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THE NUCLEAR FAMILY 1969
A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE" THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
IN OUR TIME Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4 "Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own. Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"
SILVER AND GOLD HAVE I NONE BUT SUCH AS I HAVE GIVE I THEE Acts 3:6-7 KJV
THE FIFTH ELEMENT A Novel By Terry Bisson From The Screenplay By Luc Besson & Robert Mark Kamen Based On a Story By Luc Besson Page 14 “the Fifth Element,” whispered the priest, his words as soft as a prayer. Page 242 “He struck the match Okay! Finished!" Leeloo said. She was speaking English? Korben looked at her in amazement. "Finished what?" Learning languages." She switched off the computer. "You mean . . . English?" She nodded. "All nine hundred!" Korben was amazed. "You learned all nine hundred Earth languages in just five minutes?. "Yes! Now it's your turn. I learned your language; you have to learn mine."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
Thomas Mann 1875 - 1955 Page 660 In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink." "ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
THE GUINESS ENCYCLOPEDIA John Foley 1993 ALPHABETOLOGY SIGNS AND SYMBOLS Page 22 The most commonly used numerical symbols throughout the modern World; the so-called Arabic numerals 1 2 3 4 5 6 7 8 9 derive ultimately from a system developed by the Hindus in India sometime between the 3rd Century B,C. and 6th Century A.D. "The more rounded Western Arabic numerals were introduced into Spain by the Moors in the 10th Century. The first European to take serious note of the new numeration was the French scholar Gerbert of Aurilliac (Pope Sylvester II from 999 to 1003) who had studied the system in Spain The Hindus are also credeited with the invention at some unknown date of the symbol for zero, which was first written as a small circle and later reduced to a large dot. The nine Indian figures are : 9 8 7 6 5 4 3 2 1 With these nine figures and with the sign O any number may be written. Leonardo of Pisa Liber abaci
LIGHT AND LIFE Lars Olof Bjorn 1976 "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE" (THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS). IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM. 1 000 000 000 'LETTERS'."
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
CITY OF REVELATION John Michell 1972 Page 109 "At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation. The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.' The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.' The number 666 in metrology The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement." THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
.. THE LIGHT IS RISING RISING IS THE LIGHT
ADVENT 776 ADVENT
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
That sound, the original Vedic mantra OM, when expressed through Brahma's mouth becomes the sacred Gayatri--mother of the Vedas. ... www.crystalinks.com/vedas.html
The Vedas are perhaps the oldest written text on our planet today. They date back to the beginning of Indian civilization and are the earliest literary records of the whole Aryan race. They are supposed to have been passed through oral tradition for over 100,000 years. They came to us in written form between 4-6,000 years ago. The Vedas are divided into four groups, Rigveda, Yajurveda, Samaveda and Atharvaveda. Each group has an original text (Mantra) and a commentary portion (Brahmana). The Brahmana again has two portions, one interpreting ritual and the other the philosophy. The portions interpreting the philosophy of the original texts constitute the Upanishads. There are also auxiliary texts called Vedangas. Vedic literature refers to the whole of this vast group of literature. The whole of Rgveda and most of Atharvaveda are in the form of poetry, or hymns to the deities and the elements. Samaveda is in verses that are to be sung and Yajurveda is largely in short prose passages. Both Samaveda and Yajurveda are concerned with rituals rather than philosophy - especially Yajurveda. Rigveda The Rig-Veda Samhita is the oldest significant