|
A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGIKALALPHABET
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LIGHT AND LIFE
Lars Olof Bjorn 1976
Page V
INTRODUCTION
"In human minds light represents the good power, darkness the evil. Conscious sun-worship has been common in many parts of the world, particularly among culturally advanced peoples like the Japanese, Egyptians, and Incas. It is rather obvious that Christianity has roots in the prehistoric sunworship of the Middle East. Consider the words of the Benediction'. . . the Lord make his face shine upon thee. . ." The Bible stresses the importance and holiness of light over and over again. On the first page Creation is initiated with the words 'Let there be light'. In the middle there is Isaiah's. prophecy of the Messiah: 'The people that wander in darkness shall see a great light.' And, on one of the last pages, John relates his vision of the new, heavenly Jerusalem: 'The city had no need of the sun, neither of the moon, to shine in it: for the glory of God did lighten it, and the Lamb is the light thereof'
Thus, from ancient times to the present, light has played a central role in the human mind. The scientists of our day
have shown that light is necessary not only for mankind, but. for all life on earth."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humAns; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium. By writing the 26 letters of the alphabet in a certain order one may put down almost any message
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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10 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
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9 |
1+9 |
2+0 |
2+1 |
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2+4 |
2+5 |
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ME |
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ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
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= |
1+8 |
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1+8 |
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1+8 |
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1+8 |
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9 |
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"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
THE
BOOK OF CREATION
Page 250
"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS
OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY
TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE
HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE
SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED
THE MIND AWAY ROM THE NORMAL CONNOTATIONS OF WORDS"
A |
B |
C |
D |
E |
F |
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|
1 |
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1+0 |
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1+2 |
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1+8 |
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2+5 |
2+6 |
ME |
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ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
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1+8 |
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1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE
BOOK
ON THE TABOO AGAINST KNOWING
WHO YOU ARE
Alan Watts 1969
"HOW TO BE A GENUINE
FAKE"
Page 53
"THE CAT has already
been let out of the bag. The inside information is that yourself as "just
little me" who "came into this
world" and lives temporarily in a bag of skin is a hoax
and a fake. The fact is that because no one
thing or feature of this universe is separable
from the whole, the only real You,
or Self, is the whole. The rest of this book
will attempt to make this so clear that you will
not only understand the words but feel the fact. The first step is to
understand, as vividly as possible, how the hoax
begins.
We must first look at the form and behavior of the hoax
itself. I have long been interested in trying
to find out how people experience, or sense, their own existence-for what
specific sensations do they use the word "I"?
Few people seem to use the word for their whole physical organism. "I
have a body" is more common than "I
am a body." We speak of "my"
legs as we speak of "my" clothes,
and "I" seems to remain intact
even if the legs are amputated. We say, "I
speak, I walk, I
think, and (even) I breathe." But we
do not say, "I shape my bones, I
grow my nails, and I circulate my blood."
We seem to use "I" for something
in the body but not really of the body, for much of what goes on in the
body seems to happen to. "I" in
the same way as external events. "I"
is used as the center of voluntary behavior and conscious atten tion,
but not consistently. Breathing is only partially voluntary, and we say
"I was sick" or "I
dreamed" or "I fell asleep"
as if the verbs were not passive but active."
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
4 |
EYES |
54 |
18 |
9 |
5 |
SIGHT |
63 |
27 |
9 |
Page 54
" Nevertheless, "I"
usually refers to a center in the body, but different peoples feel it
in different places. For some cultures, it is in the region of the solar
plexus. The Chinese hsin, the heart-mind or soul, is found in the center
of the chest. But most Westerners locate the ego in the head, from which
center the rest of us dangles. :The ego is
somewhere behind the eyes and between the
ears. It is as if there sat beneath the dome of the skull a controlling
officer who wears earphones wired to the ears, and watches a television
screen wired to the eyes. Before him stands
a great panel of dials and switches connected with all other parts of
the body that yield conscious information or respond to the officer's
will. .
This controlling officer "sees" sight, "hears" sounds,
"feels" feelings, and "has" experiences. These are
common but redundant ways of talking, for seeing a sight is just seeing,
hearing a sound is just hearing, feeling a feeling is just feeling, and
having an experience is just experiencing. But that these redundant phrases
are so commonly used shows that most people think of themselves as separate
from their thoughts and experiences. All this can get marvelously complicated
when we begin to wonder whether our officer has another officer inside
his head, and so ad infinitum!
There was a young man who said,
"Though' It seem that
I know that I know,
What I would like
to see
Is the 'I' that knows
'me'
When I know
that I know that I
know."
1 |
I |
9 |
9 |
9 |
4 |
KNOW |
63 |
18 |
9 |
2 |
ME |
18 |
9 |
9 |
Page 107
." The ego -trick seems to reaffinn
itself endlessly in posture after posture.
But as I pursue these games-as I
become more conscious of being conscious, more aware
that I am unable to define myself as being
up without you (or something other than myself)
being down-I see vividly that I
depend on your being down for my being up. I
would never be able to know that I belong
to the in-group of "nice" or "saved" people without
the assistance of I an out-group of "nasty"
or "damned" people. How can any in-group maintain its collective
ego without relishing dinnertable discussions
about the ghastly conduct of outsiders? The very identity of racist Southerners
depends upon contrasting themselves with those dirty black' "nigras."
But, conversely, the out-groups feel that they are really and truly "in,"
and nourish their collective ego with relishingly
indignant conversation about squares, Ofays, Wasps, Philistines, and the
blasted bourgeoisie. Even Saint Thomas Aquinas let it out that part of
the blessedness of the saints in Heaven was
that they could look over the battlements and enjoy the "proper justice"
of the sinners squinning in Hell. All winners
need losers; all saints need sinners; all sages need fools-that is, so
long as the major kick in life is to "amount to something" or
to "be someone" as a particular and separate godlet.
Page 107
"But I define
myself in terms of.you;
I know myself
only in terms of what is "other," no matter whether I
see the "other" as below me or
above me in any ladder of values. If above,
I enjoy the kick of self-pity; if below,
I enjoy the kick of pride. I being
I goes with you
being you. Thus, as a great Hassidic rabbi
put it, "If I am I
because you are you,
and if you are you
because I am I,
then I am not I.
and you are not you."
Instead we are both something in common between
what Martin Buber has called I-and-Thou
and I-and-It-the
magnet itself which / Page 108 / lies between the poles, between I
myself and everything sensed as other."
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
THE
MAGICAL ALPHABET
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9 |
10 |
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19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
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B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
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L |
M |
N |
O |
P |
Q |
R |
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W |
X |
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THE
ENGLISH LANGUAGE
TRANSMUTED INTO NUMBER IS
ONE OF THE MAIN CONDUITS THROUGH WHICH APPEAR CLEARER UNDERSTANDING OF
THOSE REFRACTED PATTERNS APPARENTLY RANDOM DESCRIBING ENERGIES WHICH INTERMINGLED
WITHIN THE GREATER HERE AND NOW OF REALITY
ARE CONSIDERED THE LIVING EXPERIENCE REVELATORY OF THE CREATORS ETERNAL CONSCIOUSNESS DIVINE THOUGHT
I
I = 99 = I
ME=18=1+8=99=1+8=18=ME
CONSCIENCE=99=CONSCIENCE
ISIS=9+19+9+19 becomes 9+1+9+1=ISIS
IRIS=9+18+9+19 becomes 9+9+9+1=IRIS
SIRIUS=9+9+18+9+21+19 becomes 1+9+9+9+3+1=SIRIUS
ISIS=9+19+9+19 which reduces via 9+1+9+1=20 which reduces via 2+0=2=ISIS
OSIRIS=15+19+9+18+9+19 which reduces via
6+1+9+9+9+1=9 which reduces via 8+9 =17=1+7=8=OSIRIS
NUMBERS AND LANGUAGE LANGUAGE AND NUMBERS
ADD TO REDUCE REDUCE TO DEDUCE
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
SIRIUS |
95 |
32 |
5 |
6 |
SOTHIS |
90 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
ISAIAH |
47 |
29 |
2 |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
MIRROR MIRROR
ON THE WALL WHAT ARE YOUR THOUGHTS GAZING OUT ON IT ALL
I
I = 9 9 I
R = 9 9 = R
RA = 1 1 = RA
ISIS = 2 2 = ISIS
IRIS = 1 1 = IRIS
OSIRIS = 8 8 = OSIRIS
SIRIUS = 5 5 = SIRIUS
SOTHIS = 9 9 = SOTHIS
ORIONIS = 9 9 = ORIONIS
I AM THAT I THAT AM I
9 AM THAT 9 THAT AM 9
DIVINE LOVE IS 99 99 IS
LOVE DIVINE
OSIRIS THAT SON SETS THAT
SON SETS THAT SON OSIRIS THAT SON
ARISES THAT SUN SETS THAT
SUN SETS THAT SUN ARISES THAT SUN
ADDED TO ALL MINUS NONE
SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE
O |
S |
|
R |
I |
S |
- |
S |
|
R |
|
U |
S |
- |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
1 |
9 |
- |
9 |
1 |
- |
1 |
9 |
- |
9 |
- |
1 |
- |
9 |
- |
9 |
1 |
- |
9 |
1 |
|
1 |
+ |
= |
85 |
8+5 |
13 |
1+3 |
= |
4 |
15 |
19 |
9 |
- |
9 |
19 |
- |
19 |
9 |
- |
9 |
- |
19 |
- |
9 |
- |
9 |
19 |
- |
9 |
19 |
|
19 |
+ |
= |
220 |
2+2+0 |
4 |
- |
= |
4 |
O |
S |
|
R |
I |
S |
- |
S |
|
R |
I |
U |
S |
- |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
18 |
- |
- |
- |
- |
- |
18 |
- |
21 |
- |
- |
- |
18 |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
75 |
7+5 |
12 |
1+2 |
= |
3 |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
+ |
= |
30 |
3+0 |
3 |
- |
= |
3 |
O |
S |
I |
R |
I |
S |
- |
S |
I |
R |
I |
U |
S |
- |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
15 |
19 |
9 |
18 |
9 |
19 |
- |
19 |
9 |
18 |
9 |
21 |
19 |
- |
9 |
18 |
9 |
19 |
- |
9 |
19 |
9 |
19 |
+ |
= |
295 |
2+9+5 |
16 |
1+6 |
= |
7 |
6 |
1 |
9 |
9 |
9 |
1 |
- |
1 |
9 |
9 |
9 |
3 |
1 |
- |
9 |
9 |
9 |
1 |
- |
9 |
1 |
9 |
1 |
+ |
= |
115 |
1+1+5 |
7 |
- |
= |
7 |
O |
S |
I |
R |
I |
S |
- |
S |
I |
R |
I |
U |
S |
- |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
