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Evokation
  
 
Index
  

 

 

 

 

THE NUCLEAR FAMILY 1969

 

 

 

 

 

 

 

 

 

 

THE

MAGICALALPHABET

 

..................

 

-
-
-
-
-
THE RAINBOW LIGHT
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

THE MAGIC MOUNTAIN
Thomas Mann.  
1875 - 1955

Quote

"I tell them  that if they will occupy themselves with the study of
mathematics
they will find in it the best remedy against the lusts of the flesh."

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLIED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
626
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
6+2+6
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
14
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
1+4
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

-
GOOD
-
-
-
2
DO
19
10
1
4
GOOD
41
23
5
6
GOOD DO
60
33
6

2
GO
22
13
4
2
DO
19
10
1
4
GOOD
41
23
5
8
GOOD GO DO
82
46
10
-
-`
8+2
4+6
1+0
8
GOOD DO GO
10
10
1
-
-`
1+0
1+0
-
8
GOOD GO DO
1
1
1

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS

OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY

TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE

HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE

SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED

THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"

....

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

THE JOURNEY MAN 1977

 

 

 

THE JOURNEY MAN 1977

 

 

 

THE JOURNEY WOMAN 1978

 

 

 

THE JOURNEY WOMAN 1978

RN

 

 

SCULPTURE OF VIBRATIONS 1971

 

 

 

BIRTH OF THE HORUS

 

 

 

EHT NAMUH 1973

 

 

 

BY AND BY A BABY HAPPENED BY. 1973

 

 

 

NELSON MANDELA 1973

 

 

 

GLENN WILTSHIRE 1972

 

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

MARIO AND THE MAGICIANS

THOMAS MANN

1875 - 1955

18

THE

TABLES OF THE LAW

Page 289

"...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS

OF ALL THE LANGUAGES OF ALL THE PEOPLE

COULD, IF NEED BE, BE WRITTEN,..."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH ARM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

 

A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
A
B
C
D
E
F
G
H
I
-
-
45
-
-
9
-
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
-
4+5
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9

 

 

9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
-
+
=
11
1+1
=
2
=
2
-
-
-
-
-
14
15
-
-
-
+
=
29
2+9
=
11
1+1
2
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
7
8
9
+
=
34
3+4
=
7
=
7
-
10
11
12
13
-
-
16
17
18
+
=
97
9+7
=
16
1+6
7
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
45
-
-
9
-
45
-
10
11
12
13
14
15
16
17
18
-
-
4+5
-
-
-
-
4+5
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9

 

 

8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
6
-
8
+
=
15
1+5
=
6
=
6
-
19
-
-
-
-
24
-
26
+
=
69
6+9
=
15
1+5
6
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
7
-
+
=
21
2+1
=
3
=
3
-
-
20
21
22
23
-
25
-
+
=
111
1+1+1
=
3
=
3
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
+
=
 180
1+8+0
=
9
=
9
-
1
2
3
4
5
6
7
8
+
=
36
3+6
=
9
=
9
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
1
=
8
8
S
T
U
V
W
X
Y
Z
-
-
36
-
-
8
-
36
-
1
2
3
4
5
6
7
8
-
-
3+6
-
-
-
-
3+6
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

 

 

3
THE
33
15
6
4
NINE
42
24
6
7
BILLION
73
37
1
5
NAMES
52
16
7
2
OF
21
12
3
3
GOD
26
17
8
24
-
247
121
31
2+4
-
2+4+7
1+2+1
3+1
6
-
13
4
4
-
-
1+3
-
-
6
-
4
4
4

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

I

SAY

THREAD THAT THREAD

THREAD READ DEATH DEATH READ THREAD

THREAD R DEATH DEATH R THREAD

THREAD READ DEAR THREAD

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

Circa 1900

FOURTH EDITION

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

FOURTH EDITION

Circa 1900

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

lisle thread: lisle thread

A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD

 

 

Definition - of Lisle from Dictionary.net

Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k

 

 

CASSELL'S ENGLISH DICTIONARY

1974

Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.

 

 

L
=
3
4
LIFE
32
23
5
H
=
8
7
HANGING
60
42
6
B
=
2
2
BY
27
9
9
A
=
1
1
A
1
1
1
T
=
2
6
THREAD
56
29
2
-
-
16
20
First Total
176
104
23
-
-
1+6
2+0
Add to Reduce
1+7+6
1+0+4
2+3
Q
-
7
2
Second Total
14
5
5
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
7
2
Essence of Number
5
5
5

 

 

-
THREAD
-
-
-
1
R
18
9
9
5
DEATH
38
20
2
6
THREAD
56
29
2

 

LIFE HANGING BY A THREAD

 

