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THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

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PEACE BE UNTO YOU BELOVED CHILDREN OF THE RAINBOW LIGHT

 

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Dictionary
Definitions from Oxford Languages · Learn more
anthropomorphism
noun
the attribution of human characteristics or behaviour to a god, animal, or object.

Anthropomorphism

Wikipedia
https://en.wikipedia.org › wiki › Anthropomorphism

In religion and mythology, anthropomorphism is the perception of a divine being or beings in human form, or the recognition of human qualities in these beings.
?Moe anthropomorphism · ?The North Wind and the Sun · ?Big Buck Bunny · ?Armello

Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities.[1] It is considered to be an innate tendency of human psychology.[2] Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals.[3]

Etymology
Anthropomorphism and anthropomorphization derive from the verb form anthropomorphize,[a] itself derived from the Greek ánthropos (?????p??, lit. "human") and morphe (µ??f?, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.[b][1]

Examples in prehistory

The 35,000 to 40,000 year-old Löwenmensch figurine

Anthropomorphic "pebble" figures from the 7th millennium BC
From the beginnings of human behavioral modernity in the Upper Paleolithic, about 40,000 years ago, examples of zoomorphic (animal-shaped) works of art occur that may represent the earliest known evidence of anthropomorphism. One of the oldest known is an ivory sculpture, the Löwenmensch figurine, Germany, a human-shaped figurine with the head of a lioness or lion, determined to be about 32,000 years old.[5][6]

It is not possible to say what these prehistoric artworks represent. A more recent example is The Sorcerer, an enigmatic cave painting from the Trois-Frères Cave, Ariège, France: the figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of the animals. In either case there is an element of anthropomorphism.

This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic.[7] He proposes that these are the product of a change in the architecture of the human mind, an increasing fluidity between the natural history and social intelligences[clarification needed], where anthropomorphism allowed hunters to identify empathetically with hunted animals and better predict their movements.[c]

In religion and mythology
Main article: Anthropotheism
In religion and mythology, anthropomorphism is the perception of a divine being or beings in human form, or the recognition of human qualities in these beings.

Ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality; they exhibited many human behaviors that were used to explain natural phenomena, creation, and historical events. The deities fell in love, married, had children, fought battles, wielded weapons, and rode horses and chariots. They feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific human concepts, such as love, war, fertility, beauty, or the seasons. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, and uncontrollable anger. Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is, more specifically, anthropotheism.[9]

From the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans.

Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy.[10] This often was based on a literal interpretation of Genesis 1:27: "So God created humankind in his image, in the image of God he created them; male and female he created them".[11]

Criticism
Some religions, scholars, and philosophers objected to anthropomorphic deities. The earliest known criticism was that of the Greek philosopher Xenophanes (570–480 BCE) who observed that people model their gods after themselves. He argued against the conception of deities as fundamentally anthropomorphic:

But if cattle and horses and lions had hands
or could paint with their hands and create works such as men do,
horses like horses and cattle like cattle
also would depict the gods' shapes and make their bodies
of such a sort as the form they themselves have.
...
Ethiopians say that their gods are snub–nosed [s?µ???] and black
Thracians that they are pale and red-haired.[12][d]

Xenophanes said that "the greatest god" resembles man "neither in form nor in mind".[13]

Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension. Judaism's rejection of an anthropomorphic deity began with the prophets, who explicitly rejected any likeness of God to humans.[14] Their rejection grew further after the Islamic Golden Age in the tenth century, which Maimonides codified in the twelfth century, in his thirteen principles of Jewish faith.[e]

In the Ismaili interpretation of Islam, assigning attributes to God as well as negating any attributes from God (via negativa) both qualify as anthropomorphism and are rejected, as God cannot be understood by either assigning attributes to Him or taking them away. The 10th-century Ismaili philosopher Abu Yaqub al-Sijistani suggested the method of double negation; for example: "God is not existent" followed by "God is not non-existent". This glorifies God from any understanding or human comprehension.[16]

Hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems. Lord Krishna said in the Bhagavad Gita, Chapter 12, Verse 5, that it is much more difficult for people to focus on a deity as the unmanifested than one with form, using anthropomorphic icons (murtis), because people need to perceive with their senses.[17][18]

In secular thought, one of the most notable criticisms began in 1600 with Francis Bacon, who argued against Aristotle's teleology, which declared that everything behaves as it does in order to achieve some end, in order to fulfill itself.[19] Bacon pointed out that achieving ends is a human activity and to attribute it to nature misconstrues it as humanlike.[19] Modern criticisms followed Bacon's ideas such as critiques of Baruch Spinoza and David Hume. The latter, for instance, embedded his arguments in his wider criticism of human religions and specifically demonstrated in what he cited as their "inconsistence" where, on one hand, the Deity is painted in the most sublime colors but, on the other, is degraded to nearly human levels by giving him human infirmities, passions, and prejudices.[20] In Faces in the Clouds, anthropologist Stewart Guthrie proposes that all religions are anthropomorphisms that originate in the brain's tendency to detect the presence or vestiges of other humans in natural phenomena.[21]

Some scholars argue that anthropomorphism overestimates the similarity of humans and nonhumans and therefore could not yield accurate accounts.[22]


Religious texts
There are various examples of personification in both the Hebrew Bible and Christian New Testaments, as well as in the texts of some other religions.

