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26
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43
4+3
=
7
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7
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9
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14
15
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19
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24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
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7
-
+
=
83
8+3
=
11
1+1
2
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2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
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-
16
17
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20
21
22
23
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25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
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1
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8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
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24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
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1
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-
1
-
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-
-
-
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1
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-
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1
occurs
x
3
=
3
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3
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2
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2
-
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-
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2
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occurs
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3
=
6
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6
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3
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3
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-
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3
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occurs
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9
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4
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-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
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4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
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-
-
6
-
-
-
-
-
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-
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6
-
-
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-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
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-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
26
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-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
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F
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H
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-
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9
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9
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1
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8
9
1
2
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5
6
7
8
9
1
2
3
4
5
6
7
8
-
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-
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-
26
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8
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9

 

 

21 Mar 2007 ... A word coined by Horace Walpole, who says (Let. to Mann, 28 Jan. 1754) that he had formed it upon the title of the fairy-tale `The Three ... serendip.brynmawr.edu/serendip/about.html

The Meanings of "Serendip"

 

"--- you don't reach Serendib by plotting a course for it. You have to set out in good faith for elsewhere and lose your bearings ... serendipitously." (John Barth, The Last Voyage of Somebody the Sailor)
"To put the matter differently, "play" (and its associated behavioral variability) is not purely entertainment or a luxury to be given up when things get serious. It is itself a highly adaptive mechanism for dealing with the reality that the context for behavior is always largely unknown. (Paul Grobstein, Variability in behavior and the nervous system, IN Encyclopedia of Human Behavior, Volume 4, Academic Press, 1994)

 

17 Nov 2008 ... Serendib, the old Arabic/Persian name for Sri Lanka · Serendib (spider), ... Retrieved from "http://en.wikipedia.org/wiki/Serendib" ... en.wikipedia.org/wiki/Serendib

Serendib
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Look up Serendib in
Wiktionary, the free dictionary.

Serendib may refer to:

Serendib, the old Arabic/Persian name for Sri Lanka
Serendib (spider), a spider genus (Corinnidae)

 

 

21 Mar 2007 ... A word coined by Horace Walpole, who says (Let. to Mann, 28 Jan. 1754) that he had formed it upon the title of the fairy-tale `The Three ... serendip.brynmawr.edu/serendip/about.html

The Meanings of "Serendip"

 


SERENDIPITY (from The American Heritage Dictionary of the English Language, 3rd Edition)
The faculty of making fortunate discoveries by accident.

[From the characters in the Persian fairy tale The Three Princes of Serendip, from Persian Sarandip,Sri Lanka, from Arabic Sarandib]

Word history: We are indebted to the English author Horace Walpole for coining the word serendipity. In one of his 3,000 or more letters, on which his literary reputation rests, and specifically in a letter of January 28, 1754, Walpole says that "this discovery, indeed, is almost of that kind which I call Serendipity, a very expressive word." Perhaps the word itself came to him by serendipity. Walpole formed the word on an old name for Sri Lanka, Serendip. He explained that this name was part of the title of a "silly fairy tale, called The Three Princes of Serendip; as their highnesses travelled, they were always making discoveries, by accidents and sagacity, of things which they were not in quest of ... One of the most remarkable instances of this accidental sagacity (for you must observe that no discovery of a thing you are looking for comes under this description) was of my Lard Shaftsbury, who happening to dine at Lord Chancellor Claredon's, found out the marriage of the Duke of York and Mrs. Hyde, by the respect with which her mother treated her at table."

SERENDIPITY (from the Oxford English Dictionary)

f. Serendip, a former name for Sri Lanka + -ity. A word coined by Horace Walpole, who says (Let. to Mann, 28 Jan. 1754) that he had formed it upon the title of the fairy-tale `The Three Princes of Serendip', the heroes of which `were always making discoveries, by accidents and sagacity, of things they were not in quest of'.

The faculty of making happy and unexpected discoveries by accident. Also, the fact or an instance of such a discovery. Formerly rare, this word and its derivatives have had wide currency in the 20th century.

* 1955 Sci. Amer. Apr. 92/1 Our story has as its critical episode one of those coincidences that show how discovery often depends on chance, or rather on what has been called `serendipity'-the chance observation falling on a receptive eye.

* 1971 S. E. Morison European Discovery Amer.: Northern Voy. i. 3 Columbus and Cabot..(by the greatest serendipity of history) discovered America instead of reaching the Indies.

* 1980 TWA Ambassador Oct. 47/2 It becomes a glum bureaucracy, instead of the serendipity of 30 people putting out a magazine.

Hence

SERENDIPITIST

* 1939 Joyce Finnegans Wake 191 You..semisemitic serendipitist, you (thanks, I think that describes you) Europasianised Afferyank!

* 1968 Punch 13 Nov. 684/1 There are the financial serendipitists, the men blessed monetarily by a fortunate law.

 

 

Serendipitous Links

The Three Princes of Serendip -- an ancient fable retold by Richard Boyle

Another Serendip - Sri Lanka

Sri Lanka - Then & Now

Ancient Places of Serendib

The Origins of Sri Lanka's Names

And the History of her Names

Sri Lanka Virtual Library

Yet Another Serendip - The Search for Life Elsewhere in the Universe

Three Principles of Serendip: Insight, Chance, and Discovery in Qualitative Research, by Gary Fein and James Deegan (appeared in Qualitative Studies in Education, Volume 9, Number 4, 1996)

Serendipi ... WHAT?, from Science, Technology, and Society, by Pedro Gomez-Romero, Materials Science Institute, Barcelona, Spain

"Bahramdipty" and Scientific Research, from The Scientist

The Princes of Serendip - music/poetry/mathematics/language

And another Serendip : Serendipity Management Services
And Some Books on Serendipity
James H. Austin, Chase, Chance, and Creativity, Columbia University Press, 1971
Robert K. Merton and Elinor Barber, The Travels and Adventures of Serendipity: A Study in Sociological Semantics and the Sociology of Science, Princeton University Press, 2004
Jacques Monod, Chance and Necessity, Knopf, 1971
Royston M. Roberts, Serendipity: Accidental Discoveries in Science, Wiley, 1989
David Ruelle, Chance and Chaos, Princeton University Press, 1991

 

 

FIRST CONTACT

THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE

Edited by Ben Nova and Byron Preiss 1990

SETI ON CAMPUS

THE U.C. BERKELEY PROGRAM

Stuart Bowyer

Page 271

".........SERENDIP........."

".........SERENDIP........."

Page 272

".........SERENDIP........."

".........SERENDIP........."

Page 273

".........SERENDIP........."

Page 274

".........SERENDIP........."

".........SERENDIP........."

".........SERENDIP........."

".........SERENDIP........."

Page 275

".........SERENDIP........."

".........SERENDIP........."

".........SERENDIP........."

Page 276

".........SERENDIP........."

".........SERENDIP........."

 

 

FIRST CONTACT

THE SEARCH FOR EXTRATERRESTRIAL INTELLIGENCE

EDITED

BY

BEN BOVA AND BYRON PREISS

1990

SETI ON CAMPUS

Page 271

THE U. C. BERKELEY

PROGRAM

BY STUART BOWYER


"The central problem in radio searches for signals from an extraterrestrial civilization is the enormity of the search space to be examined. To have any appreciable chance of success, a radio search will have to provide a substantial signal flow in terms of the total search space. Despite the enormity of this potential search task, with few excep- tions SETI investigators have had difficulty obtaining substantial amounts of dedicated telescope time. In response to this problem, we developed two automated instruments, SERENDIP I and II (an acronym: Search for Extraterrestrial Radio Emission from Nearby Developed Intelligent Populations), which do not require dedicated radio telescope time but ride piggyback on other work. The SERENDIP systems operate automatically, searching for narrow-band signals. Such a signal would be a consequence of an intentionally easy-to-recognize / 272 / beacon, or alternatively it could arise as a by-product of other activity, in analogy with the carrier signals of our own radio communications. Our search is carried out in data that is being collected as part of the ongoing astronomical observing program of a radio observatory.
The advantages of this method of data acquisition include very low operation cost per unit observing time, negligible impact on observing schedules, large volume of data collection, and a randomized search strategy that seems desirable since we really know nothing about those whom we hope are attempting to signal us. A piggyback SETI program such as this is not free to choose observing frequencies and sky coordinates. However, in view of the plethora of postulated frequency strategies for interstellar communication and the large number of potential sites for civilizations that have been suggested, this is not necessarily a disadvantage. In fact, some of the frequencies most often observed by radio astronomers have been felt to be logical choices for a transmitting society's beacons, and hence good choices for SETI.
Each SERENDIP system consists of a microprocessor- controlled spectrum analyzer with algorithms for performing simple statistics and digitally recording unusual features in the spectra. In operation, sequential segments of the bandpass being utilized by the astronomical observer at the radio telescope are presented to the spectrum analyzer. The spectrum analyzer measures the distribution of power in the band and the microprocessor notes spectrum peaks on a tape or disk for further analysis. The microprocessor then shifts the band being analyzed to the next sequential band and the process is repeated. Using this procedure we can search through a wide range of frequencies for a possible signal.
The SERENDIP I system was funded at about five / Page 273 / hundred dollars per year by the University of California Faculty Grand Fund; it used surplus and loaned equipment, and was quite limited in scope. The primary limitation was the spectrum analyzer, which permitted only one hundred channels of data to be simultaneously sampled. The hardware was developed by a number of graduate students who worked on this project as their master's theses. The system was deployed on the twenty-six-meter (eighty-five-foot) radio telescope at the University of California Hat Creek Radio Observatory in 198 I for a substantial part of a year . Figure 34 shows a plot of frequencies analyzed in one data sample with a power peak (in this case, intentionally introduced) that mimics the effect that an extraterrestrial beacon would have on the data.
Although the SERENDIP I system was limited in sensitivity, we learned a great deal from this effort. Perhaps the most valuable insight was that even in the radio quiet surroundings of the Hat Creek Observatory, we detected a substantial number of narrow-band signals - far too many to allow for any systematic follow-up. After some detective work we were able to determine that many of our signals came from one general direction near the horizon. (This discovery was harder to come by than it might seem, since the coordinates we had recorded were celestial coordinates, and only by checking against the time of the observation in juxtaposition with the celestial coordinates did we find this result.) It turned out that twenty miles away behind a series of hills was a small airstrip. We were indeed detecting intelligent life; unfortunately it was terrestrial life, temporarily airborne, in the process of landing. This led us to the realization that any serious SETI effort would have to have some way of dealing with these spurious signals, and our efforts turned to this problem.

Page 274

At this point, however, we were fortunate in obtaining a NASA grant for our work that, while small in absolute dollar terms, allowed us to develop a vastly improved set of hardware. We dubbed this new system SERENDIP II. The primary improvement made in our system was the
addition of a specialized computer unit, called an array processor, to carry out the work previously done by the spectrum analyzer. This unit allowed the simultaneous analysis of about 65,000 separate channels of data. The channel width for each bin (selected on rather general astronomical arguments) was about one Hz (one cycle per second). Upon detection of a possible signal, the civil time, telescope coordinates, bin number, signal power, and other related information were recorded on a floppy disk for later data analysis. The frequency synthesizer in SERENDIP II then stepped up 50,000 Hz in frequency to process the next set of data, allowing a 15,000 Hz overlap between adjacent band samples. (The starting frequency
depends on that of the researcher we are working with.)
We made a proposal to NRAO in Green Bank, West Virginia, that SERENDIP II be used with their 92-meter (300-foot) transit telescope (Green Bank was the site of the first modern search for ETI). After receiving extremely enthusiastic appraisals by the NRAO Telescope Allocation Review Panel, we began operation with this telescope in 1987.
The combination of the large aperture of the dish, the exquisite sensitivity of the NRAO electronics, and our powerful SERENDIP II system results in a very sensitive system. The question of the level of sensitivity of any particular search is complex, since it depends upon many factors, including how many frequencies are being searched,
how many regions of the celestial sphere are being examined, and the sensitivity of the equipment. It is interesting / Page 275 / to note that at a recent international SETI conference the senior scientist making the concluding remarks stated that the SERENDIP II system on the NRAO 92-meter telescope was the most sensitive ongoing SETI program in existence.
During our observations at NRAO, several trillion bins of data have been searched for evidence of a possible extraterrestrial signal. Unfortunately, the many terrestrial and near-space uses of the electromagnetic spectrum cause a variety of interference signatures to appear in the SERENDIP H data records. A typical day's observing produces several thousand events of potential interest - far in excess of the number expected from pure random noise.
The main present thrust of the SERENDIP II project is to explore methods of identifying and rejecting these unwanted signals, while at the same time not reducing the probability of detecting a true extraterrestrial signal. We have reported the details of this work in scientific journals, but some of the techniques are simple to describe. For example, we compare signals detected from one part of the sky with signals from another part of the sky taken shortly thereafter. Many times we find excess power, and hence in principle a potential SETI beacon, at the same frequency from both of these directions. The likelihood that two different technical civilizations would both be signaling us at the same frequency and almost the same time is obviously infinitesimally small. Therefore we can safely conclude these signals are from man-made interference and reject them from further consideration. In all we apply five different techniques to eliminate these manmade signals.
What we find to be truly surprising is that after analyzing our several trillion data samples, we have only / Page 276 / about one hundred that stand out from the statistical noise, and that we cannot clearly reject as man-made. This is a reasonable number of events to reexamine; we have, in fact, been granted dedicated telescope time to look at these sources a second time to see if the signals we initially detected are still present.
While we hope that our SERENDIP II system will be successful in finding an extraterrestrial signal (or, in fact, may have already found such a signal!), we are sufficiently realistic to recognize that this is not likely. On the other hand, if we do not search at all, the likelihood of finding such a signal is zero. Even if we do not find the signal we are looking for in the near term (or even in the longer term), the history of scientific discovery shows that progress in any field is usually achieved in painfully small steps. A realistic hope is that we can make a contribution in terms of these painfully small steps.
Over two dozen people, mostly volunteers, have contributed to the SERENDIP system. The core group of personnel, however, are Dan Werthimer, Michael Lampton, Charles Donnelly, Walter Herrick, and myself.
(Note: After this chapter was. completed the 92-meter (300-foot) telescope at NRAO collapsed in ruins. It took some time to discover the cause of this failure; it is now known that this was the result of the failure through metal fatigue of an internal structural plate. The tabloid press, however, reported that the telescope was destroyed by alien beings who resented the fact that they were being monitored.
While our friendly aliens may or may not realize they are being monitored, the collapse of this telescope is an obvious problem for our project. We are actively seeking a new telescope and have some confidence that we will be back in operation shortly.)"

 

 

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8
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=
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1
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9
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+
=
15
1+5
=
6
=
6
=
6
-
`-
19
-
-
-
14
-
9
-
+
=
42
4+2
=
6
=
6
=
6
-
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
-
-
5
9
5
-
4
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7
+
=
30
3+0
=
3
=
3
=
3
-
`-
-
5
18
5
-
4
-
16
+
=
48
4+8
=
12
1+2
3
=
3
-
8
S
E
R
E
N
D
I
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-
-
-
-
-
-
-
-
-
=
-
`-
19
5
18
5
14
4
9
16
+
=
90
9+0
=
9
=
9
=
9
-
-
1
5
9
5
5
4
9
7
+
=
45
4+5
=
9
=
9
=
9
-
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N
D
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P
-
-
-
-
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-
-
-
-
-
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1
-
-
-
-
-
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-
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1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
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3
-
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-
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3
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-
-
-
-
-
-
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-
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occurs
x
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=
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-
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5
-
5
5
-
-
-
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5
occurs
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3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
--
-
-
-
-
-
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7
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occurs
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=
7
8
-
-
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-
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8
-
-
-
-
-
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9
-
-
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-
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occurs
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18
1+8
9
19
8
S
E
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N
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P
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-
26
-
-
8
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45
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27
1+9
-
-
-
9
-
-
-
9
-
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-
2+6
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-
-
4+5
-
2+7
10
8
S
E
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I
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-
8
-
-
8
-
9
-
9
1+0
-
1
5
9
5
5
4
9
7
-
-
-
-
-
-
-
-
-
=
1
8
S
E
R
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N
D
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P
-
-
8
-
-
8
-
9
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9

 

 

8
S
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9
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+
=
15
1+5
=
6
=
6
=
6
`-
19
-
-
-
14
-
9
-
+
=
42
4+2
=
6
=
6
=
6
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
-
5
9
5
-
4
-
7
+
=
30
3+0
=
3
=
3
=
3
`-
-
5
18
5
-
4
-
16
+
=
48
4+8
=
12
1+2
3
=
3
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
`-
19
5
18
5
14
4
9
16
+
=
90
9+0
=
9
=
9
=
9
-
1
5
9
5
5
4
9
7
+
=
45
4+5
=
9
=
9
=
9
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
5
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
=
7
-
-
-
9
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
8
S
E
R
E
N
D
I
P
-
-
26
-
-
8
-
45
-
27
-
-
-
9
-
-
-
9
-
-
-
2+6
-
-
-
-
4+5
-
2+7
8
S
E
R
E
N
D
I
P
-
-
8
-
-
8
-
9
-
9
-
1
5
9
5
5
4
9
7
-
-
-
-
-
-
-
-
-
=
8
S
E
R
E
N
D
I
P
-
-
8
-
-
8
-
9
-
9

 

 

THE MERRY ASS OF SERENDIP

 

 

LISTENING TO PROZAC

Peter D. Kramer 1993

Page 327

"60 the development of Prozac required serendipity: As Barry Blackwell pointed out when assessing Cade's work with lithium, "serendipity" originally referred not to blind luck but to deductions made by prepared minds. The fairy tale of the three princes of Serendip (an older name than Ceylon for Sri Lanka) told, for instance how one of them deduced "that a mule, blind in the right eye, had traveled the same road frequently because the grass was eaten only on the left side of the path." The word was apparently coined by Horace Walpole in 1754. (T. G. Remer, Serendipity and the Three Princes [Norman, Okla.: University of Oklahoma Press, 1965], cited in Blackwell, "Process of Dis­covery," pp. 14-15.)

