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A MAZE IN ZAZAZA ENTER AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time" 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING RISING IS THE LIGHT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest- Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000. Page 15 The Nine Billion Names of God
Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.' Page 68 Into the Comet
BURY MY HEART AT WOUNDED KNEE. An Indian History of the American West. Dee Brown. First Published in Vintage 1991.
"I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead. Black Elk
ADVENT 575 ADVENT
THE RAINBOW COVENANT OF THE MAGIKALALPHABET WITH A HANDFUL OF THESE SIGNS ALL THE WORDS OF ALL THE LANGUAGES OF ALL THE PEOPLE COULD BE WRITTEN
MARIO AND THE MAGICIANS Thomas Mann 1875 - 1955 Pages 286 -7 - 8 - 9 - 90 -91 18 THE TABLES OF THE LAW Moses, leaning on his staff, traversed the desert, his wide-set eyes fixed on God's mountain, which was smoking like an oven and spewed forth many times. The mountain was of peculiar shape: it had fissures and veins which seemed to divide it into terraces and which looked like upward-leading paths, though they were not paths, but simply gradations of yellow walls. On the third day, after climbing several foothills, God's delegate arrived at the bare foot of the mountain. Then he began to ascend, his fist grasping the pilgrim's staff which he set before him. He climbed without path or track many an hour, step by step, higher, always higher, towards God's nearness. He climbed as far as a human being could, for by and by the sulphurous fumes which smelled of hot metals and which filled the air choked him, and he began to cough. He arrived at the topmost fissure and terrace right underneath the summit, where he could have a wide view of the bald and wild mountain ranges on both sides, and out over the desert as far as Kadesh. Closer by he could see the people in their enclosure, far below and small. Here the coughing Moses found a cave in the mountain wall, a cave with a projecting roof of rock which could protect him from the falling stones and the flowing broth. There he took up his abode and arranged himself to start, after a short breathing spell, the work which God had ordered from him. Under the difficult circumstances-.for the metal vapours lay heavily on his breast and made even the water taste of sulphur - this work held him fast up there not less than forty days and forty nights. But why so long? Idle question! The eternal had to be recorded, the binding word had to be briefed, God's terse moral law had to be captured and graved into the stone of the mountain, so that Moses might bring it down to the vacillating mob, to the blood of his buried father, down into the encamp-ment where they were waiting. There it was to stand from generation to generation, unbreakable, graved also into their minds and into their flesh and blood, the quintessence of human decency. From his inner consciousness God directed him to hew two tablets from the rock and to write upon them his dictate, five words on the one and five words on the other, together ten words. It was no easy task to build the two tablets, to smooth them and to shape them into fit receptacles of eternal brevity. For a lone man, even if he had drunk the milk of a mason's daughter, even if he had broad wrists, it was a piece of work subject to many a mishap. Of the forty days it took a quarter. But the actual writing down was a problem the solution of which could well have prolonged the number of Moses's mountain days far over forty. For in what manner should he write? In the academy of - Thebes he had learned the decorative picture writing of Egypt with all its current amendments. He had also learned the stiffly formal arrow script of Euphrates, in which the kings of the world were wont to exchange their thoughts on fragments of clay. In Midian he had become acquainted with still a third magic method of capturing meaning. This one consisted of eyes, crosses, insets, circles; and variously formed serpentine lines. It was a method used in Sinai which had been copied with desert awkwardness from the Egyptians. Its marks, however, did not represent whole words or word pictures, but only their parts. They denoted syllables which were to be read together. None of these three methods of fastening thought satisfied him, for the simple reason that each of them was linked to a particular language and was indigenous to that language. Moses realized perfectly well that it would never under any conditions be possible for him to set upon the stone the dictate of ten words either in Babylonian or in Egyptian language, nor yet in the jargon of the Sinai Bedouins. The words on the stone could be only in the language of his father's blood, the very dialect which they spoke and which he himself employed in his teach- ings. It did not matter whether they would be able to read it or not. In fact, how could they be expected to read a language which no one could as yet write? There was no magic symbol at hand to represent and hold fast their speech. With all his soul Moses wished that there existed such a symbol, one which they could learn to read quickly, very