Fables

From the Panchatantra: Rabbit fools Elephant by showing the reflection of the moon.
Anthropomorphism, also referred to as personification, is a well established literary device from ancient times. The story of "The Hawk and the Nightingale" in Hesiod's Works and Days preceded Aesop's fables by centuries. Collections of linked fables from India, the Jataka Tales and Panchatantra, also employ anthropomorphized animals to illustrate principles of life. Many of the stereotypes of animals that are recognized today, such as the wily fox and the proud lion, can be found in these collections. Aesop's anthropomorphisms were so familiar by the first century CE that they colored the thinking of at least one philosopher:

And there is another charm about him, namely, that he puts animals in a pleasing light and makes them interesting to mankind. For after being brought up from childhood with these stories, and after being as it were nursed by them from babyhood, we acquire certain opinions of the several animals and think of some of them as royal animals, of others as silly, of others as witty, and others as innocent.

— Apollonius of Tyana[23]
Apollonius noted that the fable was created to teach wisdom through fictions that are meant to be taken as fictions, contrasting them favorably with the poets' stories of the deities that are sometimes taken literally. Aesop, "by announcing a story which everyone knows not to be true, told the truth by the very fact that he did not claim to be relating real events".[23] The same consciousness of the fable as fiction is to be found in other examples across the world, one example being a traditional Ashanti way of beginning tales of the anthropomorphic trickster-spider Anansi: "We do not really mean, we do not really mean that what we are about to say is true. A story, a story; let it come, let it go."[24]

Fairy tales
Anthropomorphic motifs have been common in fairy tales from the earliest ancient examples set in a mythological context to the great collections of the Brothers Grimm and Perrault. The Tale of Two Brothers (Egypt, 13th century BCE) features several talking cows and in Cupid and Psyche (Rome, 2nd century CE) Zephyrus, the west wind, carries Psyche away. Later an ant feels sorry for her and helps her in her quest.

Modern literature

John Tenniel's depiction of this anthropomorphic rabbit was featured in the first chapter of Lewis Carroll's Alice's Adventures in Wonderland.

From The Emperor's Rout (1831)
Building on the popularity of fables and fairy tales, children's literature began to emerge in the nineteenth century with works such as Alice's Adventures in Wonderland (1865) by Lewis Carroll, The Adventures of Pinocchio (1883) by Carlo Collodi and The Jungle Book (1894) by Rudyard Kipling, all employing anthropomorphic elements. This continued in the twentieth century with many of the most popular titles having anthropomorphic characters,[25] examples being The Tale of Peter Rabbit (1901) and later books by Beatrix Potter;[f] The Wind in the Willows by Kenneth Grahame (1908); Winnie-the-Pooh (1926) and The House at Pooh Corner (1928) by A. A. Milne; and The Lion, the Witch, and the Wardrobe (1950) and the subsequent books in The Chronicles of Narnia series by C. S. Lewis.

In many of these stories the animals can be seen as representing facets of human personality and character.[27] As John Rowe Townsend remarks, discussing The Jungle Book in which the boy Mowgli must rely on his new friends the bear Baloo and the black panther Bagheera, "The world of the jungle is in fact both itself and our world as well".[27] A notable work aimed at an adult audience is George Orwell's Animal Farm, in which all the main characters are anthropomorphic animals. Non-animal examples include Rev.W Awdry's children's stories of Thomas the Tank Engine and other anthropomorphic locomotives.

The fantasy genre developed from mythological, fairy tale, and Romance motifs[28] sometimes have anthropomorphic animals as characters. The best-selling examples of the genre are The Hobbit[29] (1937) and The Lord of the Rings[g] (1954–1955), both by J. R. R. Tolkien, books peopled with talking creatures such as ravens, spiders, and the dragon Smaug and a multitude of anthropomorphic goblins and elves. John D. Rateliff calls this the "Doctor Dolittle Theme" in his book The History of the Hobbit[31] and Tolkien saw this anthropomorphism as closely linked to the emergence of human language and myth: "...The first men to talk of 'trees and stars' saw things very differently. To them, the world was alive with mythological beings... To them the whole of creation was 'myth-woven and elf-patterned'."[32]

Richard Adams developed a distinctive take on anthropomorphic writing in the 1970s: his debut novel, Watership Down (1972), featured rabbits that could talk—with their own distinctive language (Lapine) and mythology—and included a police-state warren, Efrafa. Despite this, Adams attempted to ensure his characters' behavior mirrored that of wild rabbits, engaging in fighting, copulating and defecating, drawing on Ronald Lockley's study The Private Life of the Rabbit as research. Adams returned to anthropomorphic storytelling in his later novels The Plague Dogs (1977) and Traveller (1988).[33][34]

By the 21st century, the children's picture book market had expanded massively.[h] Perhaps a majority of picture books have some kind of anthropomorphism,[25][36] with popular examples being The Very Hungry Caterpillar (1969) by Eric Carle and The Gruffalo (1999) by Julia Donaldson.

Anthropomorphism in literature and other media led to a sub-culture known as furry fandom, which promotes and creates stories and artwork involving anthropomorphic animals, and the examination and interpretation of humanity through anthropomorphism. This can often be shortened in searches as "anthro", used by some as an alternative term to "furry".[37]

Anthropomorphic characters have also been a staple of the comic book genre. The most prominent one was Neil Gaiman's the Sandman which had a huge impact on how characters that are physical embodiments are written in the fantasy genre.[38][39] Other examples also include the mature Hellblazer (personified political and moral ideas),[40] Fables and its spin-off series Jack of Fables, which was unique for having anthropomorphic representation of literary techniques and genres.[41] Various Japanese manga and anime have used anthropomorphism as the basis of their story. Examples include Squid Girl (anthropomorphized squid), Hetalia: Axis Powers (personified countries), Upotte!! (personified guns), Arpeggio of Blue Steel and Kancolle (personified ships).