-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
44
-
-
9
-
-
-
8
-
5
-
9
5
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
44
4+4
=
8
=
8
=
8
62
-
-
9
-
-
-
8
-
14
-
9
14
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
62
6+2
=
8
=
8
=
8
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
60
-
3
-
6
5
-
-
1
-
7
-
-
7
-
2
7
-
1
-
2
-
9
5
1
4
+
=
60
6+0
=
6
=
6
=
6
114
-
12
-
6
5
-
-
1
-
7
-
-
7
-
2
25
-
1
-
20
-
18
5
1
4
+
=
114
1+1+4
=
6
=
6
=
6
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
176
-
12
9
6
5
-
8
1
14
7
9
14
7
-
2
25
-
1
-
20
8
18
5
1
4
+
=
176
1+7+6
=
14
1+4
5
=
5
104
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
+
=
104
1+0+4
=
5
=
5
=
5
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
3
=
3
=
3
2
``-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
5
-
-
-
5
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
4
=
20
2+0
2
6
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
45
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
45
-
-
20
-
104
-
41
4+5
2+0
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
4+5
-
-
2+0
-
1+0+4
-
4+1
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5
-
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
-
-
-
-
-
-
-
-
-
-
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5

 

 

THE

VIRGIN BIRTH IS TO BE REBORN OF WATER

AND

SPIRIT GODS HOLY SPIRIT

AFTER

HAVING ENDURED

THE DEATH OF THE

I ME EGO SELF I SELF EGO ME I

WEIGHED IN THE BALANCE AND NOT FOUND WANTING

EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE

 

ISISIS

THE RESURRECTION AND THE LIFE

UNLESS THAT HE AZIN SHE THAT IS THEE

IZ

BORN AGAIN AGAIN BORN

THOU CANST NOT ENTER THE KINGDOM OF EVEN

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

3
3
-
A+B+C
6
6
6
2
-
2
D+E
9
9
9
3
3
-
F+G+H
21
21
3
1
-
1
I
9
9
9
3
3
-
J+K+L
33
6
6
2
-
2
M+N
27
9
9
2
2
-
O+P
31
13
4
3
--
3
QRS
54
18
9
3
--
3
TUV
63
9
9
3
-
3
WXY
72
18
9
1
1
-
Z
26
8
8
26
12
14
First Total
351
126
81
2+6
1+2
1+4
Add to Reduce
3+5+1
1+2+6
8+1
8
3
5
Reduce to Deduce
9
9
9

 

3
A+B+C
6
6
6
-
D+E
-
-
-
3
F+G+H
21
21
3
-
I
-
-
-
3
J+K+L
33
6
6
-
M+N
-
-
-
2
O+P
31
13
4
-
QRS
-
-
-
-
TUV
-
-
-
-
WXY
-
-
-
1
Z
26
8
8
12
First Total
117
54
27
2+6
Add to Reduce
1+1+7
5+4
2+7
8
Reduce to Deduce
9
9
9

 

-
A+B+C
-
-
-
2
D+E
9
9
9
-
F+G+H
-
-
-
1
I
9
9
9
-
J+K+L
-
-
-
2
M+N
27
9
9
-
O+P
-
-
-
3
QRS
54
18
9
3
TUV
63
9
9
3
WXY
72
18
9
-
Z
-
-
-
14
First Total
234
72
54
1+4
Add to Reduce
2+3+4
7+2
5+4
5
Reduce to Deduce
9
9
9

 

-
3

ZERO

64

28

1
1
3

ONE
34
16
7
2
3

TWO
58
13
4
3
5

THREE
56
29
2
4
4

FOUR
60
24
6
5
4

FIVE
42
24
6
6
3

SIX
52
16
7
7
5

SEVEN
65
20
2
8
5

EIGHT
49
31
4
9
4

NINE
42
24
6
45
40
-
522
225
45
4+5
4+0
-
5+2+2
2+2+5
4+5
9
4
-
9
9
9

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
1
-
1
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+8
=
10
1+0
1
-
1
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

ADVENT 666 ADVENT

I

ME

YOU DIVINE YOU

IN

GODS

NAME

THAT THAT THAT

ISISIS

HOLY HOLY HOLY

GODDESS O GODDESS

GOOD QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT

AMEN AMEN AMEN AH MEN HA WOMEN WOMEN HA MEN AH AMEN AMEN AMEN

 

B
=
2
7

BELOVED

65

29
2
I
=
9
3

ISIS
56
20
2
Q
=
8
3

QUEEN
62
26
8
O
=
6
5

OF
21
12
3
T
=
2
4

THE
33
15
6
N
=
5
4

NIGHT
58
31
4
C
=
3
3

COME
36
18
9
W
=
5
5

WEAVE
56
20
2
T
=
2
5

THY
53
17
8
W
=
5
4

WEB
30
12
3
W
=
5
5

WITH
60
24
6
R
=
9
5

RAPID
48
30
3
L
=
3
4

LIGHT
56
29
2
-
-
64
55
-
634
283
58
-
-
6+4
5+5
-
6+3+4
2+8+3
5+8
-
-
10
10
-
13
13
13
-
-
1+0
5+5
-
1+3
1+3
1+3
-
-
1
1
-
4
4
4

 

WAKEFIELD EXPRESS

Friday April 27 2007

Lidsay Pantry

Page 18

"It was a David and Goliath battle this week for the schools Rugby League U 14s cup final - or rather Wakefield versus Normanton."