quickly; one which children, such as they were, could learn in a few days. It followed, then, that somebody could think up and invent such a symbol in a few days, with the help of God's nearness. Yet, because it did not exist, somebody had to think up and invent this new. method of writing. What a pressing and precious task! He had not considered it in advance, had simply thought of 'writing' and had not taken into account that one could not write just like that! Fired by his fervent search for symbols his people could understand, his head glowed and smoked like an oven and like the summit of the mountain. It seemed to him as if rays emerged from his head, as if horns sprang from his forehead, so great was his wishing exertion. And then a simple, illuminating idea came to him. True, he could not invent signs for all the words used by his kin, nor for the syllables from which they formed their words. Even if the vocabulary of those down in the enclosure ,was paltry, yet would it have required too many marks for him to build in the span of his mountain days and also for the others to learn to read quickly. Therefore he thought of something else, and horns stood upon his forehead out of pride over the flash of God's inspiration. He gathered the sounds of the language, those formed by the lips, by the tongue, by the palate, and by the throat; he put to one side the few open sounds which occurred every so often within the words, which in fact were framed by the others into words. He found that there were not too many of these framing sonant sounds - hardly twenty. If one ascribed definite signs to them, signs which everybody could alike aspirate and respirate, mumble and rumble, gabble and babble, then one could combine these signs into words and word pictures, leaving out the open sounds which followed by themselves. Thus one could form any word one liked, any word which existed, not only in the language of his father's kin, but in all languages - yes, with these signs one could even write Egyptian or Babylonian. A flash from God. An idea with horns. An idea such as could be expected from the Invisible and the spiritual one, him to whom the world belonged, him who, though he had chosen those down below as his people, was yet the Lord of all the earth. It was an idea also which was eminently fitting to the next and most pressing purpose for which and out of which it was created: the text of the tables, the binding briefed text. This text was to be coined first and specifically for the tribe which Moses had led out of Egypt because God and he were inclined towards them. But just as with a handful of these signs all the words of all the languages of all the people could, if need be, be written, just as Jahwe was the God of all the world, so was what Moses meant to brief and write of such a nature that it could serve as fundamental precept, as the rock of human decency, to all the peoples of the earth. Moses with his fiery head now experimented with signs loosely related to the marks of the Sinai people as he remem- bered them. On the wall of the mountain he graved with his stylus the lisping, popping, and smacking, the hissing, and swishing, the humming and murmuring sounds. And when he had all the signs together and could distinguish them with a certain amount of assurance, lo! with them one could write the whole world, all that which occupied space and all that which occupied no space, all that was fashioned and all that was thought. In short, all. He wrote. That is to say, he jabbed, chiselled, and hacked at the brittle stone of the tablets, those tablets which he had hewn laboriously and whose creation went hand in hand with the creation of the letters. No wonder that it took him forty days! Joshua, his youth, came to see him several times. He brought him water and crusts, without precisely telling the people of his visits. The people thought that Moses lived up there in God's proximity and communed with him quite alone. And Joshua deemed it best to let them believe this. Therefore his visits were short and made by night. From the dawn of the light of day above Edom to its extinc-tion, Moses sat behind the desert and worked. One has to imagine him as he sat up there with bare shoulders, his breast covered with hair, with his powerful arms which he may have inherited from his ill-used father, with his eyes set far apart, with his flattened nose, with the divided now greying beard - chewing his crust, now and then coughing from the metal vapours of the mountain, hammering, scraping, and polishing his tablets in the sweat of his brow. He crouched before the tablets propped against the rocky wall, and painstakingly carved the crow's-feet, then traced them with his stylus, and finally graved the omnipotent runes deep into the flatness of the stone. On one tablet he wrote: Jahwe am thy God thou shalt have no other gods before me. Thou shalt not make unto thee any image. Thou shalt not take my name in vain. Remember my day, to keep it holy. Honour thy father and thy mother. And on the other tablet he wrote: Thou shalt not murder. Thou shalt not commit adultery. Thou shalt not harm thy neighbour by false witness. Thou shalt not cast a covetous eye on the possessions of thy neighbour.
