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NUCLEAR FAMILY 19769

 

 

 

 

 

 

 

THE

MAGICALALPHABET

 

..................

 

 

-
-
-
-
-
THE RAINBOW LIGHT
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
Z
=
8
-
4
ZERO
64
28
1
C
=
3
-
6
COMETH
64
28
1
O
=
6
-
3
ONE
34
16
7
Q
Q
29
Q
18
Q
239
95
14
-
-
2+9
-
1+8
-
2+3+9
9+5
1+4
-
-
11
-
9
-
14
14
5
-
-
1+1
-
-
-
1+4
1+4
-
-
-
2
-
9
-
5
5
5

 

 

THE

MAGICALALPHABET

 

..................

 

 

-
-
-
-
-
THE RAINBOW LIGHT
-
-
-
T
=
2
-
3
THE
33
15
6
R
=
9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

..................

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the sign Zero. . . any number can be written."

 

6
DIVINE
63
36
9
10
REVELATION
121
49
4
-
-
-
-
13
8
THIRTEEN
99
45
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875 - 1955

Page 660

"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."

"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."

 

 

FINGERPRINTS OF THE GODS
 

G Hancock1995

Page 287 

"What one would look for, therefore, would be a universal language"

Page 287 

 "WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"

 

LIGHT AND LIFE

 
Lars Olof Bjorn
 
1976
 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).

IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.

 
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
 

1 000 000 000 'LETTERS'.

 

 AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA

 

All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets

Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.

The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).

 

 

THE PHOENIX

 

A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
20
21
13
-
18
1
-
1
18
-
13
21
20
1
1
2
3
4
-
9
1
-
1
9
-
4
3
2
1
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
-
-
-
-
-
1
-
1
-
-
-
-
-
1
-
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A

 

 

-
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
2
-
-
-
-
-
-
-
-
-
2
-
1
-
-
-
-
1
-
1
-
-
-
-
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
20
21
13
18
1
-
1
18
13
21
20
1
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A

 

 

-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
10
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

4
PTAH
45
18
9
-
-
-
-
-
-
-
-
-
-
7
SEKHMET
81
36
9
6
SPHINX
90
36
9
13
Add Reduce Deduce
171
72
18
1+3
-
1+7+1
7+2
-
4
Essence of Number
9
9
9

 

 

4
ATUM
55
10
1
6
OSIRIS
89
35
8
10
Add Reduce Deduce
144
45
9
1+0
-
1+4+4
4+5
-
1
Essence of Number
9
9
9

 

 

MYTH AND SYMBOL IN ANCIENT EGYPT

R. T. Rundle Clark 1959

Osiris Universalized

Page 138

"Another section of Chapter 175 provides a lively dialogue between Osiris and the High God, here called Atum. All the / Page 139 / decisions of the High God previously noticed were accepted without question. The sceptical spirit of the Herakleopolitan Age, however, did not stop at minor figures; it queried the ultimate rightness of the fates determined by God himsel£ After his death Osiris finds himself in a cheerless underworld and remonstrates about his lot:

'Osiris O Atum! What is this desert place into which I have come
It has no water, it has no air, it is depth unfathomable, it is black as the blackest night.
I wander helplessly herein.
One cannot live here in peace of heart, nor may the longings of love be satisfied herein.
Atum You may live in peace of heart. I have provided illumination in place of water and air, and satisfaction and quiet in the place of bread and beer.
Thus spoke Atum.
Osiris But shall I behold your face?
Atum I will not allow you to suffer sorrow.
Osiris But every other god has his place in the Boat of Millions of Years.
Atum Your place now belongs to your son Horus.
Thus spoke Atum.
Osiris But will he be allowed to dispatch the Great Ones?