R |
I |
- |
- |
- |
I |
R |
I |
- |
- |
- |
|
|
|
- |
- |
I |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
9 |
9 |
- |
- |
- |
9 |
9 |
9 |
- |
- |
- |
9 |
9 |
9 |
- |
- |
9 |
- |
9 |
- |
+ |
= |
99 |
9+9 |
18 |
1+8 |
= |
9 |
- |
- |
I |
R |
I |
- |
- |
- |
I |
R |
I |
- |
- |
- |
I |
R |
I |
- |
- |
I |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
S |
I |
R |
I |
S |
- |
S |
I |
R |
I |
U |
S |
- |
I |
R |
I |
S |
- |
I |
S |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
I
R
IRI
IRIRIRIRIRIRIRIRIR
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
9189189189189189189189189189189189189189189189
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
999999999999999999999999999999999999999666666666999999999666666666999999999999999999999
COME TO ME ALL YE WHO ARE HEAVILY LADEN
AND I WILL SHOW THEE NUMBER AND LANGUAGE
9
9 x 9
9 x 9 x
9
9 x 9
x 9 x 9
9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9 x 9
9 x 9
x 9 x 9 x
9 x 9 x 9
x 9 x 9
9 x 9
x 9 x 9 x
9 x 9 x 9
x 9 x 9 x
9
9 + 9
+ 9 + 9 +
9 + 9 =
54 54 = 9 + 9
+ 9 + 9 +
9 + 9
9 + 9
+ 9 + 9 +
9 + 9 + 9
+ 9 + 9
= 81 81 = 9 + 9
+ 9 + 9 +
9 + 9 + 9
+ 9 + 9
9 + 9
+ 9 + 9 +
9 + 9 +
9 + 9 + 9
+ 9 + 9
= 99 99 = 9 +
9 + 9 + 9
+ 9 + 9 +
9 + 9 + 9
+ 9 + 9
FOR
THEIR
KING AND LORD
OSIRIS
THEY PORTRAY BY MEANS OF AN
EYE
AND
A
SCEPTRE
THERE ARE EVEN SOME WHO EXPLAIN THE MEANING
OF THE NAME AS
MANY EYED
ON THE THEORY THAT OS IN THE EGYPTIAN LANGUAGE
MEANS MANY
AND IRI EYE AND
THE HEAVENS SINCE THEY ARE AGELESS BECAUSE OF THEIR ETERNITY
MORALIA
VOLUME
V
PLUTARCH
English translation by Frank Babbitt Page 27
I
ME
OUR
EYESEYESEYES
9 I 9 I 9 I 9 I 9 I 9 I 9 I 9 I 9
I I I I I I I I I 9 9 9
9 9 9 9 9 9 I I I I I I I I I
MANYEYEDEYEDMANYMANYEYEDEYEDMANYMANYEYEDEYEDMANYMANYEYEDEYEDMANY
MANYEYESMANYEYESMANYEYESMANYEYESMANYEYESMANYEYESMANYEYESMANYEYESMANY
9
NINE
I = 9 9 = I
NUMBERS AND LANGUAGE
THE
MAGICALALPHABET
GODS
SPARKLING
POINT
WITH
THAT MIRAGE THOU ART PLEASED TO CALL THYSELF THAT
ME THAT ME
I
AM
THE LIGHT RAINBOW OF THE RAINBOW LIGHT
THOU ART THAT THAT ISISIS
THAT THAT ART THOU
DIVINE LIGHT LOVING THOUGHT LOVING LIGHT DIVINE
azazazazazazazAZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAazazazazazazaz
MYTHSMATHSMYTHSMATHSMYTHSMATHSMYTHSMATHSMYTHSMATHSMYTHSMATHSMYTHS
THE ORIGINS OF THE ARYANS
THE CONTEMPORARY SCIENCE
SERIES
Isaac Taylor 1889
Page 300
"No importance was attached to the objection that the harits, the
nine horses of Indra"
NINE
HORSES
OF
INDRA
Page 255
"Schmidt catologues ninety-nine words which occur only in Greek and Indo-Iranian,"
5 |
EARTH |
52 |
25 |
7 |
5 |
HEART |
52 |
25 |
7 |
5 |
THERA |
52 |
25 |
7 |
5 |
TERAH |
52 |
25 |
7 |
EARTH HEART TERAH THERA THERA TERAH HEART EARTH
LIVEEVIL EVILLIVE LIVEEVIL EVILLIVE LIVEEVIL EVILLIVE
LIVEDDEVIL DEVILLIVED LIVEDDEVIL DEVILLIVED LIVEDDEVIL DEVILLIVED
4 |
LIVE |
48 |
21 |
3 |
4 |
EVIL |
48 |
21 |
3 |
- |
- |
- |
- |
- |
5 |
DEVIL |
52 |
25 |
7 |
5 |
LIVED |
52 |
25 |
7 |
5 |
SPINE |
63 |
27 |
9 |
5 |
PINES |
63 |
27 |
9 |
5 |
PENIS |
63 |
27 |
9 |
- |
- |
- |
- |
- |
4 |
EROS |
57 |
21 |
7 |
4 |
SORE |
57 |
21 |
7 |
4 |
ROSE |
57 |
21 |
7 |
| 3 |
GOD |
26 |
17 |
8 |
| 5 |
SATAN |
55 |
10 |
1 |
| 8 |
GOD+SATAN |
81 |
27 |
9 |
| - |
- |
8+1 |
2+7 |
NINE |
| 8 |
GOD+SATAN |
9 |
9 |
9 |
I
9
THE
DIVINE
NINE
NINE DIVINE NINE
THE
DIVINE FEMININE
NAMES OF GOD GOD OF NAMES
THE NINETY NINE NAMES OF GOD
IN THE NAME OF GOD THE COMPASSIONATE THE MERCIFUL
GODS99GODSGODS99GODSGODS99GODSGODS99GODSGODS99GODS
JUPITER
WHEN STOOD IN LINE WEIGHS IN AT
NUMBER
99
JUPITER
J =10 1+0 = 1
U = 21 2+1 = 3
P =16 1+6 = 7
I = 9 9 = I
T = 20 2+0 = 2
E = 5 5 = E
R=18 1+8 = 9
JUPITER = 99 99 = JUPITER
JUPITER = 36 36 = JUPITER
JUPITER = 9 9 = JUPITER
|
JUPITER |
|
|
|
1 |
J |
10 |
1 |
1 |
1 |
U |
21 |
3 |
3 |
1 |
P |
16 |
7 |
7 |
1 |
I |
9 |
9 |
9 |
1 |
T |
20 |
2 |
2 |
1 |
E |
5 |
5 |
5 |
1 |
R |
18 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
36 |
- |
Add |
9+9 |
3+6 |
3+6 |
7 |
JUPITER |
18 |
9 |
9 |
- |
Reduce |
1+8 |
- |
- |
7 |
-JUPITER |
9 |
9 |
9 |
|
JUPITER |
|
|
|
3 |
JUP |
47 |
11 |
2 |
1 |
I |
9 |
9 |
9 |
2 |
TE |
25 |
7 |
7 |
1 |
R |
18 |
36 |
9 |
7 |
JUPITER |
99 |
36 |
36 |
- |
Add |
9+9 |
3+6 |
3+6 |
7 |
JUPITER |
18 |
9 |
9 |
- |
Reduce |
1+8 |
- |
- |
7 |
-JUPITER |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
10 |
21 |
16 |
9 |
20 |
5 |
18 |
|
|
|
9+9 |
|
|
1+8 |
|
- |
1 |
3 |
7 |
9 |
2 |
5 |
9 |
|
|
|
3+6 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
|
- |
- |
9 |
- |
|
|
|
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
|
- |
- |
9 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
3 |
7 |
- |
2 |
5 |
9 |
|
|
27 |
2+7 |
= |
9 |
- |
|
|
|
- |
10 |
21 |
16 |
|
20 |
5 |
18 |
|
|
90 |
9+0 |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
10 |
21 |
16 |
9 |
20 |
5 |
18 |
|
|
|
9+9 |
|
|
1+8 |
|
- |
|
- |
1 |
3 |
7 |
9 |
2 |
5 |
9 |
|
|
|
3+6 |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1 |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
1 |
- |
|
|
- |
- |
- |
- |
2 |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
- |
|
|
- |
3 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
1 |
= |
|
- |
|
|
- |
- |
- |
- |
- |
5 |
- |
|
|
|
occurs |
x |
|
|
|
|
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
7 |
occurs |
x |
|
- |
7 |
- |
7 |
|
- |
- |
- |
9 |
- |
- |
9 |
|
|
9 |
occurs |
x |
|
= |
18 |
1+8 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
- |
- |
- |
- |
9 |
- |
- |
9 |
- |
- |
2+7 |
- |
- |
- |
- |
3+6 |
- |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
JUPITER EQUALS 99 AND 99 EQUALS JUPITER
JUPITER
WHEN STOOD IN LINE WEIGHS IN
AT
NUMBER
NINETYNINE
3 |
SUN |
54 |
9 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
- |
163 |
55 |
19 |
1+2 |
- |
1+6+3 |
5+5 |
1+9 |
3 |
- |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
3 |
- |
1 |
1 |
1 |
SUN = 54 ADD TO REDUCE 18 REDUCE TO DEDUCE 9 = SUN
THE ROOT NUMBER OF THE 3 LETTERED WORD
SUN = 9 9 = SUN
MOON = 57 ADD TO REDUCE 21 REDUCE TO DEDUCE 3 = MOON
THE ROOT NUMBER OF THE 4 LETTERED WORD
MOON = 3 3 = MOON
EARTH = 52 ADD TO REDUCE 25 REDUCE TO DEDUCE 7 = EARTH
THE ROOT NUMBER OF THE 5LETTERED WORD
EARTH = 7 7 = EARTH
3
4
5
3 x 4 x 5 = 60
3 + 4 + 5 = 12 1+2 = 3
9 + 7 + 3 = = 19 1+9 = 10 1+0 = 1
9 x 7 x 3 = 189 1+8+9 = 18 1+8 = 9
SUN = 9 9 = SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
SUN = 9 9 = SUN EARTH = 7 7 EARTH MOON 3 3 MOON
3 |
SUN |
54 |
9 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
- |
163 |
55 |
19 |
1+2 |
- |
1+6+3 |
5+5 |
1+9 |
3 |
- |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
3 |
- |
1 |
1 |
1 |
PYTHAGORAS
3 x 4 x 5
A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
THE
MAGICALALPHABET
ADD
TO
REDUCE REDUCE
TO
DEDUCE
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
MAGICAL ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
| A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
| |
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
THE
MAGICAL ALPHABET
THE
KEY
DEMONSTRATING MAGNETICALLY
DRAWN LINKS
BETWIXT AND BETWEEN
NUMBERS AND LANGUAGE
THE
REVELATION
OF
LIVING INTELLIGENT SUPREMELY
CREATIVE ENERGIES
MANIFEST WITHIN THE SEEMINGLY
INVISIBLE
REALITY
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
| |
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
| 1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
| |
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
| 1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
| |
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
| |
1+8 |
|
1+8 |
|
1+8 |
|
1+8 |
|
| |
9 |
|
9 |
|
9 |
|
9 |
|
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
I
M+E 9 9 M+E
REAL 9 9 REAL
REALITY 9 9 REALITY
REAL = 36
and 18 finally 1
+ 8 = 9 = REAL
REALITY = 90 and
36 finally 3 +
6 = 9 = REALITY
OUR =
54 and 18 finally 1
+ 8 =
9 = OUR
LOVE =
54 and 18 finally 1
+ 8 = 9 =OUR
LOVE DIVINE THOUGHT THOUGHT DIVINE LOVE
NAMES OF GOD GOD OF NAMESNAMES OF GOD GOD OF NAME
PLATO 1 1 PLATO
number and word word and number
FIFTYFOUR =
126 (first change) 54 (second change)
finally 5 + 4 =
9
DIVINE LOVE
= 9 9 = LOVE DIVINE
DIVINE = 63 (first change) 36
(second change) (third change) 3 + 6 = 9 = DIVINE
THOUGHT
= 99 (first change) 36
(second change) (third change) 3 + 6 is 9
DIVINE THOUGHT ISISIS ISISIS THOUGHT
DIVINE
Think numerical sequencing as used in the binary systems
of computer communication
Note the curious juxtaposition of certain transposed
words
LIVE EVIL LIVED DEVIL DEVIL LIVED EVIL LIVE
EARTH
HEART THERA THERA EARTH
ABRAHAMS
FATHER
TERAH
LOVE EVOLVE EVOLVE LOVELOVE EVOLVE EVOLVE LOVE
A
SERPENT I PRESENT
SPINE 9 9 PENIS
NILE 4 4 LINE
TRIANGLE 5 5 ALTERING
3 |
MAM |
27 |
9 |
9 |
3 |
DAD |
9 |
9 |
9 |
3 |
ADD |
9 |
9 |
9 |
HAFNIUM
ATOMIC NUMBER
72
Transcribed into number via the position each letter occupies within the context of the English Alphabet.
A=1 to Z =26
HAFNIUM
(Atomic number 72) transposes initially to 72 (coincidence?)
H = 8
A = 1
F = 6
N =14 1+4 = 5
I = 9
U = 21 2+1 = 3
M =13 1+3 = 4
First Total 72
Second Total
8 + 1 + 6 + 5 + 9 + 3 + 4 = 36
Finally 3 + 6 are added together unlocking the numerical root essence of the word
HAFNIUM
HAFNIUM = 9 9 = HAFNIUM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
|
6 |
14 |
9 |
21 |
13 |
|
|
|
7+2 |
|
|
- |
8 |
1 |
6 |
5 |
9 |
3 |
4 |
|
|
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IOTA = 9 9 = IOTA
IOTA
THE NINTH LETTER OF THE GREEK ALPHABET
ADD TO REDUCE REDUCE TO DEDUCE
- |
IOTA |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
3 |
OTA |
36 |
9 |
9 |
4 |
IOTA |
45 |
18 |
18 |
- |
- |
4+5 |
1+8 |
1+8 |
4 |
IOTA |
83 |
38 |
2 |
Another way of looking at language and number
is the arithmetical arrangements and formulae
secretly resident within
THE
SEVEN
capital letters
of
THE
ENGLISH ALPHABET
which when inverted remain the
same these are
H I N O S X Z
the upside down of the downside up
Z X S O N IH
H = 8
I = 9
N = 14 and 1+4 = 5
O = 15 and 1+5 = 6
S = 19 and 1+9 = 10 and 1+0 = 1
X = 24 and 2+4 =
6
Z = 26 and 2+6 =
8
First total 8 + 9 +14 +
15 + 19 + 24 + 26 = 115 and 1 + 1 + 5 =
a root value of 7
Second Total 8 + 9 + 5 +
6 + 1 +6 + 8 = 43 finally 4 + 3 = 7
THE
MAGIC
7
S P
H I N X Z I O N
1 and 8
and 8 and 1
the downside up of the upside down
These letters and numbers inverted remain visually
the same. Examples affecting the whole word are,
ONION, SIN, ZION, NIXON
THE
WORDS
GOD PHOENIX
SPHINX MAGICIAN
MIN HORUS
OSIRIS
contain revolving symbols hereuponin distinct patterns begin to appear
THERE ARE NINE PLANETS
AND
SEVEN OPENINGS IN THE HUMAN HEAD AND TWO IN THE BODY NINE IN ALL
CHILDREN OF THE RAINBOW LIGHT
UNIVERSAL CITIZENS CITIZENS UNIVERSAL
CITIZENS
OF
THE
CITY OF NINE GATES
A
CHARGED
VISION
(Ignoring design appendages)
There are SEVEN capital letters and TWO numbers which remain the same when inverted NINE in total
LANGUAGE AND NUMBER NUMBER
AND LANGUAGE
REALITIES
THIRD
ALPHABET
I PI WITH MY LITTLE I
IF THINE I OFFEND THEE
I SAID THE FLY WITH MY LITTLE
I
I
SAW HIM DIE
TWO EYES YOU ARE, TWO EYES
YOU BE
I
SEE YOU ARE TWO WISE FOR
ME
I WILL KEEP AN I
OPEN FOR YOU
EYES = 54 5+4 = 9 = EYES
FIFTYFOUR
BLESSED
PLATOS
NUMBER
9 |
FIFTYFOUR |
- |
- |
- |
- |
F |
6 |
6 |
6 |
- |
I |
9 |
9 |
9 |
- |
F |
6 |
6 |
6 |
- |
TY |
45 |
9 |
9 |
- |
F |
6 |
6 |
6 |
- |
OU |
36 |
9 |
9 |
- |
R |
18 |
9 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
- |
- |
1+2+6 |
5+4 |
- |
9 |
FIFTYFOUR |
9 |
9 |
9 |
The word PHYSICS = 99
then 9+9 =18 and 1
+ 8 = 9
The names of the holy family when expressed in
the order
JOSEPH - root numerical
value 1. . .6
letters in the word JOSEPH . . . 1
+ 6 = 7
JESUS - root numerical
value 2 . . . 5
letters in the word JESUS . . . 2
+ 5 = 7
MARY - root numerical
value 3 . . . 4
letters in the word MARY . . . 3
+ 4 = 7
1 + 2 + 3 + 4 + 5 + 6 =
21. . . 2 +1 = 3
How many times shall
I
forgive
?