That is what he wrote, omitting the open sounds which formed themselves. And always it seemed to him as if rays like two horns stood out from the locks of his forehead. When Joshua came for the last time to the mountain, he remained a little longer, two whole days. For Moses was not finished with his work and they wanted to descend together. The youth admired whole-heartedly what his master had accomplished. He comforted him because a few letters were cracked and unrecognizable in spite of all the love and care which Moses had expended. Joshua assured him that this did no harm to the total impression. The last thing that Moses did while Joshua looked on was to paint the sunken letters with his blood so that they would stand out better. No other pigment was at hand. Therefore he cut his strong arm with his stylus and smeared the trickling blood into the letters so that they glowed rosily in the stone. When the writing had dried, Moses took one tablet under each arm, gave his pilgrim's staff, with which he had ascended, to the youth, and thus they wandered down from the seat of God towards the encampment of the people near the mountain in the desert."
MARIO THE MAGICIAN Thomas Mann 1875 - 1955 Pages 286 - 7-8-9 - 90 91 18 THE TABLES OF THE LAW Page 278 "And my day shall be the day of thy freedom, which thou shalt keep holy. Six days shalt thou be a tiller or a plough-maker or a potter or a coppersmith or a joiner. But on my day shalt thou put on clean garments and thou shalt be nothing, nothing but a human being who raises his eyes to the Invisible. Though wert an oppressed servant in. the land of Egypt. Think of that in your behaviour towards those who are strangers among you: for example, the children of Amalek, whom God gave into your hands. Do not oppress them. Look on them as ye look on yourself and give them equal rights, or I shall crash down upon you. For they too stand under the pro-tection of Jahwe. In short, do not make such a stupid, arrogant distinction between thyself and the others, so that thou thinkest that thou alone art real and thou alone countest while the others are only a semblance. Ye both have life in common, and it is only an accident that thou art not he. Therefore do not love thyself alone but love him in the same way, and do unto him as thou desirest that he do unto you. Be gracious with one another and kiss the tips of your fingers when ye pass each other and bow with civility and speak the greeting, 'Be hale and healthy'. For it is quite as important that he be healthy as that thou be healthy. And even if it is only formal civility that ye do thus and kiss your fingertips, the gesture does leave something in your heart of that which should be there of your neighbour. And they all said Amen."
THOMAS MANN MARIO AND THE MAGICIANS 1875 - 1955 Pages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
TO THAT SAY YE AMEN AND THEY ALL SAID AMEN
THE HOLY BIBLE Scofield References EXODUS Page 100 Chapter 24 Verse 12 AND THE LORD SAID UNTO MOSES COME UP TO ME INTO THE MOUNT AND BE THERE AND I WILL GIVE THEE TABLES OF STONE AND A LAW AND COMMANDMENTS WHICH I HAVE WRITTEN THAT THOU MAYEST TEACHETH THEM
THE HOLY BIBLE Scofield References CHAPTER 20 Page 95-96 EXODUS AND GOD SPAKE ALL THESE WORDS SAYING
2 I AM THE LORD THY GOD WHICH HAVE BROUGHT THEE OUT OF THE LAND OF EGYPT OUT OF THE HOUSE OF BONDAGE
3 THOU SHALT HAVE NO OTHER GODS BEFORE ME
4 THOU SHALT NOT MAKE UNTO THEE ANY GRAVEN IMAGE OR ANY LIKENESS OF ANY THING THAT IS IN HEAVEN ABOVE OR THAT IS IN THE EARTH BENEATH OR THAT IS IN THE WATER UNDER THE EARTH