 

 

-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
1
-
-
-
5
-
9
-
9
-
-
+
=
24
2+4
=
6
=
6
=
6
-
`-
19
-
-
-
14
-
9
-
9
-
-
+
=
51
5+1
=
6
=
6
=
6
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
-
5
9
5
-
4
-
7
-
2
7
+
=
39
3+9
=
12
1+2
3
=
3
-
`-
-
5
18
5
-
4
-
16
-
20
25
+
=
93
9+3
=
12
1+2
3
=
3
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
`-
19
5
18
5
14
4
9
16
9
20
25
+
=
144
1+4+4
=
9
=
9
=
9
-
-
1
5
9
5
5
4
9
7
9
2
7
+
=
99
9+9
=
18
1+8
9
=
9
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
5
5
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
7
-
-
7
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
17
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
28
-
-
11
-
63
-
27
1+7
2+2
-
-
9
-
-
-
9
-
9
-
-
-
-
2+8
-
-
1+1
-
6+3
-
2+7
8
4
S
E
R
E
N
D
I
P
I
T
Y
-
-
10
-
-
2
-
9
-
9
-
-
1
5
9
5
5
4
9
7
9
2
7
-
-
1+0
-
-
-
-
-
-
-
8
4
S
E
R
E
N
D
I
P
I
T
Y
-
-
1
-
-
2
-
9
-
9

 

 

11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
1
-
-
-
5
-
9
-
9
-
-
+
=
24
2+4
=
6
=
6
=
6
`-
19
-
-
-
14
-
9
-
9
-
-
+
=
51
5+1
=
6
=
6
=
6
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
5
9
5
-
4
-
7
-
2
7
+
=
39
3+9
=
12
1+2
3
=
3
`-
-
5
18
5
-
4
-
16
-
20
25
+
=
93
9+3
=
12
1+2
3
=
3
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
`-
19
5
18
5
14
4
9
16
9
20
25
+
=
144
1+4+4
=
9
=
9
=
9
-
1
5
9
5
5
4
9
7
9
2
7
+
=
99
9+9
=
18
1+8
9
=
9
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
5
5
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
9
-
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
28
-
-
11
-
63
-
27
2+2
-
-
9
-
-
-
9
-
9
-
-
-
-
2+8
-
-
1+1
-
6+3
-
2+7
4
S
E
R
E
N
D
I
P
I
T
Y
-
-
10
-
-
2
-
9
-
9
-
1
5
9
5
5
4
9
7
9
2
7
-
-
1+0
-
-
-
-
-
-
-
4
S
E
R
E
N
D
I
P
I
T
Y
-
-
1
-
-
2
-
9
-
9

 

 

Radio Times

WEDNESDAY 20 MAY, 2009

ENTERTAINMENT

Page 90

" 9.00 Serendipity"

"Romantic comedy starring John Cusak and Kate Beckinsdale as Jonathan and Sara, who meet one Christmas and experience an instant attraction to each other. But they are both involved with other people and Sara, who believes in destiny, insists that fate must lend a hand if they are to meet again."

 

 

Daily Mail

Friday, May 22, 2009

By Neil Sears and Tom Kelly

Page 9

Spider - Man actress hangs herself after suicide of a friend

"Lucy Gordon died just two days before her 29th birthday..."

"Miss Gordon who played a British TV reporter in the 2007 film Spider-Man 3 found fame as a model while still at an Oxford public school."

 

"Last night her father Richard, a teacher, paid tribute to her at the detached family home in Oxford where he lives with her mother Susan, 58, and sister Katie, 27.
Mr Gordon, 60, said: 'The whole family is so proud of Lucy, and we always have been. `Her death has come completely out of the blue and the entire family is devastated. `Everything about how she died is just speculation at the minute, and we want to concentrate on paying tribute to our daughter.
`We have loved her so much throughout her life. She was the light of mine, her mum's, and her sister's lives.
`Lucy was a lovely, generous* and unselfish person who always gave so much thought to other people and put them before herself.'
Mr Gordon added: 'Acting was always what she had wanted to do. She had been acting since the age of two, which was really as soon as she could walk. Her career had been just taking off, and it's a tragedy that it has been cut short so soon.' "

"Acting was always what she had wanted to do,"

"She soon moved onto films, appearing in Serendipity with John Cusak in 2001"

 

 

LIFE OUT THERE

THE TRUTH OF - AND SEARCH FOR EXTRATERRESTRIAL LIFE

MICHAEL WHITE 1998

Page 49

"So, over many generations, characteristics will be inherited which make members of the species better adapted to their enviroment. Chance mutations, which are purely a matter of serendipity, will also mould the species, . . . "

 

 

LIFE OUT THERE

THE TRUTH OF - AND SEARCH FOR EXTRATERRESTRIAL LIFE

MICHAEL WHITE 1998

Page 99

Page 100

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

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WebHide optionsShow options... Results 1 - 10 of about 3,930,000 for Show Song, i i i i love you very much. (0.40 seconds)

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ii,ii,ii song on the Telstra iMode TV ad - iiNet - 11:04am
47 posts - 40 authors
the "I, I, I, I, I, I love you veeeeerrrrry much" song is very addictive tune ... i-i-i-i-i i like you verrrrrrrry much i-i-i-i-i i think you're grandddd ...
forums.whirlpool.net.au/forum-replies-archive.cfm/309243.html - 63k -

 

 

Results for: I, I, I, I, I, I love you veeeeerrrrry much

ii,ii,ii song on the Telstra iMode TV ad - iiNet - 11:04am
47 posts - 40 authors
"I, I, I, I, I, I love you veeeeerrrrry much" song is very addictive tune and I can't help thinking it would have been great for iiAds instead of Telstra. ...
forums.whirlpool.net.au/forum-replies-archive.cfm/309243.html

 

 

anyone noticed the iMode ads (I think they are new I don't watch ads much I usually fast forward them) the "I, I, I, I, I, I love you veeeeerrrrry much" song is very addictive tune and I can't help thinking it would have been great for iiAds instead of Telstra.
Top 10 Happy Songs Of Music : Music : Web Wombat I, Yi, Yi, Yi, Yi (I Like You Very Much) - Carmen Miranda Makes me wanna wear a big ol' fruit hat. Originally used in the 1941 film, That Night in Rio (though those that ... but upon hearing it, you go; "Ohhh, I know this - I love this song!". ... The free-flow lyrics and jangly beat make for great car sing-along ...
www.webwombat.com.au/entertainment/music/top-10-happy-songs-of-music.htm

 

 

 

 

AWAKE

August issue

NEWS FROM THE DIOCESE OF WAKEFIELD

Received With Thanks

Wakefield Cathedral 9/9/08 12-45 am

 

 

THE CITIZEN

WAKEFIELD

City of Wakefield Metropolitan District Council

Issue 26 July/August 2006

THE PAPER FOR THE DISTRICT'S RESIDENTS

Page 11

"WOW What's On in Wakefield District"

"DIARY OF FORTHCOMING EVENTS"

 

 

FIRST CONTACT

THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE

Edited by Ben Nova and Byron Preiss 1990

Page 256

"Two types of unexplained signals were detected during this search. The first kind is quite rare, with the best example being the 'Wow' signal found in 1977. This /Page 257/ name was unintenionally applied from Jerry Ehman's comments in the margin of the computer printout when he noticed the signal. The signal was unmistakably strong and had all the characteristics of an extra-terrestrial signal."

"We searched in the direction of the 'Wow!' signal hundreds of times after its discovery and over a wide frequency range. We never found the signal again.

"...the 'Wow signal was received only once..."

"What was the wow signal? Probably we will never know."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

The Sentinel

"I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but wait.

I do not think we will have to wait for long."

 

 

FIRST CONTACT

THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE

Edited by Ben Nova and Byron Preiss 1990

Page 330

ANSWER PLEASE ANSWER

Ben Nova

Page 339

'Holy Mother of God'

Page 340

'They're sending out a signal'

Page 340

'It must be in some form of code . . . but a code that they feel can be easily cracked by anyone with enough intelligence to realize that there's a message there.'

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

THOSE

PATENT PATIENT PATENTED PATTERN

MAKERS

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
-
15
-
-
+
=
15
1+5
=
6
=
6
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
-
3
6
4
5
+
=
18
1+8
=
9
=
9
-
4
C
O
D
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
27
4
C
O
D
E
-
-
18
-
-
4
-
18
2+7
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
9
4
C
O
D
E
-
-
9
-
-
4
-
9
-
-
3
6
4
5
-
-
-
-
-
-
-
-
9
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
+
=
15
1+5
=
6
=
6
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
3
-
4
5
+
=
12
1+2
=
3
=
3
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
3
6
4
5
+
=
18
1+8
=
9
=
9
4
C
O
D
E
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
6
occurs
x
1
=
6
4
C
O
D
E
-
-
18
-
-
4
-
18
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
4
C
O
D
E
-
-
9
-
-
4
-
9
-
3
6
4
5
-
-
-
-
-
-
-
-
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

-
SIGNAL
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
SIGNAL
62
35
26
-
-
6+2
3+5
2+6
7
SIGNAL
8
8
8

 

 

-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
=
8
-
-
1
9
7
5
1
3
+
=
26
2+6
=
8
=
8
-
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
1
2
-
-
-
-
-
-
-
-
-
2
TWO
2
--
--
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
--
--
--
--
--
-
-
4
FOUR
4
--
--
--
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
6
SIX
6
--
--
--
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
8
EIGHT
8
--
--
--
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
2+0
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9
-
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9

 

 

-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
-
8
-
1
9
7
5
1
3
+
=
26
2+6
=
8
-
8
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
1
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

SIGNALS WHAT SIGNALS

 

 

7
SIGNALS
81
27
9
4
WHAT
52
16
7
7
SIGNALS
81
27
9

 

 

-
SIGNALS
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
1
S
19
10
1
7
SIGNALS
81
45
27
-
--
8+1
4+5
2+7
7
SIGNALS
9
9
9

 

 

-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
-
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
--
--
--
--
--
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
2+0
-
-
9
-
-
-
-
-
-
-
2+5
-
-
-
-
2+7
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

-
A SIGNAL
-
-
-
1
A
1
1
1
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
A SIGNAL
63
36
27
-
-
6+3
3+6
2+7
7
A SIGNAL
9
9
9

 

 

-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
=
3
-
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
=
3
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
=
9
-
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
=
9
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
--
--
--
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
-
-
--
--
--
--
--
-
-
4
FOUR
4
--
--
--
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
--
-
-
--
--
--
--
--
-
-
6
SIX
6
--
--
--
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
--
-
-
--
--
--
--
--
-
-
8
EIGHT
8
--
--
--
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
2+0
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
-
3
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
-
3
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
-
9
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
-
9
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
1
T
20
2
2
2
HA
9
9
9
1
T
20
2
2
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
11
O THAT SIGNAL
126
54
45
1+1
-
1+2+6
5+4
4+5
2
O THAT SIGNAL
9
9
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
4
THAT
49
13
4
6
SIGNAL
62
26
8
11
O THAT SIGNAL
126
45
18
1+1
-
1+2+6
4+5
1+8
2
O THAT SIGNAL
9
9
9

 

 

-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
6
-
-
8
-
-
-
1
9
-
5
-
-
+
=
29
2+9
=
11
1+1
2
-
-
15
-
-
8
-
-
-
19
9
-
14
-
-
+
=
65
6+5
=
11
1+1
2
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
2
-
1
2
-
-
-
7
-
1
3
+
=
16
1+6
=
7
=
7
-
-
-
-
20
-
1
20
-
-
-
7
-
1
12
+
=
61
6+1
=
7
=
7
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
15
-
20
8
1
20
-
19
9
7
14
1
12
+
=
126
1+2+6
=
9
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
+
=
45
4+5
=
9
-
9
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
--
-
-
-
--
--
--
--
--
-
-
4
FOUR
4
--
--
--
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
--
-
-
-
--
--
--
--
--
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
8
--
-
-
-
--
--
--
--
--
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
4
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
41
-
-
11
-
45
-
1+1
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+1
-
4+5
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
5
-
+
8
9
-
-
-
1
9
6
+
=
55
5+5
=
10
1+0
1
=
1
-
-
-
9
-
8
-
-
-
14
-
-
8
9
-
-
-
19
9
24
+
=
100
1+0+0
=
1
2+0
1
=
1
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-
2
5
5
-
+
2
-
-
9
2
7
-
-
-
+
=
44
4+4
=
8
=
8
=
8
-
-
5
-
7
-
20
5
5
-
+
20
-
-
18
20
25
-
-
-
+
=
125
1+2+5
=
8
=
8
=
8
-
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
9
7
8
20
5
5
14
+
20
8
9
18
20
25
19
9
24
+
=
225
2+2+5
=
9
=
9
=
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
99
9+9
=
18
=
9
=
9
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
1
-
-
+
=
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
+
2
-
-
-
2
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
5
5
+
-
-
-
-
-
-
-
-
-
+
=
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
6
+
=
6
occurs
x
1
=
6
-
6
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
9
-
-
-
-
-
-
+
-
-
9
9
-
-
-
9
-
+
=
9
occurs
x
4
=
36
3+6
9
7
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
38
-
-
17
-
99
-
36
-
1+7
-
9
-
-
-
-
-
-
-
-
-
9
9
-
-
-
9
-
-
-
3+8
-
-
1+7
-
9+9
-
3+6
7
8
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
11
-
-
8
-
18
-
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
1+1
-
-
-
-
1+8
-
-
7
8
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
2
-
-
8
-
9
-
9

 

 

17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
5
-
+
8
9
-
-
-
1
9
6
+
=
55
5+5
=
10
1+0
1
=
1
-
-
9
-
8
-
-
-
14
-
-
8
9
-
-
-
19
9
24
+
=
100
1+0+0
=
1
2+0
1
=
1
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-
2
5
5
-
+
2
-
-
9
2
7
-
-
-
+
=
44
4+4
=
8
=
8
=
8
-
5
-
7
-
20
5
5
-
+
20
-
-
18
20
25
-
-
-
+
=
125
1+2+5
=
8
=
8
=
8
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
5
9
7
8
20
5
5
14
+
20
8
9
18
20
25
19
9
24
+
=
225
2+2+5
=
9
=
9
=
9
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
99
9+9
=
18
=
9
=
9
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
1
-
-
+
=
1
occurs
x
1
=
1
=
1
+
-
-
-
-
2
-
-
-
+
2
-
-
-
2
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
+
5
-
-
-
-
5
5
5
+
-
-
-
-
-
-
-
-
-
+
=
5
occurs
x
4
=
20
2+0
2
+
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
6
+
=
6
occurs
x
1
=
6
-
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
+
-
9
-
-
-
-
-
-
+
-
-
9
9
-
-
-
9
-
+
=
9
occurs
x
4
=
36
3+6
9
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
38
-
-
17
-
99
-
36
1+7
-
9
-
-
-
-
-
-
-
-
-
9
9
-
-
-
9
-
-
-
3+8
-
-
1+7
-
9+9
-
3+6
8
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
11
-
-
8
-
18
-
9
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
1+1
-
-
-
-
1+8
-
-
8
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
2
-
-
8
-
9
-
9

 

 

-
THE SOLAR SYSTEM
-
-
-
3
THE
33
15
6
5
SOLAR
65
29
2
6
SYSTEM
101
38
2
14
THE SOLAR SYSTEM
199
82
10
1+4
-
1+9+9
8+2
1+0
5
THE SOLAR SYSTEM
19
10
1
-
-
1+9
1+0
-
5
THE SOLAR SYSTEM
10
1
1
-
-
1+0
-
-
5
THE SOLAR SYSTEM
1
1
1

 

 

3
SUN
54
9
9
7
MERCURY
103
40
4
5
VENUS
81
18
9
5
EARTH
52
25
7
4
MOON
57
21
3
4
MARS
51
15
6
7
JUPITER
99
36
9
6
SATURN
93
21
3
6
URANUS
94
22
4
7
NEPTUNE
95
32
5
5
PLUTO
84
21
3
59
First Total
863
260
62
5+9
Add to Reduce
8+6+3
2+6
6+2
16
Second Total
17
8
8
1+6
Reduce to Deduce
1+7
-
-
7
Essence of Number
8
8
8

 

 

3
SUN
54
9
9
5
EARTH
52
25
7
4
MOON
57
21
3
12
First Total
163
55
19
1+2
Add to Reduce
1+6+3
5+5
1+9
3
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
3
Essence of Number
1
1
1

 

 

T
=
2
-
3
THE
33
15
6
S
=
1
-
4
SONG
55
28
1
O
=
6
-
2
OF
21
12
3
D
=
4
-
5
DAVID
40
22
4
-
-
13
4
14
First Total
149
77
14
-
-
1+3
-
1+4
Add to Reduce
1+4+9
7+7
1+4
-
-
4
-
5
Second Total
14
14
5
-
-
-
4
-
Reduce to Deduce
1+4
1+4
-
-
-
4
5
5
Essence of Number
5
5
5

 

 

The Upside Down of the Downside Up

 

 

QUESTION ON I QUEST ON QUEST I ON QUESTION

?

 

2
IS
28
19
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
189
90
18
3+3
Add to Reduce
1+8+9
9+0
1+8
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

ANSWERING I SAY READING THAT I ME THAT ME I THAT SAY I READING ANSWERING

THAT

QUESTION

SAY

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

-
HAPPY BIRTHDAY
--
--
--
5
HAPPY
66
30
3
8
BIRTHDAY
87
42
6
13
HAPPY BIRTHDAY
153
72
9
1+3
-
1+5+3
7+2
-
4
HAPPY BIRTHDAY
9
9
9

 

 

-
HAPPY BIRTHDAY
--
--
--
5
HAPPY
66
30
3
5
BIRTH
57
30
3
3
DAY
30
12
3
13
HAPPY BIRTHDAY
153
72
9
1+3
-
1+5+3
7+2
-
4
HAPPY BIRTHDAY
9
9
9

 

 

-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
-
7
-
7
-
7
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
-
7
-
7
-
7
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
1
7
7
7
-
2
-
9
2
-
-
4
1
7
+
=
47
4+7
=
11
1+1
2
-
2
-
2
-
-
-
1
16
16
25
-
2
-
18
20
-
-
4
1
25
+
=
128
1+2+8
=
11
1+1
2
-
2
-
2
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
8
1
16
16
25
-
2
9
18
20
8
-
4
1
25
+
=
153
1+5+3
=
9
-
9
-
9
-
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
+
=
72
4+4
=
9
-
9
-
9
-
9
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
2
-
-
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
4
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
4
=
28
2+8
10
1+0
1
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
7
-
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
-
9
14
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
31
-
-
9
-
72
-
36
-
27
1+4
1+3
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
3+1
-
-
-
-
7+2
-
3+6
-
2+7
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
-
-
-
-
-
-
-
-
-
-
-
-
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9

 

 

13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
-
7
-
7
-
7
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
-
7
-
7
-
7
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
1
7
7
7
-
2
-
9
2
-
-
4
1
7
+
=
47
4+7
=
11
1+1
2
-
2
-
2
-
-
1
16
16
25
-
2
-
18
20
-
-
4
1
25
+
=
128
1+2+8
=
11
1+1
2
-
2
-
2
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
8
1
16
16
25
-
2
9
18
20
8
-
4
1
25
+
=
153
1+5+3
=
9
-
9
-
9
-
9
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
+
=
72
4+4
=
9
-
9
-
9
-
9
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
2
-
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
4
-
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
4
=
28
2+8
10
1+0
1
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
7
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
-
9
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
31
-
-
9
-
72
-
36
-
27
1+3
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
3+1
-
-
-
-
7+2
-
3+6
-
2+7
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
-
-
-
-
-
-
-
-
-
-
-
-
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9

 

 

-
DAVID
-
-
-
-
D+A+V
27
9
9
-
I
9
9
9
-
D
4
4
4

5

DAVID
40
22
22
-
-
4+0
2+2
2+2

5

DAVID
4
4
4

 

 

DAILY MAIL

Tuesday, July 12, 2006

ANSWERS TO CORRESPONDENTS

Compiled by James Black and Charles Legge

Page 48

QUESTION When was the Star of David first used as a symbol?