LOVE ANOTHER AZ THYSELF THYSELF AZ ANOTHER LOVE
THE
MAGIKALAPHABET
NUMERICAL CONSEQUENCE
OF
CHRIST
77 CHRIST
C = 3
H = 8
R = 18 and 1 + 8 = 9
I = 9
S = 19 and 1 + 9 = 10 1 + 0 = 1
T = 20 and 2 + 0 = 2
First Total 3
+ 8 + 18 + 9 + 19 + 20 = 77
Second Total 3
+ 8 + 9 +9 + 1 + 2 = 32
finally 3
+ 2 = 5
The numerical transposition of the words
JESUS CHRIST
First Total = 151
Second Total 43
Finally 4 + 3 = 7
HOW OFT SHALL I FORGIVE
ANOTHER TILL SEVEN TIMES
???????
I
SAY NOT UNTO THEE UNTIL
SEVEN TIMES BUT UNTIL SEVENTY
TIMES SEVEN
70 x7 = 490 490 = 7 x 70
EGYPT 1 1 EGYPT
E + T 7 7 E + T
G = 7 7 = G
Y = 7 7 = Y
P = 7 7 = P
T + E 7 7 T + P
HEXAGRAM 77 77 HEXAGRAM
THE
SO EVEN SEVEN THE SEMEN
OF THE WORD SEVEN
SEVEN
Reduces initially to 65
then 20 and finally to its distilled
root numberof (two) 2
THE NEW ELIZABETHAN REFERENCE
DICTIONARY
NEWNES
Page 683
hebdomad
(heb-do-mad) [L. and Gr. hebdomas -ados (hegdomos, seventh,
from hepta, seven)], n. A week,
a period of seven days(alluding to Daniel's
prophesy, Dan. ix. 27); a group of seven things;
(Gnostic Phil.) a group of seven spirits
dwelling in the seven planets, also the demi-urge.
heb-domal (heb dom a dal). a Consisting of seven
days; meeting or occurring weekly."
8 |
HEBDOMAD |
52 |
34 |
7 |
|
|
|
|
|
|
HEBDOMAD |
|
|
|
|
HEBDO |
34 |
25 |
7 |
|
MAD |
18 |
9 |
9 |
8 |
HEBDOMAD |
52 |
34 |
16 |
|
|
5+2 |
3+4 |
1+6 |
8 |
HEBDOMAD |
7 |
7 |
7 |
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
5 |
HEART |
52 |
25 |
7 |
5 |
THERA |
52 |
25 |
7 |
5 |
TERAH |
52 |
25 |
7 |
DIAGNOSIS OF MAN
Kenneth Walker 1943
Chapter xvii
' IF THERE HAD BEEN A CANDLE
Page 238 Chapter xvii
"THIS survey of man from the points of view of biology, psychology,
Western and Eastern philosophy, and of religion, incomplete though it
be, enables us to arrive at certain conclusions. From the point of view
of science we see man as an elaborate piece of mechanism, his actions
determined by his endocrine glands, his central nervous system, his hereditary
endowm.ents and his environment! From philosophy
we learn that his capacity for knowledge is strictly limited, so that
by means of the sense organs alone he can never know reality. This is
confirmed by Eastern philosophy, but a. new idea is added. Man, as he
is, can see no more and do no more, but by right effort and right method,
he can gain new powers, understand more and achieve more. Finally we have
the confirmation of this idea by religion. Whatever may be the difference
in their creed, whatever may be the variations in their philosophy, all
religions without exception contain this idea of the possibility of change,
so that a man may become other than he is. From the point of view of all
religions man is a being in whom are lying latent higher powers.
This division of man into lower and higher components is differently expressed
in the various psychological, philosophical
and religions systems that we have studied.
Kant's division is between homo sensibilis
and homo noumenalis, between' the
man whose knowledge is limited by his sense perceptions and the
transcendental man who can by direct apprehension know reality.
For Bergson the dividing line is drawn between the intellect
and what he calls 'intuition'. Intellect is the
faculty that allows us to make artificial cuts across the living flow
of reality, so as to view separate states of consciousness, which
persist only until they are succeeded by other states. Only by intuitions
which to Bergson are part of the elan vital can the flow of becoming that
constitutes life be grasped. And in holding this view of the intel-
/ Page 239 / lect we feel that Bergson is at one with Shankara,
who looked upon the mind as an instrument of limited utility, an instrument
that is mainly of service in the practical field of action. It
is the bull's-eye lantern that allows us to concentrate illumination on
one particular spot at one particular moment of time, so that we may be
enabled to react most appropriately. The intellect, therefore, belongs
to that lower self of the senses which forms part of the material universe.
It is to purusha, intuition, the transcendental self, that is to say to
the spiritual side of his nature that a man must turn if he would see
more and become. more. This higher Self, according to Shankara, is 'undifferenced
consciousness' that can never be the result of, but is itself the cause.
of, the lower sel£
This consciousness is not the finite consciousness, but is a fragment
of the fundamental consciousness, the reality behind all creation. Only
when man ceases to identify himself with the life of the senses and the
intellect, and recognizes that he is part of the underlying divine basis
of the cosmos, can he gain new knowledge and new powers.
"In no Western philosophy is the difference
between man as he is and man as he might become more strongly proclaimed
than in that of Nietzsche. This is the theme
that underlies the whole of that misunderstood work. Thus
Spake Zarathustra, the idea of the Superman.
I teach you the Superman. Man: is a thing
to be surmounted.
What have you done to surmount him? ,
All beings hitherto have created something above themselves:
will ye be the ebb of this great tide and rather revert to the beast
than surmount man?
What is the ape to man? A jest or a thing of shame. So shall
man be to Superman - a jest or a thing of shame.
Ye have trod the way from worm to man, and much in you is
yet worm. Once were ye apes, and even yet man is more ape than
any ape.
But he that is wisest amongst you is but a discord, a hybrid of .
plant and ghost. But do I bid you become either ghosts or plants?
Behold I teach you the Superman!
The Superman is the meaning of the earth. Let your will say:
the Superman shall be the meaning of the earth."
THUS
SPAKE
ZARATHUSTRA
11 |
ZARATHUSTRA |
153 |
45 |
9 |
|
|
|
|
|
11 |
ZARATHUSTRA |
|
|
|
|
ZA |
27 |
9 |
9 |
|
R |
18 |
9 |
9 |
|
ATHUSTRA |
108 |
27 |
9 |
11 |
ZARATHUSTRA |
153 |
45 |
9 |
QUETZALCOATL 153 153 QUETZALCOATL
PHARAOH PYRAMID 153 153
PYRAMID PHARAOH
ALBERT EINSTEIN 153 153 ALBERT EINSTEIN
AUM MANI PADME HUM 153 153
HUM PADME MANI AUM
IN SEARCH OF ANCIENT MYSTERIES
A. & S. Landsburg 1974
Page 113
SECRETS IN STONE
"For its outward size and elegant dimensions the ancients eonsidered the Great Pyramid the greatest (as well as the oldest) of the seven wonders of the world. But the unknown interior, with its corridors, passageways, air shafts, Grand Gallery, and King's Chamber, was no less an architectural marvel.
When I explored it as thousands of tourists. do, I followed a guide down the sixty-two-foot Descending Corridor, then on all fours into the cavernous mausolemn, and up a hundred crouching steps to the very heart of the pyramid. There was the Great Hall-153 feet long, with a ceiling 28 feet high. I moved on into an antechamber and nnally into the pharaoh's funerary chamber itself, 137 feet above ground level. It was walled with granite."
There was the Great Hall-153 feet long,
153 feet x 12 inches = 1836 inches
CAST NOW IS THE DIE THE DIE IS NOW CAST
CAST IS THE NET THE NET IS CAST
ISHI HOW MANY FISH HOW MANY FISH ISHI
DIAGNOSIS OF MAN
Kenneth Walker 1943
Page
153
HIGHER STATES OF CONSCIOUSNESS
"The gate was opened
to me so that in one quarter of an hour I saw and knew more than if I
had been many years at a university. (Jacob Boehme)
This experience of the mystic
is always of this nature; he is overwhelmed by the importance and cognitive
value of what he is seeing, and this conviction of value remains even
after the state of higher consciousness has passed"
1836
DIVIDED
BY
12
ISISIS
153
IN SEARCH OF ZARATHUSTRA
Paul Kriwaczek 1988
THE FIRST PROPHET
Page 212
" A few years ago, after a great wind storm,
Yazdis were amazed to see the top of a dome
peek out of the desert sands that surround the town. Much digging exposed
an entire buried Zoroastrian village, perfectly
preserved, complete with a fire temple of its own. The buildings were
not so very old: the village had probably vanished under the sands some
time in the nineteenth century, but the place was still an eerie anachronism,
a piece of history frozen in time -like Pompeii
but without the calcined corpses. As we were clambering over the adobe
walls, peering into the long deserted rooms, a local family party arrived:
two men, three women and two teenage girls. The women were dressed up
to the nines under their roupushes,
the long, fawn, figure-hiding raincoats worn by higher-class Iranian
women who
disdain the low-class chador. The young girls had their flowered headscarves
pushed back on their heads as far as they dared, well beyond the officially
sanctioned two centimetres of hair. This was a festive outing.
One of the men was father to the girls, and seemed to be speaking with
insider knowledge as he lectured his wife and daughters about Zoroastrianism
in a wild exaggeration of the theatrical style Iranians
use when reciting verse - drawling out the long vowels as if eating them,
peppering each sentence with SUDDEN LOUD PHRASES or unexpectedly . ..
slowing... right... down. I decided that this must be a schoolteacher
by trade - only they and television weather forecasters can get away with
speaking in so mannered a fashion. We offered each other sweets and chocolates
and I asked him to explain the Zoroastrian symbolism
of the haft sin, the seven's',
table.
There is none, he told me. The haft sin
table is an ironic comment rather than a religious symbol.
|
HAFT SIN |
|
|
|
4 |
HAFT |
35 |
17 |
8 |
3 |
SIN |
42 |
15 |
6 |
7 |
HAFT SIN |
77 |
32 |
14 |
|
|
7+7 |
3+2 |
1+4 |
7 |
HAFT SIN |
14 |
5 |
5 |
|
|
1+4 |
|
|
7 |
HAFT SIN |
5 |
5 |
5 |
7 |
HAFT SIN |
77 |
32 |
5 |
5 |
TABLE |
40 |
13 |
4 |
12 |
- |
117 |
45 |
9 |
1+2 |
|
1+1+7 |
4+5 |
- |
3 |
- |
9 |
9 |
9 |
|
|
|
|
|
8 |
HAFTSHIN |
85 |
40 |
4 |
Page 213
"'Before Islam, Noruz
was celebrated with a haft shin not sin
table. We put on seven things beginning with
"sh". We put sharab
(wine) for celebration, shir(milk)
for nourishment, sharbat(sherbet)
for enjoyment, shamshir (a sword)
for security, shemshad (a box) for
wealth, sham (a candle) for illumination,
and shahdaneh (hemp seeds) for enlightenment.
So that these things would be ours during the coming year:
Hemp seeds for enlightenment? My thoughts
immediately went back to Herodotus's description
of Scythian funerals, when the nomads threw hemp seeds on a fire and inhaled
the smoke from under a blanket.
'You have studied linguistics, perhaps?' the schoolman asked me. He looked
disappointed when I shook my head. 'Well, if you did, you would know that
"sh" and "s"
are nearly the same but also very different: "sh"
is a soft, generous, warm sound and "s"
is hard, bitter and cold. Try. Hear the difference.'
And we all stood there for a moment in the abandoned village, hissing
and shhh-ing like parked steam trains.
'You hear it?' .
We all agreed that we did.
'So when Iran accepted Islam,
the people wanted to keep their customs.
And it was allowed, because the table did not break any of the laws of
Islam. And also because the Qur'an was added.
But the seven "sh" of the
haft shin table became now the seven
"s", so that every year Zoroastrians would be reminded of how
bitter, hard and cold was the loss. But the Muslims,
who have not studied linguistics, would not know this.'