In film
Big Buck Bunny is a free animated short featuring anthropomorphic characters.
Some of the most notable examples are the Walt Disney characters the Magic Carpet from Disney's Aladdin franchise, Mickey Mouse, Donald Duck, Goofy, and Oswald the Lucky Rabbit; the Looney Tunes characters Bugs Bunny, Daffy Duck, and Porky Pig; and an array of others from the 1920s to present day.

In the Disney/Pixar franchises Cars and Planes, all the characters are anthropomorphic vehicles,[42] while in Toy Story, they are anthropomorphic toys. Other Pixar franchises like Monsters, Inc. features anthropomorphic monsters, and Finding Nemo features anthropomorphic marine life creatures (like fish, sharks, and whales). Discussing anthropomorphic animals from DreamWorks franchise Madagascar, Laurie[non sequitur] suggests that "social differences based on conflict and contradiction are naturalized and made less 'contestable' through the classificatory matrix of human and nonhuman relations[clarification needed]".[42] Other DreamWorks franchises like Shrek features fairy tale characters, and Blue Sky Studios of 20th Century Fox franchises like Ice Age features anthropomorphic extinct animals.

All of the characters in Walt Disney Animation Studios' Zootopia (2016) are anthropomorphic animals, that is an entirely nonhuman civilization.[43]

The live-action/computer-animated franchise Alvin and the Chipmunks by 20th Century Fox centers around anthropomorphic talkative and singing chipmunks. The female singing chipmunks called The Chipettes are also centered in some of the franchise's films.

In television
Since the 1960s, anthropomorphism has also been represented in various animated television shows such as Biker Mice From Mars (1993–1996) and SWAT Kats: The Radical Squadron (1993–1995). Teenage Mutant Ninja Turtles, first aired in 1987, features four pizza-loving anthropomorphic turtles with a great knowledge of ninjutsu, led by their anthropomorphic rat sensei, Master Splinter. Nickelodeon's longest running animated TV series SpongeBob SquarePants (1999–present), revolves around SpongeBob, a yellow sea sponge, living in the underwater town of Bikini Bottom with his anthropomorphic marine life friends. Cartoon Network's animated series The Amazing World of Gumball (2011–2019) are about anthropomorphic animals and inanimate objects. All of the characters in Hasbro Studios' TV series My Little Pony: Friendship Is Magic (2010–2019) are anthropomorphic fantasy creatures, with most of them being ponies living in the pony-inhabited land of Equestria. The Netflix original series Centaurworld focuses on a warhorse who gets transported to a Dr. Seuss-like world full of centaurs who possess the bottom half of any animal, as opposed to the traditional horse.

In the American animated TV series Family Guy, one of the show's main characters, Brian, is a dog. Brian shows many human characteristics – he walks upright, talks, smokes, and drinks Martinis – but also acts like a normal dog in other ways; for example he cannot resist chasing a ball and barks at the mailman, believing him to be a threat. In a similar case, BoJack Horseman, an American Netflix adult animated black comedy series, takes place in an alternate world where humans and anthropomorphic animals live side by side, and centers around the life of BoJack Horseman; a humanoid horse who was a one hit wonder on a popular 1990s sitcom Horsin' Around, living off the show's residuals in present time. Multiple main characters of the series are other animals who possess human body form and other human-like traits and identity as well; Mr. Peanutbutter, a humanoid dog lives a mostly human life—he speaks American English, walks upright, owns a house, drives a car, is in a romantic relationship with a human woman (in this series, as animals and humans are seen as equal, relationships like this are not seen as bestiality but seen as regular human sexuality), Diane, and has a successful career in television—however also exhibits dog traits—he sleeps in a human-size dog bed, gets arrested for having a drag race with the mailman and is once forced to wear a dog cone after he gets stitches in his arm.

The PBS Kids animated series Let's Go Luna! centers on an anthropomorphic female Moon who speaks, sings, and dances. She comes down out of the sky to serve as a tutor of international culture to the three main characters: a boy frog and wombat and a girl butterfly, who are supposed to be preschool children traveling a world populated by anthropomorphic animals with a circus run by their parents.

The French-Belgian animated series Mush-Mush & the Mushables takes place in a world inhabited by Mushables, which are anthropomrphic fungi, along with other critters such as beetles, snails, and frogs.

 

 

ANTHROPOMORPHISM

 

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18
9
9
-
-
-
3
-
-
-
-
-
9
P
=
7
12
1
P
16
7
7
-
-
-
3
-
-
-
7
-
-
H
=
8
13
1
H
8
8
8
-
-
-
3
-
-
-
-
8
-
I
=
9
14
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
S
=
1
15
1
S
19
10
1
-
1
-
3
-
-
-
-
-
-
M
=
4
16
1
M
13
4
4
-
-
-
3
4
-
-
-
-
-
-
-
92
-
16
ANTHROPOMORPHISM
218
101
92
-
2
2
3
8
5
18
14
16
27
-
-
9+2
-
1+6
-
2+1+8
1+0+1
9+2
-
-
-
-
-
-
1+8
1+4
1+6
2+7
-
-
11
-
7
ANTHROPOMORPHISM
11
9
11
-
2
2
3
8
5
9
5
7
9
-
-
1+1
-
-
-
1+1
-
1+1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
ANTHROPOMORPHISM
2
2
2
-
2
2
3
8
5
9
5
7
9

