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A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE LIGHT IS RISING RISING IS THE LIGHT
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE LIGHT IS RISING NOW RISING IS THE LIGHT “THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
STUVWXYZ 180 ZYXWVUTS STUVWXYZ 36 ZYXWVUTS STUVWXYZ 9 ZYXWVUTS
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' Page 24 / 25
A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits. Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18 Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance. With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts. But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
GREETINGS CITIZENS OF PLANET EARTH
FIRST CONTACT STAR TREK A novel by J.M. Dillard based on the film STAR TREK; FIRST CONTACT Story by Rick Berman & Brannon Braga & Ronald D. Moore Screenplay by Brannon Braga & Ronald D. Moore 1996 First STAR TREK FIRST CONTACT Second STAR TREK FIRST CONTACT This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. Third STAR TREK FIRST CONTACT
FIRST CONTACT STAR TREK A novel by J.M. Dillard based on the film 1996 STAR TREK; FIRST CONTACT Page 43 "He'd named his ship the Phoenix. Page 47 ".........the Phoenix........." ".........the Phoenix........." Page 48 ".........the Phoenix........." Page 54 "The Phoenix had risen"
ONE LOVE One Love appears on the album One Love Peace Concert (Bob Marley) One Love, One Heart Let them all pass all their dirty remarks (One Love) One Love, One Heart Let's get together to fight this Holy Armageddon (One Love) Sayin' One Love, One Heart Give thanks and praise to the Lord and I will feel all right
"One Love/People Get Ready" is a song by Bob Marley & The Wailers from their 1977 album Exodus and it has also been released on many of his compilation albums. It has become one of the most influential and known reggae songs ever. The song expressed Bob's beliefs of global unity. Marley was born in the small village of Nine Mile in the Saint Ann Parish, Jamaica.
I CAN'T STOP LOVING YOU Jim Reeves 1923 - 1964 I can't stop loving you www.lyricmusic.us/index.php?search=songid&id
O MY LOVE IS LIKE A RED RED ROSE Robert Burns 1794 O, my love is like a red, red rose, And fare you well, my only Love,
Standard English Translation O, my love is like a red, red rose, That is newly sprung in June. O, my love is like the melody, That is sweetly played in tune. As fair are you, my lovely ... Burns Original 1 O, my luve's like a red, red rose, 2 As fair art thou, my bonie lass, 3 Till a' the seas gang dry, my Dear, 4 And fare thee weel, my only Luve,
WELCOME
FIRST CONTACT STAR TREK A novel by J.M. Dillard based on the film STAR TREK; FIRST CONTACT Story by Rick Berman & Brannon Braga & Ronald D. Moore Screenplay by Brannon Braga & Ronald D. Moore 1996 First STAR TREK FIRST CONTACT Second STAR TREK FIRST CONTACT This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. Third STAR TREK FIRST CONTACT
FIRST CONTACT STAR TREK A novel by J.M. Dillard based on the film 1996 First STAR TREK FIRST CONTACT Second STAR TREK FIRST CONTACT Third STAR TREK FIRST CONTACT Page 43 "He'd named his ship the Phoenix. Page 47 ".........the Phoenix........." ".........the Phoenix........." Page 48 ".........the Phoenix........." Page 54 "The Phoenix had risen"
ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ ZEROREZ
DAILY MAIL Friday, July 6, 2007 Colin Wilson Page 15 ALL THE SEVENS Just why is tomorrow's date (7-7-07 said to be so special ? OR THOSE of the marrying disposition, tomorrow is the most auspicious day to wed for decades. Gamblers should also find their luck is in. The reason for all this bounty lies in the fact that tomorrow, Saturday, happens to fall on the seventh day of the seventh month of the seventh year of the millennium. Throughout history, seven has been regarded as a perfect number. So what date could be more special than 7/07/07 - except perhaps the seventh of July 1977? Modern man long ago forgot why seven has always been so blessed. But he still evokes that ancient knowledge when he uses the phrase 'being in the seventh heaven'. The number seven runs throughout world mythology, magic and religion and symbolises completeness and perfection. There are seven seas, seven virtues, Seven Wonders of the World. Seven colours of the rainbow as well as repeated references in the Bible - the seven days of Creation, the seven deadly sins, and the blessing- of the seventh day which makes Sunday a day of rest. Of course, July 7, 2005 is i remembered as one the most tragic events in recent British history - the London tube and bus bombings. But it cannot be denied that the notion of seven being a special number goes way back beyond Biblical times, extending to our remotest ancestors. The proof lies in the group of stars known as the Pleiades, or Seven Sisters. The acclaimed British anthropologist Stan Gooch discovered
that they are the only constellation named by every culture on