'But what do the seven "s" objects
actually symbolise?' I wanted to know.
'Nothing. Didn't you listen to what I said?' (Now I was convinced he was
a schoolteacher.) 'Just seven things beginning
with "s".'
He lost interest in us, jumped on to a fallen wall, took up a heroic pose:
and went back to lecturing his family about the abandoned fire temple:
The women looked up at him adoringly while the girls giggled.
Was this all that remained of Zarathustra's
teaching in the country which had followed in his footsteps for a millennium
and a half, I wondered. Just seven meaningless
items beginning with's'? The haft sin or
even shin table seemed to have little to
do with God or the fight between good
and evil. Come to think of it, even the visitors
to the Yazd fire temple had reminded me more
of big-city tourists visiting a native American reservation than pilgrims
seeking contact with their ancestral faith.
'Religion is a living thing - it grows,'
the schoolteacher had said in one of his perorations. 'You cannot expect
it to stay the same way for thou / Page 214 / sands of years.' It is true
that, like revolutionaries, religious visionaries are singularly bad at
seeing the ultimate outcome of their labours; the founders of every revealed
religion would surely be surprised at what had become of their teachings
in later centuries. Moses - if the person
to whom the first five books of the Old
Testament are ascribed ever really existed - would certainly be
perplexed by Jewish synagogue services, with
their ceremonies elaborated in circumstances unimaginable to him, more
than a millennium after his lifetime. Nor can I begin to guess what Jesus
would make of the Catholic cult of the Virgin
and the saints, or even the Mass - though
Christian theology and worship were formulated
within a few hundred. years of the Crucifixion.
Even Islam has developed in unforeseen directions, though the founding
Prophet lived in relatively recent historic times. The first definitive
gulf between Sunni and Shi 'ah visions of Muhammad's
message - which have no place in the Qur'an
opened up soon after his death and has continued to widen ever
since.
The clear simplicity of Zarathustra's message, his
opposition to formalism and his injunction to worship
only the one God, seek happiness in this life, and choose good over evil,
were soon enveloped in the accretions of
history, like a precious jewel dropped in the sea and lost to sight under
a thick coating of barnacles and weed. Though it all happened so long
ago that nobody can be certain of what occurred or when, most scholars
now believe that after the prophet died, his old enemies, the traditional
karapan tribal priests, succeeded in smuggling back into newly minted
Zoroastrianism many of the practices that
the Prophet himself had opposed. The many
lesser gods and good and evil spirits that he tried to persuade his followers
were mere reflections of human attributes and physical forces, to be seen
as angels at most, regained much of their divine dominion. The ancient
and traditional Aryan fire cult, nowhere promoted in Zarathustra's hymns,
now once again took centre-stage in the rituals of the Zoroastrian
religion. Though the cult of the Haoma plant had been censured
by Zarathustra, it features in Zoroastrian
prayers to this day."
Page 159
"Even today's Jews
- who of course allow no images, let alone statues, of God
- none the less regard there new year, Rosh Hashanah,
as marking God's annual symbolic
coronation"
4 |
ROSH |
|
|
|
8 |
HASHANAH |
|
|
|
| |
|
|
|
|
| |
R |
18 |
9 |
9 |
| |
O |
15 |
6 |
6 |
| |
S+H |
27 |
9 |
9 |
| |
H+A |
9 |
9 |
9 |
| |
S+H |
27 |
9 |
9 |
| |
A+N |
15 |
6 |
6 |
| |
A+H |
9 |
9 |
9 |
| |
|
|
|
|
12 |
|
120 |
57 |
57 |
1+2 |
|
1+2+0 |
5+7 |
5+7 |
3 |
|
3 |
12 |
12 |
| |
|
|
1+2 |
1+2 |
3 |
ROSH HASHANAH |
3 |
3 |
3 |
13 |
JEWISH NEW YEAR |
165 |
66 |
3 |
12 |
ROSH
HASHANAH |
|
|
|
| |
ROSH |
60 |
24 |
6 |
| |
HASH |
36 |
18 |
9 |
| |
A+N |
15 |
6 |
6 |
| |
A+H |
9 |
9 |
9 |
12 |
ROSH HASHANAH |
120 |
57 |
30 |
1+2 |
|
1+2+0 |
5+7 |
3+0 |
3 |
|
3 |
12 |
3 |
| |
|
|
1+2 |
|
3 |
ROSH HASHANAH |
3 |
3 |
3 |
HOW GREAT THOU ART MY GOD
HOW GREAT THOU ART
IN SEARCH OF ZARATHUSTRA
Paul Kriwaczek 1988
THE FIRST PROPHET
Page 183
"Ahura Mazda
bestowed the kingdom upon me; Ahura Mazda
bore me aid until I took possession of the
kingdom.' by the favour of Ahura Mazda I
hold the kingdom.'"
"Under the winged symbol of Ahura
Mazda, the sole true God, Darius strtches
out is arm, one foot placed on a fallen enemy; two nobles - his spear
carrier and his bow carrier - stand behind him, while before him stand
nine defeated rebels, roped together by the neck, ..."
"while before him stand
nine defeated rebels,"
Page 189
"Darius the
king says: This is what I did in favour of
Ahuramazda in the year after I
became king. I fought nineteen
battles. By favour of Ahuramazda I
smote them and took nine kings prisoner."
"and took nine kings
prisoner."
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 45
"From ancient times number nine
was seen as a full complement; it was the cup of special promise that
brimmed over"
FROM ANCIENT TIMES
NUMBER
NINE
WAS SEEN AS A FULL COMPLEMENT
COLLING ENGLISH GEM DICTIONARY
Rev. James L Dow 1964
Page 195
Giant. A race of demi-gods, the Nephilim, comparable to the Titans of classical mythology (Gen. 6, 4). Other race names are given to peoples of remarkable stature who were aboriginal in Palestine before the conquest: Raphaim (Deut. 2, 11); Emim (Deut. 2, 10); Zamzummin (Deut. 2, 20); Zuzim (Gen. 14, 5); Anakim (Josh. 15, 13); Og of Bashan's bed (or, better, sarcophagus) was 13 ft. 6 in. long by 6 ft. broad. Goliath of Gath was 9 ft. 9 in. tall.
GOLIATH = 9 GATH = 9 9 =
GATH 9 = GOLIATH
GOLIATH of GATH
9 foot 9 inches tall
7 |
GOLIATH |
72 |
36 |
9 |
4 |
GATH |
36 |
18 |
9 |
11 |
Add |
108 |
54 |
18 |
| 1+1 |
Reduce |
1+0+8 |
5+4 |
1+8 |
2 |
Deduce |
9 |
9 |
9 |
9 feet x12 inches = 108 inches + 9 inches = 117 inches 1+1+7 = 9
MIN DOTH DREAM WHAT DOTH MIN
MEAN
TWO EYES YOU ARE TWO EYES
YOU BE
I
SEE YOU ARE TOO WISE FOR ME
THE
HEAD AND BODY
OF
9
i i i i i i i
i i
STARSEEKERS THE AGE OF ABSTRACTION
Colin Wilson1980
Chapter Three
Page 63 6+3 = 9
"There is a simple trick involving numbers that can be guaranteed
to produce astonishment at any party. You ask someone to write down his
telephone number, then to write it a second time with the figures jumbled
up. Next, tell him to subtract the smaller from the larger number, and
keep on adding up the figures in the answer until he has reduced it to
one figure. (5019 becomes
10, which in turn becomes 1 plus 0 - that is, 1.) When he has finished,
you may tell him authoritatively: 'The answer
is nine.'
You can afford to be dogmatic; for the answer is
always nine. It works with any set of figures, no matter how small
or how large. Jumble up the figures, subtract one from the other, and the answer always reduces to 9.
I have no idea why this is so, and have never
come across a mathematician who could explain it. It is just one of those
peculiar properties of numbers."
"You ask someone to write down his telephone number, then to write
it a second time with the figures jumbled up. Next, tell him to subtract
the smaller from the larger number, and keep on adding up the figures
in the answer until he has reduced it to one figure. (5019 becomes 10,
which in turn becomes 1 plus 0 - that is, 1.) When he has finished, you
may tell him authoritatively: 'The answer is nine.'
You can afford to be dogmatic; for the answer is
always nine. It works with any set of figures, no matter how small
or how large. Jumble up the figures, subtract one from the other, and the answer always reduces to 9."
AND THE ANSWER ALWAYS REDUCES
TO NINE
WHY WHY WHY Y Y Y WHY WHY WHY Y Y Y WHY WHY WHY
Y Y Y
Y RAM MARY MARY Y RAM
9
OPENINGS IN THE BODY
?
NINE PLANETS
?
THE ORIGINAL EGYPTIAN GODS
NUMBERED NINE
?
THE MOTHER AWAITS NINE MONTHS
THE BIRTH
?
JUPITER WHEN STOOD IN LINE WEIGHS IN AT NUMBER
9
?
THE WORD JUPITER TRANSCRIBED
WITHIN THE MAGIKALALPHABET NUMBERS
99
?
THAT
9 + 9 = 18 1 + 8 = 9
HAFNIUM
THE
SEVENTY SECOND
ELEMENT HAS THE CUMULATIVE NUMBER
72
7 + 2 = 9
?
NINE
ABRAHAM
WAS CIRCUMCISED IN HIS
NINETY NINTH
YEAR
?
ABRAHAM A BRAHMAN
IS
?
TIME AND STARS
Arthur C. Clarke1972
Page15 (number omitted)
THE NINE BILLION NAMES OF GOD
" ' This is a slightly unusual request,' said Dr Wagner, with what
he hoped was commendable restraint. 'As far as I
know, it's the first time anyone's been asked to supply a Tibetan monastery
with an Automatic Sequence Computer. I don't
wish to be inquisitive, but I should hardly
have thought that your - ah - establishment
had much use for such a ma-chine. Could you explain just what you intend
to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting
away the slide rule he had been using for currency conversions. 'Your
Mark V Computer can carry out any routine mathematical operation involving
up to ten digits. However, for our work we are interested in letters,
not numbers. As we wish you to modify the output circuits, the machine
will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries
- since the lamasery was founded, in fact. It is
somewhat alien to your way of thought, so I hope you will listen with
an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling
a list which shall contain all the possible names of God.'
'I beg your pardon?'
/ Page16 /
'We have reason to believe,.' continued the lama imper-turbably, 'that
all such names can be written with not more than nine letters in an alphabet
we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete
the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see
why you wanted to hire one of our machines. But what exactly is the purpose
of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if
he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God, Jehova,
Allah, and so on - they are only man-made labels. There is a philosophical
problem of some difficulty here, which I do not propose to discuss, but
somewhere among all the possible combinations of letters that can occur
are what one may call the real names of God. By systematic per-mutation
of letters, we have been trying to list them all.'
"I see. You've been starting at'AAAAAAA'
and work-ing up to ZZZZZZZZ ' 'Exactly -
though we use a special alphabet of our own. Modifying the electromatic
typewriters to deal with this is, of course, trivial. A rather more interesting
problem is that of devising suitable circuits to eliminate ridiculous
com- binations. For example, no letter must occur more than three times
in succession.'
' Three? Surely you mean two.'
'Three is correct: I am afraid it would take
too long to explain why, even if you understood our language.'
Page 17
'I'm sure it would,' said Wagner hastily. 'Go on.'
'Luckily, it will be a simple matter to adapt your Automatic Sequence
Computer for this work, since once it has been programmed
properly it will permute each letter in turn and print the result.
What would have taken us fifteen thousand years it 'will be able to do
in a hundred days.'
Dr Wagner was scarcely conscious of the faint sounds from the Manhattan
streets far below. He was in a different world, a world of natural, not
man-made, mountains. High up in their remote aeries these monks had been
patiently at work, generation after generation, compiling their lists
of meaningless words. Was there any limit to the follies of man- kind?
Still, he must give no hint of his inner thoughts. The customer was always
right. . .
'There's no doubt.replied the doctor, 'that we can modify the Mark V to
print lists of this nature." /
Page20 /
' Well they believe that when they have listed all his names -
and they reckon that there are about nine billion of them - Gods purpose will be achieved. "
OF T9ME AND STARS
Arthur C. Clarke,1972
THE N9NE B9LL9ON NAMES OF
GOD
Page 15
' Th9s 9s a sl9ghtly
unusual request,'sa9d Dr Wagner, w9th
what he hoped was commendable restra9nt.'
As far as 9 know, 9t's
the f9rst t9me anyone's been asked to supply a T9betan monastery
with an Automat9c Sequence Computer. 9 don't w9sh to be 9nqu9s9t9ve,
but 9 should hardly have thought that your
- ah - establ9shment
had much use for such a ma-ch9ne.Could you
expla9n just what you 9ntend
to do w9th 9t?'
'Gladly,' repl9ed the lama, readjust9ng
h9s s9lk robes
and carefully putting away the sl9de rule
he had been us9ng for currency convers9ons.
'Your Mark V Computer can carry out any rout9ne
mathemat9cal operat9on 9nvolv9ng up
to ten d9g9ts.
However, for our work we are 9nterested 9n
letters, not numbers. As we w9sh you to mod9fy
the output c9rcu9ts,the
mach9ne w9ll
be pr9nt9ng
words not columns of f9gures.'
'9 dont qu9te
understand'
'Th9s 9s a project
on wh9ch we have been work9ng
for the last three centur9es - s9nce
the lamasery was founded, 9n fact. 9t
9s somewhat al9en to your way of thought,
so 9 hope you w9ll
l9sten with an open m9nd
wh9le 9 expla9n 9t
'Naturally.'
