds
www.ancientworlds.net/aw/Journals/Journal/167968
Unnefer (Wenen-nefer, Onnophris): A name meaning 'he who is continually happy', given to Osiris after his resurrection.', Wepwawet (Upuaut): The jackal-god of
U |
= |
|
|
7 |
UNNEFER |
83 |
38 |
2 |
W |
= |
|
|
5 |
WENEN |
61 |
25 |
7 |
N |
= |
|
|
5 |
NEFER |
48 |
30 |
3 |
O |
= |
|
|
9 |
ONNOPHRIS |
128 |
56 |
2 |
- |
- |
19 |
|
26 |
|
320 |
149 |
14 |
- |
- |
1+9 |
- |
2+6 |
|
3+2+0 |
1+4+9 |
1+4 |
- |
- |
10 |
|
8 |
|
5 |
14 |
5 |
- |
- |
1+0 |
- |
- |
- |
|
1+4 |
|
- |
- |
1 |
|
8 |
|
5 |
5 |
5 |
Daily Mail. Tuesday. March 31, 2015
Page 68
The point of pentangles
ANSWERS TO CORRESPONDENTS
QUESTION
Which culture first used the pentangle and how did it become associated with the occult?
THE pentangle is usually represented as the pentagram, a five-pointed, linear star within a circle, worn or drawn with the point facing up.
It served to mark directions in Sumerian texts, dating from about 30BC, and is found in most early cultures. The ancient Greeks established its symbolic status.
Greek mathematician and philosopher Pythagoras believed five was the number of perfection, because of the fivefold division of the body (head, arms and legs outstretched) mirroring the division of the soul into fire, water, air, earth and psyche. The Pythagoreans held the pentacle sacred to Hygeia, the goddess of healing.
Early Christians wore the pentagram to represent the five wounds of Christ and to symbolise thefive senses.
In the 14th-century English poem Sir Gawain And The Green Knight, the symbol decorates the shield of the hero, Gawain. The anonymous poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is keen in his five senses, dextrous in his five fingers, faithful to the salvation provided through the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus and exemplifies the five virtues of knighthood.
Renaissance-era ritual magicians, Henry Cornelius Agrippa von Nettesheim (14861535) and Giordano Bruno (1548-1600), used the pentagram to represent the perfection of the human body. To Bruno, five was the `number of the soul' because the human form is bound by five outer points. He warned magicians and sorcerers could perform spells by using the pentagram as it was a window to the soul.
As Bruno and other Renaissance philosophers and magicians were executed under the Inquisition, perhaps the symbol came to be associated with evil forces.
By the mid-19th century, a further distinction had developed among occultists regarding the pentagram's orientation. With a single point upwards it depicted a spirit presiding over the four elements of matter and was essentially 'good'.
Occultists and satanists now claimed that the inverted pentagram was evil, the sign of the Devil even. Influential French occultist Eliphas Levi (1810-75) stated: 'A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. 'It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates.'
Symbolic: Anton LaVey, of the Church of Satan, with an inverted pentangle (image omitted)
Brian Cummings, Hay-on-Wye, Powys.
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 150
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
PYRAMID = 86 = PYRAMID
PYRAMID = 41 = PYRAMID
PYRAMID = 5 = PYRAMID
Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
|
- |
|
|
1 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
D |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
32 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
3+2 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
Y RAM MARY MARY Y RAM
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D |
4 |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
41 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
4+1 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
- |
- |
- |
- |
- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
2 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
= |
|
- |
4- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
- |
AMID |
- |
- |
- |
|
- |
|
|
2 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
4 |
4 |
4 |
A |
= |
|
- |
- |
AMID |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
|
8 |
- |
91 |
46 |
37 |
- |
- |
- |
- |
- |
- |
8+6 |
4+6 |
3+7 |
- |
- |
8 |
|
8 |
|
10 |
10 |
10 |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
8 |
|
8 |
|
1 |
1 |
1 |
PYRE AMIDST THE STONE
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
5 |
P |
= |
|
|
7 |
PHARAOH |
67 |
40 |
4 |
- |
- |
14 |
|
14 |
Add to Reduce |
153 |
81 |
9 |
- |
- |
1+4 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
8+1 |
1+8 |
- |
- |
5 |
|
5 |
Essence of Number |
9 |
9 |
9 |

T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
P |
= |
7 |
|
7 |
PYRAMID |
86 |
41 |
5 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
G |
= |
7 |
|
4 |
GIZA |
43 |
25 |
7 |
|
|
|
|
21 |
First Total |
|
|
|
|
|
2+9 |
|
2+1 |
Add to Reduce |
2+3+4 |
1+1+7 |
2+7 |
|
|
|
|
3 |
Second Total |
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
- |
- |
- |
|
|
|
|
|
Essence of Number |
|
|
|

4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
IS |
28 |
10 |
1 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|

- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
7 |
7 |
|
3 |
7 |