Atum I have allowed him to dispatch the Great Ones, for he will inherit your throne on the Isle of Fire.
Osiris How good would it be if one god could see another!
Atum My face will look upon your face.
Osiris But how long shall I live ? says Osiris.
Atum You will live more than millions of years, an era of millions, but in the end I will destroy everything that I have created, /Page 140 / the earth will become again part of the Primeval Ocean, like the Abyss of waters in their original state. Then I will be what will remain, just I and Osiris, when I will have changed myself back into the Old Serpent who knew no man and saw no god.
How fair is that which I have done for Osiris, a fate different from that of all the other gods!
I have given him the region of the dead while I have put his son Horus as heir upon his throne in the Isle of Fire;
I have thus made his place for him in the Boat of Millions of Years, in that Horus remains on his throne to carry on his work.
Osiris But will not also the soul of Seth be sent to the West-a fate differen.t ttom that of all the other gods ?
Atum I shall hold his soul captive in the Boat of the Sun -such is my will­so that he will no longer terrorize the Divine Company.'

This is a direct criticism of the Osirian belief in the survival of the soul in the life of universal nature. Otto has shown recently that the scepticism of the age was expressed in terms of debates; 6 objections were raised with the High God about the seeming injustices of his ordering of the universe. In the present case, Osiris complains that the Underworld to which he has descended has none of the wordly amenities which he had expected. The High God replies that this may be so, but instead there is peace and contentment of mind. The lesson is that the future state is not to be thought of in material terms.
Although the text speaks of Osiris, the god is here the mouthpiece of the soul expressing its deepest anxieties. This is abundantly clear in the succeeding section, where Osiris, not / Page140 / completely satisfied with a metaphorical hereafter, breaks with the traditional mythology and wants to behold the light of day, the face of the Sun'God. The Egyptians believed that the soul assumed the form off a bird in order to ascend from the darkness of the tomb to see the daylight and then returned to comfort its body. The supreme beatification in the Pyramid Texts was to join the Sun God's boat or, to become 'one of those dwellers in the light'. The Osirian fate did not satisfy this longing for light. Atum's answer is ambiguous and so brings forth the reproach that all the other gods have their places in the divine barque­'The Boat of Millions of Years'. Atum replies that Osiris must be content that hii place has been taken by his son Horus; the older generation must give way to the younger. The royal power has been transmitted to Horus who has ascended the throne- in the mythical centre of the world, the Isle of Fire. Humanly enough, Osiris longs to be able to see his son, but even this is denied him. Nevertheless the High God will behold him, for as the all/powerful one he can see down into the depths of the nether world, as the later Amun hymns remind us. Perhaps there is a reference here to the night sun and its visits to the lower regions. Osiris is still dissatisfied; how long will he have to endure his hapless lot? Darkly, Atum replies that he is not to be forgotten; for, one day, millions of years hence, he will bring the present dispensation to an end. Then creation will be reversed and all things return to the Primeval Waters. When all differences have disappeared he and Osiris, the transcendent and the emergent forms of deity, will be reunited in the universal primordial form of life, the original Serpent, the form in which divinity existed before the coming of gods or men. The final fate, then, is to return to the primordial unity. Here we see Egyptian thought reaching out to a concept very like that of the Upanishads.
Atum has not disposed of the enemy. Osiris wonders whether Seth, whose crimes have justified his death, will not be sent down to the Underworld. If Seth is to join him there will be no peace for Osiris. Seth, says Atum, will not be consigned / Page 142 / to the 'West' but will be forced to live in the boat of the Sun God. There was a legend that Seth stood in the prow of the sun barque to ward off the attacks of the demon of darkness. This is quite different from the orthodox doctrine of the Pyramid Texts, wherein he had become Osiris' boat. By changing the fate of Seth the whole tone of the legend is altered: the principle of violent force remains in the world above, but it will be harnessed to protect the sun from annihilation.
The gods were personifications of natural forces or the embodiments of human desires and aspirations. Originally these elements existed all together in the various gods. During the era of the Coffin Texts the different elements began to disentangle
themselves. Seth becomes the storm itself rather than its patron; Osiris is the growth of the corn rather than the god who impersonates its force. At the same time this tendency to get at the natural phenomena behind the personality of a god leads to a deeper understanding of the principles of existence. Coffin Text 330 contains the clearest identification of the soul with nature that the ancients have left us:

'Whether I live or die I am Osiris,
I enter in and reappear through you,
I decay in you, I grow in you,
I fall down in you, I fall upon my side.
The gods are living in me for I live and grow in the corn that sustains the Honoured Ones.
I cover the earth,
whether I live or die I am Barley,
I am not destroyed.
I have entered the Order,
I rely upon the Order,
I become Master of the Order,
I emerge in the Order,
I make my form distinct,
I am the Lord of the Chennet (Granary ofMemphis),
I have entered into the Order,
I have reached its limits. . . .'