'9t 9s really
qu9te s9mple.We
have been comp9l9ng
a l9st wh9ch
shall conta9n all the poss9ble
names of God'
'9 beg your pardon?' / Page16 / 'We have
reason to bel9eve' cont9nued
the lama 9mper-turbably, ' that all such
names can be wr9tten with not more than n9ne letters 9n an alphabet we have dev9sed,'
'And you have been do9ng th9s
for three centur9es?
'Yes: we expected 9t would take us about
f9fteen thousand years to complete the task.'
'Oh, Dr Wagner looked a l9ttle dazed. 'Now 9 see why you wanted to h9re
one of our mach9nes. But what exactly 9s
the purpose of th9s project ?
'The lama hes9tated for a fract9on
of a second, and Wagner wondered 9f he had
offended h9m. 9f
so there was no trace of annoyance 9n the
reply.
'Call 9t r9tual, 9f you l9ke,
but 9t's a fundamental part of our bel9ef.
All the many names of the Supreme Being - God ,
Jehova , Allah , and so on - they are only man made labels. There 9s a ph9losoph9cal
problem of some d9ff9culty
here, wh9ch 9 do not propose to d9scuss, but somewhere
among all the poss9ble comb9nat9ons
of letters that can occur are what one may call the real names of God.
By systemat9c per-mutat9on
of letters, we have been try9ng to l9st
them all'
'9 see. You've been start9ng
at 1111111 . . . and work- 9ng
up to 88888888 . . .'Exactly - though we
use a spec9al alphabet of our own. Mod9fy9ng
the electromat9c typewr9ters
to deal w9th th9s 9s of course tr9v9al.
A rather more 9nterest9ng
problem 9s that of dev9s9ng
su9table c9rcu9ts
to el9m9nate
r9d9culous com-b9nat9ons.
For example, no letter must occur more than three t9mes 9n sucess9on.'
'Three? Surely you mean two.'
'Three 9s correct; 9 am afra9d 9t
would take too long to expla9n why , even 9f you understood our language.'/ Page 17
/ '9'm sure 9t
would,' sa9d Wagner hast9ly.
'Go on.'
'Luck9ly, 9t
w9ll be a s9mple
matter to adapt your Automat9c Sequence Computer
for th9s work, s9nce
once 9t has been programmed properly 9t
w9ll permute each letter 9n
turn and pr9nt the result. What would have
taken us f9fteen thousand years 9t
w9ll be able to do 9n
a hundred days.'
'Dr Wagner was scarcely conscious of the faint sounds
from the Manhatten streets far below. He was in a different world, a world
of natural, not man-made mountains. High up in their remote aeries these
monks had been patiently at work generation after generation, compiling
their lists of meaningless words. Was there any limits to the follies
of mankind ? Still, he must give no hint of his inner thoughts. The customer
was always right. . . "
OF TIME AND STARS
Arthur C. Clarke1972
Page 16
The Nine Billion Names of
God
'We
have reason to believe,.' continued the lama imper-turbably, 'that all
such names can be written with not more than NINE
letters in an alphabet we have devised.
''that all such names can be written
with not more than NINE letters in an alphabet
we have devised.'
OF TIME AND STARS
Arthur C. Clarke1972
Into the Comet
Page 68
"Pickett's fingers danced over the beads,
sliding them up and down the wires with lightning speed. There were twelve
wires in all, so that the abacus could handle numbers up to
999,999,999,999
-or could be divided into seperate sections where
several independant calculations could be carried out simultaneously."
ODD NUMBERS
OR
ARITHMETIC REVISITED
Herbert McKay
1940
Page 147
MULTIPLICATION AND DIVISION
"Multiplication does not always increase a number. If the multiplier
is less than 1 we have a decrease. When we. multiply by .5 we get a half
of the original number; when we multiply by 1 we reduce the number to
a tenth of itself; and so on. The square of a small number (less than
1) is a very small number; the cube is an extremely small number.Thus:
.0012= .00001, .0013 = .000000001.
Even when a number is a very little less than one, con-tinual multiplication
of it by itself (raising it to higher and higher powers) finally reduces
it to an exceedingly small quantity.
.99999 is a mere one-hundred-thousandth less
than 1; if we multiply any number by it we deduct a one-hundred-thousandth
of the number. Thus .999992 is a very little
more than .99998. .9999910
is a little more than .99990.
.99999 to the power 1000 is about .99015.
.99999 to the power 1,000,000 is .00005.
.99999 to the power 10,000,000 is the tenth
power of .00005.
We should have a string of 42 noughts before the significant figures begin.
For the l00,000,000th power we / Page 148 / should have over 400 noughts
before the significant figures begin."
Page 147
Number nine occurs forty times
40 x 9 = 360
SUPERNATURE
Lyall Watson (1974 Edition)
Page 108
"An American mathematician noticed that the earlier pages in books
of logariths kept in his university library were dirtier than later ones,
indicating that science students, for some rea-son, had more occasion
to calculate with numbers beginning with 1
than with any other number. (261) He made a collection
of tables and calculated the relative frequency of each digit from 1
to 9. Theoretically
they should occur equally of-ten, but he found 30 per cent of the
numbers were 1, whereas 9
only occupied 5 per cent of the space.
These are almost exactly the proportions given to these numbers on the
scale of a slide rule, so the designers of that instrument clearly recognized
that such a bias existed. This preponderance of the number 1
may have been caused by the fact that the tables were not really random,
but bigger tables provide a similar bias."
THE FINGERPRINTS OF THE
GODS
Graham Hancock 1995
Page 273
"The precessional numbers highlighted by Sellers in the Osiris myth
are 360, 72, 30 and 12."
"These he joined to the 360 days of
which the year then consisted (emphasis added)."
"Elsewhere the myth informs us that the 360 - day year consists of "12 months of 30 days each".
Note 6
And in general,as Sellers observes , "phrases are used which prompt
simple mental calculations and an attention to numbers ". note 7
"Elsewhere the myth informs us that the 360-day
year consists of '12 months of 30
days each'.
Thus far we have been provided with three of Seller's precessional: 360,
12 and 30. The fourth number,which
occurs later in the text, is by far the most important. As we saw in Chapter
Nine, the evil deity known as Set
led a group of conspirators in a plot to kill Osiris.
The number of these conspirators was 72."
"The precessional numbers highlighted by Sellers in the Osiris myth are 360,"
10 |
PRECESSION |
123 |
51 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
48 |
|
24 |
Add to Reduce |
306 |
126 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+2+6 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
THE SPLENDOUR THAT WAS EGYPT
Margaret A. Murray
Page 101
"In many countries the Divine King was allowed to reign for a term
of years only , usually seven or
nine or multiples of those numbers".
SEVEN OR NINE
OR MULTIPLES OF
THOSE
NUMBERS
THE MAYAN PROPHESIES
Adrian G. Gilbert and Morris M. Cotterell
Appendix 7
Page 345
'Mayan numbers - summary nine = magic number of
the Maya. All relevant numbers compound to nine.'
ALL RELEVANT NUMBERS COMPOUND
TO
NINE
THE SUPER GODS
Morris M. Cotterell
1997
Page 188
'The recurring 9999
is an invitation to round up this number to 269,
i.e. 260 and 9."
THE
RECURRING
9999
THE
9ECU999NG
9999
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 45
"From ancient times number nine
was seen as a full complement; it was the cup of special promise that
brimmed over"
FROM ANCIENT TIMES
NINE
WAS SEEN AS A FULL COMPLEMENT
THE SPLENDOUR THAT WAS EGYPT
Margaret A. Murray
Appendix
4
The New Year of God
Cornhill Magazine 1934
Page 231/233
"Three o'clock and a still starlight night in mid-September
in Upper Egypt. At this hour the village
is usually asleep, but to-night it is a stir for this is Nauruz
Allah,the New Year of God, and the narrow streets are full of the
soft sound of bare feet moving towards the Nile.
The village lies on a strip of ground; one one side is the river, now
swollen to its height, on the other are the floods of the inundation spread
in a vast sheet of water to the edge of the desert. On a windy night the
lapping of wavelets is audible on every hand; but to-night the air is
calm and still, there is no sound but the muffled tread of unshod feet
in the dust and the murmur of voices subdued in the silence of the night.
In ancient times throughout the whole of Egypt
the night of High Nile was a night of prayer
and thanks giving to the great god , the Ruler of the river, Osiris
himself. Now it is only in this Coptic village
that the ancient rite is preserved, and here the festival is still one
of prayer and thanksgiving. In the great cities the New
Year is a time of feasting and processions, as blatant and uninteresting
as a Lord Mayor's Show, with that additional note of piercing vulgarity
peculiar to the East.
In this village, far from all great cities, and-as a
Coptic community-isolated from and therefore uninfluenced either
by its Moslem neighbours or by foreigners,
the festival is one of simplicity and piety. The people pray as of old
to the Ruler of the river, no longer Osiris,
but Christ; and as of old they pray for a
blessing upon their children and their homes.
There are four appointed places on the river bank to which the
village women go daily to fill their water-jars and to water their animals.
To these four places the villagers are now making their way, there to
keep the New Year of God.
The river gleams coldly pale and grey; Sirius
blazing in the eastern sky casts a narrow path of light across the mile-wide
waters. A faint glow low on the horizon shows where the moon will rise,
a dying moon on the last day of the last quarter.
The glow gradually spreads and brightens till the thin crescent,
like a fine silver wire, rises above the distant palms. Even in that attenuated
form the moonlight eclipses the stars and the glory of Sirius is dimmed.
The water turns to the colour of tarnished silver, smooth and glassy;
the palm-trees close at hand stand black against the sky, and the distant
shore is faintly visible. The river runs silently and without a ripple
in the windless calm; the palm fronds, so sensitive to the least movement
of the air, hang motionless and still; all Nature seems to rest upon this
holy night.
The women enter the river and stand knee-deep in the running
stream praying; they drink nine times, wash
the face and hands, and dip themselves in the water. Here is a mother
carrying a tiny wailing baby; she enters the river and gently pours the
water nine times over the little head. The
wailing ceases as the water cools the little hot face. Two anxious women
hasten down the steep bank, a young boy between them; they hurriedly enter
the water and the boy squats down in the river up to his neck, while the
mother pours the water nine times with her
hands over his face and shaven head. There is the sound of a little gasp
at the first shock of coolness, and the mother laughs, a little tender
laugh, and the grandmother says something under her breath, at which they
all laugh softly together. After the ninth
washing the boy stands up, then squats down again and is again washed
nine times, and yet a third nine
times; then the grandmother takes her turn and she also washes
him nine times. Evidently he is very precious
to the hearts of those two women, perhaps the mother's last surviving
child. Another sturdy urchin refuses to sit down in the water, frightened
perhaps, for a woman's voice speaks encouragingly, and presently a faint
splashing and a little gurgle of childish laughter shows that he too is
receiving the blessing of the Nauruz of God.
A woman stands alone, her slim young figure in its wet clinging
garments silhouetted against the steel-grey water. Solitary she stands,
apart from the happy groups of parents and children; then, stooping ,
she drinks from her once, pauses and drinks again; and so drinks nine
times with a short pause between every drink and a longer pause
between every three. Except for the movement of her hand as she lifts
the water to her lips, she stands absolutely still, her body tense with
the earnestness of her prayer, the very atmosphere round her charged with
the agony of her supplication. Throughout the whole world there is only
one thing which causes a woman to pray with such intensity, and that one
thing is children. " This may be a childless woman praying for a
child, or it may be that, in this land where Nature
is as careless and wasteful of infant life as of all else, this a mother
praying for the last of her little brood, feeling assured that on this
festival of mothers and children her prayers must perforce be heard. At
last she straightens herself, beats the water nine
times with the corner of her garment, goes softly up the bank,
and disappears in the darkness.
Little family parties come down to the river, a small child usually
riding proudly on her father's shoulder. The men often affect to despise
the festival as a woman's affair, but with memories in their hearts of
their own mothers and their own childhood they sit quietly by the river
and drink nine times. A few of the rougher
young men fling themselves into the water and swim boisterously past,
but public feeling is against them, for the atmosphere is one of peace
and prayer enhanced by the calm and silence of the night.
Page 232 and 233 Continued.
For thousands of years on the night of
High Nile the mothers of Egypt have stood in the great river to implore
from the God of the Nile a blessing upon their children; formerly from
a God who Himself has memories of childhood and a Mother. Now, as then,
the stream bears on its broad surface the echo of countless prayers, the
hopes and fears of human hearts; and in my memory remains a vision of
the darkly flowing river, the soft murmur of prayer, the peace and calm
of the New Year of God.
Abu Nauruz hallal.
NINE OCCURS x 9 NINTH x
1
THE MASK OF TIME
Joan Forman 1978
Page 89 / 90
"In Man and Time,
Mr. Priestley uses an illustration which has since been frequently quoted.
It is so excellent and apt an example of time dislocation that I
hope he will forgive me
for referring to it once again. It came originally from an American publication,
the Journal of Parapsychology, and
concerns a young mother who dreamed
that she and her baby
boy had gone camping' with friends. The camp
was near a / Page 90 /
river, and at one point she went to
the water to wash clothes, taking the child
with her. In the dream
she left the child
for a few minutes while she returned to the
camp, and in that time, the baby fell into
the water and was drowned. Months later,
during the course of ordinary waking life, she
found herself in the precise situation of
her dream, but
remembering its circumstances, when she briefly
took the child with
her, and presumably saved him from
death."