 

LETTERS RE ARRANGED NUMERICALLY

 

-
-
-
-
-
ANTHROPOMORPHISM
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
3
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
-
3
-
-
-
-
-
-
T
=
2
3
1
T
20
2
2
-
-
2
3
-
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
3
4
-
-
-
-
-
M
=
4
16
1
M
13
4
4
-
-
-
3
4
-
-
-
-
-
N
=
5
2
1
N
14
5
5
-
-
-
3
-
5
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
3
-
-
6
-
-
-
O
=
6
8
1
O
15
6
6
-
-
-
3
-
-
6
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
3
-
-
6
-
-
-
P
=
7
12
1
P
16
7
7
-
-
-
3
-
-
-
7
-
-
P
=
7
7
1
P
16
7
7
-
-
-
3
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
3
-
-
-
-
8
-
H
=
8
13
1
H
8
8
8
-
-
-
3
-
-
-
-
8
-
R
=
9
5
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
R
=
9
11
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
14
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
-
-
92
-
16
ANTHROPOMORPHISM
218
101
92
-
2
2
3
8
5
18
14
16
27
-
-
9+2
-
1+6
-
2+1+8
1+0+1
9+2
-
-
-
-
-
-
1+8
1+4
1+6
2+7
-
-
11
-
7
ANTHROPOMORPHISM
11
9
11
-
2
2
3
8
5
9
5
7
9
-
-
1+1
-
-
-
1+1
-
1+1
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
ANTHROPOMORPHISM
2
2
2
-
2
2
3
8
5
9
5
7
9

 

 

15
ANTHROPOMORPHIC
189
90
9
14
METEMPSYCHOSIS
189
90
9

 

 

-
THE ARCHANTHROPOS
-
-
-
3
THE
33
15
6
1
A
1
1
1
1
R
18
9
9
2
CH
11
11
2
4
ANTH
43
16
7
1
R
9
9
9
4
O+P+O+S
65
20
2
16
THE ARCHANTHROPOS
180
81
36
1+6
-
1+8+0
8+1
3+6
7
THE ARCHANTHROPOS
9
9
9

 

 

15
ANTHROPOMORPHIC
189
90
9

 

 

15
ANTHROPOMORPHIC
1-
-
-
-
ANTHROPOMO
135
54
9
-
R
18
9
9
-
PHIC
36
27
9
15
ANTHROPOMORPHIC
189
90
9
1+5
-
1+8+9
9+0
6
-
18
9
9
-
-
1+8
6
ANTHROPOMORPHIC
9
9
9

 

 

15
A
N
T
H
R
O
P
O
M
O
R
P
H
I
C
-
-
-
-
-
--
-
-
-
-
-
-
5
-
8
-
6
-
6
-
6
-
-
8
9
-
+
=
48
4+8
=
12
1+2
3
=
3
`-
-
14
-
8
-
15
-
15
-
15
-
-
8
9
-
+
=
84
8+4
=
12
1+2
3
=
3
15
A
N
T
H
R
O
P
O
M
O
R
P
H
I
C
-
-
-
-
-
--
-
-
-
-
-
1
-
2
-
9
-
7
-
4
-
9
7
-
-
3
+
=
42
4+2
=
6
=
6
=
6
`-
1
-
20
-
18
-
16
-
13
-
18
16
-
-
3
+
=
105
1+0+5
=
6
=
6
=
6
15
A
N
T
H
R
O
P
O
M
O
R
P
H
I
C
-
-
-
-
-
--
-
-
-
-
`-
1
14
20
8
18
15
16
15
13
15
18
16
8
9
3
+
=
189
1+8+9
=
18
1+8
9
=
9
-
1
5
2
8
9
6
7
6
4
6
9
7
8
9
3
+
=
90
9+0
=
9
=
9
=
9
15
A
N
T
H
R
O
P
O
M
O
R
P
H
I
C
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
--
-
1
occurs
x
1
=
1
=
1
-
-
-
2
-
-
-
-
-
--
-
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
6
-
6
-
6
-
-
-
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
--
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
9
-
-
-
-
-
9
-
-
9
-
--
-
9
occurs
x
3
=
27
2+7
9
15
A
N
T
H
R
O
P
O
M
O
I
P
H
I
C
-
-
45
-
-
15
-
90
-
45
-
-
-
-
-
9
-
-
-
-
-
9
-
-
9
-
-
-
4+5
-
-
1+5
-
9+0
-
4+5
15
A
N
T
H
R
O
P
O
M
O
R
P
H
I
C
-
-
9
-
-
6
-
9
-
9

 

 

9
ANTHROPOS
-
-
-
-
ANTH
43
16
7
-
R
18
9
9
-
O+P+O+S
65
20
2
9
ANTHROPOS
126
45
18
-
-
1+2+6
4+5
1+8
9
ANTHROPOS
9
9
9

 

 