 

 

MYTH AND SYMBOL IN ANCIENT EGYPT

R. T. Rundle Clark 1959

THE PHOENIX

Page 245

"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'

One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created, and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regula... tion. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.

Fig. 40. The Phoenix (in Coffin Text 335) (omitted)

The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far;away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world 'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age. We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:

Page 248

'I am that great Benu Bird in Heliopolis, who determines what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy-tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which 1 personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:

'I flew up as the Primeval God and assumed forms­
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his body. . .
I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."

 

 

5
DYING
59
32
5
6
RISING
76
40
4
11
-
135
72
9
1+1
-
1+3+5
7+2
-
2
-
9
9
9

 

O

BLESSED

NAMUH

HEARETH

THEE MY VOICE AND LET MY CRY COME UNTO THEE

 

5
DYING
59
32
5
3
AND
19
10
1
6
RISING
76
40
4
14
-
154
82
10
1+4
-
1+5+4
8+2
1+0
5
-
10
10
1
-
-
1+0
1+0
-
5
TO
1
1
1

 

FIRST LAW 1836 LAW FIRST

 

-
-
-
-
-
FIRST LAW
-
-
-
F
=
6
=
1
F
6
6
6
I
=
9
=
1
I
9
9
9
R
=
9
=
1
R
18
9
9
S
=
1
=
1
S
19
1
1
T
=
2
=
1
T
20
2
2
-
-
27
-
5
FIRST
72
27
27
L
=
3
=
1
L
12
3
3
A
=
1
=
1
A
1
1
1
W
=
5
=
1
W
23
5
5
-
-
9
-
3
LAW
36
9
9
-
-
-
-
-
-
-
-
-
-
-
36
-
8
FIRST LAW -
108
36
23
-
-
3+6
-
-
-
1+0+8
7+7
2+3
Q
-
9
-
8
FIRST LAW
9
14
5
-
-
-
-
-
-
-
1+4
-
-
-
9
-
8
FIRST LAW
9
5
5

 

 

THE BIOLOGY OF DEATH

Lyall Watson 1974

Page 49

"As long ago as 1836, in a Manual of Medical Jurisprudence, this was said: 'Individuals who are apparently destroyed in a sudden manner, by certain wounds, diseases or even decapitation, are not really dead, but are only in conditions incompatible with the persistence of life. '231 This is an elegant and vital distinction. Death is not 'incompatible with the persistence of life'. Our ability to bring all kinds of death back to life is limited only by the state of our technology."

 

 

THE
MAGIKALALPHABET
ROOT
VALUE OF THE WORDS
I = 9 9 = I
ME = 9 9 = ME
EGO = 9 9 = EGO
CONSCIENCE = 9 9 = CONSCIENCE
DIVINE = 9 9 = DIVINE
THOUGHT = 9 9 = THOUGHT
OUR = 9 9 = OUR
LOVE = 9 9 = LOVE
REAL = 9 9 = REAL
REALITY = 9 9 = REALITY
SUN = 9 9 = SUN
EARTH = 7 7 = EARTH
MOON = 3 3 = MOON
JUPITER = 9 9 = JUPITER
MAGNETIC = 9 9 = MAGNETIC
FIELD = 9 9 = FIELD
PHYSICS = 9 9 = PHYSICS
ORIONIS = 9 9 = ORIONIS ASCENSION = 9 9 = ASCENSION ORIONIS = 9 9 = ORIONIS
973 GOD OF NAMES 99 NAMES OF GOD = 9 9 9 9 = GOD OF NAMES 99 NAMES OF GOD 973

 

 

http://www.askoxford.com/asktheexperts/faq/aboutwords/frequency?view=uk

Frequently Asked QuestionsWhat is the frequency of the letters of the Alphabet in English?