ACCORDING to research under­taken by Christopher Knight and Robert Lomas fot their book The Hiram Key, which studies the history of Freemasonry, the origins of the hexagram are ancient Egyptian. The design is made up from two pyramids, the upward pointing one is the symbol of the power of the king; its base on the earth and its point reaching up to heaven.
The other pyramid represents the power of the priest, being based in heaven and pointing down to earth. Conjoined they form the Star of David.

The two pyramids came to represent the double Messiah; the kingly and the priestly messiahs.

As such, it is the true sign of Jesus who saw himself as a both priestly (he was a rabbi) and kingly (royal House of David) Messiah - the living 'star of David'.
The star of David does not appear in ancient Jewish books other than as one of many decorations, having no special significance to Jews at that time. It was used in Europe on buildings erected by the Knights Templar and on Christian churches in the Middle-Ages.
In the 19th century the mostly non-Jewish architects who designed synagogues wanted a symbol which was as important as the
Cross was to Christianity or the ­ crescent was to Islam. Searching around, they settled on the hexagram, so its use as the symbol of Judaism is relatively modern"

James Morris Leighton Buzzard, Beds:

 

 

DAILY MAIL

Tuesday, April 10, 2007

Jonathan Cainer

Page 42

Jonathan writes: Why am I travelling to Tibet to investigate a prophecy from Mexico? It has something to do with ancient cultures, complicated cosmologies and poignant predictions. On my way, I passed through Delhi, where there is a temple dedicated to Saturn. Word has not yet reached them there about the newly-discovered hexagon at Saturn's north pole. I have, however, been dwelling on this. The Star of David is hexagonal. Could Saturn have a message about the future of Israel?

 

 

"HOW YOU HAVE FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING"

 

 

DAILY MAIL

Tuesday, April 10, 2007

Littlejohn

Page 15

".........David who........."

".........David........."

".........Call me Dave........."

 

 

A MAN NAMED DAVE

Dave Pelzer

1999

A Story Of Triumph And Forgiveness

 

 

DAILY MAIL

Tuesday, April 10, 2007

Roy Hattersley

Page 16

"Passion in the Rhubarb Triangle"

"The junction of the M1 and M62. Leeds, Bradford and Wakefield are all about three miles away"

".........Leeds Wakefield and Bradford........."

"For .this is a part of rural England that the guide books often ignore"

".........England........."

".........English........."

".........England's towns and England's countryside........."

"The roads meet at the heart of 'the rhubarb Triagle'. Around are the fields of David........."

".........DAVID ........."

".........David ........."

".........David ........."

".........David ........."

".........David ........."

".........David ........."

".........Good Friday........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Ephraim Hardcastle

Page 17

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

James Slack Home Affairs Editor

Page 20

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Richard Kay

Page 35

".........David........."

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Barney Calman Good Health

Page 50

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

David Williams Good Health

Page 51

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Television Radio

Page 52

".........David........."

".........David........."

Page 53

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

ANSWERS TO CORRESPONDENTS

Compiled by James Black and Charles Legge

Page 58

".........David........."

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

James Ashton City and Finance

Page 64

".........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Richard Bott Rugby League

Page 68

".........David........."

".........Wakefield on Good Friday........."

".........David........."

".........Wakefield........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Graham Otway, Neil Hallam. Championship

Page 72

"........David........."

"........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Chris Wheeler Championship

Page 73

".........Davey's........."

".........Davey........."

"........Dave........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Simon Cass Premiership

Page 76

"........David........."

"........David........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Peter Ferguson Premiership

Page 77

"........David........."

 

 

Page
15
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
15
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
15
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVE
32
14
5
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVE
32
14
5
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVE
32
14
5
Page
16
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVE
32
14
5
-
-
-
-
-
-
-
Page
17
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
20
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
35
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
35
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
42
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
50
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
51
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
52
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
52
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
53
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
54
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
54
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
58
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
58
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
64
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
68
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
68
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
72
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
72
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
73
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVEY'S
76
22
4
Page
73
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVEY
75
21
3
Page
73
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVE
32
14
5
-
-
-
-
-
-
-
Page
76
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
Page
76
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4
-
-
-
-
-
-
-
Page
77
DAILY MAIL TUESDAY, APRIL 10, 2007
DAVID
44
22
4

 

 

WAKEFIELD EXPRESS

Graham Poucher

Friday April 13 2007

Vision of the future

Page 3

"........Dave........."

Page 4

"........David........."

Page 13

"........David........."

"........David........."

"........David........."

"........David........."

Page 17

"........David........."

Page 20

"........Dave........."

"........David........."

Page 26

"........David........."

Page 31

"........David........."

"........David........."

Page 31

"........David........."

 

 

THE FOLLOWING OF THE STAR

Florence L.Barclay 1911

Chapter 1

GOLD

Page 9

".........David........."

".........Bible........."

"...and David felt as did the young David of old, when he had paused at the brook and chosen five smooth stones for his sling, on his way to meet the mighty champion of the philistines, David now felt ready to go forward and fight the Goliath of apathy and inattention; the life long habit of not listening to the voice..."

".........David........."

 

 

THE FOLLOWING OF THE STAR

Florence L.Barclay 1911

Page 32

David Stirs the Still Waters

"As he stood silent, while the congregation settled into their seats, looking down he met the grey eyes of his Lady of Mystery. They said: " I am waiting. I have come for this."

Instantly the sense of inspiration filled him.

With glad assurance he gave out his text. "The gospel according to St. Matthew, the second chapter, the tenth and eleventh verses: 'When they saw the star, they rejoiced with exceeding great joy. . . . And when they had opened their treasures, they presented unto Him gifts; gold, and frankincense, and myrrh.' "

Page 33

"My friends," he said, .. although it is Christmas Eve, I speak to you to-night on the Epiphany subject, because, when the great Feast of Epiphany comes, I shall no longer have the privilege of addressing you. I expect to be on the ocean, on my way to carry the Christmas message of 'Peace on earth goodwill towards men, '........."


"Our text deals with the experience of those Wise Men of the East, who, guided by the star, journeyed over the desert in quest of the new-born King. Now, if I were to ask this congregation to tell me how many Wise Men there were, I wonder which of you would answer' three.' "

Page 34

"No one looked in the least interested. What a silly question! What a senseless cause for wonder! Of course they would all answer" three." The youngest infant in the Sunday School knew that there were three Wise Men.

" But why should you say' three' ? " continued David. "We are not told in the Bible how many Wise Men.there were. Look and see."

The Smith and Jones families made no move. They knew perfectly well that their Bibles said "three." If this young man's Bible omitted to mention the orthodox number, it was only another of many omissions in his new-fangled Bible and unsound preaching. It would be one thing more to report to the Rector on his return.

But his Lady of Mystery leaned forward, took up a Bible which chanced to be beside her, turned rapidly to Matthew ii., bent over it for a moment, then smiled, and laid it down. David knew she had made sure of finding" three," and had not found it. He took courage. She was interested.

He launched into his subject. In vivid words, more full of poetry and beauty than he knew, he rapidly painted the scene; the long journey through the eastern desert, with eyes upon the star; the anxious days, when it could not be seen, and the route might so easily be missed; the glad nights when it shone again, luminous, serene, still moving on before. The arrival at Jerusalem, the onward quest to Bethlehem, the finding of the King.

Then, the actual story fully dealt with, David turned to application.
"My friends," he said, this earthly life of ours is the desert. Your pilgrimage lies across its ofttimes dreary wastes. But if your journey is to be to any purpose, if life is to be a success and not a failure, its main object must be the find­ / Page 35 / ing of the King. His guiding Spirit moves before you as the star. His word is also the heavenly lamp which lights your way. But I want, to­night, to give you a third meaning for the Epiphany star. The star stands for your highest Ideal. Pause a moment, and think. . . . Have you in your life to-night a heaven-sent Ideal, to which you are always true; which you follow faithfully, and which, as you follow it, leads to the King? "

David paused. Mrs Jones rustled, and Mrs. Smith tinkled, but David heard them not. The Lady of Mystery had lifted her eyes to his, and those beautiful sad eyes said: "I had."

"They lost sight of the star," said David.

" Their hearts were sad, thinking they had lost it forever. But they found it again at Jerusalem­place of God's holy temple and worship. Here is your Jerusalem. Lift your eyes to-night, higher than the mere church roof, and find again your lost star; see where shines your Ideal-your faith, your hope, your love, your belief in things eternal. . And when they saw the star they rejoiced.' "

David paused.

Long lashes veiled the grey eyes. Her hands were folded in her lap, and her eyes were not lifted from them.
When these desert-travellers found the King," continued David, "they opened their treasures and presented unto Him gifts, -gold, and frankincense, and myrrh. I know this is usually taken in relation to Himself, and as being, in a threefold way, typical of His mission: Gold for the King; frankincense for the great High Priest; myrrh for the suffering, dying Saviour, who was to give His life for the redemption of the world."

Page 68

"Suddenly out shone a star - clear, luminous divine:"

Page 126

The Voice in the Night

"There was as yet, no sign of dawn, but through the frosty pane, right before him, as a / Page 127 / lamp in the purple sky, shone the bright morning star.
Cold though he was, stiff from his long night vigil, David threw up the window-sash, that he might see the star shine clearly, undimmed by frosty fronds, traced on the window-pane.

He dropped on one knee, folding his arms upon the woodwork of the sill.
"My God," he said, looking upward, his eyes on the morning star; "I thank Thee for light; I thank Thee for love; I thank Thee for the guiding star! I thank Thee, that heavenly love aud earthly love can meet, in one bright radiant Ideal."

 

 

DAILY MAIL

Wednesday, April 25, 2007

Daily Mail Reporter

Page 24

"........David........."

"........David........."

"........David........."

Page 28

"........Dave........."

"........David........."

"........Dave........."

"........Dave........."

"........Dave........."

"........Dave........."

"........Dave........."

Page 28

"........Dave........."

"........David........."

".........amen to that........."

 

 

The word 'amen' is the value 99 in Greek numerals and appears in the Bible (Old and New testament) 99 times.Wikepedia

 

 

AMEN

AMEN ALL MEN ALL MEN AMEN

AMEN ALL WOMEN ALL WOMEN AMEN

AMEN NAME NAME AMENAMEN NAME NAME AMENAMEN NAME NAME AMEN

 

 

THE FOLLOWING OF THE STAR

Florence L.Barclay 1911

Page 71

" And some have never loved Thee well, And some have lost the love they had,"

"Presently David's voice arose in glad tones of certainty: "

Thy touch has still its ancient power;

No word from Thee can fruitless fall;

Hear, in this solemn evening hour,

And in Thy mercy, heal us all;

Oh heal us all

"The last notes of the quiet Amen died away."

 

 

HOLY BIBLE

Scofield References

REVELATION

C 21

Page 1351

REVELATION

C 21 V1

 

And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. 2 And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.3 And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God.4 And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.5 And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful.6 And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely.7 He that overcometh shall inherit all things; and I will be his God, and he shall be my son."

 

 

I

THAT AM THE HE AS IN SHE THAT IS THEE

 

 

DAILY MAIL

Wednesday, April 25, 2007

Front Page

"THE NEW EARTH"

"Does the discovery of a planet just like ours mean there IS life out there ?"

Page 12/13

"FOUND; THE NEW EARTH"

Michael Hanlon Science Editor

Page 12

"A newly discovered planet is the most stunning evidence that life - just like us - might be out there"

Page 13

"The Search for Extraterrestrial Intelligence Institute uses radio telescopes to try to

pick up messages sent by alien civilisations."

"Quite what would happen happen if we did receive a signal is unclear."

 

 

WHEN YOU WISH UPON A STAR

 

 

-
I AM DAVID
-
-
-
1
I
9
9
9
2
AM
14
5
5
5
DAVID
40
22
4

8

DAVID AM I
63
36
18
-
-
6+3
3+6
1+8

8

I AM DAVID
9
9
9

 

MAY 21, 1939

 

 

I

AM

DAVID

Anne Holm 1963

Translated from the Danish by L. W. Kingsland

Page 99

"........David........."

"........David........."

"........David........."

"........David........."

"........David........."

"........David........."

 

 

CABINET OFFICE

Civil Service PensionsForm P60 End Of Year Certificate

Received 27, April 2007

D Denison

9 Windsor Road

CAPITA HARTSHEAD

"Paymaster (1836) Ltd no longer pays your pension and has passed all its records to Capita"

 

 

-
GODS
-
-
-
6
SORROW
108
36
9
-
GODS
-
-
-
5
TEARS
63
18
9
-
GODS
-
-
-
4
LOVE
54
18
9

 

 

THE TIBETAN BOOK OF THE DEAD

Or

The After Death Experience on the Bardo Plane,

according to Lama Kazi Dawa-Samdup's English Rendering

Compiled and edited Edited by W. Y. Evans-Wentz 1960

Facing Preface To The Paperback Edition

'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this calling to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.

'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.

The Book of the Craft of Dying (Comper's Edition).

'Whatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is difference here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"

Facing Preface to the Second Edition

BONDAGE TO REBIRTH

"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth
.' "

Brihadaranyaka Upanishad

FREEDOM FROM REBIRTH

'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'

Katha U panishad.
(Swami Prabhavananda's and Frederick Manchester's Translations).

Page xi

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

Page xx

"......... Denison........."

 

 

INCARNATION

THE DEAD RETURN

Daniel Easterman 1998

Page 99

"........David........."

Page 3

"The old man's name was Dennison"

 

 

NEW TESTAMENT

Pocket Testament League

A gift from Mr A.Bird at a chance meeting on Wakefield's New Bridge

Front cover is self signed

Name

"David Denison Aged 10 years"

Back cover name and date inscribed by Mr A. Bird (Dennison is a misspelling)

FOR GOD so loved the world that He gave His only begotten Son, that

DAVID DENNISON

who believeth in Him should not perish but have everlasting life.

10 - 5 - 50

 

 

THE

PATH OF PTAH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

THE

VIRGIN BIRTH IS TO BE REBORN OF WATER

AND

SPIRIT GODS HOLY SPIRIT

AFTER

HAVING ENDURED

THE DEATH OF THE

I ME EGO SELF I SELF EGO ME I

WEIGHED IN THE BALANCE AND NOT FOUND WANTING

EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE

 

 

ISISIS

THE RESURRECTION AND THE LIFE

UNLESS THAT HE AZIN SHE THAT IS THEE

IZ

BORN AGAIN AND AGAIN BORN

THOU CANST NOT ENTER THE KINGDOM OF EVEN

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
-
10
REMEMBERED
88
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
11
DISMEMBERED
97
52
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
5
RIGHT
80
35
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
3
WAY
49
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
D
=
4
-
3
DIE
18
18
9
-
-
-
-
-
-
-
-
-
9
-
-
53
-
52
First Total
558
270
72
-
1
2
3
4
5
6
28
16
9
-
-
5+3
-
5+2
Add to Reduce
5+5+8
2+7+0
7+2
-
-
-
-
-
-
-
2+8
1+6
-
-
-
8
-
7
Second Total
18
9
9
-
1
2
3
4
5
6
10
10
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
1+0
1+0
-
-
-
8
-
7
Essence of Number
9
9
9
-
1
2
3
4
5
6
1
1
9

 

 

I

ME

YEA

THOUGH I WALK THROUGH

THE

VALLEY OF THE SHADOW OF DEATH

I

WILL FEAR NO EVIL FOR THOU ART WITH

ME

 

 

 

THE

PATH OF PTAH

DARK BALANCING LIGHT LIGHT BALANCING DARK

LIGHT BALANCING DARK DARK BALANCING LIGHT

SET OSIRIS HORUS ISIS ISIS HORUS OSIRIS SET

OSIRIS ISIS CREATORS SPIRIT CREATORS SPIRIT CREATORS ISIS OSIRIS

BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT

 

 

B
=
2
7

BELOVED

65

29

2
I
=
9
3

ISIS

56
20
2
Q
=
8
3

QUEEN

62
26
8
O
=
6
5

OF

21
12
3
T
=
2
4

THE

33
15
6
N
=
5
4

NIGHT

58
31
4
C
=
3
3

COME

36
18
9
W
=
5
5

WEAVE

56
20
2
T
=
2
5

THY

53
17
8
W
=
5
4

WEB

30
12
3
W
=
5
5

WITH

60
24
6
R
=
9
5

RAPID

48
30
3
L
=
3
4

LIGHT

56
29
2
-
-
64
55
-
634
283
58
-
-
6+4
5+5
-
6+3+4
2+8+3
5+8
-
-
10
10
-
13
13
13
-
-
1+0
5+5
-
1+3
1+3
1+3
-
-
1
1
-
4
4
4

 

 

I

ME

YOU DIVINE YOU

IN

GODS

NAME

THAT THAT THAT

ISISIS

HOLY HOLY HOLY

GODDESS O GODDESS

GOOD QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT

AMEN AMEN AMEN AH MEN HA WOMEN WOMEN HA MEN AH AMEN AMEN AMEN

 

 

HOLY BIBLE

Scofield References

REVELATION

Page 1353

16

".........I am the root and the off spring of David, and the bright and morning star.

17

And the Spirit and the bride say, Come. And let him that heareth say, Come. And let him that is athirst come.

And whosoever will, let him take the water of life freely"

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

HOLY BIBLE

Scofield References

REVELATION

Page 1353

16

"I am the root and the off spring of David, and the bright and morning star."