5 THOU SHALT NOT BOW DOWN THYSELF TO THEM NOR SERVE THEM FOR I THE LORD THY GOD AM A ZEALOUS GOD VISITING THE INIQUITY OF THE FATHERS UPON THE CHILDREN UNTO THE THIRD AND FOURTH GENERATION OF THEM THAT HATE ME
6 AND SHEWING MERCY UNTO THOUSANDS OF THEM THAT LOVE ME AND KEEP MY COMMANDMENTS
7 THOU SHALT NOT TAKE THE NAME OF THE LORD THY GOD IN VAIN FOR THE LORD WILL NOT HOLD HIM GUILTLESS THAT TAKETH HIS NAME IN VAIN
8 REMEMBER THE SABBATH DAY TO KEEP IT HOLY
9 SIX DAYS SHALT THOU LABOUR AND DO ALL THY WORK
10 BUT THE SEVENTH DAY IS THE SABBATH OF THE LORD THY GOD IN IT THOU SHALT NOT DO ANY WORK THOU NOR THY SON NOR THY DAUGHTER THY MANSERVANT NOR THY MAID SERVANT NOR THY CATTLE NOR THY STRANGER THAT IS WITHIN THY GATES
11 FOR IN SIX DAYS THE LORD MADE HEAVEN AND EARTH THE SEA AND ALL THAT IN THEM IS AND RESTED THE SEVENTH DAY WHEREFORE THE LORD BLESSED THE SABBATH DAY AND HALLOWED IT
12 HONOUR THY FATHER AND THY MOTHER THAT THY DAYS MAY BE LONG UPON THE LAND WHICH THE LORD THY GOD GIVETH THEE
13 THOU SHALT NOT KILL
14 THOU SHALT NOT COMMIT ADULTERY
15 THOU SHALT NOT STEAL
16 THOU SHALT NOT BEAR FALSE WITNESS AGAINST THY NEIGHBOUR
17 THOU SHALT NOT COVET THY NEIGHBOURS HOUSE THOU SHALT NOT COVET THY NEIGHBOURS WIFE NOR HIS MANSERVANT NOR HIS MAIDSERVANT NOR HIS OX NOR HIS ASS NOR ANY THING THAT IS THY NEIGHBOURS
18 AND ALL THE PEOPLE SAW THE THUNDERINGS AND THE LIGHTNINGS AND THE NOISE OF THE TRUMPET AND THE MOUNTAIN SMOKING AND WHEN THE PEOPLE SAW IT THEY REMOVED AND STOOD AFAR OFF
THE HOLY BIBLE Scofield References DEUTERONOMY Page 229 Verse 1 THEREFORE THOU SHALT LOVE THE LORD THY GOD AND KEEP HIS CHARGE AND HIS STATUTES AND HIS JUDGEMENTS AND HIS COMMANDMENT ALWAY
MARIO AND THE MAGICIANS THOMAS MANN 1875 - 1955 18 THE TABLES OF THE LAW Page 289 "...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS OF ALL THE LANGUAGES OF ALL THE PEOPLE COULD, IF NEED BE, BEWRITTEN,..."
I ME YOU AND YOU SOMEMOSESOME SOMETIME PRINCE OF EGYPT AND ISRAEL REAL REALITY REVEALED REALITY REAL DIVINE THOUGHT DIVINE I AM THAT I THAT AM I THOU ART THAT THAT ART THOU IS REAL IS REALITY IS REVEALED IS REALITY IS REAL IS
MOSES A SOMETIME PRINCE OF EGYPT AND ISRAEL IS RA EL EL IS RA. IS REAL ISRAEL IS REAL IS RA IS EL IS REAL
IS MOSES SOME IS
MOSE TIBERIAN IS
MONSES GREEK
MOSHE MODERN
THE HOLY BIBLE Scofield References DEUTERONOMY Page 227 Chapter 9 Verses
MARIO AND THE MAGICIAN AND OTHER STORIES Thomas Mann 1936 Page 297 " 'Now let me renew the tablets,' said he, 'that I may take your brevity down to the human beings. After all, perhaps it was just as well that I smashed the first in my anger. There were a few misshaped letters in them. I shall now confess to you that I fleetingly thought of this when I dashed the tablets to pieces.' And all the people said Amen."
I SHALL SOUND THE QUESTION THE QUESTION SOUND WHITHER GOEST THOU GOEST WHITHER GODS GODDESSES ALWAYS LOVE BALANCING LOVE ALWAYS GODDESSES GODS
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IN THE NAME OF GOD THE COMPASSIONATE THE MERCIFUL THE LORD BLESS THEE AND KEEP THEE THE LORD MAKE HIS FACE TO SHINE UPON THEE AND BE GRACIOUS UNTO THEE THE LORD LIFT UP HIS COUNTENANCE UPON THEE AND GIVE THEE PEACE 973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA 973 ISISISISISISISISISISISIS 919919919919 ISISISISISISISISISISISIS 999181818181818181818 AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999 122333444455555666666777777788888888999999999888888887777777666666555554444333221 999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999 BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED
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