-
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
8
-
6
-
6
1
+
=
26
2+6
=
8
=
8
=
8
`-
`-
-
14
-
8
-
15
-
15
19
+
=
71
7+1
=
8
=
8
=
8
-
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
2
-
9
-
7
-
-
+
=
19
1+9
=
10
1+0
1
=
1
`-
`-
1
-
20
-
18
-
16
-
-
+
=
55
5+5
=
10
1+0
1
=
1
-
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
`-
`-
1
14
20
8
18
15
16
15
19
+
=
126
1+2+6
=
9
=
9
=
9
-
-
1
5
2
8
9
6
7
6
1
+
=
45
4+5
=
9
=
9
=
9
-
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
--
-
1
occurs
x
2
=
2
=
2
-
-
-
-
2
-
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
8
-
-
-
-
-
--
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
9
-
-
-
-
--
-
9
occurs
x
1
=
9
=
9
7
9
A
N
T
H
R
O
P
O
S
-
-
38
-
-
9
-
45
-
36
-
-
-
-
-
-
9
-
-
-
-
-
-
3+8
-
-
-
-
4+5
-
3+6
7
9
A
N
T
H
R
O
P
O
S
-
-
11
-
-
9
-
9
-
9
-
-
1
5
2
8
9
6
7
6
1
-
-
1+1
-
-
-
-
-
-
-
7
9
A
N
T
H
R
O
P
O
S
-
-
2
-
-
9
-
9
-
9

 

 

9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
8
-
6
-
6
1
+
=
26
2+6
=
8
=
8
=
8
`-
-
14
-
8
-
15
-
15
19
+
=
71
7+1
=
8
=
8
=
8
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
1
-
2
-
9
-
7
-
-
+
=
19
1+9
=
10
1+0
1
=
1
`-
1
-
20
-
18
-
16
-
-
+
=
55
5+5
=
10
1+0
1
=
1
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
`-
1
14
20
8
18
15
16
15
19
+
=
126
1+2+6
=
9
=
9
=
9
-
1
5
2
8
9
6
7
6
1
+
=
45
4+5
=
9
=
9
=
9
9
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
--
-
1
occurs
x
2
=
2
=
2
-
-
-
2
-
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
8
-
-
-
-
-
--
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
9
-
-
-
-
--
-
9
occurs
x
1
=
9
=
9
9
A
N
T
H
R
O
P
O
S
-
-
38
-
-
9
-
45
-
36
-
-
-
-
-
9
-
-
-
-
-
-
3+8
-
-
-
-
4+5
-
3+6
9
A
N
T
H
R
O
P
O
S
-
-
11
-
-
9
-
9
-
9
-
1
5
2
8
9
6
7
6
1
-
-
1+1
-
-
-
-
-
-
-
9
A
N
T
H
R
O
P
O
S
-
-
2
-
-
9
-
9
-
9

 

 

Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual ... www.themystica.com/mystica/articles/a/anthropos.html

Anthropos

Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual essence of humanity, which was opposite of the collective meaning of the term humanity. Valentinus stated the church consists of the portion of humanity that recognizes and celebrates its divine origin. This could refer to the followers of Valentinus who "considered (themselves) more skillful" than the rest and agreed with the teacher Colorbasus, who said when God revealed himself, He revealed himself in the form of Anthopos. Still others maintained that the primal father of the whole, the primal beginning, and the primal incomprehensible, is called Anthropos…and that is the great and abstruse mystery, namely, that the power which is above all others, and contains all others in its embrace, is called Anthopos.

 
This is the reason that those Gnostics believing in the concept of Anthropos explained, the Savior called himself "Son of Man" (that is, Son of Anthropos). A.G.H.Source(s):Pagels, Elaine, The Gnostic Gospels, New York: Vintage Books, 1979, pp. 122-123del greco anthopos, homine, e morphè, forma. Anthropomorphismo, etiam nominate personification, es le attribution de characteristicas e qualitates human a ... ia.wikipedia.org/wiki/AnthropomorphismoEtymologia. of the Greek anthopos, homine, and morphè, shape.

 

 

9
ANTHOPOS
-
-
-
-
A+N+T+H
43
16
7
-
O+P+O+S
65
20
2
9
ANTHOPOS
108
36
9
-
-
1+0+8
3+6
-
9
ANTHOPOS
9
9
9

 

 

-
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
6
-
6
1
+
=
17
1+7
=
8
=
8
=
8
`-
-
-
14
-
8
15
-
15
19
+
=
53
5+3
=
8
=
8
=
8
-
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
2
-
-
7
-
-
+
=
10
1+0
=
-
1+0
1
=
1
`-
-
1
-
20
-
-
16
-
-
+
=
37
3+7
=
10
1+0
1
=
1
-
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
`-
-
1
14
20
8
15
16
15
19
+
=
108
1+0+9
=
9
=
9
=
9
-
-
1
5
2
8
6
7
6
1
+
=
36
3+6
=
9
=
9
=
9
-
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
--
-
1
occurs
x
2
=
2
=
2
-
-
-
-
2
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
8
-
-
-
-
--
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
--
-
9
-
-
-
-
-
-
-
16
8
A
N
T
H
O
P
O
S
-
-
29
-
-
9
-
45
-
36
1+6
-
-
-
-
-
-
-
-
-
-
-
2+9
-
-
-
-
4+5
-
3+6
7
8
A
N
T
H
O
P
O
S
-
-
11
-
-
9
-
9
-
9
-
-
1
5
2
8
6
7
6
1
-
-
1+1
-
-
-
-
-
-
-
7
8
A
N
T
H
O
P
O
S
-
-
2
-
-
9
-
9
-
9

 

 