 

 

A
=
1
-
1
A
1
1
1
S
=
1
-
4
SONG
55
19
1
O
=
6
-
2
OF
21
12
3
D
=
4
-
5
DAVID
40
22
4
-
-
12
-
12
LOVE
117
54
9
-
-
1+2
-
1+2
GODS
1+1+7
5+4
-
-
-
3
-
3
LOVE
9
9
9
-
-
-
-
-
LOVE
-
-
-
-
-
3
-
3
LOVE
9
9
9

 

 

-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
1
6
5
-
-
6
-
-
-
-
-
9
-
+
=
27
2+7
=
9
=
9
=
9
-
-
-
-
19
15
14
-
-
15
-
-
-
-
-
9
-
+
=
72
7+2
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
1
-
-
-
-
7
-
-
6
-
4
1
4
-
4
+
=
27
2+7
=
9
=
9
=
9
-
-
1
-
-
-
-
7
-
-
6
-
4
1
22
-
4
+
=
45
4+5
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
1
-
19
15
14
7
-
15
6
-
4
1
22
9
4
+
=
117
1+1+7
=
9
=
9
=
9
-
-
1
-
1
6
5
7
-
6
6
-
4
1
4
9
4
+
=
54
5+4
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
2
``-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
4
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
6
-
-
-
6
6
-
-
-
-
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
12
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
16
-
-
12
-
54
-
36
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
1+6
-
-
1+2
-
5+4
-
3+6
13
3
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
7
-
-
3
-
9
-
9
-
-
1
-
1
6
5
7
-
6
6
-
4
1
4
9
4
-
-
-
-
-
-
-
-
-
`-
13
3
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
7
-
-
3
-
9
-
9

 

 

-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
1
6
5
-
-
6
-
-
-
-
-
9
-
+
=
27
2+7
=
9
=
9
=
9
-
-
-
-
19
15
14
-
-
15
-
-
-
-
-
9
-
+
=
72
7+2
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
1
-
-
-
-
7
-
-
6
-
4
1
4
-
4
+
=
27
2+7
=
9
=
9
=
9
-
-
1
-
-
-
-
7
-
-
6
-
4
1
22
-
4
+
=
45
4+5
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
--
-
-
-
-
-
-
1
-
19
15
14
7
-
15
6
-
4
1
22
9
4
+
=
117
1+1+7
=
9
=
9
=
9
-
-
1
-
1
6
5
7
-
6
6
-
4
1
4
9
4
+
=
54
5+4
=
9
=
9
=
9
-
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
4
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
6
-
-
-
6
6
-
-
-
-
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
12
12
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
16
-
-
12
-
54
-
36
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
1+6
-
-
1+2
-
5+4
-
3+6
13
3
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
7
-
-
3
-
9
-
9
-
-
1
-
1
6
5
7
-
6
6
-
4
1
4
9
4
-
-
-
-
-
-
-
-
-
`-
13
3
A
-
S
O
N
G
-
O
F
-
D
A
V
I
D
-
-
7
-
-
3
-
9
-
9

 

 

A

MYSTERIOUS

VOICE IN THE NIGHT

LOVE EVOLVE LOVE EVOLVE LOVE

-
DAVID
-
-
-
-
D+A+V
27
9
9
-
I
9
9
9
-
D
4
4
4

5

DAVID
40
22
22
-
-
4+0
2+2
2+2

5

DAVID
4
4
4

 

 

-
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
+
=
9
-
=
9
=
9
=
9
-
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
4
1
4
-
4
+
=
13
1+3
=
4
=
4
=
4
-
-
4
1
22
-
4
+
=
31
3+1
=
4
=
4
=
4
-
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
4
1
22
9
4
+
=
40
4+0
=
4
=
4
=
4
-
-
4
1
4
9
4
+
=
22
2+2
=
4
=
4
=
4
-
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
4
-
4
-
4
-
-
4
occurs
x
3
=
12
1+2
3
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
31
5
D
A
V
I
D
-
-
14
-
-
5
-
22
-
13
3+1
-
-
-
-
9
-
-
-
1+4
-
-
-
-
2+2
-
1+3
4
5
D
A
V
I
D
-
-
5
-
-
5
-
4
-
4
-
-
4
1
4
9
4
-
-
-
-
-
-
-
-
-
-
4
5
D
A
V
I
D
-
-
5
-
-
5
-
4
-
4

 

 

5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
+
=
9
-
=
9
=
9
=
9
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
4
1
4
-
4
+
=
13
1+3
=
4
=
4
=
4
-
4
1
22
-
4
+
=
31
3+1
=
4
=
4
=
4
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
4
1
22
9
4
+
=
40
4+0
=
4
=
4
=
4
-
4
1
4
9
4
+
=
22
2+2
=
4
=
4
=
4
5
D
A
V
I
D
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
4
-
4
-
4
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
5
D
A
V
I
D
-
-
14
-
-
5
-
22
-
13
-
-
-
-
9
-
-
-
1+4
-
-
-
-
2+2
-
1+3
5
D
A
V
I
D
-
-
5
-
-
5
-
4
-
4
-
4
1
4
9
4
-
-
-
-
-
-
-
-
-
-
5
D
A
V
I
D
-
-
5
-
-
5
-
4
-
4

 

 

THE DIVINE INVASION

Phillip Dick 1981

"The time you have waited for has come. The work is complete: the final world is here.

He has been transplanted and is alive."

-Mysterious voice in the night

Page 85

'What's wrong?' Elias put his arm around the boy and lifted him up to hold him. 'I've never seen you so upset.'

'He listened to that while my mother was dying!' Emmanuel stared into Elias's bearded face.

I remember, Emmanuel said to himself. I am beginning to remember who I am.

Elias said, 'What is it?' He held the boy tight.

It is happening, Emmanuel realized. At last. That was the first of the signal that I - I myself - prepared. Knowing it would eventually fire.

The two of them gazed into each other's faces. Neither the boy nor the man spoke. Trembling, Emmanuel clung to the old bearded man; he did not let himself fall.

'Do not fear,' Elias said.

'Elijah,' Emmanuel said. 'You are Elijah who comes first. Before the great and terrible day.'

Elias, holding the boy and rocking him gently, said, 'You have nothing to fear on that day.'

'But he does,' Emmanuel said. 'The Adversary whom' we hate. His time has come. I fear for him, knowing as I do, now, what is ahead.'

'Listen,' Elias said quietly.

How you have fallen from heaven, bright morning star, felled to the earth, sprawling helpless across the nations! You thought in your own mind, I will scale the heavens; I will set my throne high above the stars of God, I will sit on the mountain where the gods meet in the far recesses of the north. I will rise high above the cloud-banks and make myself like the Most High. Yet you shall be brought down to Sheol, to the depths of the abyss. Those who see you will stare at you, they will look at you and ponder. . .

Page 86

'You see?' Elias said. 'He is here. This is his place, this little world. He made it his fortress two thousand years ago, and set up a prison for the people as he did in Egypt.

For two thousand years the people have been crying and there was no response, no aid. He has them all. He'll thinks he is safe.'

Emmanuel, clutching the old man, began to cry.

'Still afraid?' Elias said.

Emmanuel said, 'I cry with them. I cry with my mother.

I cry with the dying dog who did not cry. I cry for them. And for Belial who fell, the bright morning star. Fell from heaven and began it all.'

And, he thought, I cry for myself. I am my mother; I am the dying dog and the suffering people, and I, he thought, am that bright morning star, too. . . even Belial; I am that and what it has become.
The old man held him fast."

 

 

DAILY MAIL

Wednesday, March 12, 2008

Allison Pearson

Page 15

"It's a bleak picture that brings to mind W.B. Yeats's great poem about a world where the natural order of things has catastrophically broken down: 'Things fall apart; the centre cannot hold;/Mere anarchy is loosed, and everywhere/The ceremony of innocence is drowned,'

 

 

"And now, things fall apart. The centre cannot hold. ... What W. B. Yeats’s ‘Second Coming’ Really Says About the Iraq War - New York Times ... en.wikipedia.org/wiki/The_Second Coming_(poem)

From Wikipedia, the free encyclopedia

"The Second Coming" is a poem by William Butler Yeats first printed in The Dial (November 1920) and afterwards included in his 1921 verse collection Michael Robartes and the Dancer. The poem uses religious symbolism to illustrate Yeats' anguish over the apparent decline of Europe's ruling class, and his occult belief that Western civilization (if not the whole world) was nearing the terminal point of a 2000-year historical cycle.

The poem was written in 1919 in the aftermath of the First World War.[1] The various manuscript revisions of the poem also have references to the French and Irish Revolutions as well as to Germany and Russia. It is highly doubtful that the poem was solely inspired by the Russian Revolution of 1917, which some claim Yeats viewed as a threat to the aristocratic class he favored .[citation needed]

Early drafts also included such lines as: "And there's no Burke to cry aloud no Pitt," and "The good are wavering, while the worst prevail."[citation needed]

The sphinx or sphinx-like beast described in the poem had long captivated Yeats' imagination. He wrote the Introduction to his play The Resurrection, "I began to imagine [around 1904], as always at my left side just out of the range of sight, a brazen winged beast which I associated with laughing, ecstatic destruction", noting that the beast was "Afterwards described in my poem 'The Second Coming'".

Critic Yvor Winters has observed, "…we must face the fact that Yeats' attitude toward the beast is different from ours: we may find the beast terrifying, but Yeats finds him satisfying – he is Yeats' judgment upon all that we regard as civilized. Yeats approves of this kind of brutality."

Manuscript variations can be found in Yeats, William Butler. Michael Robartes and the Dancer Manuscript Materials. Thomas Parkinson and Anne Brannen, eds. Ithaca, NY: Cornell University Press, 1994.

The Poem

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

Origins of terms

The word gyre used in the poem's first line is drawn from Yeats's book A Vision, which sets out a theory of history and metaphysics which Yeats claimed to have received from spirits. The theory of history articulated in A Vision centers on a diagram composed of two conical spirals, one situated inside the other, so that the widest part of one cone occupies the same plane as the tip of the other cone, and vice versa. Around these cones he imagined a set of spirals. Yeats claimed that this image (he called the spirals "gyres") captured contrary motions inherent within the process of history, and he divided each gyre into different regions that represented particular kinds of historical periods (and could also represent the psychological phases of an individual's development). Yeats believed that in 1921 the world was on the threshold of an apocalyptic moment, as history reached the end of the outer gyre (to speak roughly) and began moving along the inner gyre.

In his own notes, Yeats explained: "The end of an age, which always receives the revelation of the character of the next age, is represented by the coming of one gyre to its place of greatest expansion and of the other to that of its greatest contraction. At the present moment the life gyre is sweeping outward, unlike that before the birth of Christ which was narrowing, and has almost reached its greatest expansion. The revelation which approaches will however take its character from the contrary movement of the interior gyre. All our scientific, democratic, fact-accumulating, heterogeneous civilization belongs to the outward gyre and prepares not the continuance of itself but the revelation as in a lightning flash, though in a flash that will not strike only in one place, and will for a time be constantly repeated, of the civilization that must slowly take its place...when the revelation comes it will not come to the poor but to the great and learned and establish again for two thousand years prince and vizier."

The lines "The best lack all conviction, while the worst / Are full of passionate intensity" are a paraphrase of one of the most famous passages from Percy Bysshe Shelley's Prometheus Unbound, a book which Yeats, by his own admission, regarded from his childhood with religious awe:

In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
 
 
The phrase "stony sleep" is drawn from The Book of Urizen by William Blake (one of the poets Yeats studied most intensely). In Blake's poem, Urizen falls, unable to bear the battle in heaven he has provoked. To ward off the fiery wrath of his vengeful brother Eternals, he frames a rocky womb for himself: "But Urizen laid in a stony sleep / Unorganiz'd, rent from Eternity." During this stony sleep, Urizen goes through seven ages of creation-birth as fallen man, until he emerges. This is the man who becomes the Sphinx of Egypt.

In the early drafts of the poem, Yeats used the phrase "the Second Birth", but substituted the phrase "Second Coming" while revising. His intent in doing so is not clear. The Second Coming described in the Biblical Book of Revelation is here anticipated as gathering dark forces that would fill the population's need for meaning with a ghastly and dangerous sense of purpose. Though Yeats's description has nothing in common with the typically envisioned Christian concept of the Second Coming of Christ, it fits with his view that something strange and heretofore unthinkable would come to succeed Christianity, just as Christ transformed the world upon his appearance.

The "spiritus mundi" (literally "spirit of the world") is a reference to Yeats' belief that each human mind is linked to a single vast intelligence, and that this intelligence causes certain universal symbols to appear in individual minds.

 

 

DAILY MAIL

Wednesday, March 12, 2008

Allison Pearson

Page 15

"It's a bleak picture that brings to mind W.B. Yeats's great poem about a world where the natural order of things has catastrophically broken down:

'Things fall apart; the centre cannot hold;/

Mere anarchy is loosed, and everywhere/

The ceremony of innocence is drowned,'

 

 

T
=
2
6
THINGS
77
32
5
F
=
6
4
FALL
31
13
4
A
=
1
5
APART
56
20
2
-
-
9
15
First Total
164
65
11
-
-
-
1+5
Add to Reduce
1+6+4
6+5
1+1
Q
-
9
6
Second Total
11
11
2
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
9
6
Essence of Number
2
2
2

 

 

T
=
2
3
THE
33
15
6
C
=
3
5
CENTRE
65
29
2
C
=
3
6
CANNOT
67
22
4
H
=
8
4
HOLD
39
21
3
-
-
16
18
First Total
204
87
15
-
-
1+6
1+8
Add to Reduce
2+0+4
8+7
1+5
Q
-
7
9
Second Total
6
15
6
-
-
-
-
Reduce to Deduce
-
1+5
-
-
-
7
9
Essence of Number
6
6
6

 

 

M
=
4
4
MERE
41
23
5
A
=
1
7
ANARCHY
70
34
7
I
=
9
2
IS
28
10
1
L
=
3
6
LOOSED
70
25
7
-
-
17
19
First Total
209
92
20
-
-
1+7
1+9
Add to Reduce
2+0+9
9+2
2+0
Q
-
8
10
Second Total
11
11
2
-
-
-
1+0
Reduce to Deduce
1+1
1+1
-
-
-
8
1
Essence of Number
2
2
2

 

 

A
=
1
3
AND
19
10
1
E
=
5
10
EVERYWHERE
134
62
8
T
=
2
3
THE
33
15
6
C
=
3
8
CEREMONY
98
44
8
O
=
6
2
OF
21
12
3
I
=
9
9
INNOCENCE
82
46
1
I
=
9
2
IS
28
10
1
D
=
4
7
DROWNED
83
38
2
-
-
39
44
First Total
498
237
30
-
-
3+9
4+4
Add to Reduce
4+9+8
2+3+7
3+0
Q
-
12
8
Second Total
21
12
3
-
-
1+2
-
Reduce to Deduce
2+1
1+2
-
-
-
3
8
Essence of Number
3
3
3

 

'Things fall apart; the centre cannot hold;/

Mere anarchy is loosed, and everywhere/

The ceremony of innocence is drowned,'

 

 

T
=
2
6
THINGS
77
32
5
F
=
6
4
FALL
31
13
4
A
=
1
5
APART
56
20
2
T
=
2
3
THE
33
15
6
C
=
3
5
CENTRE
65
29
2
C
=
3
6
CANNOT
67
22
4
H
=
8
4
HOLD
39
21
3
M
=
4
4
MERE
41
23
5
A
=
1
7
ANARCHY
70
34
7
I
=
9
2
IS
28
10
1
L
=
3
6
LOOSED
70
25
7
A
=
1
3
AND
19
10
1
E
=
5
10
EVERYWHERE
134
62
8
T
=
2
3
THE
33
15
6
C
=
3
8
CEREMONY
98
44
8
O
=
6
2
OF
21
12
3
I
=
9
9
INNOCENCE
82
46
1
I
=
9
2
IS
28
10
1
D
=
4
7
DROWNED
83
38
2
-
-
81
96
First Total
1075
481
76
-
-
8+1
9+6
Add to Reduce
1+0+7+5
4+8+1
7+6
Q
-
9
15
Second Total
13
13
13
-
-
-
1+5
Reduce to Deduce
1+3
1+3
1+3
-
-
9
6
Essence of Number
4
4
4

 

 

T
=
2
3
THE
33
15
6
C
=
3
5
CENTRE
65
29
2
C
=
3
6
CANNOT
67
22
4
H
=
8
4
HOLD
39
21
3
A
=
1
3
AND
19
10
1
T
=
2
3
THE
33
15
6
C
=
3
6
CIRCLE
50
32
5
I
=
9
2
IS
28
10
1
B
=
2
6
BROKEN
65
29
2
-
-
33
39
First Total
399
183
30
-
-
3+3
3+9
Add to Reduce
3+9+9
1+8+3
3+0
Q
-
6
12
Second Total
21
12
3
-
-
-
1+2
Reduce to Deduce
2+1
1+2
-
-
-
6
3
Essence of Number
3
3
3

 

 

3
THE
33
15
6
6
CIRCLE
50
32
5
2
IS
28
10
1
6
BROKEN
65
29
2
17
First Total
176
86
14
1+7
Add to Reduce
1+7+6
8+6
1+4
8
Second Total
14
14
5
-
Reduce to Deduce
1+4
1+4
-
8
Essence of Number
5
5
5

 

 

T
=
2
3
THE
33
15
6
C
=
3
6
CIRCLE
50
32
5
O
=
6
2
OF
21
12
3
T
=
2
3
THE
33
15
6
C
=
3
5
CYCLE
48
21
3
-
-
16
19
First Total
185
95
23
-
-
1+6
1+9
Add to Reduce
1+8+5
9+5
2+3
Q
-
7
10
Second Total
14
14
5
-
-
-
1+0
Reduce to Deduce
1+4
1+4
-
-
-
7
1
Essence of Number
5
5
5

 

 

-
THE CYCLE
-
-
-
3
THE
33
15
6
5
CYCLE
48
21
3
8
THE CYCLE
81
36
9
-
-
8+1
3+6
-
8
THE CYCLE
9
9
9

 

 

3
THE
33
15
6
5
CYCLE
48
21
3
8
UNENDING
88
43
7
16
First Total
169
79
16
1+6
Add to Reduce
1+6+9
7+9
1+6
7
Second Total
16
16
7
-
Reduce to Deduce
1+6
1+6
-
7
Essence of Number
7
7
7

 

 

-
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
+
=
17
1+7
=
8
-
8
-
8
-
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
--
-
-
-
-
-
-
4
1
4
-
3
-
-
3
4
-
4
1
4
+
=
28
2+8
=
10
1+0
1
-
1
-
-
13
1
13
-
3
-
-
12
4
-
4
1
4
+
=
55
5+5
=
10
1+0
1
-
1
-
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
--
-
-
-
-
-
-
13
1
13
-
3
8
9
12
4
-
4
1
4
+
=
72
7+2
=
9
=
9
-
9
-
-
4
1
4
-
3
8
9
3
4
-
4
1
4
+
=
45
4+5
=
9
-
9
-
9
-
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
-
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
-
-
-
-
3
occurs
x
2
=
6
-
6
-
-
4
-
4
-
-
-
-
-
4
-
4
-
4
-
-
4
occurs
x
5
=
20
2+0
2
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
-
9
20
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
25
-
-
11
-
45
-
27
2+0
1+1
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
2+5
-
-
1+1
-
4+5
-
2+7
2
2
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
7
-
-
2
-
9
-
9
-
-
4
1
4
-
3
8
9
3
4
-
4
1
4
-
-
-
-
-
-
-
-
-
-
2
2
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
7
-
-
2
-
9
-
9

 

 

11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
+
=
17
1+7
=
8
-
8
-
8
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
--
-
-
-
-
-
4
1
4
-
3
-
-
3
4
-
4
1
4
+
=
28
2+8
=
10
1+0
1
-
1
-
13
1
13
-
3
-
-
12
4
-
4
1
4
+
=
55
5+5
=
10
1+0
1
-
1
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
--
-
-
-
-
-
13
1
13
-
3
8
9
12
4
-
4
1
4
+
=
72
7+2
=
9
=
9
-
9
-
4
1
4
-
3
8
9
3
4
-
4
1
4
+
=
45
4+5
=
9
-
9
-
9
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
-
2
-
-
-
-
-
3
-
-
3
-
-
-
-
-
-
-
3
occurs
x
2
=
6
-
6
-
4
-
4
-
-
-
-
-
4
-
4
-
4
-
-
4
occurs
x
5
=
20
2+0
2
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
-
9
11
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
25
-
-
11
-
45
-
27
1+1
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
2+5
-
-
1+1
-
4+5
-
2+7
2
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
7
-
-
2
-
9
-
9
-
4
1
4
-
3
8
9
3
4
-
4
1
4
-
-
-
-
-
-
-
-
-
-
2
M
A
M
-
C
H
I
L
D
-
D
A
D
-
-
7
-
-
2
-
9
-
9

 

 

BURY MY HEART AT WOUNDED KNEE.