"City High coach David Mansfield said; "We are really proud of the lads. We only started playing competitive rugby league last September and Freeston were county champions, so it was a real David and Goliath match."

 

COLLINS GEM DICTIONARY OF THE BIBLE

Rev

James L. Dow 1964

Page 195

"Giant. A race of demi-gods, the Nephilim, comparable to the Titans of classical mythology (Gen 6, 4). Other race names are given to people of remarkable stature who were aboriginal in Palestine before the conquest:"

"Goliath of Gath was 9ft. 9 in. tall."

 

-
GOLIATH
-
-
-
1
G
7
7
7
2
OL
27
9
9
1
I
9
9
9
3
ATH
29
2
2

7
GOLIATH
72
27
9
-
-
1+2+6
2+7
2+7

7
GOLIATH
9
9
9
-
-
-
-
-
-
-
-
-
-

7
GOLI ATH
72
27
9
3
OLI
36
18
9

4
GATH
36
18
9

7
GOLIATH
72
27
9

4
GATH
36
18
9

11
Add to Reduce
108
45
18
1+1
Reduce to Deduce
1+0+8
4+5
1+8

2
Essence of Number
9
9
9

 

 

-
DAVID
-
-
-
-
D+A+V
27
9
9
-
I
9
9
9
-
D
4
4
4

5
DAVID
40
22
22
-
-
4+0
2+2
2+2

5
DAVID
4
4
4

 

 

THE FOLLOWING OF THE STAR

Florence L.Barclay 1911

Chapter 1

GOLD

Page 9

".........David........."

".........Bible........."

".........and David felt as did the young David of old, when he had paused at the brook and chosen five smooth stones for his sling, on his way to meet the mighty champion of the philistines, David now felt ready to go forward and fight the Goliath of apathy and inattention; the life long habit of not listening to the voice........."

".........David........."

 

THE ATLANTIS SECRET

A COMPLETE DECODING OF PLATOS LOST CONTINENT

Alan F. Alford 2001

Page 21

"Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:

... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall."

 

4
OTUS
75
12
3
3
AND
19
10
1
9
EPHIALTES
95
41
5
16
First Total
189
63
9
1+6
Add to Reduce
1+8+9
6+3
-
7
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
7
Essence of Number
9
9
9

 

In their ninth year they were nine cubits across the shoulders and nine fathoms tall.

 

-
16
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
30
-
6
-
-
1
-
-
5
-
-
-
-
8
9
-
-
-
-
1
+
=
30
3+0
=
3
=
3
=
3
84
-
15
-
-
19
-
-
14
-
-
-
-
8
9
-
-
-
-
19
+
=
84
8+4
=
12
1+2
3
=
3
-
16
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
33
-
-
2
3
-
-
1
-
4
-
5
7
-
-
1
3
2
5
-
+
=
33
3+3
=
6
=
6
=
6
105
-
-
20
21
-
-
1
-
4
-
5
16
-
-
1
12
20
5
-
+
=
105
1+0+5
=
6
=
6
=
6
-
16
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
189
-
15
20
21
19
-
1
14
4
-
5
16
8
9
1
12
20
5
19
+
=
189
1+8+9
=
18
1+8
9
=
9
63
-
6
2
3
1
-
1
5
4
-
5
7
8
9
1
3
2
5
1
+
=
63
6+3
=
9
=
9
=
9
-
16
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
1
-
-
-
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
4
=
4
=
4
2
``-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
-
-
-
5
-
-
5
-
-
-
-
-
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
45
16
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
45
-
-
16
-
63
-
54
4+5
1+6
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
4+5
-
-
1+6
-
6+3
-
5+4
9
7
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
9
-
-
7
-
9
-
9
-
-
6
2
3
1
-
1
5
4
-
5
7
8
9
1
3
2
5
1
-
-
-
-
-
-
-
-
-
-
9
7
O
T
U
S
-
A
N
D
-
E
P
H
I
A
L
T
E
S
-
-
9
-
-
7
-
9
-
9

 

 