BHAGAVAD- GITA
As it is
A. C. Bhaktivedanta Swami Prabhupada
Page 287
THE CITY OF NINE GATES
"When the embodied living being controls his nature and mentally
renounces all actions, he resides happily in the
city of nine gates."
"The body consists
of nine gates (two eyes, two nostrils, two ears, one mouth, the anus and
the genitals.)"
GURDJIEFF A BIOGRAPHY
James Moore 1991
Page 344
The
Enneagram
"Gurdjieff's most cherished symbol was
his enneagram, or nine
sided figure; he extolled it as a universal glyph, a schematic
diagram of perpetual motion."
THE ELEMENTS OF THE GODDESS
Caitlin Matthews 1989
"WE ARE ENTERINGTHE TIME OF THE NINE POINTED
STAR
THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES
WITHIN US"
Brooke Medicine Eagle
Page 38
"THIS ENNEAD
OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF
NINE, FOR EXAMPLE
54, 72,
108, THEY ALWAYS ADD UP TO NINE"
HOLY BIBLE
C 17 V 24
GENESIS
AND ABRAHAM WAS
NINETYYEARS OLD AND NINE
WHEN HE WAS CIRCUMCISED IN THE FLESH OF HIS FORESKIN
AFTER DEATH
Leslie D. Weatherhead 1923
Page
99
'The Christian conception of God does not allow even one per cent.of failures
- it is not enough to have
ninety-nine
sheep out of a flock of a hundred safe in the fold"
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 278
"He was mindful of the lowest and the least of the works of his hands.
He would not have this one revolted world
perish. Leaving the "ninety and nine" on the bright celestial plains, He came down to seek and to save
"the one stray sheep."
Page number missing should be 415
"Silver Songs : Contains 180 Beautiful
Melodies for the Sunday School, Home and Sacred Use"
"Companion volume to "Silver Songs"
"Golden Songs"
"Among the numerous tunes are the following : -"
"'Are you one of the
"Ninety and Nine"
THINK NINE PLANETS
ARISES THAT SUN SETS THAT
SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT
SON SETS THAT SON ORISIS THAT SON
ANUBIS
A
NUMBER
IS
Ask yourself the question did
ALBERT EINSTEIN
ever catch the number
NINE
Seek meaningful combinations
1 TO 9
9 TO 1
NINE NINE NINE
1 2 3 4 5 6 7 8 9 9 9 9
9 9 9 9 9 8 7 6 5 4 3 2 1
9
Question any combination
of
LETTERS
AND
NUMBERS
appearing within the breadth of your ken you have
the sacred symbols, numbers and signs.
Apply them with diligence
and
imaginative intuition
LIVING LIGHT LOVING
THAT THAT THAT
HOLY WHOLLY HOLY
ISISIS
Ignore in the immediate, the zero.
Often the he as in she, that is thee appear to be going back'ards, in
coming for'ards.That however, is, in all truth, going for'ards in coming
back'ards. Remember that 18,
108, 1008, 10,800, add-infinitum = Ra
and the eight, and Ra
and the eight, make up the Ennead,
the omnipotent
NINE
Recall to the minds eye
the numbers 6 6 6 that 3
x 6 = 18 and 1 + 8 confirms the
MAGIC
9
666
THE UPSIDE DOWN OF THE DOWNSIDE
UP
ISISIS
999
THE
MAGIKALALPHABET
TRANSPOSES
LETTERS INTO NUMBER
ADD TO REDUCE REDUCE TO
DEDUCE
AWAKEN AWARENESS TO LANGUAGE
AND NUMERICAL RELATIONSHIPS
SEEK
COMBINATIONS THAT BLAZE WITH COLOUR MANY STONES HAVE BEEN UNCOVERED
OTHERS REMAIN FOR THE FINDING FOUND WORKS OF ART
STRAIGHT FROM THE HEART
PHYSICAL PHENOMENA VIEW WITH A JAUNDICED
I
TIME SPACE MATTER AND MIND
THE FULCRUM
OF
LANGUAGE AND NUMERICAL
REVELATION
FOR
PHILOSOPHERS STONE READ
PHILOSOPHERS TONE
THAT
iZ THE TRUTH OF THE TRUTH
THAT IZ
FOLLOW THE PATH OF PTAH
STRIKE A BALANCE STRIKE A LIGHT STRIKE A TRUTH
THE MAGIC MOUNTAIN EXPERIENCE
IS A MOST DIFFICULT ONE WITH DANGER FRAUGHT YOU HAVE OUR EVERY LOVING
GOOD WISH FOR SUCCESS IN YOUR KARMIC RESOLUTION TAKE THE SACRED SYMBOLS
AND BECOME AT ONE WITH THAT THAT THAT HOLY ISISIS THE GREAT MOTHER FATHER
OF ALL THE ONLY REAL CREATIVE PURPOSE IN LIFE A SHORT COMMEMORATION WAS
THEN OBSERVED INITIATING THE CASTING OF THE SACRED SYMBOLS UPON THE EARTH
AGAIN THE FAR YONDER SCRIBE WATCHED IN SOME AMAZE THE ZED
ALIZ ZED IN SWIFT REPEAT SCATTER THE NINE NUMBERS AMONGST THE LETTERS
OF THEIR PROGRESS AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE FAR YONDER SCRIBE MADE RECORD OF THE FALL
THE MAGIC MOUNTAIN
Thomas Mann
1875 - 1955
"I tell them that if
they will occupy themselves with the study of mathematics they will find
in it the best remedy against the lusts of the flesh."
ODD
NUMBERS
OR
ARITHMETIC REVISITED
Herbert McKay 1940
COMPARISONS
Page 61
"IF anyone thinks he has no use for arithmetic let him consider the
number of comparisons he makes every day. Most comparisons involve the
working of some sort of sum; even when we compare colours we are apt to
make some kind of computation of the proportions of the primary colours
in them. We are always making comparisons, well or ill, accurately or
inaccurately; one of the virtues of arithmetic is that it enables one
to make comparisons neatly and accurately. One is proud of having a sense
of proportion,and proportion is essentially mathematical-it is a comparison
of sizes measured in some way or other. Even where arithmetic does not
enter directly and obviously into a comparison a knowledge of the possibilities
of arithmetical comparison is not amiss; it does at least rule out many
crudities and absurdities.
I saw some time ago the statement that if all the herrings landed at Yarmouth
in a season were placed head to tail in a line they would stretch nine
times round the world. The writer had evidently been impressed
by the vast number of herrings in the catch, and he had looked for a comparison
that would show the immensity of the number of herrings. As we have already
seen, if we want to make the most of a large number of objects, we place
them in a line. We get the greatest possible length by placing the herrings
head to tail, and that is what the writer had done.
The idea of placing the herrings in a nine-deep
queue / Page 62 / right round the world might be impressive if we once
began to realize what such a queue means."
THE NEW VIEW OVER ATLANTIS
John Michell 1969
Page 151
"That this small gold pyramidion was an integral part of the Pyramid's
design is evident from the figures. Without it the dimensions are liot
quite complete, for if it were removed, the area of the Pyramid's side
would be 99999'99 square cubits only. With
the 5 cubic inches of gold pyramidion in place, the figure of 100,000
square cubits represents the total area.
As the dimensions of the Great Pyramid are multiplied
by the ratios of the ancient number canon they expand to frame the dimensions
of this earth, and it is possible that they could have been taken further
to represent the dimensions of the grand orb (the circle described by
the
earth's path round the sun), planetary-intervals and the measurements.
of time. Going the other way, into the microcosm, these same Pyramid measures
contract proportionally through a series of pyramidions at the apex, shrinking
from miles to inches, to mere specks and finally into the world of the
atom. The symbolism is of a seed, planted at the apex of the Pyramid,
programmed with all the numbers and ratios for its potential growth. It
is like that, smallest of all seeds, spoken of in the New Testament, the
'grain of mustard', which grows up into the Tree of Life encompassing
the whole universe.
The numerical patterns in the Pyramid's dimensions imply that the capstone
consisted of a succession of diminishing pyramidions, each forming the
tip of the one below it, with the small gold pyramid, 5 cubic inches in
volume, at the apex. Yet if the gold model is to represent the whole structure
in miniature, it must itself have a separate tip. This tiny object, set
in gold, could only have been some form of crystal. Esoteric traditions
about the use of crystals in the ancient world for attracting and transmitting
cosmic energies are echoed by modern seers, such as the well-known 'Sleeping
Prophet' of America, Edgar Cayce, who described visions of the Atlantean
crystal technology which empowered the last world civilization and finally,
by its abuse, brought about the cataclysm.
An illustration of how the small, golden, crystal-topped pyramidion could
have been held in place, together with the other layers making up the
capstone, is given by a strange hieroglyph which shows a truncated pyramid
topped by a staff or gnomon"
SECRET CHAMBER
THE QUEST FOR THE HALL OF RECORDS
Robert Bauval
1
999
Page xxiii
EYE OF VIGILANCE
"On the 3rd October 1998, a press conference
was organised in Cairo for Minister of Culture Farouk Hosni and the French
composer Jean Michel Jarre. The latter has been an international household
name since the 1970s due to the enormous success of his electronic high-tech
music compositions 'Oxygene' and 'Equinox'. Jean Michel Jarre is also
an ambassador for UNESCO and has, since the 1980s, been organising extravaganzas
of laser lights and music for historical events. One of these was for
the bicentennial of the French Revolution in 1989, where more than two
million spectators gathered in the Champs-Elysees in Paris, from the Place
de la Concorde all the way to the new 'Paris 2000' Place de la Defense.
This show, which was televised around the world, featured a pyramid structure
erected in front of the Grande Arche de la Fraternite, literally the'
Arch of the Brotherhood'. From the high-tech pyramid, laser images were
projected on to the high-rise buildings nearby, including at one stage
the so-called 'eye of vigilance', a symbol
commonly used by Freemasons.14 During the press conference the Egyptian
Minister of Culture stated that an opera composed by Jarre, entitled 'The
Twelve Dreams of the Sun', would be performed to coincide with the unveiling
of the golden capstone for the Great Pyramid
at the end of the millennium, and Jarre himself declared that 'since
the pyramids are linked to the sun' he had decided to stage a 'modern,
multimedia opera that will last twelve bows and accompany the sun from
the second millennium to the third millennium in the tradition of Ra,
the pharaonic sun god'.
Farouk Hosni then explained that this event was also connected to / Page
xxiv / another similar event that had recently taken place in Paris in
May 1998, when a gilded capstone was placed
on the Egyptian obelisk of the Place de la Concorde.15
There is a strange history attached to this obelisk. It had originally
stood as one of a pair outside the Temple of Luxor
in Upper Egypt. In 1827 it was commissioned by Charles X to be
brought to France, but it arrived in Paris
in 1836 and was erected at thePlace
de la Concorde by Louis-Philippe. Interestingly, both these monarchs
were prominent members of the Grand Orient, the body that regulates Freemasonry
in France.16 Other Egyptian obelisks were also erected
in New York's Central Park and London's Victoria Embankment in the 1870s.
These events, too, were under the auspices of the Masonic Lodges. 17
All stand as symbols of Freemasonry's alleged roots
in ancient Egypt. The main symbol, in fact, is not the whole obelisk;
in Masonic lore the golden pyramidion or capstone that crowns its top
is a symbol with many layers of meaning. At one level it represents the
so-called Supreme Being under whom all religious systems can unite.
I
OF
VIGILANCE
MAM = 9 9 = DAD
CHILD = 9
THE
99 NAMES OF GOD 99
PUREST = 9 DIVINE = 9 LOVE= 9
9PURESTDIVINELOVE9
LOVEEVOLVEEVOLVELOVELOVEEVOLVEEVOLVELOVE
Dear Reader
Herein another message.
" I Think we have
a common bond you and I it is the number
9, the 9th letter of the English Alphabet.
I wonder if you have seen the book by Cecil
Balmond Number 9 The search for the Sigma Code,
if not I think you should read it. I
found it most interesting.
While typing, I am seeking to create, in
this short e-mail a pattern, that I, you,and
others could identify all supposing we chose to look for one, I
have done this by indicating a common feature. The letter I,
and the number 9 doing so as can be seen,
by emphasis."
Here the garbled message ends.
Indication of the letter I ocurrs 9times.
The symbol 9 ocurring 4 times
This is my message to you. 9
x 9 = 81 and 8 + 1 = 9
and the symbol 9 occurs four times, so I
am saying to you 36 and 3
+ 6 = 9
I am also saying that
81 + 36 is 117
and 1+1+7 = 9 my distilled essence of message
ISISIS 9
THE CURSE OF THE PHARAOHS
A STUNNING INVESTIGATION INTO THE 4000-YEAR-OLD SECRETS OF THE ANCIENT EGYPTIANS
Phillip Vanderburg 1975 Translated by Thomas Weyr
Page 100
"The divine pharaohs did n,ot enjoy any special legal rights. Aside from religion, the common man could do as the pharaoh. This was also true of marriage.
There was always only one woman who was the legal wife, "the mistress of the house". But if the pharaoh had concubines and a harem, so could the ordinary citizen also - provided he could afford them.