An Indian History of the American West.

Dee Brown.

First Published in Vintage 1991

"I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead.

 

 

THE FOUNTAIN OF LIFE

Prose And Verse From The Bible

Robert Prys Jones 1949

Page 118

ISAIAH

1

BRING NO MORE VAIN OBLATIONS


"TO what purpose is the multitude of your sacrifices unto me? saith the Lord: I am full of the burnt offerings of rams, and the fat of fed beasts; and I delight not in the blood of bullocks, or of lambs, or of he­goats. When ye come to appear before me, who hath required this at your hand, to tread my courts?
Bring no more vain oblations; incense is an abomination unto me; the new moons and sabbaths, the calling of assemblies, I cannot away with; it is iniquity, even the solemn meeting. Your new moons and your appointed feasts my soul hateth: they are a trouble to me; I am weary to bear them. And when ye spread forth your hands, I will hide mine eyes from you: yea, when ye make many prayers, I will not hear: your hands are full of blood.
Wash you, make you clean; put away the evils of your doings from before mine eyes; cease to do evil; learn to do well; seek judgment, relieve the oppressed, judge the fatherless, plead for the widow
.
Come now, and let us reason together, / Page 119 / saith the Lord; though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.

Page 119

ISAIAH

6

HERE AM I; SEND ME

IN the year that king Uzziah died I saw also the Lord sitting upon a throne, high and lifted up, and his train filled the temple. Above it stood the seraphims: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly. And one cried unto another, and said, Holy, holy, holy, is the Lord of hosts: the whole earth is full of his glory. And the posts of the door moved at the voice of him that cried, and the house was filled with smoke.
Then said I, Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the. King, the Lord of hosts.
Then flew one of the seraphims unto / Page 120 / me, having a live coal in his hand, which he had taken with the tongs from off the altar: and he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged. Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.

 

"Holy, holy, holy, is the Lord of hosts: the whole earth is full of his glory."

 

 

 

 

INRI

Jesus Nazarenus, Rex Iudaeorum

 

INRI - Wikipedia, the free encyclopedia 18 Apr 2009 ... INRI is an acronym of the Latin inscription IESVS·NAZARENVS·REX·IVDÆORVM (Jesus Nazarenus, Rex Iudaeorum), which translates to English as ...
en.wikipedia.org/wiki/INRI

 

INRI 9599 INRI

JESUS NAZARENUS REX IUDAEORUM

INRI 9599 INRI

 

 

DAILY MAIL

Tuesday, April 10, 2007

Page 10

"The other, Pinderfields Hospital in Wakefield, Yorkshire,"

Page 68

".........Wakefield on Good Friday........."

".........Wakefield........."

 

 

WAKEFIELD EXPRESS

Friday April 13 2007

Catherine Lea

wakefield express

'A very emotive and moving experience'

Page 35

"GOOD FRIDAY WALK OF WITNESS"

"The Merrie City's streets were alive with activity on Good Friday as hundreds of people put their best foot forward for the annual Walk of Witness"

".........Wakefield........."

".........Wakefield........."

"The walk is organised each year to commemorate Christ's journey through Jerusalem to his crucifixion at Calvary

".........Wakefield........."

".........Wakefield........."

".........Wakefield........."

".........Wakefield........."

Page 39

"Christ is risen"

Page 20

"The Christian Israelite Church"

 

 

WAKEFIELD EXPRESS

Friday April 13 2007

Page 21

"PILGRIM'S PROGRESS"

"Christian comment from Churches Together in Wakefield"

"What motivates them? I would say love.The love that caused Christian hearts to beat a little faster last Sunday: Easter Day - the awesome wonder of Jesus, resurrection."

 

 

HOLY BIBLE

Scofield References

Page114

John Chapter 1

1 In the beginning was the Word, and the Word was with God, and the Word was God.

2 The same was in the beginning with God.

3 All things were made by him; and without him was not any thing made that was made.

4 In him was life; and the life was the light of men.

5 And the light shineth in darkness; and the darkness comprehended it not.

6 There was a man sent from God, whose name was John.

 

 

HOLY BIBLE

Scofield References

Page1117

John Chapter 1

1 There was a man of the Pharisees, named Nicodemus, a ruler of the Jews:

2 The same came to Jesus by night, and said unto him, Rabbi, we know that thou art a teacher come from God: for no man can do these miracles that thou doest, except God be with him.

3 Jesus answered and said unto him, Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God.

4 Nicodemus saith unto him, How can a man be born when he is old? can he enter the second time into his mother's womb, and be born?

5 Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God.

6 That which is born of the flesh is flesh; and that which is born of the Spirit is spirit.

7 Marvel not that I said unto thee, Ye must be born again.

8 The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit.

 

 

DAILY MAIL

Tuesday, April 10, 2007

A-Z Satellite Listings

Page 54

".........Quantum Leap........."

".........Quantum Leap........."

".........Cry in the dark........."

".........Shadowlands........."

".........HALF LIGHT........."

".........PICTURE PERFECT ........."

".........EVERYTHING IS ILLUMINATED........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Matt Barlow Premiership

Page 78

".........on course to complete a mission that looked almost impossible........."

".........saviour Messiah........."

".........Christmas........."

".........Easter........."

 

 

WAKEFIELD EXPRESS

Friday April 13 2007

Charlie Bullough

Front Page

"- no response to 999"

" - and no one responded to the 999 call"

".........999........."

".........999........."

".........999........."

".........999........."

Page 5

".........999........."

".........999........."

".........999........."

".........999........."

Page 17

".........999........."

 

 

METRO FREE PAPER

Monday, April 30. 2007

Front Page

Joel Taylor

".........999 ........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Michael Simkins

GOING BATTY

"The day I won the Ashes..."

Page 32

"..........God.........."

"If you want to make God laugh, tell him your plans."

"The Almighty"

"..........Good.........."

"..........God.........."

"..........Good.........."

"..........Good.........."

"..........God.........."

"..........God.........."

Page 3

"..........God.........."

"..........God.........."

"..........God.........."

 

 

DAILY MAIL

Tuesday, April 10, 2007

Des Kelly

Heavens what a load of golf balls

Page 70

"God has been a bit busy lately, what with it being Easter and all"

".........the Almighty........."

"It's amazing what God can do."

".........Amen corner........."

".........faith in God's game........."

"One side is marked with the phrase: 'One shot at a time,' and the other refers to a passage from the

Gospel of Matthew: Seek first the kingdom of God.'

".........believe that God has the time........."

".........God........."

".........the Lord........."

".........I pray to God that I'll win........."

".........ask God for forgiveness........."

 

 

O
=
6
-
3
ONE
34
16
7
T
=
2
-
3
TWO
56
29
2
T
=
2
-
5
THREE
52
16
7
F
=
6
-
4
FOUR
60
24
6
F
=
6
-
4
FIVE
65
20
2
S
=
1
-
3
SIX
42
24
6
S
=
1
-
5
SEVEN
58
13
4
E
=
5
-
5
EIGHT
49
31
4
N
=
5
-
4
NINE
42
24
6
-
-
34
-
36
Total
458
197
44
-
-
3+4
-
3+6
Add
4+5+8
1+9+7
4+4
-
-
7
4
9
Reduce
17
17
8
-
-
-
-
-
Deduce
1+7
1+7
-
-
-
7
-
9
-Essence
8
8
8

 

 

Z
=
8
-
4
ZERO
64
28
1
O
=
6
-
3
ONE
34
16
7
T
=
2
-
3
TWO
56
29
2
T
=
2
-
5
THREE
52
16
7
F
=
6
-
4
FOUR
60
24
6
F
=
6
-
4
FIVE
65
20
2
S
=
1
-
3
SIX
42
24
6
S
=
1
-
5
SEVEN
58
13
4
E
=
5
-
5
EIGHT
49
31
4
N
=
5
-
4
NINE
42
24
6
-
-
42
-
40
Add
522
225
45
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
6
-
4
Deduce
9
9
9

 

 

0
-
ZERO
64
28
1
1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
34
Add
522
225
45
4+5
3+4
Reduce
5+2+2
2+2+5
4+5
9
7
Deduce
9
9
9

 

 

Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
-
26
5
18
15
-
15
14
5
-
20
23
15
-
20
8
18
5
5
-
6
15
21
18
-
6
9
22
5
-
19
9
24
-
19
5
22
5
14
-
5
9
7
8
20
-
14
9
14
5
522
8
5
9
6
-
6
5
5
-
2
5
6
-
2
8
9
5
5
-
6
6
3
9
-
6
9
4
5
-
1
9
6
-
1
5
4
5
5
-
5
9
7
8
2
-
5
9
5
5
225
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
2
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
5
-
-
-
--
5
5
-
-
5
-
-
-
-
-
5
5
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
5
5
-
5
-
-
5
5
-
-
-
-
5
5
-
-
-
6
-
6
-
-
-
-
--
6
-
-
-
-
-
-
-
6
6
-
-
-
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
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8
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9
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45
-
5
-
-
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--
5
5
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8
9
5
5
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6
6
3
9
-
6
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4
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5
4
5
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9
7
8
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9

 

 

1
occurs
x
2
=
2
=
2
2
occurs
x
3
=
6
=
6
3
occurs
x
1
=
3
=
3
4
occurs
x
2
=
8
=
8
5
occurs
x
14
=
70
7+0
7
6
occurs
x
7
=
42
4+2
6
7
occurs
x
1
=
7
=
7
8
occurs
x
3
=
24
2+4
6
9
occurs
x
7
=
63
6+3
9
45
-
-
40
-
225
-
54
4+5
-
-
4+0
-
2+2+5
-
5+4
9
-
-
4
-
9
-
9

 

 

Lewis Carroll is best known as author of Alice's Adventures in Wonderland and Through ... Alice Liddell · Alice in Oxford · Lewis Carroll Birth Place Trust ... home.clara.net/heureka/art/carroll.htm


Lewis Carroll
'Curiouser and curiouser!' cried Alice -- Lewis Carroll, Alice's Adventures in Wonderland

Alice's Adventures in Wonderland (1865) follows Alice down a rabbit-hole in search of the White Rabbit who is very late for a tea party. Alice meets a cast of strange creatures including the Queen of Hearts, the Cheshire Cat, the March Hare and the Mad Hatter. Written for Carroll's young friend Alice Liddell (daughter of Henry Liddell, Dean of Christ Church), it contains brilliant verbal word play with logic pushed beyond the limit.

... the chess framework is full of absurdities and impossibilities, and it is unfortunate that Dodgson did not display his usual dexterity by bringing the game, as a game, up to chess standard. He is known to have been a chess-player ... He might have searched for a printed problem to suit his story, or have made one. But he allows the White side to make nine consecutive moves(!):

To enter the world of Alice is to enter a strange surreal world where words take on different meanings and nothing is quite as it seems. A rabbit that walks and talks, food and drink that has the effect of magical potions.

At times we have what could pass as Eastern mysticism: What happens to a flame when it goes out?

“ for it might end, you know, ” said Alice to herself, “in my going out altogether, like a candle. I wonder what I should be like then?” And she tried to fancy what the flame of a candle looks like after the candle is blown out, for she could not remember ever having seen such a thing.

Or as a Zen master would ask: What is the sound of one hand clapping?

 

Sigmund Freud and his acolytes have had a field day with the symbolism in Alice, reading into it nonsense that is not there.

What then would Freud have made of the following entry on dreams in Lewis Carroll's diary (9 February 1856):

Query: when we are dreaming, and as often happens, have a dim consciousness of the fact and try to wake, do we not say and do things which in waking life would be insane? May we not then sometimes define insanity as an inability to distinguish which is the waking and which the sleeping life? We often dream without the least suspicion of unreality: 'Sleep hath its own world', and it is often as lifelike as the other.
It is into this surreal dreamworld we enter in Alice.

 

 

Sarah Thorne (1836-99), actress-manager, taught many aspiring young ... 'Lewis Carroll' is known almost throughout the world by his incomparable Alice, ...

Diversions and digressions of Lewis Carroll‎ - Page 392 by Lewis Carroll - Drama - 1961 - 375 pages

A remarkable working collection of 1836 basic design.* and variations, all copyright-free. Variations of circle, line, cross, diamond, swastika, star, ...

Pattern poetry: guide to an unknown literature‎ - Page 105 by Dick Higgins, Herbert Francke - Literary Criticism - 1987 - 275 pages

... start of this section, to be anonymous (only those by Lewis Carroll are signed). ... described in Yates's "Essay on sanskrit alliteration" (1836, 154)....

The logic of Lewis Carroll: a study of Lewis Carroll's contribution to logic ...‎ - Page 15 by Edward Wakeling - Logic - 1978 - 41 pages

This diagram shows Lewis Carroll's first representation of a Universal Set. ... (iii) 1884; (iv) 1885 (v) 1836 (used in GAME OF LOGIC: 1887) (vi) 1888 (Used ...

 

 

Ripon Timeline // History // Visit Ripon, the Cathedral City of ...
1836:Ripon Cathedral. The Minster finally became a Cathedral in 1836, ... Lewis Carroll. Charles Lutwidge Dodgson (1832-98) was more commonly known as Lewis ... www.visitripon.org/history/ripon_timeline.html

 

 

IN SEARCH OF EXTRA TERRESTRIALS

Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth

Alan Landsburg 1976

Page 79

" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."

 

 

DAILY MAIL

Weekend

9 May 2009

IT HAPPENED TO ME...

I witnessed a UFO

Page 15

Denis Plunkett, 78, a retired civil servant, lives near Bristol with his wife, Maureen, 75. He claims to have seen UFOs in the night sky and now runs a UFO bureau which collates reports of other sightings. Here, he relives the moment he saw something out of this world.

On a wonderful starlit night in June 1966, my wife, Maureen, and I were preparing for bed. I went to pull the curtains and couldn't believe my eyes. For a moment I thought I was seeing things, but then realised it was nine brilliant white lights dancing in the sky.
I shouted to Maureen to come and look, and for an hour we stared in wonderment, transfixed by the lights, which flashed on and off like lights on a Christmas tree. Initially, I assumed it was an aircraft, but I soon dismissed this theory because the patterns they were making were too irregular.
Suddenly, one light left the group and remained in the same position for ten minutes before rejoining the main pattern, which was a loose formation, with the lights constantly changing positions. Then they disappeared, never to be seen again.

 

 

HENRY BOONS

Public House

130 Westgate Wakefield

STRANGE BRIGHT LIGHTS

"Be mesmerised by the highly original and catchy"

4 piece group rock/indie

Appearing here Sunday 24th May 2009 7-30 pm

Band Poster

 

 

DAILY MAIL

12 May 2009

COMMENT

Page 14

Shining lights

"IT'S all too easy in these cynical times to forget the extraordinary good works being done every day by the women and men of this country: volunteers whose dedication to improving the lives of others without expecting, or receiving, any financial reward is truly humbling.

That is why today we honour our Inspirational Women of 2009 - women whose courage and hard work have improved the lives of so many. We owe them all - and the thousands more like them-the most enormous debt of thanks"

 

 

Flying Saucers and Science

A Scientist Investigates The MYSTERIES OF UFOs

Stanton T. Friedman 2008

Chapter 5 The Cult of Seti

Page 145

The Fermi Paradox

"Two key scientists who were involved were Lise Meitner and Otto Frisch. They published a paper and shared information with Niels Bohr, the great Danish physicist. He brought the details to the United States. It was then determined that fission had actually taken place with the release of an amount of energy / Page 146 / indicating that the difference in the weight of the new atoms and the original uranium atom had been converted to energy by the famous E = mc2 equation. (E stands for energy, m for mass and c is the speed of light.) A key discovery was that the fission also produced more neutrons immediately indicating that a nuclear reaction was possible."

 

 

I

ME

E + M = 9 9 = M + E

MASS + ENERGY = 9 9 = ENERGY + MASS

ENERGY + MASS = 9 9 = MASS + ENERGY

MATTER + MIND = 9 9 = MIND + MATTER

MIND + MATTER = 9 9 = MATTER + MIND

DARK + LIGHT = 9 9 = LIGHT + DARK

LIGHT + DARK = 9 9 + DARK + LIGHT

NEGATIVE + POSITIVE = 9 9 = POSITIVE + NEGATIVE

POSITIVE + NEGATIVE= 9 9 = NEGATIVE + POSITIVE

DIVINE THOUGHT CREATORS = 9 9 - CREATORS THOUGHT DIVINE

 

 

SATAN + GOD = 9 9 = GOD + SATAN

ALWAYS BALANCING BALANCING ALWAYS

GOD + SATAN = 9 9 = SATAN + GOD

ALWAYS REAL REALITY IS REVEALED REVEALED IS REALITY REAL ALWAYS

 

 

I

ME

YOU THAT YOU

WITHIN

THE

UNIVERSE

OF

UNIVERSAL MIND GODS MIND UNIVERSAL

ALIVE AND FOREVER ALWAYS FOREVER AND ALIVE

EVERYTHING IS ALWAYS PERFECT ALWAYS IS EVERYTHING

CHANGING THE CHANGELING THE CHANGELING THE CHANGING

REALITY ALIVE AND FOREVER ALWAYS FOREVER AND ALIVE REALITY

ALWAYS BALANCING ALWAYS BALANCING ALWAYS BALANCING ALWAYS

LOVE EVOLVE LOVE LOVE IS THE KEY THE KEY IS LOVE LOVE EVOLVE LOVE

THAT I ME YOU ARE EVERYTHING ALWAYS EVERYTHING ARE YOU ME I THAT

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves.