-
16
O
T
U
S
A
N
D
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
30
-
6
-
-
1
-
5
-
-
-
8
9
-
-
-
-
1
+
=
30
3+0
=
3
=
3
=
3
84
-
15
-
-
19
-
14
-
-
-
8
9
-
-
-
-
19
+
=
84
8+4
=
12
1+2
3
=
3
-
16
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
33
-
-
2
3
-
1
-
4
5
7
-
-
1
3
2
5
-
+
=
33
3+3
=
6
=
6
=
6
105
-
-
20
21
-
1
-
4
5
16
-
-
1
12
20
5
-
+
=
105
1+0+5
=
6
=
6
=
6
-
16
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
-
-
-
--
-
-
-
-
189
-
15
20
21
19
1
14
4
5
16
8
9
1
12
20
5
19
+
=
189
1+8+9
=
18
1+8
9
=
9
63
-
6
2
3
1
1
5
4
5
7
8
9
1
3
2
5
1
+
=
63
6+3
=
9
=
9
=
9
-
16
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
1
-
-
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
4
=
4
=
4
2
``-
-
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
-
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
-
-
5
-
5
-
-
-
-
-
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
45
16
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
45
-
-
16
-
63
-
54
4+5
1+6
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
4+5
-
-
1+6
-
6+3
-
5+4
9
7
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
9
-
-
7
-
9
-
9
-
-
6
2
3
1
1
5
4
5
7
8
9
1
3
2
5
1
-
-
-
-
-
-
-
-
-
-
9
7
O
T
U
S
A
N
D
E
P
H
I
A
L
T
E
S
-
-
9
-
-
7
-
9
-
9

 

THE ATLANTIS SECRET

A COMPLETE DECODING OF PLATOS LOST CONTINENT

Alan F. Alford 2001

Page 21

"Men, too, were said to have had supernatural size and strength. In the Odyssey, Homer describes the god-like Otus and Ephialtes as follows:

... those short-lived twins, the god-like Otus and Ephialtes, famed in story, the largest men Earth ever nourished and finer by far than all but the glorious Orion. In their ninth year they were nine cubits across the shoulders and nine fathoms tall."

nine cubits across the shoulders and nine fathoms tall."

"Goliath of Gath was 9ft. 9 in. tall."

COLLINS GEM DICTIONARY OF THE BIBLE

Rev

James L. Dow 1964

Page 195

"Giant. A race of demi-gods, the Nephilim, comparable to the Titans of classical mythology (Gen 6, 4). Other race names are given to people of remarkable stature who were aboriginal in Palestine before the conquest:"

"Goliath of Gath was 9ft. 9 in. tall."

 

GIDEON
Gideon, a judge of Israel, is prominently featured in the Book of Judges, specifically in chapters 6 to 8. He lived during a time when the Israelites were oppressed by the Midianites due to their disobedience to God, which led them to worship foreign gods and abandon their covenant with Him. Gideon was from the tribe of Manasseh and described as the youngest in his family, which he considered the weakest clan.

The Call of Gideon
Gideon's story begins when an angel of the Lord appears to him while he is secretly threshing wheat to avoid detection by the Midianites. The angel addresses him as a "mighty warrior" and informs him that God has chosen him to save Israel from their oppressors. Initially, Gideon doubts his ability to lead, questioning why God has allowed their suffering and expressing his feelings of inadequacy.

Key Events
Destruction of the Altar of Baal: As a sign of his commitment, Gideon is commanded to destroy the altar of Baal, a false god worshipped by the Israelites. He does this at night to avoid backlash from the townspeople.
2
Testing God's Promise: To seek reassurance, Gideon asks God for a sign using a fleece, requesting that it be wet with dew while the ground remains dry, and vice versa. God fulfills both requests, strengthening Gideon's faith.
2
Victory Over Midian: Gideon gathers an army but is instructed by God to reduce his forces to just 300 men. With this small group, he defeats the Midianite army through a surprise attack, demonstrating that victory comes from God, not human strength. 2

 
GIDEON
1
G
7
7
7
1
I
9
9
9
2
DE
9
9
9
2
ON
29
11
2
6
GIDEON
54
36
27
-
-
5+4
3+6
2+7
6
GIDEON
9
9
9

Gideon occurs 40 times in the KJV Bible

40 (number) - Wikipedia
The number 40 is found in many traditions without any universal explanation for its use. In Jewish, Christian, Islamic, and other Middle Eastern traditions it is taken to represent a large, approximate number, similar to "umpteen".
Gideon's story is found in the Book of Judges, specifically in chapters 6 to 8. His call to deliver Israel from the Midianites is a central theme in this book, which details the Israelites' struggles and the divine intervention that led to their deliverance. Gideon's story is a testament to God's faithfulness and His ability to work through human weakness to achieve His purposes.
Therapy for Christian

Gideon occurs 40 times in the KJV Bible, specifically in the book of Judges (chapters 6 through 8).