Despite this, the social position of women in ancient Egypt was not as inferior as in many other civilizations. For, example, even the oldest Egyptian pictures show men and women the same size; it is only children and servants who are depicted as smaller.
A papyrus preserved today in Leiden, Holland, gives real insight into married life in old Egypt. It is the letter of an army general from Memphis whose wife died while he was away. The man became very ill after her death and believed
that the ka.- the spirit who watched over his wife and, indeed, protected all Egyptian dead on their journey into the underworld - had sent the sickness. Therefore he put this letter to his wife into the grave of another dead person:
What evil thing have you done to me so that -I find myself in this I miserable situation?
What have I done to you, that you vex me so
where I have done you no harm? What have I done when I was your
husband, and even to this day, that I would need to hide? Through the
words of my mouth I will go to trial before the nine gods who sit in
the West. Then they will have to decide between you and me. What
have I done to you?
You became my wife when I was young. Later I assumed several
offices. I never left you nor gave you any cause for sorrow. But you / Page100
won't let me be happy. I will call you to account, for right shall be
separated from wrong.
Remember how when I trained the pharoah's officers and chariot-
eers, I made them come and throw themselves down before you.
They brought presents and put them at your feet. I hid nothing from
you as long as I lived. Not once did I go as an adulterer into another
house. I let no man tell me what to do with you. When I was moved
to my present post, it was impossible to come home as I had done
before, so I sent you my oil and my bread and my clothes, and they
were brought to you.
You don't know how much good I have done you. I always asked
how you were. When you were ill I had the head doctor come and he
prepared the medicines and did everything you asked. When I travel-
led south with the pharoah, my thoughts Were always with you. I
spent the eight months without eating and drinking like a real man
When I returned to Memphis I asked the pharaoh to excuse me
and came to you and grieved over you with my men when I learned of
your death. I gave clothes and linen for your wrapping. I had clothes
made for you and left nothing good undone.
Now I have been alone for three years and I have not visited
another house. This is not seemly for a man like me. But you cannot
distinguish between good and evil. Someone will have to decide
between us. And as for your sisters - I have not gone to any of them!"
In his book 'The Curse
of the Pharaohs' the author investigates the circumstances surrounding the deaths of a number of people involved
in the opening and subsequent scientific examination of the Pharaoh
Tutankhamun.
On the back of page 99 page100/101 there is a quote seemingly complete from an ancient papyrusof
a letter from an Egyptian army general to his wife.This was apparently
found in another persons grave. It is 32 lines long.
Page 100 contains 9 lines and on page 101, there is 23 altogether 32
Within those lines, the letter I
occurs 34 times. And within the I
of the refracted light of a certain eye, couldin certain interpretation
be seen as 34 x 9
which is 306 and 3
+ 6 is 9
YOU occurs in the passage
x 26
YOUR occurs x 5
ME occurs x 5
MY occurs x 6
Was the General labouring the point of the I perhaps more importantly was there a labouring of the 9zzzzzzzzz
The numerical root number of I
= 9
The numerical root number of ME = 9
The numerical root number of EGO = 9
The numerical root number of CONSCIENCE = 9
The numerical root number of EYE
= 8
The numerical root number of EYES = 9
The numerical root number of HORUS = 9
The numerical root number of HOURS = 9
The numerical root number of VENUS = 9
The numerical root number of ORIONIS is 9
REACH FOR TOMORROW
Arthur C. Clarke 1956
Introduction to 1989 Edition
"However I
have made some interesting discoveries; for instance, on the very first
page of the first story, I see the number
9000. Ive no
idea why I selected it again for HALs serial
number 20 years later. . . "
I see the number 9000
Ive no idea why I
selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001
Arthur C. Clarke1972
Page179
"A long time ago," said Kaminski, "I
came across a remark that I've never forgotten-though
I can't remember who made it.'Any
sufficiently advanced technology is indistinguishable from magic.'That's
what we're up against here. Our lasers and mesotrons and nuclear reactors
and neutrino telescopes would have seemed pure magic to the best scientists
of the nineteenth century. But they could have understood how they worked-more
or less-if we were around to explain the theory to them."
Page 189
"The other is Clarke's Third* Law
"Any sufficiently advanced technology is indistinguishable
from magic"
GODS OF THE DAWN
Peter Lemesurier
1997
"As Arthur C. Clarke's perceptive Third
Law puts it:
"Any sufficiently advanced technology is indistinguishable
from magic."
THE SECRET HISTORY
OF
ANCIENT EGYPT
Herbie Brennan 2000
"The British science fiction writer Arthur C. Clarke is said to have
commented that
"any sufficiently high technology is indistinguishable
from magic"
THE BIBLE CODE
Michael Drosnin 1997
THE SEALED BOOK
Page 70 (Chapter Four)
"The astronomer Carl Sagan once noted that if there was other intelligent
life in the universe some of it would have certainly evolved far earlier
than we did, and had thousands, or hundreds of thousands, or millions,
or hundreds of millions of years to develop the advanced technology that
we are only now beginning to develop.
'After billions of years of biological evolution - on their planet and
ours - an alien civilization cannot be in technological lockstep with
us,' wrote Sagan.
'There 'have been humans for more than twenty thousand centuries, but
we've had radio only for about one century,' wrote Sagan. 'If alien civilizations
are behind us, they're likely to be too far behind us to have radio. And
if they're ahead of us, they're likely to be far ahead of us. Think of
the technical advances on our world over just the last few centuries.
What is for us technologically difficult or impossible, what might seem
to us like magic, might for them be trivially easy.'
The author of 2001, Arthur C. Clarke - who envisioned a mysterious black
monolith that reappears at successive stages of human evolution, each
time we are ready to be taken to a higher level - made a similar observation:
'Any sufficiently advanced
technology is indistinguishable from magic.'
Page 163
pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology
'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p.
352.
The author of 2001, Arthur C. Clarke, made a similar observation:
'Any sufficiently advanced
technology is indistinguishable from magic'
(Profiles of the Future, Holt, Rinehart, and Winston,
1984).
Paul Davies' imagined 'alien artifact' is described in his book Are We
Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie
version of Clarke's 2001, showed a mysterious black monolith that seemed
to reappear at successive stages of human evolution, each time we were
ready to be taken to a higher level. When I told him about the Bible code,
Kubrick's immediate reaction was, 'It's like the monolith in 2001.'"
FIRST CONTACT THE SEARCH
FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited ByBeb Bova and Byron Preiss
1990
SEIZING THE MOMENTA UNIQUE
MOMENT IN HUMAN HISTORY
Michael Michaud
ANTHROPOCENTRISM GOOD-BYE
Page 311
"The most profound message from the aliens may never be spoken: We
are not alone or unique. Contact would tell us that life and intelligence
have evolved elsewhere in the Universe, and that they may be common by-products
of cosmic evolution. Contact would tend to confirm the theory that life
evolves chemically from inanimate mat- ter, through universal processes,implying
that there are other alien civilizations in addition to the one we had
detected. We might see ourselves as just one example of biocosmic processes,
one facet of the Universe becoming aware of itself. We would undergo a
revolution in the way that we conceive our own position in the Universe;
any remaining pretense of centrality or a special role, any belief that
we are a chosen species would be dashed for- ever, completing the process
begun by Copernicus four centuries ago.
The revelation that we are not the most technologi-cally advanced intelligent
species could lead to a humbling deflation of our sense of self-importance.
We might reclassify ourselves to a lower level of ability and worth. This
leveling of our pretensions, this anti-hubris, could be intensified if
we were confronted with alien technology beyond our understanding.
(Arthur C. Clarke has observed that any sufficiently
advanced tech-nology would be indistinguishable from magic.)
"ANY SUFFICIENTLY ADVANCED
TECHNOLOGY IS INDISTINGUABLE FROM MAGIC"
MAGI MAGIC INTO IMAGE SEE
JOSEPH AND HIS BROTHERS
Thomas Mann
1875 - 1955
MINERVA
1997
"But we are speaking
of two different things. My Majesty speaks of the fetters which the teaching
puts upon the thoughts of God; yours refers to priestly statecraft, which
divides teaching and knowledge. But Pharaoh would not be arrogant, and
there is no greater arrogance than such a division. No, there is no arrogance
in the world greater than that of dividing the children of our Father
into initiate and uninitiate and teaching double words: all-knowingly
for the masses, knowingly in the inner circle. No, we must speak what
we know, and witness what we have seen. Pharaoh wants to do nothing but
improve the teaching, even though it be made hard for him by the teaching."
JOSEPH AND HIS BROTHERS
Thomas Mann 1875 - 1955
MINERVA
1997
Page 890 8
x 9 = 72
"In all there were two-and-seventy conspirators
privy to the plot. It was a proper and a pregnant number, for there had
been just sev-enty-two when red Set lured
Usir into the chest. And these seventy-two
in their turn had had good cosmic ground to be no more and no less than
that number. For it is just that number of groups of five weeks which
make up the three hundred and sixty days
of the year, not counting the odd days; and there are just seventy-two
days in the dry fifth of the year, when the gauge shows that the
Nourisher has reached his lowest ebb, and the god sinks into his grave.
So where there is conspiracy anywhere in the world it is requisite and
custom-ary for the number of conspirators to be seventy-two.
And if the plot fail, the failure shows that if this number had not been
adhered to it would have failed even worse."
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any
sense an interstellar Rosetta Stone?
We believe there is a common
language that all technical civilizations, no matter how different, must
have.
That common language is
science and mathematics.
The laws of Nature are the
same everywhere:..."
Page 255
"In addition, though the monuments are enabled
to 'speak' from the moment that their astronomical context is understood,
we have also to consider the amazing profusion of funerary texts that
have come down to us from all periods of Egyptian history - all apparently
emanating from the same very few common sources 5 As
we have seen, these texts operate like 'software' to the monuments' 'hardware',
charting the route that the Horus-King (and all other future seekers)
must follow.
We recall a remark made by Giorgio de Santillana and Hertha von Dechend
in Hamlet's Mill to the effect that the great strength of myths as vehicles
for specific technical information is that they are capable of transmitting
that information independently of the knowledge of individual story-tellers.
6 In other words as long as a myth
continues to be told true, it will also continue to transmit any higher
message that may be concealed within its structure - even if neither the
teller nor the hearer understands that message."
MAGNETIC = 72 and 7 + 2
= 9 = MAGNETIC
FIELD = 36 and 3 + 6 = 9 = FIELD
MAGNETIC FIELD = 108 and 1 + 0 + 8 = 9 FIELD MAGNETIC
PHYSICS = 99 = PHYSICS
HARMONIC 288
Bruce Cathie
1977
THE MEASURE OF LIGHT
Page 95
"The search for this particular value was a lengthy one and the clue
that led me finally to a possible solution was a study of the construction
of the Grand Gallery. The height of the Gallery
was the first indication that it was not just an elaborate access passage.
Previous measurements made by scientific investigators pointed to some
interesting possibilities."
Page 95
"The value that I calculated for length was
extremely close to that of the one published in Davidson and Aldersmith's
book, their value being
1836 inches,"
Page 95/97
"A search of my physics books revealed that
1836 was the closest approximation the scientists
have calculated to the mass / ratio of the positive hydrogen ion, i.e.
the proton, to the electron."
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT I
PLANETS STARS AND LIFE
Page 24
"A proton is 1,836
times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists
of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence'
wasn't unique to the Earth and had evolved elsewhere. The nearest potential
sites are so far away that signals would take many years in transit. For
this reason alone, transmission would be primarily one-way. There would
be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts
of mathematics and logic that paralleled our own. And they would also
share a knowledge of the basic particles and forces that govern our universe.
Their habitat may be very different (and the biosphere even more different)
from ours here on Earth; but they, and their planet, would be made of
atoms just like those on Earth. For them, as for us, the most important
particles would be protons and electrons: one electron orbiting a proton
makes a hydrogen atom, and electric currents and radio transmitters involve
streams of electrons. A proton is 1,836 times heavier
than an electron, and the number 1,836 would have the same connotations
to any 'intelligence' able and motivated to transmit radio signals.
All the basic forces and natural laws would be the same. Indeed, this
uniformity - without which our universe would be a far more baffling place
- seems to extend to the remotest galaxies that astronomers can study.
(Later chapters in this book will, however, speculate about other 'universes',
forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we
could exchange information about the ratios of two masses (such as thc
ratio of proton and electron masses) or of two lengths, which are 'pure
numbers' that don't depend on what units are used: the statement that
one rod is ten times as long as another is true (or false) whether we
measure lengths / in feet or metres or some alien units"
"A proton is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'"
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
Page 195
"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with
the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes,
or 'Master Masons', to conduct the w,ork according to Solomon's directions,
with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and
70,000 labourers, in all 153,600, besides the levy under Adoniram to work
in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being
in all 183,600."
"being in all 183,600."
THE JUPITER EFFECT
John Gribbin and Stephen Plagemann
1977
Page 122
"Seventeen 'major historical earthquakes'
are referred to in the report all of which occurred since
1836"
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
1
999
BEHIND THE WALL OF SILENCE
Page 190
"The holy number of sun-worshippers is
9, the highest number that can be reached before becoming one (10)
with the creator. This is why Tutankhamun was
entombed in nine layers of coffin. This is
why the pyramid skirts of the two statues, guarding the entrance to the
Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt
of Mereruka contained a pyramid skirt with a base of four sides. The message
concealed here is that the 3 should be squared,
which equals 9"
"The message concealed
here is that the 3 should be squared, which equals 9"
STEPHEN HAWKING
Quest for a theory of everything
Kitty Ferguson 1991
Page 103
"The square root of
9 is three. So we know that the third side.' (line ends)
There are 13 words andthe number 9 in the 33rd line down of page 103
THE BIOLOGY OF DEATH
Lyall Watson 1974
Page 49
"As long ago as 1836,
in a Manual of Medical Jurisprudence, this was said: 'Individuals who
are apparently destroyed in a sudden manner, by certain wounds, diseases
or even decapi-tation, are not really dead, but are only in conditions
incompat-ible with the persistence of life."