 

 

I

ME

GODS

OSIRIS ISIS OSIRIS

OSIRIS ISIS ORION ISIS OSIRIS

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

 

 

I

ME

GODS

OSIRIS ISIS OSIRIS

OS999S 9S9S OS999S

OSIRIS ISIS OSIRIS

OSIRIS ISIS ORION ISIS OSIRIS

OS999S 9S9S O99ON 9S9S OS999S

OSIRIS ISIS ORION ISIS OSIRIS

OSIRIS ISIS ORION ISIS OSIRIS

619991 9191 69965 9191 619991

OSIRIS ISIS ORION ISIS OSIRIS

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

999S S999US OS999S 9S9S O99ON 9S9S OS999S S999US 999S

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

9991 199931 619991 9191 69965 9191 619991 199931 9991

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

 

 

OSIRIS ISIS OSIRIS

OS999S 9S9S OS999S

619991 9191 619991

OS999S 9S9S OS999S

OSIRIS ISIS OSIRIS

IRI II IRI

999 99 999

IRI II IRI

OSIRIS ISIS OSIRIS

OS999S 9S9S OS999S

619991 9191 619991

OS999S 9S9S OS999S

OSIRIS ISIS OSIRIS

 

 

OSIRIS ISIS ORION ISIS OSIRIS

619991 9191 69965 9191 619991

OSIRIS ISIS ORION ISIS OSIRIS

IRI II RI II IRI

999 99 99 99 999

IRI II RI II IRI

OSIRIS ISIS ORION ISIS OSIRIS

619991 9191 699965 9191 619991

OSIRIS ISIS ORION ISIS OSIRIS

 

 

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

9991 199931 619991 9191 69965 9191 619991 199931 9991

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

IRI II RI II IRI

999 99 99 99 999

IRI II RI II IRI

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

 

 

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

9991 199931 619991 9191 6995 9191 619991 199931 9991

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

IRI IRI IRI II RI II IRI IRI IRI

999 999 999 99 99 99 999 999 999

IRI IRI IRI II RI II IRI IRI IRI

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

9991 199931 619991 9191 69965 9191 619991 199931 9991

IRIS SIRIUS OSIRIS ISIS ORION ISIS OSIRIS SIRIUS IRIS

DIVINE THOUGHT CREATORS OF CREATORS THOUGHT DIVINE

 

 

IS RISHI SHRI CHRISTOS SHRI RISHI IS

IS RISHI SHRI CHRISTOS SHRI RISHI IS

91 99189 1899 38991261 1899 99189 91

IS RISHI SHRI CHRISTOS SHRI RISHI IS

IS RISHI SHRI CHRISTOS SHRI RISHI IS

91 9999 999 3999 999 9999 91

IS RISHI SHRI CHRISTOS SHRI RISHI IS

I RISHI SHRI HRISTOS SHRI RISHI I

9 9999 999 9999 9999 9

I RISHI SHRI HRISTOS SHRI RISHI I

IS RISHI SHRI CHRISTOS SHRI RISHI IS

91 9999 999 3999 999 9999 91

IS RISHI SHRI CHRISTOS SHRI RISHI IS

IS RISHI SHRI CHRISTOS SHRI RISHI IS

91 99189 1899 38991261 1899 99189 91

IS RISHI SHRI CHRISTOS SHRI RISHI IS

IS RISHI SHRI CHRISTOS SHRI RISHI IS

 

 

SAPTARSHI A STAR SHIP SHIP STAR A SAPTARSHI

PAST A RISH SAPTARSHI SAPTARSHI RISH A PAST

A PAST RISH RISH PAST A

SHRI

KRISHNA

SHRI KRISHNA KRISHNA SHRI

 

 

Bhagavad-Gita, iv, 5.

SRI KRISHNAS REMEMBERING

‘Many lives, Arjuna, you and I have lived, I remember them all, but thou dost not.’

 

 

I

INCA

INCARNATION TO INCARNATION

 

 

I

ME

ISIS OSIRIS ISIS

GODS SPIRIT GODS

ARJUNA KRISHNA ARJUNA

SHRISTI RISHI ISHI RISHI CHRIST

VISHNU SHIVA BRAHMA SHIVA VISHNU

SING A SONG OF NINES OF NINES A SONG SING

VISHNU SHIVA KRISHNA SHRI KRISHNA SHIVA VISHNU

ISISIS ISISIS ISISIS ISISIS ISISIS ISISIS ISISIS ISISIS ISISIS ISISIS

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'

 

 

ALL HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

 

 

Brahma

If the red slayer think he slays,

Or if the slain think he is slain

They know not well the subtle ways

I keep and pass and turn again.

R.W.Emerson

 

 

Bhagavad-Gita

Text 19

" ya enam vetti hantaram

yas cainam manyate hatam

ubhau tau na vijanito

nayam hanti na hanyate"

Bhagavad-Gita

As it is.

A. C. Bhaktivedanta Swami Prabhupada

Translation Chapter 2 Page 99/100

"Neither he who thinks the living entity the slayer nor he who thinks it slain is in knowledge, for the self slays not nor is slain."

 

 

‘who is the slayer and who is the victim. Speak’,

Sophocles

 

 

IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching

P.D.Oupensky 1878- 1947

Page 217

" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "

 

 

UNCONDITIONAL LIFE

MASTERING THE FORCES THAT SHAPE PERSONAL REALITY

Deepak Chopra 1991

A Mirage of Miracles

Page 89

"The Mask of Maya"

"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."

"Maya also means magic a show of illusions"

"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality

True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."

"The fearfull illusion becomes a wonderful show if only you can manipulate it."

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR

COSMIC

HABITAT

I

PLANETS STARS AND LIFE
Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

Page 24 / 25

"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT

Page 95

"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

1

999

Page 195

"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600."

"being in all 183,600."

 

 

THE JUPITER EFFECT

John Gribbin and Stephen Plagemann

1977

Page 122

"Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"

 

 

THE BIOLOGY OF DEATH

Lyall Watson 1974

Page 49
"As long ago as 1836, in a Manual of Medical Jurisprudence, this was said: 'Individuals who are apparently destroyed in a sudden manner, by certain wounds, diseases or even decapitation, are not really dead, but are only in conditions incompatible with the persistence of life."

 

 

The Abbe Sieyes author of the pamphlet What is the third estate? intrigued with Napoleon Bonaparte and became a Consul of the French Republic. www.age-of-the-sage.org/historical/biography/abbe_sieyes.html

 

Qu'est-ce que le tiers état? ( What is the third estate? ).

The Abbé Sieyès "... it was in Paris that he spent his last days in 1836."

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

 

Daily Mail

Thursday, April 30, 2009

Page 69

"......... WOW........."

 

 

Daily Mirror

Friday, March 6, 2009

Page 19

"......... WOW........."

 

 

Awesome Or Off-Putting: The Wow! Signal - Sent By Aliens? - Topix
Signal - Sent By Aliens? Awesome or Off-Putting is a weekly delve into ... This will search the titles of the threads in the Jodie Foster forum ...
www.topix.com/who/jodie-foster/2009/04/awesome-or-off-putting-the-wow-signal-sent-by-aliens -

 

Contact Alien Film.s)

Search ResultsContact (film) - Wikipedia, the free encyclopedia
In the episode, the cartoon character Herbert Garrison says the film Contact was "terrible" and that he "waited through that entire movie to see the alien ...en.wikipedia.org/wiki/Contact_(film) - 149k

Contact is a 1997 science fiction drama film adapted from the Carl Sagan novel of the same name and directed by Robert Zemeckis. Both Sagan and wife Ann Druyan wrote the story outline for the film adaptation of Contact. Jodie Foster portrays the film's protagonist, Dr. Eleanor "Ellie" Arroway, a SETI scientist who finds strong evidence of extraterrestrial life and is chosen to make first contact.

[edit] Plot
Dr. Arroway is a scientist for the Search for Extra-Terrestrial Intelligence (SETI) program at the Arecibo Observatory in Puerto Rico. She and her colleagues listen to radio transmissions in hopes of finding signals sent by extraterrestrial life. Government scientist David Drumlin pulls the funding from SETI. After eighteen months of searching, Ellie gains funding from reclusive billionaire industrialist S.R. Hadden, which allows her to continue her studies at the Very Large Array in New Mexico.

Four years later, with Drumlin pressuring to close SETI, Arroway finds a strong signal repeating a sequence of prime numbers, apparently emitting from the Vega star. This announcement causes both Drumlin and the National Security Council, led by National Security Advisor Michael Kitz, to attempt to take control of the facility. As Arroway, Drumlin and Kitz argue, the team at the VLA discover a video source buried in the signal: Adolf Hitler's welcoming address at the 1936 Summer Olympics in Berlin. Arroway and her team postulate that this would have been the first significantly-strong television signal to leave Earth's atmosphere, which was then transmitted back from Vega 26 light years away.

The project is put under tight security and its progress followed fervently worldwide. President Bill Clinton and Drumlin give a television address to downplay the impact of the Hitler image, while Arroway learns that a third set of data was found in the signal; over 60,000 "pages" of what appear to be technical drawings. Government specialists unsuccessfully attempt to decode the drawings, later decoded by Hadden. He explains that the pages are meant to be interpreted in three dimensions, which reveals a complex machine allowing for one human occupant inside a pod to be dropped into three rapidly spinning rings.

The nations of the world come together to fund the construction of The Machine at Cape Canaveral. An international panel is put together to select a candidate (including both Arroway and Drumlin) to travel in The Machine. While Ellie is one of the top selections, her lack of religious faith is noted by Palmer Joss, a trusted friend and one of the panel members. Drumlin is ultimately selected but is killed, along with many crew members, when the machine is destroyed during a test in a suicide attack by a religious fanatic. Afterwards, a highly secretive replacement is revealed in Hokkaidō, Japan. Arroway becomes the top candidate to travel in it.

Arroway begins her journey, outfitted with several recording devices. When the pod travels through a series of wormholes, she is separated briefly and can observe the outside environment. This includes a radio array-like structure at Vega, and signs of a highly-advanced civilization on an unknown planet. She finds herself in a surreal landscape similar to a childhood picture of Pensacola, Florida, and approached by a blurry figure that resolves into that of her father. Arroway recognizes him as an alien taking her father's form, and attempts to ask questions about the aliens. The alien deflects her questions, explaining that this journey was just humanity's "first step" to joining other space-faring species, and will later be followed by others.

Arroway considers these answers and falls unconscious, finding herself on the floor of the pod where she is being repeatedly called by the machine's control team. She learns that from all external vantage points, she and the pod merely dropped through the Machine. She insists that she was gone for approximately 18 hours, but her recording devices only show static. Kitz resigns as National Security Advisor to lead a congressional committee to determine if the Machine was a fraud by Hadden, who had the resources to set up an elaborate hoax, but has since died. Arroway is accused of collaborating with Hadden; Arroway admits the lack of evidence to support her perception of the events, but maintains the validity of her story. Kitz and White House Chief of Staff Rachel Constantine together reflect on the fact that Arroway's recording devices contained 18 hours of static. Arroway is given continued grant money for the SETI program at the Very Large Array.

[edit] Cast
Jodie Foster as Dr. Eleanor "Ellie" Ann Arroway: SETI scientist who first discovers the alien contact message. Jena Malone portrays Young Ellie Arroway
Matthew McConaughey as Palmer Joss: Renowned Christian philosopher who becomes romantically involved with Arroway
James Woods as Michael Kitz: National Security Advisor, who also heads the Congressional investigation against Arroway
Tom Skerritt as David Drumlin: Scientific aide to the President of the United States
William Fichtner as Kent Clark: A blind SETI scientist who assists Arroway in her studies
John Hurt as S.R. Hadden: An eccentric and reclusive billionaire industrialist who is fundamental in deciphering the alien's message. Hadden eventually dies while aboard the Mir space station
Angela Bassett as Rachel Constantine: White House Chief of Staff to President Clinton
David Morse as Theodore Arroway: Arroway's dad. He encourages his daughter to study amateur radio and the possibilities of extraterrestrial communications. He dies of a heart attack when Ellie is a teenager.
Jake Busey as Joseph: a religious fanatic responsible for the destruction of the machine and the death of David Drumlin
Rob Lowe as Richard Rank: leader of the Conservative coalition
Geoffrey Blake as Fisher: SETI scientist
Max Martini as Willie: SETI scientist

[edit] Production

[edit] Development
Carl Sagan conceived the idea for Contact in 1979. The same year, Lynda Obst, one of Sagan's closest friends, was hired by film producer Peter Guber to be a studio executive for his production company, Casablanca FilmWorks. She pitched Guber the idea for Contact, who commissioned a development deal.[1] Sagan, along with wife Ann Druyan, wrote a 100+ page film treatment, finishing in November 1980.[2][3] Druyan explained, "Carl's and my dream was to write something that would be a fictional representation of what contact would actually be like, that would convey something of the true grandeur of the universe." They added the science and religion analogies as a metaphor of philosophical and intellectual interest in searching for the truth of both humanity and alien contact.[4]

Sagan incorporated Kip Thorne's study of wormhole space travel into the screenplay.[5] The characterization of Dr. Ellie Arroway was inspired by Dr. Jill Tarter, head of Project Phoenix of the SETI Institute; Jodie Foster researched the lead role by meeting her.[6] Tarter served as a consultant on the story, realistically portraying struggling careers of women scientists from the 1950s to 1970s. The writers debated whether Arroway should have a baby at the film's end.[7] Although Guber was impressed with Sagan and Druyan's treatment, he hired various screenwriters to rewrite the script. New characters were added, one of them a Native American park ranger-turned-astronaut.[1] Guber suggested that Arroway have an estranged teenage son, whom he believed would add more depth to the storyline. "Here was a woman consumed with the idea that there was something out there worth listening to," Guber said, "but the one thing she could never make contact with was her own child. To me, that's what the film had to be about."[1] Sagan and Druyan disagreed with Guber's idea and it was not incorporated into the storyline. In 1982, Guber took Contact to Warner Bros. Pictures and with the film laboring in development hell, Sagan started to turn his original idea into a novel, which was published by Simon & Schuster in September 1985. The film adaptation remained in development and Guber eventually vacated his position at Warner Bros. in 1989.[1]

Guber became the new president of Sony Pictures Entertainment and tried to purchase the film rights of Contact from Warners, but the studio refused. Coincidentally, in 1989, Obst was hired as a new executive at Warners and began to fast track the film, by hiring more writers.[1] Roland Joffé was eventually hired to direct,[8] using a screenplay by James V. Hart.[9] Joffé almost commenced pre-production before he dropped out[8] and Obst then hired Michael Goldenberg to rewrite the script, who finished his second draft[1] in late-1993. Goldenberg's second draft rekindled Warner Bros.' interest in Contact[8] and Robert Zemeckis was offered the chance to direct, but he turned down the opportunity[1] in favor of making a film based on the life of Harry Houdini.[10] "The first script [for Contact] I saw was great until the last page and a half," Zemeckis recalled. "And then it had the sky open up and these angelic aliens putting on a light show and I said, 'That's just not going to work.'"[1]

In December 1993, Warner Bros. hired George Miller to direct[8] and Contact was greenlighted to commence pre-production. Miller cast Jodie Foster in the lead role, approached Ralph Fiennes to play Palmer Joss and also considered casting Linda Hunt as the President of the United States. In addition to having aliens put on a laser lighting display around Earth, another version of the Goldenberg scripts had an alien wormhole swallow up the planet, transporting Earth to the center of the galaxy. Miller also asked Goldenberg to rewrite Contact in an attempt to portray the Pope as a key supporting character. Warner Bros. was hoping to have the film ready for release by Christmas 1996, but under Miller's direction pre-production lasted longer than expected.[1] The studio fired the director, blaming pushed-back start dates, budget concerns and Miller's insistence that the script needed five more weeks of rewriting. Robert Zemeckis, who previously turned down the director's position, decided to accept the offer. Warner Bros. granted Zemeckis total artistic control and the right of final cut privilege.[1] The director cast Matthew McConaughey as Palmer Joss, who dropped out of the lead role in The Jackal to take the role in Contact.[11] Despite being diagnosed with Myelodysplasia in 1994, Sagan continued to be involved in the production of the film. For the cast and main crew members, he conducted an academic conference that depicted a detailed history of astronomy.[1]

During the development of Contact, the production crew simultaneously watched Stanley Kubrick's 2001: A Space Odyssey (1968) for inspiration.[7]

[edit] Filming
Principal photography for Contact began at the Very Large Array (VLA) in Socorro, New Mexico on September 24, 1996. "Shooting at the VLA was, of course, spectacular but also one of the most difficult aspects of our filming," producer Steve Starkey said. "It is a working facility so in order for us to accomplish shots for the movie, we had to negotiate with the National Science Foundation for 'dish control' in order to move the dishes in the direction we needed to effect the most dramatic shot for the story."[5] Following arduous first weeks of location shooting in New Mexico and Arizona, production for Contact returned to Los Angeles for five months' worth of location and sound stage shooting utilizing a total of nine different sound stages at Warner Bros. Studios in Burbank and Culver Studios.[5]


Concept drawing of early NASA site ideaIn an attempt to create a sense of realism for the storyline, principal CNN news outlet commentators were scripted into Contact. More than 25 news reporters from CNN had roles in the film and the CNN programs Larry King Live and Crossfire were also included. Ann Druyan makes a cameo appearance as herself, debating Rob Lowe's character, Richard Rank, on Crossfire. In January 1997, a second unit was sent to Puerto Rico for one week at the Arecibo Observatory. Filming ended on February 28, 1997, which constituted of the art department creating over 25 setpieces.[5]

Other second unit work took place in Fiji and Newfoundland. Also essential to the production were a host of technical consultants from the SETI Institute, the California Institute of Technology, the VLA and a former White House staff member to consult on Washington D.C. and government protocol issues.[12] Sagan visited the set a number of times, where he also helped with last minute rewrites. Filming was briefly delayed with the news of his death on December 20, 1996. Contact was dedicated in part to his legacy.[1]

Cinematographer Don Burgess shot the film in anamorphic format using VistaVision cameras. The sound designers used Pro Tools software for the audio mixing, which was done at Skywalker Sound.[13]

[edit] Visual effects
Designing Contact's visual effects sequences was a joint effort between eight separate VFX companies. This included Sony Pictures Imageworks, Peter Jackson's Weta Digital, George Lucas' Industrial Light & Magic and Effects Associates. Weta Digital, in particular, was responsible for designing the wormhole sequence.[14] Jodie Foster admitted she had difficulty with blue screen technology because it was a first for the actress. "It was a blue room. Blue walls, blue roof. It was just blue, blue, blue," Foster explained. "And I was rotated on a Lazy Susan with the camera moving on a computerized arm. It was really tough."[1] News footage of then-President Bill Clinton was digitally altered to make it appear as if he is speaking about alien contact. This was not the original plan for the film;[1] Zemeckis had initially approached Sidney Poitier to play the President, but the actor turned the role down in favor of The Jackal.[15]