 

-
GIDEON
-
-
-
1
G
7
7
7
1
I
9
9
9
2
DE
9
9
9
1
O
15
6
6
1
N
14
5
5
6
GIDEON
54
36
27
1+5
-
5+4
3+6
2+7
6
GIDEON
9
9
9

THE HOLY BIBLE

Page
32
-
-
-
-
-
-
-
-
1
G
=
7
-
6
GIDEON
54
36
9
2
G
=
7
-
6
GIDEON
54
36
9
3
G
=
7
-
6
GIDEON
54
36
9
4
G
=
7
-
6
GIDEON
54
36
9
Page
32
-
-
-
-
-
-
-
-
1
G
=
7
-
6
GIDEON
54
36
9
2
G
=
7
-
6
GIDEON
54
36
9
3
G
=
7
-
6
GIDEON
54
36
9
4
G
=
7
-
6
GIDEON
54
36
9
5
G
=
7
-
6
GIDEON
54
36
9
6
G
=
7
-
6
GIDEON
54
36
9
7
G
=
7
-
6
GIDEON
54
36
9
8
G
=
7
-
6
GIDEON
54
36
9
9
G
=
7
-
6
GIDEON
54
36
9
10
G
=
7
-
6
GIDEON
54
36
9
11
G
=
7
-
6
GIDEON
54
36
9

 

 

CITY OF REVELATION

John Michell 1972

Page 77

CHAPTER SEVEN

3168, The Perimeter of the Temple

"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.

Page 78

The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.

As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile

31,680 ft. = 6 miles.

31,680 furlongs = 3960 miles = radius of the earth.

31,680 miles = perimeter of square containing the terrestrial sphere.

31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)

Other cosmological correspondences of 3168 are given on page 109.

The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.

3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con­/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examina­tion of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be under­stood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semi­circles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumference of the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7

5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7

39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11

5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.

FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.

 

INCLUDE EUCLID INCLUDE

 

-
-
-
-
-
EUCLID
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
5
5
5
-
E
-
-
5
-
E
5
E
-
-
-
-
-
U
21
3
3
-
U
3
-
-
-
U
3
U
-
-
-
-
-
C
3
3
3
-
C
3
-
-
-
C
3
C
-
-
-
-
-
L
12
3
3
-
L
3
-
-
-
L
3
L
-
-
-
-
-
I
9
9
9
-
I
-
-
-
9
I
9
I
-
-
-
-
-
D
4
4
4
-
D
-
4
-
-
D
4
D
E
=
5
-
6
EUCLID
54
27
27
-
-
9
4
-
9
-
27
-
-
-
-
-
-
-
5+4
2+7
2+7
-
-
-
-
-
-
-
2+7
-
-
-
5
-
6
EUCLID
9
9
9
-
-
9
4
-
9
-
9
-

 

A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040.

 

-
6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
9
-
+
=
9
-
=
9
-
9
-
6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
-
5
3
3
3
-
4
+
=
18
1+8
=
9
-
9
-
-
5
21
3
12
-
4
+
=
45
4+5
=
9
-
9
-
6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
-
5
21
3
12
9
4
+
=
54
5+4
=
9
-
9
-
-
5
3
3
3
9
4
+
=
27
2+7
=
9
-
9
-
6
E
U
C
L
I
D
-
-
-
-
-
-
-
-
1
-
-
-
-
-
--
-
-
--
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
3
3
3
-
-
-
-
3
occurs
x
3
=
9
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
5
-
-
-
-
-
-
--
5
occurs
x
1
=
5
6
-
-
--
-
--
--
-
-
-
6
-
-
-
-
--
7
-
-
--
-
--
--
-
-
--
7
-
-
-
-
--
8
-
-
--
-
--
--
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
24
6
E
U
C
L
I
D
-
-
21
-
-
6
-
27
2+4
-
-
3
3
3
-
-
-
-
2+1
-
-
-
-
2+7
6
6
E
U
C
L
I
D
-
-
3
-
-
6
-
9
-
-
5
3
3
3
9
4
-
-
-
-
-
-
-
-
6
6
E
U
C
L
I
D
-
-
3
-
-
6
-
9

 

6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
+
=
9
-
=
9
-
9
6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
5
3
3
3
-
4
+
=
18
1+8
=
9
-
9
-
5
21
3
12
-
4
+
=
45
4+5
=
9
-
9
6
E
U
C
L
I
D
-
-
-
-
-
--
-
-
-
5
21
3
12
9
4
+
=
54
5+4
=
9
-
9
-
5
3
3
3
9
4
+
=
27
2+7
=
9
-
9
6
E
U
C
L
I
D
-
-
-
-
-
-
-
-
-
-
3
3
3
-
-
-
-
3
occurs
x
3
=
9
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
E
U
C
L
I
D
-
-
21
-
-
6
-
27
-
-
3
3
3
-
-
-
-
2+1
-
-
-
-
2+7
6
E
U
C
L
I
D
-
-
3
-
-
6
-
9
-
5
3
3
3
9
4
-
-
-
-
-
-
-
-
6
E
U
C
L
I
D
-
-
3
-
-
6
-
9