Earth, past and present, and going back at least 40,000 years. And they also play an important part in the legends of the Aztecs, the Incas, the Polynesians, the Chinese, the Masai and the Kikuyu of Kenya, the Hindus and the ancient Egyptians. They are important to all these ancient peoples because they symbolise the number seven. THE REASON is hinted at by the phrase 'the seventh heaven'. Since pre-history, witch doc~ tors - or shamans - of every society have held the same belief: that above our earthly level there are seven heavens, the uppermost of which is the home of spirits. The shaman was a person chosen-by the spirits to act as the intermediary between their world and the Earth. Once chosen, he had to go through a horrifically cruel and harsh training. He (or sometimes she) may have been starved to the point of death, or lain out in the cold until frozen. It was like a long illness, and if he recovered, he would have gained magical healing powers, and would often have to ascend to the seventh heaven to consult the spirits. It sounds like absurd superstition. Yet what makes this so extraordinary is that shamans all over the world, from the Arctic to the Amazon, from Siberia to Japan, have for eons held exactly the same beliefs, even when separated by thousands of miles of space or thousands of years in time. The belief in seven heavens can be found all over the Near East, from India to Iran. It is echoed in the Koran, in Jewish religious belief, and in the ancient Mesopotamian priest climbing the seven steps of his ziggurat. This is the root cause of the number seven being considered lucky - because throughout
human history, mythology and Shamans insist that attaining such knowledge demands that we learn to focus the mind. And isn't it striking that things seem to go right when we focus on them - and wrong when we don't. How, by focusing our minds, we can make our own luck. The playwright George
Bernard Shaw expressed this the very same insight in Heartbreak
House, when he makes the aged I would try to hone my powers of of concentration by fixing on certain subjects and consciously to applying as much brain power The trouble was that I never ac felt anything other than rather of furrow-browed - I could never ne succeed beyond a certain point th before I lost my focus. Then one at day I stumbled on the solution by accident. On New Year's Day, 1979, I was trapped by snow in a remote Devon farmhouse where, as an author, I had gone to lecture to some extra-mural students. After 24 hours we decided we 'had to try to escape. It so happened that my car was the only one that would climb the slope out of the farmyard. After several hours' hard work with shovels, we finally made it up and onto a narrow country
road. Although the snow had SO AS I began to make my way home, I was forced to drive with total, obsessive attention in case I ended up in aditch. It took two hours to reach the main Exeter road, where I was finally able to relax. Then I noticed a fascinating thing: that everything I looked at seemed curiously real and interesting. The two hours of concentrated effort had somehow 'fixed' my consciousness in a higher state of awareness. There was also a tremendous feeling of optimism, a conviction that most of our problems are due to vagueness, slackness, inattention, and that they are all perfectly easy to overcome with determined effort. This state lasted throughout the rest of the drive home. Even now, merely thinking about the experience is enough to bring back the insight and renew the certainty. What seemed to have happened was that total attention had allowed my level of consciousness to build up a pressure far beyond its normal level. This, I saw, was the closest I had come to Shaw's seventh degree of concentration. Afterwards, I tried many times to re-create it, initially without success. But before long, after practice, I found that I could achieve this heightened degree of concentration and conscious
ness in just about one hour, and that, I could then maintain it for at least a further hour.
DAILY MAIL Friday,August 31, 2007 Jonathan Cainer Page 31 "THEY now tell us, with a straight face, that in deep space, experts have discovered a billion miles of nothing. Sorry, I know I have already written about this. But I can't quite manage to stop thinking, about it. Nothing? Nothing we recognise, perhaps. Nothing we can detect. Nothing doing. Nothing happening. Nothing to report. Nothing to write home about. But surely there can't be absolutely Nothing at all. And why 'a billion miles'? This may sound like a lot, but I rather feel it's not big enough to be convincing. Surely, nothing lasts for ever!
DAILY MAIL Monday, September 3, 2007 Jonathan Cainer A BILLION miles of 'nothing' in space. I still can't stop thinking about it. I reckon those people who sell the names of stars as novelty gifts should package it up. This would entitle the new 'owners' to sing the Gershwin lyrics from Porgy And Bess: 'I've got plenty of nothing... and nothing's plenty for me.'