Shortly after Poitier's refusal, Zemeckis saw a NASA announcement in August 1996. "Clinton gave his Mars rock speech," the director explained, "and I swear to God it was like it was scripted for this movie. When he said the line 'We will continue to listen closely to what it has to say,' I almost died. I stood there with my mouth hanging open."[1] One of the notable features of Contact is its use of digital color correction. This helped solve continuity errors during the location shooting at the Very Large Array in New Mexico. "The weather killed us, so we were going back in and changing it enough so that the skies and colors and times of day all seem roughly the same," visual effects supervisor Ken Ralston commented.[16] The opening scale view shot of the entire Universe, lasting approximately three minutes, was inspired by the short documentary film Powers of Ten (1977). At the time, it was the longest continuous computer-generated effect for a live-action film, a distinction now held by the opening sequence from The Day After Tomorrow (2004).[17]


The film's (second) Machine in operation at Hokkaidō, JapanThe decoding of the extraterrestrial message, with its architectural drawings of the Machine, was created by Ken Ralston and Sony Pictures Imageworks. This is the sixth-film collaboration between director Zemeckis and VFX supervisor Ralston. Imageworks created over 350 visual effects shots, utilizing a combination of model and miniature shots and digital computer work. On designing the Machine, Zemeckis explained that "The Machine in Sagan's novel was somewhat vague, which is fine for a book. In a movie, though, if you're going to build a giant physical structure of alien design, you have to make it believable." He continued that "it had to be huge, so that the audience would feel like it was bigger than man should be tinkering with. It had to look absolutely real."[5]

Early conceptual designs of the Pod itself were based, as it existed in the novel, on one of the primary shapes in geometry, a dodecahedron or a twelve-sided figure. Eventually the Pod was modified to a spherical capsule that encases the traveler. Zemeckis and the production crew also made several visits to the Kennedy Space Center in Cape Canaveral, where officials allowed them access to sites off-limits to most visitors. Filmmakers were also brought onto Launch Pad V prior to the launch of the space shuttle.[5] There, they concentrated on the mechanics of the elevator and the gantry area and loading arm. The resulting photographs and research were incorporated into the design of the Machine's surrounding supports and gantry. Once the concept met with the filmmakers' approval, physical construction began on the sets for the Pod itself, the interior of the elevator and the gantry, which took almost four months to build. The remainder effects were compiled digitally by Imageworks.[5]

The climactic scene depicting the mysterious beach near the galactic core where Arroway makes "contact", in particular, called for major visual innovations. The goal was an idyllic seashore with a sky blazing with stars that might exist near the core of the galaxy. Ralston said that "the thought was that this beach would have a heightened reality. One that might make the everyday world seem like a vague daydream."[7] To keep the question alive whether any of it was real in Arroway's mind, elements such as ocean waves running in reverse and palm tree shadows swaying with sped up motion were applied.[7]

The Hitler newsreel also required digital manipulation.[7]

[edit] Science and religion
Contact frequently suggests cultural conflicts between religion and science would be brought to the fore by an incident in the film which strongly implies contact with an advanced race of aliens. A point of discussion is the existence (or not) of a god, with a number of different positions being posited.[7] A description of an emotionally-intense experience by Palmer Joss, which he describes as seeing God, is met by Arroway's suggestion that "some part of [him] needed to have [this experience]", that it was a significant personal experience but indicative of nothing greater. Joss compares his certainty that God exists to Arroway's certainty that she loved her deceased Father, despite being unable to prove it.[7]

Contact suggests intense debate would be provoked worldwide by apparent contact with aliens, and shows many instances of this. Many clips of well-known debate shows such as Crossfire and Larry King Live are shown, with participants discussing the implications of 'The Message', asking whether it is proof of the existence of alien life or of God, and whether science is encroaching upon religious ground by, as one commentator puts it, "talking to your god for you."[18] Another commentator casts doubt on the morality of building the Machine, noting that "we don't even know whether [the aliens] believe in God." The first Machine is ultimately destroyed by a religious extremist, in the belief that building it was to the detriment of humankind.[7]

Although the revelation that Arroway's recording device recorded approximately 18 hours of static is arguably conclusive proof of the fact of — if not the experience of — her "journey", there are number of coincidences and indications throughout the film that cast doubt on its authenticity. Director Robert Zemeckis indicates that "the point of the movie is for there always to be a certain amount of doubt [as to whether the aliens were real]."[18] These indications mostly consist of visual cues during the "journey" which are repeated from Ellie's experiences earlier in the film (which Ellie believed to be the result of the aliens "downloading [her] thoughts and memories"), but the timing of the Message's arrival and its eventual decoding are also highly coincidental: the Message was first received shortly before Arroway and her team were to be ejected from the VLA facility, and was only successfully decoded by S.R. Hadden (Arroway's only sponsor, who was close to death from cancer) after weeks of failed attempts by the team at the VLA.[18]

At the end of the film, Arroway is put into a position which she had traditionally viewed with skepticism and mild contempt: that of believing something with complete certainty, despite being unable to prove it in the face not only of widespread incredulity and skepticism (which she admits that as a scientist she would normally share), but of evidence apparently to the contrary.[18]

Zemeckis stated that he intended the message of the film to be that science and religion can co-exist rather than being opposing camps,[18] as shown by the coupling of scientist Arroway with the religious Joss, as well as his acceptance that the "journey" indeed took place. This, and scattered references throughout the film posit that science and religion are not nominally incompatible: one interviewer, after asking Arroway whether the construction of The Machine — despite not knowing what will happen when it is activated — is too dangerous, suggests that it is being built on the "faith" that the alien designers, as Arroway puts it, "know what they're doing."[7]

[edit] Release

[edit] Box office/Home video
Contact had its premiere on July 1, 1997 at the Westwood Theater in Los Angeles, California.[19] The film was released in the United States on July 11, 1997 in 1,923 theaters, earning $20,584,908 in its opening weekend. Contact eventually grossed $100.92 million in the US and $70.2 million in foreign countries, reaching a worldwide total of $171.12 million.[20] With VHS release in early-December 1997, Contact earned an additional $49 million in rental figures.[21] Warner Home Video released Contact on DVD later that month, containing two separate audio commentaries by director Robert Zemeckis, producer Steve Starkey, and visual effects supervisors Ken Ralston and Stephen Rosenbaum.[22]

The release of Contact in July 1997 rekindled public interest in Sagan's 1985 novel. The book remained on the New York Times Best Seller list from July 27 to September 21, 1997.[23][24]

[edit] Critical analysis
Contact received a generally average-favorable response from critics.[25][26] Based on 51 reviews collected by Rotten Tomatoes, 65% of the critics enjoyed the film with an average score of 6.7/10.[25] Contact was more balanced with 12 critics with the website's "Top Critics" poll, earning a 50% approval rating with a 6.3/10 score.[27] By comparison, Metacritic calculated an average score of 62/100, based on 22 reviews.[26] Roger Ebert gave a largely positive critique, believing Contact was on par with Steven Spielberg's Close Encounters of the Third Kind (1977) to study Hollywood's most cinematic study of extraterrestrial life. "Movies like Contact help explain why movies like Independence Day leave me feeling empty and unsatisfied," Ebert commented.[28]

Kenneth Turan of the Los Angeles Times wrote that the film carried a more philosophical portrait of the science fiction genre compared to other films, but believed Contact still managed "to satisfy the cravings of the general public who simply want to be entertained," he said.[29] Internet reviewer James Berardinelli called Contact "one of 1997's finest motion pictures, and is a forceful reminder that Hollywood is still capable of making magic." Berardinelli also felt the film was on par with Stanley Kubrick's 2001: A Space Odyssey (1968) to be one of the greatest science fiction films ever made.[30] Mick LaSalle of the San Francisco Chronicle largely enjoyed the first 90 minutes of Contact, but felt that director Robert Zemeckis was too obsessed with visual effects rather than cohesive storytelling for the pivotal climax.[31] Rita Kempley, writing in The Washington Post, gave a largely negative review. She did not like the film's main premise, which Kempley described as "a preachy debate between sanctity and science".[32]

[edit] Awards
Sound designers Randy Thom, Tom Johnson, Dennis S. Sands and William B. Kaplan were nominated the Academy Award for Sound but lost to Titanic.[33] Jodie Foster was nominated the Golden Globe Award for Best Actress in a Motion Picture Drama, but Judi Dench was awarded the category for her work in Mrs. Brown.[34] Contact won the Hugo Award for Best Dramatic Presentation over The Fifth Element, Gattaca, Men in Black and Starship Troopers.[35] The Academy of Science Fiction, Fantasy & Horror Films awarded individual awards to Jodie Foster (Best Actress and Jena Malone (Best Performance by a Younger Actor at the 24th Saturn Awards. Director Robert Zemeckis, writers James V. Hart and Michael Goldenberg, film score composer Alan Silvestri and the visual effects supervisors also received Saturn Award nominations. Contact was nominated the Saturn Award for Best Science Fiction Film, but lost to Men in Black.[36]

[edit] Controversies

[edit] Bill Clinton and CNN
On July 14, 1997, three days after Contact's opening day release in the United States, Warner Bros. was sent a letter from the White House Counsel, Charles Ruff protesting the use of then-President Bill Clinton's digitally composited appearance. The letter made no demands to director Robert Zemeckis or Warner Bros. in terms of pulling release prints, film trailers or other marketing, but defined the length and manner of Clinton's appearance as "inappropriate". No legal action was planned; the White House Counsel simply wanted to send a message to Hollywood to avoid unauthorized uses of the President's image. Zemeckis was reminded that official White House policy "prohibits the use of the President in any way ... (that) implies a direct ... connection between the President and a commercial product or service".[37]

A Warner Bros. spokeswoman explained that "we feel we have been completely frank and upfront with the White House on this issue. They saw scripts, they were notified when the film was completed, they were sent a print well in advance of the film's July 11 opening, and we have confirmation that a print was received there July 2." However, Warner Bros. did concede that they never pursued or received formal release from the White House for the use of Clinton's image. While the Counsel commented that parody and satire are protected under the First Amendment, press secretary Mike McCurry believed that "there is a difference when the President's image, which is his alone to control, is used in a way that would lead the viewer to believe he has said something he really didn't say".[37]

Shortly after the White House's complaint, CNN chairman, president and CEO Tom Johnson announced he believed that in hindsight it was a mistake to allow 13 members of CNN's on-air staff (including Larry King and Bernard Shaw) to appear in the film, even though both CNN and Warner Bros. are owned by Time Warner. Johnson added that, in the case of Contact, the CNN presence "creates the impression that we're manipulated by Time Warner, and it blurs the line". CNN then changed their policies for future films, which now requires potential appearances to be cleared through their ethics group.[37]

[edit] Lawsuits
Director George Miller, who had developed Contact with Warner Bros. before Zemeckis' hiring, unsuccessfully sued the studio over breach of contract policies.[1]

During the filming of Contact on December 28, 1996, filmmaker Francis Ford Coppola filed a posthumous lawsuit against Carl Sagan and Warner Bros. Pictures. Sagan had died that December 20th, six days before Coppola filed his lawsuit.[38][39] "All I can say is, when a man writes a complaint with his lawyer while your husband is dying after a third bone-marrow transplant," Ann Druyan, widow of Sagan, continued, "and then waits for him to die so he can file it - it's outrageous." Producer Lynda Obst commented: "Ann and Carl made up this idea from scratch, piece by piece. I sat in the room watching them do it. Of course Carl had been thinking about alien encounters all his life. He's the one who made the subject credible in science. And for Coppola to file a lawsuit within days after he died — it's appalling."[1]

Scott Edelman, who represented Druyan, added, "... It exceeds all bounds of decency that after waiting over 20 years, he chose to sue Sagan six days after he died."[39] Coppola claimed that Sagan's novel was actually based on a story the pair had developed for a television special[40] back in 1975,[38] titled First Contact. Under their development agreement,[40] Coppola and Sagan were to split proceeds from the project with American Zoetrope and Children's Television Workshop Productions, as well as any novel Sagan would write. The TV program was never produced, but in 1985, Simon & Schuster published Contact and Warner Bros. moved forward with development of a film adaptation. Coppola sought to seek at least $250,000 in compensatory damages and an injunction against production or distribution of the film.[38]

In February 1998, Los Angeles Superior Court Judge Ricardo Torres dismissed Coppola's claim. Although Torres agreed that Sagan violated some terms of the contract, he explained that Coppola waited too long to file his lawsuit, and that the contract might not be enforceable as it was written. Coppola then appealed his suit,[40] taking it to The California Courts of Appeal (CCA). In April 2000, the CCA dismissed his suit, finding that Coppola’s claims were barred because they were brought too late. The court noted that it was not until 1994 when the filmmaker thought about suing over Contact.[39]

[edit] Cyanide
The scene where the NASA scientists give Arroway the cyanide pill caused some controversy during production and also when the film came out. Gerald D. Griffin, the film's NASA advisor, insisted that NASA has never, ever given any astronaut a cyanide pill "just in case", and that if an astronaut truly wished to commit suicide in space, all he or she would have to do is cut off their oxygen supply.[18] However, Carl Sagan insisted that NASA did indeed give out cyanide pills and they did it for every mission an astronaut has ever flown. Zemeckis said that because of the two radically different viewpoints, the truth is unknown, but he left the cyanide pill scene in the movie as it seemed more suspenseful that way and it was also in line with Sagan's beliefs and vision of the film.[18]

[edit] South Park
In November 2002, a minor corporate censorship controversy surrounded the release of the South Park: The Complete First Season DVD box set. Warner Bros., which produced Contact and co-owned Comedy Central until April 2003, would not release the DVD commentary by South Park creators Trey Parker and Matt Stone unless they agreed to editing some of the content that accompanied the 1998 episode "Tom's Rhinoplasty." In the episode, the cartoon character Herbert Garrison says the film Contact was "terrible" and that he "waited through that entire movie to see the alien and it was her [expletive omitted] father." During the audio commentary, Parker and Stone echoed the Garrison character's criticism. After Parker and Stone publicly voiced their objections, Comedy Central released the commentaries on audio CD and included them on the DVD when consumers order directly from the network's website.[41] Parker and Stone subsequently continued disparaging the film in the 2003 South Park episode "Cancelled" by parody: when an alien takes on the form of the character Stan's father and makes first contact, Kyle says "Dude, don't do that, that's gay," followed by Stan saying "Yeah, that's like that stupid movie Contact."

 

 

Awesome Or Off-Putting: The Wow! Signal - Sent By Aliens? - Topix
Signal - Sent By Aliens? Awesome or Off-Putting is a weekly delve into ... This will search the titles of the threads in the Jodie Foster forum ...
www.topix.com/who/jodie-foster/2009/04/awesome-or-off-putting-the-wow-signal-sent-by-aliens -

 


Awesome or Off-Putting is a weekly delve into cryptozoology, ufology, aliens, medical marvels, scientific wonders, secret societies, government conspiracies, cults, ghosts, EVPs, myths, ancient artifacts, religion, strange facts, odd sightings or just the plain unexplainable.

Well don’t tell Jodie Foster, but she needn’t have made that one movie where she made love to her dead alien father on an other-planet beach. That’s because the premise of that movie - Contact we think it was called - was about how the world would react if it ever received contact from another planet.

Problem is that film was made 20 years after the fact.

SETI is a wonderful organisation that does nothing all day but listen for signals emitting from the radio antennas protruding well-above the crust of other planets. In fact their name is an acronym for Search for Extra-Terrestrial Intelligence, and they take their job quite seriously.

Imagine their surprise then, when on August 15, 1977, they received something that Space.com describes like this:

Of the many “maybes” that SETI has turned up in its four-decade history, none is better known than the one that was discovered in August, 1977, in Columbus, Ohio. The famous Wow signal was found as part of a long-running sky survey conducted with Ohio State Universitys “Big Ear” radio telescope.

The Wow signals unusual nomenclature connotes both the surprise of the discovery and its sox-knocking strength (60 Janskys in a 10 KHz channel, which is more than 50 thousand times more incoming energy than the minimum signal that would register as a hit for todays Project Phoenix.)

Now we know what you’re thinking - just because the sound was picked up by an antenna sweeping outer space doesn’t mean the sound came from there. We agree with you - until we read this next bit on our ol’ pal Wikipedia:

[An expert] has stated his doubts that the signal is of intelligent extraterrestrial origin: “We should have seen it again when we looked for it 50 times. Something suggests it was an Earth-sourced signal that simply got reflected off a piece of space debris.”

He later recanted his skepticism somewhat after further research scientifically relegated an Earth-bound signal to be astronomically unlikely, due to the requirements of a space-borne reflector being bound to certain unrealistic requirements to sufficiently explain the nature of the signal. Also, the 1420 MHz signal is problematic in itself in that it is “protected spectrum” or bandwidth in which terrestrial transmitters are forbidden to transmit. In his most recent writings, [the expert] resists “drawing vast conclusions from half-vast data.”

Your sitting there still sceptical, aren’t you? Would it help any if we told you this isn’t the only time an apparently alien signal has been received? For this next bit we are going to delve back into Hecklerspray’s own memory - to a time we took an ill-fated vacation to Puerto Rico right when 2004’s Tropical Storm Jeanne was deciding to ravish the island.

A few weeks before our trip, you see, we read a news report that the Arecibo Observatory, a huge antenna located on the island, had received what appeared to be an extra-terrestrial signal as well. While on island we took the visitors tour of the site, expecting a massive display explaining their recent good fortune in intricate detail. Instead, there was nothing.

Just before leaving we asked a worker there about the signal - and they knew exactly what we were talking about. The worker told us (and we paraphrase) that there was a system in place where people all over the world could volunteer their computers to sift through data received by the great antenna. Due to the massive amount of info received and the small-ish amount of hard drive to search through it, they hadn’t realised they’d received a signal until years after the fact. What they did get though, was three bursts of signal when you only need two to verify it wasn’t a glitch.

Furthermore, the signal was coming from a place where there was no planet to make it. As we understood it, this was implying it was coming from something intelligent made as it floated through space. Maybe it was a satellite, maybe it was a spaceship.

We’d have loved to use some sort of official quote for that last bit, but we just couldn’t find one

.