 

 

T
=
2
3
THE
33
15
6
E
=
5
8
ELEMENTS
93
30
3
-
-
7
11
Add to Reduce
126
45
9
-
-
-
1+1
Reduce to Deduce
1+2+6
4+5
-
Q
-
7
2
Essence of Number
9
9
9

 

-
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
5
-
1
+
=
14
1+4
=
5
-
5
-
5
-
-
-
8
-
-
-
-
-
-
-
14
-
19
+
=
41
4+1
=
5
-
5
-
5
-
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
2
-
5
-
5
3
5
4
5
-
2
-
+
=
31
3+1
=
4
-
4
-
4
-
-
20
-
5
-
5
12
5
13
5
-
20
-
+
=
85
8+5
=
13
1+3
4
-
4
-
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
20
8
5
-
5
12
5
13
5
14
20
19
+
=
126
1+2+6
=
9
-
9
-
9
-
-
2
8
5
-
5
3
5
4
5
5
2
1
+
=
45
4+5
=
9
-
9
-
9
-
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
1
-
-
2
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
--
3
--
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
5
-
5
-
5
-
5
5
-
-
-
-
5
occurs
x
5
=
25
2+5
7
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
22
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
23
-
-
11
-
45
-
27
2+2
1+1
-
-
5
-
5
-
5
-
5
5
-
-
-
-
2+3
-
-
1+1
-
4+5
-
2+7
4
2
T
H
E
-
E
L
E
M
E
N
T
S
-
-
5
-
-
2
-
9
-
9
-
-
2
8
5
-
5
3
5
4
5
5
2
1
-
-
-
-
-
-
-
-
-
-
4
2
T
H
E
-
E
L
E
M
E
N
T
S
-
-
5
-
-
2
-
1
-
1

 

11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
-
8
-
-
-
-
-
-
-
5
-
1
+
=
14
1+4
=
5
-
5
-
5
-
-
8
-
-
-
-
-
-
-
14
-
19
+
=
41
4+1
=
5
-
5
-
5
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
2
-
5
-
5
3
5
4
5
-
2
-
+
=
31
3+1
=
4
-
4
-
4
-
20
-
5
-
5
12
5
13
5
-
20
-
+
=
85
8+5
=
13
1+3
4
-
4
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
--
-
-
-
-
-
20
8
5
-
5
12
5
13
5
14
20
19
+
=
126
1+2+6
=
9
-
9
-
9
-
2
8
5
-
5
3
5
4
5
5
2
1
+
=
45
4+5
=
9
-
9
-
9
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
1
-
2
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
--
3
--
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
5
-
5
-
5
-
5
5
-
-
-
-
5
occurs
x
5
=
25
2+5
7
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
11
T
H
E
-
E
L
E
M
E
N
T
S
-
-
23
-
-
11
-
45
-
27
1+1
-
-
5
-
5
-
5
-
5
5
-
-
-
-
2+3
-
-
1+1
-
4+5
-
2+7
2
T
H
E
-
E
L
E
M
E
N
T
S
-
-
5
-
-
2
-
9
-
9
-
2
8
5
-
5
3
5
4
5
5
2
1
-
-
-
-
-
-
-
-
-
-
2
T
H
E
-
E
L
E
M
E
N
T
S
-
-
5
-
-
2
-
1
-
1

 

 

THE TIBETAN BOOK OF THE DEAD

Or

The After Death Experience on the Bardo Plane,

according to Lama Kazi Dawa-Samdup's English Rendering

Compiled and edited Edited by W. Y. Evans-Wentz 1960

Facing Preface To The Paperback Edition

'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.

'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.

The Book of the Craft of Dying (Comper's Edition).

'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is dificrence here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"

Facing Preface to the Second Edition

BONDAGE TO REBIRTH

"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "

Brihadaranyaka Upanishad

FREEDOM FROM REBIRTH

'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'

Katha U panishad.
(Swami Prabhavananda's and Frederick Manchester's Translations).

Page xi

 

NEW TESTAMENT

Pocket Testament League

A gift from Mr A.Bird at a chance meeting on Wakefield's New Bridge

Front cover is self signed

Name

"David Denison Aged 10 years"

Back cover name and date inscribed by Mr A. Bird (Dennison is a misspelling)

FOR GOD so loved the world that He gave His only begotten Son, that

DAVID DENNISON

who believeth in Him should not perish but have everlasting life.

10 - 5 - 50

 

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

Page xx

"......... Denison........."