THAT THAT THAT THOU SOWETH
THAT THAT THAT THOU REAPETH
THAT
TRUTH SHALL MAKE YOU FREE
11 |
CRUCIFIXION |
|
|
|
| |
C |
3 |
3 |
3 |
| |
R |
18 |
9 |
9 |
| |
U+C |
24 |
6 |
6 |
| |
I |
9 |
9 |
9 |
| |
F |
6 |
6 |
6 |
| |
I |
9 |
9 |
9 |
| |
X |
24 |
6 |
6 |
| |
I |
9 |
9 |
9 |
| |
O |
15 |
6 |
6 |
| |
N |
14 |
5 |
5 |
11 |
CRUCIFIXION |
|
|
|
CRUCIFIXION
WHOSE
?
YOURS
MIN DOTH DREAM WHAT DOTH
MIN MEAN
CHEIRO'S
BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn
English litera-ture for all time, laid down the well-known axiom: There
is a tide in the affairs of men which if taken at the flood, leads on
to fortune." The question has been asked again and again,
Is there some means of knowing when the moment has come to take the tide
at the flood?
My answer to this question is that the Great Architect of the Universe
in His Infinite Wisdom so created all things in such harmony of design
that He endowed the human mind with some part of that omnipotent knowledge
which is the attribute of the Divine Mind as the Creator of all."The
question has been asked again and again, Is there some means of knowing
when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND
AGAIN
IS THERE SOME MEANS OF KNOWING
WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE FLOOD
EIGHTEENTHIRTYSIX = 9 9
= XISYTRIHTNEETHGIE
1836
THE
H OURS OF HORUS
O
NAMUH
IS
UPON
US
THIS
WORK OF MANY
IS
DEDICATED
TO
THE
CREATIVE
MOTHER + FATHER GOD FATHER + MOTHER
GOD IS ALL THAT THAT THAT ISISIS THAT THAT THAT ALL IS GOD
BLESS THEE
O
NAMUH
WE CAME AS FAST AS WE SHOULD NEITHER
AN AEON TOO SOON NOR MOMENT TOO LATE
SILVER AND GOLD HAVE I NONE
BUT SUCH AZ I HAVE GIVE I THEE
SILVER AND GOLD HAVE 9
NONE BUT SUCH AZ 9 HAVE GIVE 9
THEE
DIVINE LOVE IS 99 99 IS
LOVE DIVINE
99 NAMES OF GOD NAMES OF
GOD 99
IMPERFECT THIS WORK IS AS PERFECT AS IT SHOULD BE
WITHIN
THE JUXTOPOSITION OF CREATIVE INSTANTS THAT FOREVER
FORM THE LIVING REALITY
FOLLOW
THE
PATH OF PTAH
12 |
INCANDESCENCE |
- |
- |
- |
| |
I |
9 |
9 |
9 |
| |
NCA |
18 |
9 |
9 |
| |
ND |
18 |
9 |
9 |
| |
ESC |
27 |
9 |
9 |
| |
ENCE |
27 |
18 |
9 |
12 |
INCANDESCENCE |
99 |
54 |
9 |
| |
|
|
|
|
4 |
INCA |
|
|
|
| |
I |
9 |
9 |
9 |
| |
NCA |
18 |
9 |
9 |
| |
INCA |
27 |
18 |
9 |
| |
|
|
|
|
9 |
WHITE + HEAT |
99 |
45 |
9 |
9 |
MASS + FORCE |
99 |
36 |
9 |
9 |
LIGHT + DARK |
90 |
45 |
9 |
10 |
MIND + MATTER |
117 |
45 |
9 |
16 |
POSITIVE + NEGATIVE |
198 |
81 |
9 |
3 |
IVE |
36 |
18 |
9 |
10 |
NAMES OF GOD |
99 |
45 |
9 |
I
INCA
SON OF THE SUN
1836
EIGHTEENTHIRTYSIX = 9 9
= XISYTRIHTNEETHGIE
THE
HOURS OF HORUS
LET PEACE DESCEND UPON THE EARTH AND GOOD WILL ASCEND UPON ALL SENTIENT
BEINGS
LOVE EVOLVE EVOLVE LOVE
LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE
HOW GREAT THOU ART OUR GOD HOW GREAT THOU ART
MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS
MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
1 |
|
4 |
MIND |
40 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
B |
= |
2 |
|
2 |
|
4 |
BORN |
49 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
S |
= |
1 |
|
3 |
|
4 |
SONS |
67 |
13 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
T |
= |
2 |
|
4 |
|
5 |
THOSE |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
5 |
|
5 |
PATENT |
76 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
6 |
|
7 |
PATIENT |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
7 |
|
8 |
PATENTED |
85 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
P |
= |
7 |
|
8 |
|
7 |
PATTERN |
94 |
31 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
M |
= |
4 |
|
9 |
|
6 |
MAKERS |
67 |
22 |
4 |
|
1 |
2 |
3 |
|
5 |
6 |
7 |
8 |
9 |
|
|
41 |
- |
|
- |
51 |
First Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+1 |
- |
|
- |
5+1 |
Add to Reduce |
6+3+0 |
2+1+6 |
3+6 |
- |
- |
|
- |
3+6 |
- |
- |
- |
- |
|
|
|
|
- |
|
- |
|
Second Total |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
I |
9 |
9 |
|
- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
I = 9 9 = I
ME = 9 9 = ME
BRAIN + BODY = 9 9 = BODY + BRAIN
LIGHT + DARK = 9 9 = DARK + LIGHT
ENERGY + MASS = 9 9 = MASS +ENERGY
MIND + MATTER = 9 9 = MATTER + MIND
MAGNETIC + FIELD = 9 9 = FIELD + MAGNETIC
POSITIVE + NEGATIVE = 9 9 = NEGATIVE + POSITIVE
973 OM AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAOM 973
11 |
IMAGINATIVE |
- |
- |
- |
|
I |
9 |
9 |
|
|
M+A+G |
21 |
12 |
|
|
I |
9 |
9 |
|
|
N+A+T |
35 |
8 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
11 |
IMAGINATIVE |
- |
- |
- |
11 |
IMAGINATIVE |
- |
- |
- |
|
I |
9 |
9 |
|
|
M+A+G |
21 |
12 |
|
|
I |
9 |
9 |
|
|
N+A+T |
35 |
8 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
11 |
IMAGINATIVE |
110 |
56 |
47 |
1+1 |
|
1+1+0 |
5+6 |
4+7 |
2 |
IMAGINATIVE |
2 |
11 |
11 |
- |
- |
|
1+1 |
1+1 |
2 |
IMAGINATIVE |
2 |
2 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
I |
= |
9 |
- |
11 |
IMAGINATIVE |
110 |
56 |
2 |
I |
= |
9 |
- |
9 |
IMITATIVE |
108 |
45 |
9 |
N |
= |
5 |
- |
4 |
NEED |
28 |
19 |
1 |
I |
= |
9 |
- |
10 |
IMPERATIVE |
118 |
55 |
1 |
S |
- |
34 |
|
37 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+7 |
Add to Reduce |
3+9+7 |
1+9+0 |
1+9 |
S |
- |
7 |
|
10 |
Second Total |
|
|
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
- |
- |
7 |
- |
|
Third Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+0 |
- |
- |
- |
- |
7 |
- |
|
Essence of Number |
|
|
|
SOUL = SO U LIVE = SOUL
SOUL = SO U LEARN = SOUL
SOUL = SO U LOVE = SOUL
SOUL = 67 = SOUL
SOUL = 13 = SOUL
SOUL = 4 = SOUL
SOULS = 86 = SOULS
SOULS = 32 = SOULS
SOULS = 14 = SOULS
SOULS = 5 = SOULS
REAL = 36 = REAL
REAL = 18 = REAL
REAL = 9 = REAL
REALITY = 54 = REALITY
REALITY = 36 = REALITY
REALITY = 9 = REALITY
REVEALED = 72 = REVEALED
REVEALED = 36 = REVEALED
REVEALED = 9 = REVEALED
- |
REAL |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
4 |
REAL |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
4 |
REAL |
9 |
9 |
9 |
- |
REALITY |
- |
- |
- |
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
7 |
REALITY |
90 |
36 |
36 |
- |
- |
9+0 |
3+6 |
3+6 |
7 |
REALITY |
9 |
9 |
9 |
- |
REVEALED |
- |
- |
- |
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
8 |
REVEALED |
72 |
36 |
36 |
- |
- |
7+2 |
3+6 |
3+6 |
8 |
REVEALED |
9 |
9 |
9 |
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
1 |
I |
9 |
9 |
|
2 |
T+Y |
45 |
9 |
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
2 |
E+V |
27 |
9 |
|
3 |
E+A+L |
18 |
9 |
|
2 |
E+D |
9 |
9 |
|
|
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
3+6 |
|
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
|
|
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
REAL REALITY |
- |
- |
|
R |
= |
9 |
9 |
9 |
REAL |
36 |
18 |
|
R |
= |
9 |
9 |
9 |
REALITY |
90 |
36 |
|
- |
- |
- |
- |
- |
REAL REALITY |
126 |
54 |
18 |
- |
- |
- |
- |
- |
- |
1+2+6 |
5+4 |
1+8 |
R |
= |
9 |
9 |
- |
REAL REALITY |
9 |
9 |
9 |
REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED
THAT
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
8 |
REVEALED |
72 |
36 |
9 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
1+8 |
- |
- |
1 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
-- |
- |
- |
- |
- |
I |
9 |
9 |
|
-- |
- |
- |
- |
- |
T+Y |
45 |
9 |
|
|
= |
18 |
= |
9 |
R |
18 |
9 |
|
-- |
- |
- |
- |
- |
E+V |
27 |
9 |
|
- |
- |
- |
- |
- |
E+A+L |
18 |
9 |
|
- |
- |
- |
- |
- |
E+D |
9 |
9 |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
5+4 |
- |
2+7 |
- |
- |
- |
- |
- |
- |
|
- |
|
REAL REALITY REVEALED |
- |
- |
- |
IT WAS BUT YESTERDAY WE MET IN A DREAM
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
|
|
|
R |
= |
9 |
- |
- |
REAL |
36 |
18 |
9 |
R |
= |
9 |
- |
4 |
REALITY |
90 |
36 |
9 |
R |
= |
9 |
- |
7 |
REVEALED |
72 |
36 |
9 |
- |
- |
27 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
2+7 |
- |
1+0 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
|
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REAL |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
36 |
- |
9 |
REAL |
36 |
18 |
18 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REALITY |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
36 |
- |
7 |
REALITY |
90 |
36 |
36 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
36 |
- |
7 |
REVEALED |
72 |
36 |
36 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
REAL |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
- |
- |
- |
- |
- |
REALITY |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
- |
- |
- |
- |
- |
REVEALED |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 5 = 25
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 5 = 25
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
6 |
- |
8 |
- |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
6 |
- |
8 |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
6 |
- |
8 |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
6 |
7 |
8 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
6 |
- |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
- |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
REAL REALITY REVEALED |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
|
|
|
|
-3 |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
12 |
1 |
A |
1 |
1 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
L |
= |
3 |
13 |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
V |
= |
3 |
13 |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
D |
= |
4 |
13 |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
E |
= |
5 |
11 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
Y |
= |
7 |
16 |
1 |
Y |
25 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
I |
= |
9 |
14 |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
REAL REALITY REVEALED |
- |
- |
- |
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
- |
- |
- |
- |
- |
2+5 |
- |
3+6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
- |
|
|
|
|
|
|
|
R |
= |
9 |
- |
8 |
REVEALED |
72 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
27 |
- |
19 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
2+7 |
- |
1+9 |
- |
1+9+8 |
9+0 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
10 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
1 |
REAL REALITY REVEALED |
|
|
|
- |
|
|
|
|
|
|
|
7 |
REALITY |
90 |
36 |
9 |
6 |
LIVING |
73 |
37 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MYTH |
66 |
21 |
3 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+6+2 |
1+0+9 |
1+9 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
2 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
REALITY |
90 |
36 |
9 |
3 |
THE |
33 |
15 |
6 |
6 |
LIVING |
73 |
37 |
1 |
4 |
MYTH |
66 |
21 |
3 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+6+2 |
1+0+9 |
1+9 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
2 |
Essence of Number |
|
|
|
7 |
MANKIND |
66 |
30 |
3 |
5 |
WOMAN |
66 |
21 |
3 |
4 |
MYTH |
66 |
21 |
3 |
16 |
First Total |
|
|
|
|
Add to Reduce |
1+9+8 |
7+2 |
- |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
7 |
Essence of Number |
|
|
|
1 |
I |
11 |
2 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
EGO |
27 |
18 |
9 |
4 |
OGRE |
45 |
27 |
9 |
10 |
EGOCENTRIC |
99 |
54 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
|