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

WHY SMASH ATOMS

A. K. Solomon 1940

VAN DE GRAAFF GENERATOR

Page 77

"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

 

I = 9 9 = I

R = 9 9 = R

 

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

2061

ODYSSEY THREE

Arthur C. Clarke 1987

Page 13 (number 0mitted)

"THE MAGIC MOUNTAIN"

 

 

THE LOST WORLDS OF 2001

Arthur C.Clarke

1972

"Sorry to interrupt the festivities, but we have a problem."
(HAL 9000, during Frank Poole's birthday party)


"Houston, we've had a problem." (Jack Swigert, shortly after playing the

Zarathustra

theme to his TV audience, aboard Apollo 13 Command Module Odyssey)

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

Page 706

THE

THUNDERBOLT

 

 

THE DIE IS NOW CAST NOW CAST IS THE DIE

 

 

THE

PATH OF PTAH

GODS

PEACE BE UNTO YOU BELOVED

CHILDREN OF THE RAINBOW LIGHT

 

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

 

7
BECAUSE
56
20
2
4
WE'RE
51
24
6
7
KEEPING
67
40
4
3
THE
33
15
6
5
DREAM
41
23
5
5
ALIVE
49
22
4
31
First Total
297
144
27
3+1
Add to Reduce
2+9+7
1+4+4
7+2
4
Second Total
18
9
9
-
Reduce to Deduce
2+9+7
-
-
4
Essence of Number
9
9
9

 

 

THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY

NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE

THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE

 

 

Daily Mirror

Friday, March 6, 2009

By Martin Fricker

Front Page

"IS THIS IT ? THIS IS IT!"

 

 

5
HORUS
-
-
-
-
H+O
23
14
5
-
R
18
9
9
9
U+S
40
13
4
5
HORUS
81
36
18
-
-
8+1
3+6
1+8
5
HORUS
9
9
9

 

 

-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
-
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
18
5
H
O
R
U
S
-
-
27
-
-
5
-
27
1+8
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
-
8
6
9
3
1
-
-
-
-
-
-
-
-
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

 

5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
5
H
O
R
U
S
-
-
27
-
-
5
-
27
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
8
6
9
3
1
-
-
-
-
-
-
-
-
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

SHEMSU HOR

 

 

I
=
9
-
2
IN
23
14
5
L
=
3
-
5
LIGHT
56
29
2
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WOW
61
16
7
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
3
AND
19
10
1
S
=
1
-
4
SETI
53
17
8
L
=
3
-
2
LO
27
9
9
A
=
1
-
3
AND
19
10
1
B
=
2
-
6
BEHOLD
46
28
1
S
=
1
-
4
SUCH
51
15
6
A
=
1
-
1
A
1
1
1
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
2
AS
20
2
2
T
=
2
-
4
THAT
49
13
4
-
-
40
4
56
First Total
603
243
72
-
-
4+0
-
5+6
Add to Reduce
6+0+3
2+4+3
7+2
-
-
4
-
11
Second Total
9
9
9
-
-
-
-
1+1
Reduce to Deduce
-
-
-
-
-
4
-
2
Essence of Number
9
9
9

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
11
SORROW
108
36
9
8
STARTING
108
36
9
9
COMPLETES
108
36
9
7
JOURNEY
108
36
9

 

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
-
-
-
-
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

-
CODE
--
-
-
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODE
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODER
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
-
15
-
-
+
=
15
1+5
=
6
=
6
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
-
3
6
4
5
+
=
18
1+8
=
9
=
9
-
4
C
O
D
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
27
4
C
O
D
E
-
-
18
-
-
4
-
18
2+7
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
9
4
C
O
D
E
-
-
9
-
-
4
-
9
-
-
3
6
4
5
-
-
-
-
-
-
-
-
9
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
+
=
15
1+5
=
6
=
6
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
3
-
4
5
+
=
12
1+2
=
3
=
3
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
3
6
4
5
+
=
18
1+8
=
9
=
9
4
C
O
D
E
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
6
occurs
x
1
=
6
4
C
O
D
E
-
-
18
-
-
4
-
18
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
4
C
O
D
E
-
-
9
-
-
4
-
9
-
3
6
4
5
-
-
-
-
-
-
-
-
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

-
SIGNAL
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
SIGNAL
62
35
26
-
-
6+2
3+5
2+6
7
SIGNAL
8
8
8

 

 

-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
=
8
-
-
1
9
7
5
1
3
+
=
26
2+6
=
8
=
8
-
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
2+0
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9
-
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9

 

 

-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
-
8
-
1
9
7
5
1
3
+
=
26
2+6
=
8
-
8
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
1
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

SIGNALS WHAT SIGNALS

 

 

7
SIGNALS
81
27
9
4
WHAT
52
16
7
7
SIGNALS
81
27
9

 

 

-
SIGNALS
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
1
S
19
10
1
7
SIGNALS
81
45
27
-
--
8+1
4+5
2+7
7
SIGNALS
9
9
9

 

 

-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
-
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
--
--
--
--
--
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
2+0
-
1
-
-
-
1
-
1
-
-
2+5
-
-
-
-
2+7
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

-
A SIGNAL
-
-
-
1
A
1
1
1
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
A SIGNAL
63
36
27
-
-
6+3
3+6
2+7
7
A SIGNAL
9
9
9

 

 

-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
=
3
-
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
=
3
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
=
9
-
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
=
9
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
--
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
--
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
2+0
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
-
3
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
-
3
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
-
9
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
-
9
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
1
T
20
2
2
2
HA
9
9
9
1
T
20
2
2
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
11
O THAT SIGNAL
126
54
45
1+1
-
1+2+6
5+4
4+5
2
O THAT SIGNAL
9
9
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
4
THAT
49
13
4
6
SIGNAL
62
26
8
11
O THAT SIGNAL
126
45
18
1+1
-
1+2+6
4+5
1+8
2
O THAT SIGNAL
9
9
9

 

 

-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
6
-
-
8
-
-
-
1
9
-
5
-
-
+
=
29
2+9
=
11
1+1
2
-
-
15
-
-
8
-
-
-
19
9
-
14
-
-
+
=
65
6+5
=
11
1+1
2
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
2
-
1
2
-
-
-
7
-
1
3
+
=
16
1+6
=
7
=
7
-
-
-
-
20
-
1
20
-
-
-
7
-
1
12
+
=
61
6+1
=
7
=
7
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
15
-
20
8
1
20
-
19
9
7
14
1
12
+
=
126
1+2+6
=
9
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
+
=
45
4+5
=
9
-
9
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
--
-
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
--
-
-
-
--
--
--
--
--
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
8
--
-
-
-
--
--
--
--
--
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
4
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
41
-
-
11
-
45
-
1+1
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+1
-
4+5
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9

 

 

CHEIRO'S BOOK OF NUMBERS

Circa 1926

Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.

"The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

 THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE

FLOOD

 

 

EIGHTEEN+THIRTYSIX = 9 9 = EIGHTEEN+THIRTYSIX

1836

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

EIGHTEEN THIRTY SIX SIX THIRTY EIGHTEEN

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
A
=
1
-
9
THIRTYSIX
152
53
8
-
-
9
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
9
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
9
-
8
Essence of Number
9
9
9

 

 

-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
5
-
+
8
9
-
-
-
1
9
6
+
=
55
5+5
=
10
1+0
1
=
1
-
-
-
9
-
8
-
-
-
14
-
-
8
9
-
-
-
19
9
24
+
=
100
1+0+0
=
1
2+0
1
=
1
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-
2
5
5
-
+
2
-
-
9
2
7
-
-
-
+
=
44
4+4
=
8
=
8
=
8
-
-
5
-
7
-
20
5
5
-
+
20
-
-
18
20
25
-
-
-
+
=
125
1+2+5
=
8
=
8
=
8
-
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
9
7
8
20
5
5
14
+
20
8
9
18
20
25
19
9
24
+
=
225
2+2+5
=
9
=
9
=
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
99
9+9
=
18
=
9
=
9
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
1
-
-
+
=
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
+
2
-
-
-
2
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
5
5
+
-
-
-
-
-
-
-
-
-
+
=
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
6
+
=
6
occurs
x
1
=
6
-
6
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
9
-
-
-
-
-
-
+
-
-
9
9
-
-
-
9
-
+
=
9
occurs
x
4
=
36
3+6
9
7
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
38
-
-
17
-
99
-
36
-
1+7
-
9
-
-
-
-
-
-
-
-
-
9
9
-
-
-
9
-
-
-
3+8
-
-
1+7
-
9+9
-
3+6
7
8
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
11
-
-
8
-
18
-
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
1+1
-
-
-
-
1+8
-
-
7
8
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
2
-
-
8
-
9
-
9

 

 

17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
5
-
+
8
9
-
-
-
1
9
6
+
=
55
5+5
=
10
1+0
1
=
1
-
-
9
-
8
-
-
-
14
-
-
8
9
-
-
-
19
9
24
+
=
100
1+0+0
=
1
2+0
1
=
1
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-
2
5
5
-
+
2
-
-
9
2
7
-
-
-
+
=
44
4+4
=
8
=
8
=
8
-
5
-
7
-
20
5
5
-
+
20
-
-
18
20
25
-
-
-
+
=
125
1+2+5
=
8
=
8
=
8
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
5
9
7
8
20
5
5
14
+
20
8
9
18
20
25
19
9
24
+
=
225
2+2+5
=
9
=
9
=
9
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
99
9+9
=
18
=
9
=
9
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
1
-
-
+
=
1
occurs
x
1
=
1
=
1
+
-
-
-
-
2
-
-
-
+
2
-
-
-
2
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
+
5
-
-
-
-
5
5
5
+
-
-
-
-
-
-
-
-
-
+
=
5
occurs
x
4
=
20
2+0
2
+
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
6
+
=
6
occurs
x
1
=
6
-
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
+
-
9
-
-
-
-
-
-
+
-
-
9
9
-
-
-
9
-
+
=
9
occurs
x
4
=
36
3+6
9
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
38
-
-
17
-
99
-
36
1+7
-
9
-
-
-
-
-
-
-
-
-
9
9
-
-
-
9
-
-
-
3+8
-
-
1+7
-
9+9
-
3+6
8
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
11
-
-
8
-
18
-
9
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
1+1
-
-
-
-
1+8
-
-
8
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
2
-
-
8
-
9
-
9

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
A
=
1
-
9
THIRTYSIX
152
53
8
-
-
9
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
9
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
9
-
8
Essence of Number
9
9
9

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Contents [hide]
1 Literature
2 Stage, film and TV
3 Art and architecture
4 Games
5 Other
6 Trivia


Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). The most famous use is in the Apocryphal Acts of Peter.

The phrase's context is used in a literal or metaphorical sense when an individual has left or is leaving for a long time and/or distance.

Quo vadis may also refer to:


[edit] Literature
Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz

[edit] Stage, film and TV
Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre on April 9, 1900. It was produced by F. C. Whitney and written for the stage by Hugh Stanislaus Stange from the Henryk Sienkiewicz novel.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed by Enrico Guazzoni, starring Amelia Cattaneo, Carlo Cattaneo, Lea Giunchi and Giovanni Gizzi. Regarded by film historians as the first successful feature-length motion picture, it inspired D. W. Griffith to make The Birth of a Nation.
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro. It was adapted and directed by Gabriellino D'Annunzio and Georg Jacoby and produced by Arturo Ambrosio.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy and starring Robert Taylor, Deborah Kerr and Peter Ustinov.
Quo Vadis (1985 film): a television mini-series starring Klaus Maria Brandauer, Frederic Forrest, Marie Therese Relin and Francesco Quinn. It was directed by Franco Rossi and written by Ennio De Concini, Francesco Scardamaglia and Franco Rossi.
Quo Vadis (2001 film): a Polish language version, directed by Jerzy Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz, Boguslaw Linda and Michal Bajor.
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode of M*A*S*H.
Stitched on the back of Gene from Eugene's shirt (Jeremy Davies') shirt in Werner Herzog's film Rescue Dawn.

"Domine, Quo Vadis" by Annibale Carracci.
[edit] Art and architecture
Quo Vadis (church): The "Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci

[edit] Games
Quo Vadis (board game): A German-style board game by Reiner Knizia
Quo Vadis (1984 game): A 1984 computer game released for the Commodore 64
Quo Vadis (video game): A Japanese wargame for the Sega Saturn

[edit] Other
Quo Vadis (band): A Canadian death metal band
Quo Vadis (Polish band): A Polish thrash metal band
Quo Vadis (automobile): A French automobile produced from 1921 to 1923
Quo Vadis (newspaper) ([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater): A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant): An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant): An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house): A Public house in Cardonald, Glasgow
Quo Vadis (song): A song by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The name of a style of haircut, where the hair is trimmed very short, popular among some African-American men.
Quo vadis (specialty sandwich): A sausage patty, topped with salami, ham,white american cheese, lettuce, tomato, onion, mayo.and spiced olive oil on a butter toasted bun. Only at george's lounge, canton, ohio. by big joe

[edit] Trivia
Quo Vadis is the title of the Yearbook of the High School in O.B. Montessori Center Inc.

 

 

I

AM

THE

OPPOSITE OF THE OPPOSITE

I

AM

THE

OPPOSITE OF OPPOSITE

IS

THE

AM

I

ALWAYS

AM

 

 

NAMASTE

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name.He said “Good morning”, I the same ... rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5).

Quo vadis may also refer to:

Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz

Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre on April 9, 1900.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed by Enrico Guazzoni,
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy
Quo Vadis (1985 film): a television mini-series starring Klaus Maria Brandauer, Frederic Forrest, Marie Therese Relin
Quo Vadis (2001 film): a Polish language version, directed by Jerzy Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz,
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode of M*A*S*H.
"Domine, Quo Vadis" by Annibale Carracci. [edit] Art and architecture
Quo Vadis (church): The "Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci

[edit] Games
Quo Vadis (board game): A German-style board game by Reiner Knizia
Quo Vadis (1984 game): A 1984 computer game released for the Commodore 64
Quo Vadis (video game): A Japanese wargame for the Sega Saturn

[edit] Other
Quo Vadis (band): A Canadian death metal band
Quo Vadis (Polish band): A Polish thrash metal band
Quo Vadis (automobile): A French automobile produced from 1921 to 1923
Quo Vadis (newspaper) ([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater): A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant): An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant): An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house): A Public house in Cardonald, Glasgow
Quo Vadis (song): A song by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The name of a style of haircut, where the hair is trimmed very short,
Quo vadis (specialty sandwich): A sausage patty, topped with salami, ham,white american cheese, lettuce, tomato, onion, mayo.

[edit] Trivia
Quo Vadis is the title of the Yearbook of the High School in O.B. Montessori Center Inc.

 

 

1
8
QUO VADIS
108
36
9
2
8
QUO VADIS
108
36
9
3
8
QUO VADIS
108
36
9
4
8
QUO VADIS
108
36
9
5
8
QUO VADIS
108
36
9
6
8
QUO VADIS
108
36
9
7
8
QUO VADIS
108
36
9
8
8
QUO VADIS
108
36
9
9
8
QUO VADIS
108
36
9
10
8
QUO VADIS
108
36
9
11
8
QUO VADIS
108
36
9
12
8
QUO VADIS
108
36
9
13
8
QUO VADIS
108
36
9
14
8
QUO VADIS
108
36
9
15
8
QUO VADIS
108
36
9
16
8
QUO VADIS
108
36
9
17
8
QUO VADIS
108
36
9
18
8
QUO VADIS
108
36
9
19
8
QUO VADIS
108
36
9
20
8
QUO VADIS
108
36
9
21
8
QUO VADIS
108
36
9
22
8
QUO VADIS
108
36
9
23
8
QUO VADIS
108
36
9
24
8
QUO VADIS
108
36
9
25
8
QUO VADIS
108
36
9
26
8
QUO VADIS
108
36
9
27
8
QUO VADIS
108
36
9
28
8
QUO VADIS
108
36
9
29
8
QUO VADIS
108
36
9
30
8
QUO VADIS
108
36
9
31
8
QUO VADIS
108
36
9
32
8
QUO VADIS
108
36
9
33
8
QUO VADIS
108
36
9
34
8
QUO VADIS
108
36
9
35
8
QUO VADIS
108
36
9
36
8
QUO VADIS
108
36
9

 

 

-
QUO VADIS
-
-
-
3
QUO
53
17
8
5
VADIS
55
19
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

8
QUO VADIS
108
36
9
-
-
-
-
-
-
-
-
-
-
7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

8
QUO VADIS
108
36
9

 

 

 

 

10
PRECESSION
123
69
6
2
OF
21
12
3
3
THE
33
15
6
9
EQUINOXES
129
57
3
24
Add to Reduce
306
153
18
2+4
Reduce to Deduce
3+0+6
1+5+3
1+8
6
Essence of Number
9
9
9

 

 

9

1 + 8

18

1 + 8 + 3 + 6

EIGHTEENTHIRTYSIX = 9 9 = XISYTRIHTNEETHGIE

CHILDREN OF THE RAINBOW LIGHT

IT

IS

FINISHED

ISISIS DIVINE THOUGHT THOUGHT DIVINE ISISIS

LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE

SO SHALL PEACE DESCEND UPON THE EARTH AND GOOD WILL ASCEND UPON ALL SENTIENT BEINGS

 

 

-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
8
6
-
-
-
-
6
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
-
-
8
-
-
8
15
-
-
-
-
15
-
-
+
=
46
4+6
=
10
1+0
1
=
1
-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
2
-
5
-
-
-
3
7
-
5
-
9
4
+
=
35
3+5
=
8
=
8
=
8
-
-
20
-
5
-
-
-
12
25
-
23
-
18
4
+
=
107
1+0+7
=
8
=
8
=
8
--
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
20
8
5
-
8
15
12
25
-
23
15
18
4
+
=
153
1+5+3
=
9
=
9
=
9
-
-
2
8
5
-
8
6
3
7
-
5
6
9
4
+
=
63
6+3
=
9
=
9
=
9
-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
--
3
-
-
-
--
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
1
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
44
-
-
11
-
63
-
36
-
1+1
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
4+4
-
-
1+1
-
6+3
-
3+6
1
2
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
8
-
-
2
-
9
-
9

 

 

IN

THE

BEGINNING

WAS THE WORD AND THE WORD WAS

WITH

GOD AND THE WORD WAS GOD

THE

SAME WAS IN THE BEGINNING WITH

GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD

WAS

NOT

ANYTHING

MADE THAT WAS MADE

IN

GOD

WAS LIFE AND THE LIFE WAS

THE

LIGHT

OF

HUMANKIND

AND THE

LIGHT

SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT

 

?

 

 

 

-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-````
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+0
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

AND

GOD

FORMED

HUMMANKIND OF THE DUST OF THE UNIVERSE

AND

BREATHED INTO THEIR NOSTRILS

THE BREATH OF LIFE

AND

HUMANS BECAME LIVING SOULS

973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973

ISISISISISISISISISISISIS919919919919ISISISISISISISISISISISIS

999181818181818181818AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999

122333444455555666666777777788888888999999999888888887777777666666555554444333221

999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999

PERFECT DIVINE LOVE PUREST LIVING LIGHT THAT LIGHT LIVING PUREST LOVE DIVINE PERFECT

 

 
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