 

INCARNATION

THE DEAD RETURN

Daniel Easterman 1998

Page 99

"........David........."Page 3

"The old man's name was Dennison"

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

DIEING THE DEATH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
N
O
T
A
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
A
-
-
-
-
-
-
-
-
L
-
-
-
-
-
-
-
-
L
-
-
-
-
-
-
-
-
Y
-
-
-
-

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

THE TRUE CRUCIFIXION ON THE CROSS

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

 

 

THE

PATH OF PTAH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

THE

PATH OF PTAH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
-
10
REMEMBERED
88
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
11
DISMEMBERED
97
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
5
RIGHT
80
35
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
3
WAY
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
D
=
4
-
3
DIE
18
18
9
-
-
-
-
-
-
-
-
-
9
-
-
53
-
52
First Total
558
270
72
-
1
2
3
4
5
6
28
16
9
-
-
5+3
-
5+2
Add to Reduce
5+5+8
2+7+0
7+2
-
-
-
-
-
-
-
2+8
1+6
-
-
-
8
-
7
Second Total
18
9
9
-
1
2
3
4
5
6
10
10
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
1+0
1+0
-
-
-
8
-
7
Essence of Number
9
9
9
-
1
2
3
4
5
6
1
1
9

 

MAGIC IS AS MAGIC DOES

MESSAGE READS

TO THE ALL AND SUNDRY OF PLANET EARTH

RA IN BOW GOOD WISHES

LOVING THE LIGHT AND YOU R OF THE LIGHT

DAVE D HEREIN THE I'M DENISON DIMENSION

 

H
=
8
-
5
HAPPY
66
30
3
B
=
2
-
5
BIRTH
57
30
3
D
=
4
-
3
DAY
30
12
3
-
-
14
-
13
First Total
153
72
9
-
-
1+4
-
1+3
Add to Reduce
1+5+3
7+2
-
-
-
5
-
4
Second Total
9
9
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
5
-
4
Essence of Number
9
9
9

 

 

 

I'M DENISON

FROM THE I'M DENISON

DIMENSION

 

Dedicated to Nicola Denison

Happy Birthday Dear Daughter 24/10/2025

Sent with Love

MERLIN THE MASTER SHAMAN

D4Dave 1966

Nilrem. The Shaman. Magician Extraordinaire.
Behold the skin
A frown past o’er the royal, loyal, sun kings sun’s face
Oh beam, sun beam
With kind old eyes, that watered meekly, bleekly, and weakly, in the sun
He sulked, and skulked behind dark clouds
Until of reigning in the rain, he’d had enough
His royal dignity was there for all to see
A smile was summoned, ordered, pass by me
And then, as if by will intended
In him the sun, a rainbow thought engendered
This shimmering coronet, of rainbow tears
This hovering, iridescent, quick silvered, dragon fly

The quintessential moment, time suspended

Then time restarted, a little late
A second perhaps, or maybe even two
The basking sun, basked on
The officer in custom pink, pulled through
This newly painted image of the mind
With entrance unannounced, it longed to make
To execute a bow, or maybe even two
He watched, entranced, transfixed
Merlin, the Master Shaman
Sole sorcerer, to Arthur once a king
This master of illusion with a wink
Directly to the eye, of he in pink
Gave lie to his existence

The crusty conjurer
A card sharp, card carrying member he
Would turn a trick, for pensioners and young kids
At half the price, but only half the tricks
His magic now a tawdry dull affair
Nights at Camelot, now too long gone
None, now have faith in magic anymore
He paused, he thought, he knew
I’m half the man, of half the man, I was before
Merlin, the man of tattered habits
The master shaman, standing whisky still, stock still
Deep in thought

Master of illusion, man of tattered habits ruefully ruminated.
Where now old man, the wisdom that you sought.
His journey a pilgrimage, a seeking of the self.
There was always something strange about my magic.
The wisdom that he thought, he'd had, he'd never had before.
Wise wisdom lost at sea, drowned in a sea of knowledge.
His blind and gelded senses had masked the way intended.
New age thoughtful thinkers now were all the rage.
They'd seen it all, wonder of wonders and they would not wonder.
Their vices it suffices were sensory devices.
Their aim to transmute base metals into gold.
Subatomic particles, articles of particles.
But pale reflections of the wizards skill.

He thrust a hand, in dirty habit clean
His many pocketed cloak, around thin shoulders draped

Without a glance, Merlin drew out, from within
The pocket, of his pock marked, many pocketed memory coat
His myriad, mirrored images, of glazed glassed eyes
A residue of demons, once his fiends
And cause now, only for a laugh
The shaman seer, a seance of the senses, would he make
Pull a trick, or maybe even two
Merlin, an incantation breathed