extant Indian text. It is a collection of 1,028 Vedic Sanskrit hymns and 10,600 verses in all, organized into ten books (Sanskrit: mandalas). The hymns are dedicated to Rigvedic deities. The books were composed by sages and poets from different priestly groups over a period of at least 500 years, which Avari dates as 1400 BCE to 900 BCE, if not earlier According to Max Müller, based on internal evidence (philological and linguistic), the Rigveda was composed roughly between 17001100 BCE (the early Vedic period) in the Punjab (Sapta Sindhu) region of the Indian subcontinent. Michael Witzel believes that the Rig Veda must have been composed more or less in the period 1450-1350 BCE. There are strong linguistic and cultural similarities between the Rigveda and the early Iranian Avesta, deriving from the Proto-Indo-Iranian times, often associated with the Andronovo culture; the earliest horse-drawn chariots were found at Andronovo sites in the Sintashta-Petrovka cultural area near the Ural mountains and date to ca. 2000 BCE. Rigveda means the Veda of Adoration and mostly contains verses adoring or adulating deities. But it also dealt with other subjects, like the procedure of wedding, the folly of gambling. About two-thirds of Rigveda is about the gods Agni (Fire) and Indra (Ruler of the gods). Other Rigvedic gods include Rudra, the two Ashvins,Savitar and Surya, Varuna, the Maruts and the Ribhus. There are references to a divine creeper, the Soma, whose juice was an energizer. Some animals like horses, some rivers, and even some implements (like mortar and pestle) were deified. Rigveda contains a sense of intimate communion between Nature and the Rishis or visionaries. According to some, the concerns of Rigveda are those of simple, nomadic, pastoral Aryans. According to others, the people in the times of the Rigveda had a settled home, definite mode of life, developed social customs, political organizations, and even arts and amusements. Rigveda is the oldest, largest and most important of the Vedas, containing ten thousand verses forming 1017 poems in 20 groups. Yajurveda The Yajur-Veda ("Veda of sacrificial formulas") consists of archaic prose mantras and also in part of verses borrowed from the Rig-Veda. Its purpose was practical, in that each mantra must accompany an action in sacrifice but, unlike the Sama-Veda, it was compiled to apply to all sacrificial rites, not merely the Soma offering. There are two major recensions of this Veda known as the "Black" and "White" Yajur-Veda. The origin and meaning of these designations are not very clear. The White Yajur-Veda contains only the verses and sayings necessary for the sacrifice, while explanations exist in a separate Brahmana work. It differs widely from the Black Yajurveda, which incorporates such explanations in the work itself, often immediately following the verses. Of the Black Yajurveda four major recensions survive, all showing by and large the same arrangement, but differing in many other respects, notably in the individual discussion of the rituals but also in matters of phonology and accent. Yajurveda refers to acts of worship such as oblations made into Agni or Fire. It has two branches, Krishna or Black and Shukla or White. While both contain mantras or incantations to be chanted at rituals, Black Yajurveda also has many explanations. The recensions of Black Yajurveda are Taittirya, Katthaka, Maitrayani and Kapishtthala. Those of White Yajurveda are Madhyanadina and Kanva. The literary value of Yajurveda is mostly for its prose, which consists of short terse sentences full of meaning and cadence. The Sama-Veda is the "Veda of chants" or "Knowledge of melodies". The name of this Veda is from the Sanskrit word saman which means a metrical hymn or song of praise. It consists of 1549 stanzas, taken entirely (except 78) from the Rig-Veda. Some of the Rig-Veda verses are repeated more than once. Including repetitions, there are a total of 1875 verses numbered in the Sama-Veda recension published by Griffith. Two major recensions remain today, the Kauthuma/Ranayaniya and the Jaiminiya. P> Its purpose was liturgical and practical, to serve as a songbook for the "singer" priests who took part in the liturgy. A priest who sings hymns from the