8
A
N
T
H
O
P
O
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
8
6
-
6
1
+
=
17
1+7
=
8
=
8
=
8
`-
-
14
-
8
15
-
15
19
+
=
53
5+3
=
8
=
8
=
8
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
1
-
2
-
-
7
-
-
+
=
10
1+0
=
-
1+0
1
=
1
`-
1
-
20
-
-
16
-
-
+
=
37
3+7
=
10
1+0
1
=
1
8
A
N
T
H
O
P
O
S
-
-
-
-
-
--
-
-
-
-
`-
1
14
20
8
15
16
15
19
+
=
108
1+0+9
=
9
=
9
=
9
-
1
5
2
8
6
7
6
1
+
=
36
3+6
=
9
=
9
=
9
8
A
N
T
H
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
--
-
1
occurs
x
2
=
2
=
2
-
-
-
2
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
8
-
-
-
-
--
-
8
occurs
x
1
=
8
=
8
8
A
N
T
H
O
P
O
S
-
-
29
-
-
9
-
45
-
36
-
-
-
-
-
-
-
-
-
-
-
2+9
-
-
-
-
4+5
-
3+6
8
A
N
T
H
O
P
O
S
-
-
11
-
-
9
-
9
-
9
-
1
5
2
8
6
7
6
1
-
-
1+1
-
-
-
-
-
-
-
8
A
N
T
H
O
P
O
S
-
-
2
-
-
9
-
9
-
9

 

 

Ime Anthropos Ki Ego (Greek script: Είμαι άνθρωπος κι εγώ, English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest ... en.wikipedia.org/wiki/Ime_Anthropos_Ki_Ego - 17k Anthropos Ki Ego

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Ime Anthropos Ki Ego (Greek script: Είμαι άνθρωπος κι εγώ, English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest 1994, performed in Greek by Evridiki.
The song was performed fourth on the night (following Ireland's Paul Harrington and Charlie McGettigan with Rock 'n' Roll Kids and preceding Iceland's Sigga with Nætur). At the close of voting, it had received 51 points, placing 11th in a field of 25.

The song is a plea for peace, with Evridiki singing that she (and, by extension, everyone else) is a person too, and entitled to the same privileges as everyone else.

It was succeeded as Cypriot representative at the 1995 Contest by Alexandros Panayi with Sti Fotia

 

 

9
ANTHROPOS
-
-
-
-
ANTH
43
16
7
-
R
18
9
9
-
O+P+O+S
65
20
2
9
ANTHROPOS
126
45
18
-
-
1+2+6
4+5
1+8
9
ANTHROPOS
9
9
9

 

 

THE GNOSTIC JUNG

Including "Seven Sermons to the dead"

Selected and introduced by Robert A. Segal 1992

MAIN PSYCHOLOGICAL INTERPRETATION

Page 61

" This magnetic process revolutionizes the ego-oriented psyche by setting up, in contradistinction to the ego, another goal or centre which is characterized by all manner of names and symbols: fish, serpent, centre of the sea-hawk,14 point, monad, cross, paradise, and so on. The myth of the ignorant demiurge who imagined he was the highest divinity illustrates the perplexity of the ego when it can no longer hide from itself the knowledge that it has been dethroned by a supraordinate authority. The "thousand names" of the lapis philosophorum correspond to the innumerable Gnostic designations for the Anthropos, which make it quite obvious what is meant: the greater, more comprehensive Man, that indescribable whole consisting of the sum of conscious and unconscious pro­cesses. This objective whole, the antithesis of the subjective ego­psyche, is what I have called the self, and this corresponds exactly to the idea of the Anthropos."

 

 

9
ANTHROPOS
-
-
-
-
ANTH
43
16
7
-
R
18
9
9
-
O+P+O+S
65
20
2
9
ANTHROPOS
126
45
18
-
-
1+2+6
4+5
1+8
9
ANTHROPOS
9
9
9

 

 

9
ANTHROPOS
-
-
-
1
R
18
9
9
9
ANTHOPOS
-
-
-

 

 

9
ANTHROPOS
126
45
18
1
R
18
9
9
9
ANTHOPOS
108
36
9

 

 

-
ARCHANTHROPOS
-
-
-
1
A
1
1
1
1
R
18
9
9
2
CH
11
11
2
4
ANTH
43
16
7
1
R
9
9
9
4
O+P+O+S
65
20
2
13
ARCHANTHROPOS
156
66
30
1+3
-
1+5+6
6+6
3+0
4
ARCHANTHROPOS
12
12
3
-
-
1+2
1+2
-
4
ARCHANTHROPOS
3
3
3

 

 

-
13
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
5
-
8
-
6
-
6
1
+
=
34
3+4
=
7
=
7
=
7
`-
`-
-
-
-
8
-
14
-
8
-
15
-
15
19
+
=
79
7+9
=
16
1+6
7
=
7
-
13
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
9
3
-
1
-
2
-
9
-
7
-
-
+
=
32
3+2
=
5
-
5
=
5
`-
`-
1
18
3
-
1
-
20
-
18
-
16
-
-
+
=
77
7+7
=
14
1+4
5
=
5
-
13
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
`-
`-
1
18
3
8
1
14
20
8
18
15
16
15
19
+
=
156
1+5+6
=
12
1+2
3
=
3
-
-
1
9
3
8
1
5
2
8
9
6
7
6
1
+
=
66
6+7
=
12
1+2
3
=
3
-
13
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
-
-
-
1
--
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
--
-
2
occurs
x
1
=
2
=
2
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
8
-
-
-
8
-
-
-
-
-
--
-
8
occurs
x
2
=
16
1+6
7
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
--
-
9
occurs
x
2
=
18
1+8
9
4
13
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
41
-
-
13
-
66
-
39
-
1+3
-
9
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+3
-
6+6
-
3+9
4
4
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
5
-
-
4
-
12
-
12
-
-
1
9
3
8
1
5
2
8
9
6
7
6
1
-
-
-
-
-
-
-
1+2
-
1+2
4
4
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
5
-
-
4
-
3
-
3