Slight silver spear, sliver of light
Sleight of hand, of mind, and sight

The august magi, belched twice
His plumbing turbulent
An island alone
Aloof, strange, silent
Reborn images appeared
Magic into image see
Magi the magic, blinks, thinks, winks
And pokes, sad embers of a dying brain
Light provoked, barely an echo
Of his once bright flame
He raised his hand, as if to bid adiue
His tired magic, look still works
A rag appeared, from out the air
It was old, and rough, and stained
In bleak despair, he turned to stare
And stare, and stare anew
Startled from his reverie, he rested
On the hard rock cafe, of his reality
The rag, meanwhile, had nested in his hand
He raised the mirror to his knees
And careful not to look
Gently began to wipe, and scrub
And scrub, and wipe, and rub
And rub, and rub, and rub
Lapsing again, into thoughtful mood mode
The busy bee of static, in his head, paused
Merlin, for that were he
Felt the creeping, stalking, numbness
Creeping, and stalking, stalking, and creeping
Within his brain, his skeletal brain
His skeletal, eletal brain
The anaesthetisation of his faculties
His memory, continued apace
Magic of a sort there
He thought, the illusion, of his illusion, was
Is
Was
Is
Was
Is
The delusion, of the illusion
This lay in mother sense
The womb of his creations
Herein the source of all his theatre
How skillfully, and clearly, cleverly, and dearly
Productions such as his, were hard to find
As long as the human race had existed
He had worn the raiment
Of his myriad names, with pride
He knew, this magus of magicians
That he, Merlin the magical
Sorcerer to kings
Was coming towards the end of his line
That he, confidence trickster of the senses
Working in many guises, and disguises, in many lands
Throughout all ages, the magician extrodinaire
Master of magic, trick, and illusion
Like his forebears, he knew all that had passed
And also of the future knew he too
This wizard of pantomime
This master of the five
Servants, ready to serve his every wish
I wish, I wish
When you wish upon a star
Oh how wonderful you are
The old magus, had continued all the while
Polishing his mirror
Without once glancing at it
When you wish upon a star
He ceased his task
The waning of his powers, coincided
As if by chance
By the knowledge, that had struck him
Like a lightning bolt of his own creation
Like a swift arrow of truth
Of sudden realization
Deep, in the heart, of the
Soft, full, fat, cheese, molasses of his brain
Its poisoned tip of truth
Had dealt the self, a mortal blow
This central character in his own magic
Knew at last the truth of his magic
He, was part of the magic, of something else
Something much greater
Something, of which he was but a piece
A piece of a jigsaw
A grain of sand, on all the oceans of the world
All the ages of his creations, had been an odyssey
The stars he wondered at on an evening
Were the same stars
That all existing, within this magical reality
That they also, were marvelling at
His journey, a pilgrimage
A seeking of the self
He had asked many questions
Experienced many things
There was alway something strange
About my magic
The wisdom, that he thought he had
He’d never had before
Wise wisdom, lost at sea
Drowned, in a sea of knowledge
His blinded, gelded senses
Had masked the way intended
New age, thoughtful thinkers
Now the rage
They’d seen it all
Wonder of wonders
And they would not wonder
There vices it suffices
Were sensory devices
Their aim, to transmute base metals into gold
Sub atomic particles
Articles of particles
A techno-magic revolution
Changing, human evolution
Pale imitators, of the wizards craft
Suddenly, as was his custom
Offen in the past
A sunbeam thought
Impinged the polished mirror
Of his future past
And sped off into its own reality
In a wink of a blink
Thinking pink
The man that never was
With skin, that made the sun retreat in shame
Behind dull clouds
For fear of Mary Shellys skin
Merlin the magus
Spent his last trick
And he, who in error, terror paused
Became a pig-
A lily the pink pig
A fat, happy, joyful pig
This pig, happy, happy, as a pig in shit-
Merlin again ruefully ruminate
Those of today, those creating a great past
From a future yet to occur
They too still entangled
Hog tide and fixed
Fettered by the senses
A bigger magic
More powerful magic than his
None the less a magic
Which like his, had no basis in reality
This custom made, happy pig
Found a partner
Had lots of pigs
And lived, happy ever after
Merlin the magus
Raised, the mirror to his eyes
His old blind eyes
Eyes, he now realized, he had no need of
Looking at the mirror
He saw its early finery
Remembered, its beauteous clearness
He gave it the tenderist of wipes
As first he’d done
As at the dawn of human history
He’d practised his craft
From first aware of its perfection
It’s glorious perfection
And the clarity, clear, depth
Of the pool, of its sight
The pool, in which his senses had swum
For so long together
Before the corporeal nature, of his sight, caught the glass
He noticed, how old it had become
How tarnished, cracked and glazed, this glass
Finally, his eyes looked at the eyes
That were finally looking at him
Today Alice, did not look back
Saw, only through the mist
A spectre, of an apparition, of a spectre
He sought, with fingers cold
To rub away, the cold, hot mist of his breath
Only for an instant did he see
That, that, far away
That, that, was me
For a split second he realized all
He knew, I know
Someone, something, somewhere
An illustrious magician, pulled another trick
And, had there been a mirror
Surely it would have cracked
From side to side

X X X X X X X X X

 

 

THE NUCLEAR FAMILY 1969

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

 
 
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