Sama-Veda during a ritual is called an udgat, a word derived from the Sanskrit root ud-gai ("to sing" or "to chant"). A similar word in English might be "cantor". The styles of chanting are important to the liturgical use of the verses. The hymns were to be sung according to certain fixed melodies; hence the name of the collection. Samaveda consists of a selection of poetry mainly from the Rigveda, and some original matter. It has two parts, Purva-Archika (First Adoratona) and Uttar-Archika (Later Adoration), containing verses addressed to the three gods Agni (Fire), Indra (King of Gods) and Soma (Energizing Herb). The verses are not to be chanted anyhow, but to be sung in specifically indicated melodies using the seven svaras or notes. Such songs are called Samagana and in this sense Samaveda is really a book of hymns. Atharvaveda means the Veda of the Wise and the Old. It is associated with the name of the ancient poet Atharvan (The Wise Old One). It is also called Atharva-Angirasa, being associated with the name of another rishi, Angiras. Although later in age, the Atharvaveda reveals a more primitive culture than the Rigveda. The custom is to enumerate Yajurveda and Samaveda after the Rigveda, and mention Atharvaveda last. Atharvaveda contains about 6 thousand verses forming 731 poems and a small portion in prose. About one seventh of the Atharvaveda text is common to the Rigveda. Atharvaveda contains first class poetry coming from visionary poets, much of it being glorification of the curative powers of herbs and waters. Many poems relate to diseases like cough and jaundice, to male and female demons that cause diseases, to sweet-smelling herbs and magic amulets, which drive diseases away. There are poems relating to sins and their atonement, errors in performing rituals and their expiatory acts, political and philosophical issues, and a wonderful hymn to Prithvi or Mother Earth. Vedas Wikipedia The Vedas describe Vimanas or space ships Upanishads The Upanishads are regarded as part of the Vedas and as such form part of the Hindu scriptures. They primarily discuss philosophy, meditation, and the nature of God; they form the core spiritual thought of Vedantic Hinduism. Considered as mystic or spiritual contemplations of the Vedas, their putative end and essence, the Upanishads are known as Vedanta ("the end/culmination of the Vedas"). The Upanishads do not belong to a particular period of Sanskrit literature. The oldest, such as the Brhadaranyaka and Chandogya Upanishads, may date to the Brahmana period (roughly before the 31st century BC; before Gita was constructed), while the youngest, depending on the canon used, may date to the medieval or early modern period. The word Upanishad comes from the Sanskrit verb sad (to sit) and the two prepositions upa and ni (under and at). They are sacred tests of spiritual and philosophical nature. Vedic literature is divided into karmakanda containing Samhitas (hymns) and Brahmanas (commentaries), and gyanakanda containing knowledge in the form of the Aranyakas and Upanishads. Thus each Upanishad is associated with a Veda, Isha-upanishad with Shukla Yajurveda, Kena-upanishad with Samaveda, and so on. The earliest Upanishads may have been composed between B.C. 800 and 400.There have been several later additions, leading to 112 Upanishads being available today. But the major Upanishads are ten, Isha, Kena, Kattha, Prashna, Mundaka, Mandukya, Taittiriya, Aitareya, Shwetashwatara, Chhandogya and Brihadaryanyaka. The teachings of the Upanishads, and those of the Bhagavat Gita, form the basis of the Vedanta philosophy. The Isha-upanishad emphasizes the identity of the human soul with the divine soul. The Kena-upanishad discusses the qualities of the divine essence (Brahman) and the relationship of the gods to the divine essence. The Katha-upanishad, through the story of Nachiketa, discussed death and the permanence of the soul (Atman). The fairly long Chhandogya-upanishad develops the idea of transmigration of souls. The rihadaryanaka -upanishad, the longest of the Upanishads, bears the message of the completeness of the divine essence, and the associated peace. As literary remnants of the ancient past, the Upanishads both lucid and elegant - have great literary value.