 

 

-
THE ARCHANTHROPOS
-
-
-
3
THE
33
15
6
1
A
1
1
1
1
R
18
9
9
2
CH
11
11
2
4
ANTH
43
16
7
1
R
9
9
9
4
O+P+O+S
65
20
2
16
THE ARCHANTHROPOS
180
81
36
1+6
-
1+8+0
8+1
3+6
7
THE ARCHANTHROPOS
9
9
9

 

 

-
16
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
--
-
-
-
8
-
5
-
8
-
6
-
6
1
+
=
42
4+2
=
6
=
6
=
6
`-
`-
-
8
-
--
-
-
-
8
-
14
-
8
-
15
-
15
19
+
=
87
8+7
=
16
1+6
6
=
6
-
16
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
1
9
3
-
1
-
2
-
9
-
7
-
-
+
=
39
3+9
=
12
1+2
3
=
3
`-
`-
20
-
5
-
1
18
3
-
1
-
20
-
18
-
16
-
-
+
=
102
1+0+2
=
3
-
3
=
3
-
16
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
`-
`-
20
8
5
-
1
18
3
8
1
14
20
8
18
15
16
15
19
+
=
189
1+8+9
=
18
1+8
9
=
9
-
-
2
8
5
--
1
9
3
8
1
5
2
8
9
6
7
6
1
+
=
81
8+1
=
9
-
9
=
9
-
16
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
--
1
-
-
-
1
-
-
-
-
-
-
-
1
--
-
1
occurs
x
3
=
3
=
3
-
-
2
-
-
--
-
-
-
-
-
-
2
-
-
-
-
-
-
--
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
--
-
-
-
8
-
-
-
8
-
-
-
-
-
--
-
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
--
-
9
-
-
-
-
-
-
9
-
-
-
-
--
-
9
occurs
x
2
=
18
1+8
9
4
16
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
41
-
-
16
-
81
-
36
-
1+6
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+6
-
8+1
-
3+6
4
7
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
5
-
-
7
-
9
-
9
-
-
2
8
5
-
1
9
3
8
1
5
2
8
9
6
7
6
1
-
-
-
-
-
-
-
-
-
-
4
7
T
H
E
-
A
R
C
H
A
N
T
H
R
O
P
O
S
-
-
5
-
-
7
-
9
-
9

 

 

-
PROTANTHROPOS
-
-
-
4
P
16
7
7
1
R
18
9
9
1
OT
35
8
8
4
ANTH
43
16
7
1
R
9
9
9
4
O+P+O+S
65
20
2
16
PROTANTHROPOS
195
69
42
1+6
-
1+9+5
6+9
4+2
7
PROTANTHROPOS
15
15
6
-
-
1+5
1+5
-
7
PROTANTHROPOS
6
6
6

 

 

-
16
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
6
-
-
5
-
8
-
6
-
6
1
+
=
42
4+2
=
6
=
6
=
6
`-
`-
-
8
-
`-
-
-
15
-
-
14
-
8
-
15
-
15
19
+
=
87
8+7
=
16
1+6
6
=
6
-
16
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
9
-
2
1
-
2
-
9
-
7
-
-
+
=
39
3+9
=
12
1+2
8
=
8
`-
`-
20
-
5
`-
16
18
-
20
1
-
20
-
18
-
16
-
-
+
=
134
1+3+4
=
8
-
8
=
8
-
16
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
-
-
-
--
-
-
-
-
`-
`-
20
8
5
`-
16
18
15
20
1
14
20
8
18
15
16
15
19
+
=
228
2+2+8
=
12
1+2
3
=
3
-
-
2
8
5
-
7
9
6
2
1
5
2
8
9
6
7
6
1
+
=
84
8+4
=
12
1+2
3
=
3
-
16
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
--
-
1
occurs
x
2
=
2
=
2
-
-
2
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
--
-
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
--
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
--
-
9
occurs
x
2
=
18
1+8
9
7
16
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
38
-
-
16
-
84
-
39
-
1+6
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
-
-
3+8
-
-
1+6
-
8+4
-
3+9
7
7
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
11
-
-
7
-
12
-
12
-
-
2
8
5
-
7
9
6
2
1
5
2
8
9
6
7
6
1
-
-
1+1
-
-
-
-
1+2
-
1+2
7
7
T
H
E
-
P
R
O
T
A
N
T
H
R
O
P
O
S
-
-
2
-
-
7
-
3
-
3

 

 

10
REDEMPTIVE
-
-
-
-
R
18
9
9
-
E+D
9
9
9
-
E+M
18
9
9
-
P+T
36
9
9
-
I
9
9
9
-
V+E
27
9
9
10
REDEMPTIVE
-
-
-

 

 

10
REDEMPTIVE
-
-
-
-
R
18
9
9
-
E+D
9
9
9
-
E+M
18
9
9
-
P+T
36
9
9
-
I
9
9
9
-
V+E
27
9
9
10
REDEMPTIVE
117
54
54
1+0
-
1+1+7
5+4
5+4
1
REDEMPTIVE
9
9
9