I ME ENTANGLEMENTS
Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other ...en.wikipedia.org/wiki/Quantum_entanglement Quantum entanglement Quantum entanglement is a quantum mechanical phenomenon in which the quantum states of two or more objects have to be described with reference to each other, even though the individual objects may be spatially separated. This leads to correlations between observable physical properties of the systems. For example, it is possible to prepare two particles in a single quantum state such that when one is observed to be spin-up, the other one will always be observed to be spin-down and vice versa, this despite the fact that it is impossible to predict, according to quantum mechanics, which set of measurements will be observed. As a result, measurements performed on one system seem to be instantaneously influencing other systems entangled with it. But quantum entanglement does not enable the transmission of classical information faster than the speed of light (see discussion in next section below). Quantum entanglement applications in the emerging technologies of quantum computing and quantum cryptography, and has been used to realize quantum teleportation experimentally. At the same time, it prompts some of the more philosophically oriented discussions concerning quantum theory. The correlations predicted by quantum mechanics, and observed in experiment, reject the principle of local realism , which is that information about the state of a system should only be mediated by interactions in its immediate surroundings. Different views of what is actually occurring in the process of quantum entanglement can be related to different interpretations of quantum mechanics.
Since Indus was introduced in the 17th century, and lies in the south, it was not known to classical or early cultures thus they produced no mythology ...
Indus (constellation) Indus Indus (IPA: /'indəs/) is a southern constellation that is supposed to represent an American Indian. Epsilon Indi is one of the closest stars to Earth, approximately 11.82 light years away. [edit History] The constellation was one of twelve constellations created by Pieter Dirkszoon Keyser and Frederick de Houtman between 1595 and 1597, and it first appeared in Johann Bayer's Uranometria of 1603. Since Indus was introduced in the 17th century, and lies in the south, it was not known to classical or early cultures thus they produced no mythology concerning it. [edit] References Ian Ridpath and Wil Tirion (2007). Collins Stars and Planets Guide,
A synopsis of the Harappan Civilization by Vinay Lal of the UCLA History Department. Indus Valley Civilization. "The earliest traces of civilization in the Indian subcontinent are to be found in places along, or close, to the Indus river. Excavations first conducted in 1921-22, in the ancient cities of Harappa and Mohenjodaro, both now in Pakistan, pointed to a highly complex civilization that first developed some 4,500-5,000 years ago, and subsequent archaeological and historical research has now furnished us with a more detailed picture of the Indus Valley Civilization and its inhabitants. The Indus Valley people were most likely Dravidians, who may have been pushed down into south India when the Aryans, with their more advanced military technology, commenced their migrations to India around 2,000 BCE. Though the Indus Valley script remains undeciphered down to the present day, the numerous seals discovered during the excavations, as well as statuary and pottery, not to mention the ruins of numerous Indus Valley cities, have enabled scholars to construct a reasonably plausible account of the Indus Valley Civilization. Some kind of centralized state, and certainly fairly extensive town planning, is suggested by the layout of the great cities of Harappa and Mohenjodaro. The same kind of burnt brick appears to have been used in the construction of buildings in cities that were as much as several hundred miles apart. The weights and measures show a very considerable regularity. The Indus Valley people domesticated animals, and harvested various crops, such as cotton, sesame, peas, barley, and cotton. They may also have been a sea-faring people, and it is rather interesting that Indus Valley seals have been dug up in such places as Sumer. In most respects, the Indus Valley Civilization appears to have been urban, defying both the predominant idea of India as an eternally and essentially agricultural civilization, as well as the notion that the change from ‘rural’ to ‘urban’ represents something of a logical progression. The Indus Valley people had a merchant class that, evidence suggests, engaged in extensive trading. Neither Harappa nor Mohenjodaro show any evidence of fire altars, and consequently one can reasonably conjecture that the various rituals around the fire which are so critical in Hinduism were introduced later by the Aryans. The Indus Valley people do not appear to have been in possession of the horse: there is no osteological evidence of horse remains in the Indian sub-continent before 2,000 BCE, when the Aryans first came to India, and on Harappan seals and terracotta figures, horses do not appear. Other than the archaeological ruins of Harappa and Mohenjodaro, these seals provide the most detailed clues about the character of the Indus Valley people. Bulls and elephants do appear on these seals, but the horned bull, most scholars are agreed, should not be taken to be congruent with Nandi, or Shiva’s bull. The horned bull appears in numerous Central Asian figures as well; it is also important to note that Shiva is not one of the gods invoked in the Rig Veda. The revered cow of the Hindus also does not appear on the seals. The women portrayed on the seals are shown with elaborate coiffures, sporting heavy jewelry, suggesting that the Indus Valley people were an urbane people with cultivated tastes and a refined aesthetic sensibility. A few thousand seals have been discovered in Indus Valley cities, showing some 400 pictographs: too few in number for the language to have been ideographic, and too many for the language to have been phonetic. The Indus Valley civilization raises a great many, largely unresolved, questions. Why did this civilization, considering its sophistication, not spread beyond the Indus Valley? In general, the area where the Indus valley cities developed is arid, and one can surmise that urban development took place along a river that flew through a virtual desert. The Indus Valley people did not develop agriculture on any large scale, and consequently did not have to clear away a heavy growth of forest. Nor did they have the technology for that, since they were confined to using bronze or stone implements. They did not practice canal irrigation and did not have the heavy plough. Most significantly, under what circumstances did the Indus Valley cities undergo a decline? The first attacks on outlying villages by Aryans appear to have taken place around 2,000 BCE near Baluchistan, and of the major cities, at least Harappa was quite likely over-run by the Aryans. In the Rig Veda there is mention of a Vedic war god, Indra, destroying some forts and citadels, which could have included Harappa and some other Indus Valley cities. The conventional historical narrative speaks of a cataclysmic blow that struck the Indus Valley Civilization around 1,600 BCE, but that would not explain why settlements at a distance of several hundred miles from each other were all eradicated. The most compelling historical narrative still suggests that the demise and eventual disappearance of the Indus Valley Civilization, which owed something to internal decline, nonetheless was facilitated by the arrival in India of the Aryans."
Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual ... www.themystica.com/mystica/articles/a/anthropos.html Anthropos Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual essence of humanity, which was opposite of the collective meaning of the term humanity. Valentinus stated the church consists of the portion of humanity that recognizes and celebrates its divine origin. This could refer to the followers of Valentinus who "considered (themselves) more skillful" than the rest and agreed with the teacher Colorbasus, who said when God revealed himself, He revealed himself in the form of Anthopos. Still others maintained that
This is the reason that those Gnostics believing in the concept of Anthropos explained, the Savior called himself "Son of Man" (that is, Son of Anthropos)A.G.H. Source(s): Pagels, Elaine, The Gnostic Gospels, New York: Vintage Books, 1979, pp. 122-123 del greco anthopos, homine, e morphè, forma. Anthropomorphismo, etiam nominate personification, es le attribution de characteristicas e qualitates human a ... ia.wikipedia.org/wiki/Anthropomorphismo Etymologia . of the Greek anthopos, homine, and morphè, shape. Ime Anthropos Ki Ego (Greek script: , English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest ... en.wikipedia.org/wiki/Ime_Anthropos_Ki_Ego - 17k
Anthropos Ki Ego From Wikipedia, the free encyclopedia Jump to: navigation, search
Ime Anthropos Ki Ego (Greek script:, English translation: "I'm A Person Too") was the Cypriot entry in the Eurovision Song Contest 1994, performed in Greek by Evridiki. The song is a plea for peace, with Evridiki singing that she (and, by extension, everyone else) is a person too, and entitled to the same privileges as everyone else. It was succeeded as Cypriot representative at the 1995 Contest by Alexandros Panayi with Sti Fotia
FORTUNE TELLING BY DICE Uncovering the Future Through the Ancient System of Casting Lots David and Julia Line 1984 Behold this ruin! 'Twas a skull Once of ethereal spirit full! This narrow cell was Life's retreat; This place was Thought's mysterious seat! What beauteous pictures fill'd that spot, What dreams of pleasure, long forgot! Nor Love, nor Joy, nor Hope, nor Fear, Has left one trace, one record here. Lines to a skull - Antul Jane Vardill - 1816
The skull is not the most pleasant of symbols and is a constant _reminder to man of his own mortality. It represents death, = rrar.sitoriness and the vanity of earthly life. The skull, like a snail's shell, is what survives the living once the body has gone foreverFor this reason it becomes significant as a receptacle of life and thought. Leblant describes the skull as 'the semi-spherical crown of the human body' which signifies the heavens, whilst Plato· in - Timaeus declares that 'the human head is the image of the world.' Skulls were once objects employed in divination. The origin of the belief in a head discoursing after death probably has its roots in such legends as Arthur, Bran, Mimir and Orpheus. This idea can ilio be found in Shakespeare's Hamlet. In Norse mythology it was believed that the heavens were made from the skull of Ymir, a primaeval giant.
DOES GOD PLAY DICE THE NEW MATHEMATICS OF CHAOS Ian Stewart 1989 Page 1 PROLOGUE CLOCKWORK OR CHAOS? "YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER." Albert Einstein, Letter to Max Born
The Death Of Forever A New Future for Human Consciousness Darryl Reanney (1995 Edition) Page 219 (It was this indeterminate character of quantum mechanics that caused Einstein to complain that God 'did not play dice with the world'.)
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