OM BHUR BHUVAH SVAHA TAT SAVITUR VARENYAM BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT Om bhur bhuvah svah The Gayatri Mantra: Om bhur bhuvah svah tat savitur varenyam Aum
elemental facets to the adoration of our Lord: Praise, Meditation and ...
groups.msn.com/YHVH/mantra.msnw The Rig Veda (10:16:3)
OM
BHUR BHUVA SVAHA TAT SAVITUR VARENYAM BHARGO DEVASYA DHEEMAHI DHI YO YONAH PRACHODAYAT
The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.h tm Gayatri is a metre of the Rig-Veda (see Veda) consisting of 24 syllables. This metre has been used in a number of Rig Vedic mantras. The syllables are arranged differently for different mantras, the most common being a triplet of eight syllables each. The Gayatri or the Savitri mantra composed in this triplet form is the most famous and sacred of all mantras. It is a prayer in honour of the Sun, also called Savitur. The Gayatri with the Mahavyahritis is uttered as- Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat This mantra is believed to have been composed by Sage Vishvamitra. According to others, however, it is so ancient that the four Vedas were born of it.
Initially, this mantra was a simple invocation to the Sun to bless all on earth. Gradually it came to be regarded as a mystic formula of universal power. This was probably due to its simplicity and its power to evolve the idealistic notion of a world that originated from an all-pervading Intelligence. According to the Skanda Purana, nothing in the Vedas is superior to the Gayatri. No invocation is equal to it just as no city is equal to Kashi (see Tirtha). The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, Shiva and the Vedas. According to the Aitareya Brahmana (see Brahmana), those who desire to go to heaven should recite this mantra a thousand times. The Gayatri Mantra must be recited by all 'twice-born' (see Upanayanam) Hindus, Gayatri Mantra especially the Brahmins, who are expected to recite it every morning and evening. This mantra was however not allowed be reciting or even hearing by a Shudra or a woman. In the early Vedic age however, the status of women was considerably higher than in the later Vedic age. Rishinis or women rishis like Gargi and Lopamudra are said to have undergone the Upanayanam and the former indeed, engaged in debate none less than the law giver, Yajnavalkya. Later, when this mantra became exclusive to 'twice-born' males, care was taken not to recite it loudly. The Gayatri Mantra is also recited at various rituals pertaining to divine worship and the ritual of the manes (see Shradha). It is said that the recitation of the Gayatri five times a day is as effective as performing the panchamahayagya. This mantra is taught for the first time during the Upanayanam ceremony when the guru whispers it into the ears of the newly Recitation of the Pupil (brahmopadesham). Thereafter the pupil is expected to recite it every morning and evening throughout his life It should ideally be recited 16 times a day. To keep track, the right hand is used. When the mantra is recited the first time, the thumb is placed on the third joint of the ring finger and is held there till the mantra is complete. With each completion, the thumb moves one more joints, down the ring finger, up the little finger, over the tips, down the index finger, up the middle finger and the sixteenth recitation is completed on the third joint of the middle finger. When reciting the Gayatri Mantra, the sacred thread (see Upanayanam) is held across the thumb of the right hand. The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.htm
Gayatri is the Mother of the Vedas
SRI KRISHNA'S REMEMBERING 'Many lives Arjuna, you and I have lived. I remember them all but thou dost not.' Bhagavad Gita, iv, 5., iv, 5.
SRI KRISHNA RISHI KRISHNA SRI KRSNA RISHI KRSNA SRI KRISHNA RISHI KRISHNA SHRI
SHRI KRISHNA
SRI KRISHNA'S REMEMBERING 'Many lives Arjuna, you and I have lived. I remember them all but thou dost not.' Bhagavad Gita, iv, 5., iv, 5
OM MANI PADME HUM I E OM-MA-NE-PAD-ME-HUM
AUM MANE PADME HUM
AUM MANE PADME HUM E I AUM MANE PADME HUM
OM-MANE-PAD-ME-HUM E I OM MANI PADME HUM
OM-MA-NI-PAD-ME-HUM
TIBET.htm (973-eht-namuh-973.com) THE GREAT DHARANI .htm (973-eht-namuh-973.com) THE GREAT DHARANI Cont .htm (973-eht-namuh-973.com) That Nine page 16 (973-eht-namuh-973.com) BUDDHA .htm (973-eht-namuh-973.com)
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