 

 

-
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
+
=
9
-
=
9
=
9
=
9
-
-
-
-
-
-
-
-
-
9
-
-
+
=
9
-
=
9
=
9
=
9
-
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
-
9
5
4
5
4
7
2
-
4
5
+
=
45
4+5
=
9
=
9
=
9
-
-
18
5
4
5
13
16
20
-
22
5
+
=
108
1+0+8
=
9
=
9
=
9
-
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
-
18
5
4
5
13
16
20
9
22
5
+
=
117
1+1+7
=
9
=
9
=
9
-
-
9
5
4
5
4
7
2
9
4
5
+
=
54
5+4
=
9
=
9
=
9
-
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
4
-
4
-
-
-
4
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
5
-
5
-
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
--
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
18
10
R
E
D
E
M
P
T
I
V
E
-
-
27
-
-
10
-
54
-
27
1+8
1+0
9
-
-
-
-
-
-
9
-
-
-
-
2+7
-
-
1+0
-
5+4
-
2+7
9
1
R
E
D
E
M
P
T
I
V
E
-
-
9
-
-
1
-
9
-
9
-
-
9
5
4
5
4
7
2
9
4
5
-
-
-
-
-
-
-
-
-
-
9
1
R
E
D
E
M
P
T
I
V
E
-
-
9
-
-
1
-
9
-
9

 

 

10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
+
=
9
-
=
9
=
9
=
9
-
-
-
-
-
-
-
-
9
-
-
+
=
9
-
=
9
=
9
=
9
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
9
5
4
5
4
7
2
-
4
5
+
=
45
4+5
=
9
=
9
=
9
-
18
5
4
5
13
16
20
-
22
5
+
=
108
1+0+8
=
9
=
9
=
9
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
18
5
4
5
13
16
20
9
22
5
+
=
117
1+1+7
=
9
=
9
=
9
-
9
5
4
5
4
7
2
9
4
5
+
=
54
5+4
=
9
=
9
=
9
10
R
E
D
E
M
P
T
I
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
4
-
4
-
-
-
4
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
5
-
5
-
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
--
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
9
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
R
E
D
E
M
P
T
I
V
E
-
-
27
-
-
10
-
54
-
27
1+0
9
-
-
-
-
-
-
9
-
-
-
-
2+7
-
-
1+0
-
5+4
-
2+7
1
R
E
D
E
M
P
T
I
V
E
-
-
9
-
-
1
-
9
-
9
-
9
5
4
5
4
7
2
9
4
5
-
-
-
-
-
-
-
-
-
-
1
R
E
D
E
M
P
T
I
V
E
-
-
9
-
-
1
-
9
-
9

 

 

10
REDEMPTIVE
-
-
-
-
R
18
9
9
-
E+D
9
9
9
-
E+M
18
9
9
-
P+T
36
9
9
-
I
9
9
9
-
V+E
27
9
9
10
REDEMPTIVE
117
54
54
1+0
-
1+1+7
5+4
5+4
1
REDEMPTIVE
9
9
9

 

 

-
FLOURISHED
-
-
-
2
F+L
18
9
9
2
O+U
36
9
9
1
R
18
9
9
1
I
9
9
9
2
S+H
27
9
9
2
E+D
9
9
9
10
FLOURISHED
117
54
54
1+0
-
1+1+7
5+4
5+4
1
FLOURISHED
9
9
9

 

 

-
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
9
1
8
-
-
+
=
24
2+4
=
6
-
6
=
6
-
-
-
-
15
-
-
9
19
8
-
-
+
=
51
5+1
=
6
-
6
=
6
-
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
6
3
-
3
9
-
-
-
5
4
+
=
39
3+9
=
12
1+2
3
=
3
-
-
6
12
-
21
18
-
-
-
5
4
+
=
66
6+6
=
12
1+2
3
=
3
-
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
6
12
15
21
18
9
19
8
5
4
+
=
117
1+1+7
=
9
-
9
=
9
-
-
6
3
6
3
9
9
1
8
5
4
+
=
54
5+4
=
9
-
9
=
9
-
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
-
3
-
3
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
-
6
-
6
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
9
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
10
F
L
O
U
R
I
S
H
E
D
-
-
36
-
-
10
-
54
-
36
-
1+0
-
-
-
-
9
9
-
-
-
-
-
-
3+6
-
-
1+0
-
5+4
-
3+6
9
1
F
L
O
U
R
I
S
H
E
D
-
-
9
-
-
1
-
9
-
9
-
-
6
3
6
3
9
9
1
8
5
4
-
-
-
-
-
-
-
1+4
-
-
9
1
F
L
O
U
R
I
S
H
E
D
-
-
9
-
-
1
-
9
-
9

 

 

10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
9
1
8
-
-
+
=
24
2+4
=
6
-
6
=
6
-
-
-
15
-
-
9
19
8
-
-
+
=
51
5+1
=
6
-
6
=
6
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
6
3
-
3
9
-
-
-
5
4
+
=
39
3+9
=
12
1+2
3
=
3
-
6
12
-
21
18
-
-
-
5
4
+
=
66
6+6
=
12
1+2
3
=
3
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
6
12
15
21
18
9
19
8
5
4
+
=
117
1+1+7
=
9
-
9
=
9
-
6
3
6
3
9
9
1
8
5
4
+
=
54
5+4
=
9
-
9
=
9
10
F
L
O
U
R
I
S
H
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
3
-
3
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6