The inventor of Morse code, Samuel Morse (1791-1872), needed to know this so that he could give the simplest codes to the most frequently used letters. He did it simply by counting the number of letters in sets of printers' type. The figures he came up with were:

 

12,000
E
2,500
F
9,000
T
2,000
W, Y
8,000
A, I, N, O, S
1,700
G, P
6,400
H
1,600
B
6,200
R
1,200
V
4,400
D
800
K
4,000
L
500
Q
3,400
U
400
J, X
3,000
C, M
200
Z

 

However, this gives the frequency of letters in English text, which is dominated by a relatively small number of common words (see What are the commonest English words?). For word games, it is often the frequency of letters in English vocabulary, regardless of word frequency, which is of more interest. We did an analysis of the letters occurring in the words listed in the main entries of the Concise Oxford Dictionary (9th edition, 1995) and came up with the following table:

The third column represents proportions, taking the least common letter (q) as equal to 1. The letter E is over 56 times more common than Q in forming individual English words.

The frequency of letters at the beginnings of words is different again. There are more English words beginning with the letter 's' than with any other letter. (This is mainly because clusters such as 'sc', 'sh', 'sp', and 'st' act almost like independent letters.) The letter 'e' only comes about halfway down the order, and the letter 'x' unsurprisingly comes last.

 

E
11.1607%
56.88
M
3.0129%
15.36
A
8.4966%
43.31
H
3.0034%
15.31
R
7.5809%
38.64
G
2.4705%
12.59
I
7.5448%
38.45
B
2.0720%
10.56
O
7.1635%
36.51
F
1.8121%
9.24
T
6.9509%
35.43
Y
1.7779%
9.06
N
6.6544%
33.92
W
1.2899%
6.57
S
5.7351%
29.23
K
1.1016%
5.61
L
5.4893%
27.98
V
1.0074%
5.13
C
4.5388%
23.13
X
0.2902%
1.48
U
3.6308%
18.51
Z
0.2722%
1.39
D
3.3844%
17.25
J
0.1965%
1.00
P
3.1671%
16.14
Q
0.1962%
(1)

 

The third column represents proportions, taking the least common letter (q) as equal to 1. The letter E is over 56 times more common than Q in forming individual English words.

The frequency of letters at the beginnings of words is different again. There are more English words beginning with the letter 's' than with any other letter. (This is mainly because clusters such as 'sc', 'sh', 'sp', and 'st' act almost like independent letters.) The letter 'e' only comes about halfway down the order, and the letter 'x' unsurprisingly comes last.

Frequently Asked Questions

What are the commonest English Words?

The only way to measure this is to analyse a large collection (or 'corpus') of texts, but lists based on different collections (or 'corpora') tend to disagree about even the top ten words in English. A rough top thirty might look something like this:

the of and a to in is that it was he for as on with his be at you I are this by from had have they not or one

But you, for example, comes 8th in a list derived from the 'American Heritage' corpus (Carroll et al, 1971), 12th in a list based on the British National Corpus, 32nd in a list based on the 'LOB' (Lancaster-Oslo/Bergen) corpus (Hofland & Johansson 1982), and 33rd in a list based on the 'Brown' corpus (Francis & Kucera 1982).

 

 

4
HOLY
60
24
6
1
R
18
9
9
3
THE
33
15
6
5
WORDS
79
25
7
2
OF
21
12
3
5
POWER
77
32
5
20
First Total
288
117
36
2+0
Add to Reduce
2+8+8
1+1+7
3+6
2
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
2
Essence of Number
9
9
9

 

 

T
=
2
=
3
THE
33
15
6
S
=
1
=
5
SWORD
79
25
7
O
=
6
=
2
OF
21
12
3
W
=
5
=
5
WORDS
79
25
7
-
-
14
-
15
First Total
212
77
23
-
-
1+4
-
1+5
Add to Reduce
2+1+2
7+7
2+3
Q
-
5
-
6
Second Total
5
14
5
-
-
-
-
-
Reduce to Deduce
-
1+4
-
-
-
5
-
6
Essence of Number
5
5
5

 

 

MICROCOSMIC GOD

And Other Stories From Modern Masterpieces of Science Fiction

Edited By

Sam Moskowitz 1965

MICROCOSMIC GOD

Theodore Sturgeon 1941

Page 32

"A squadron of nine clip-winged, mosquito-nosed planes rose out of a cove on the mainland. There was no sound from the engines, for there were no engines. Each plane was powered with a tiny receiver and drew its unmarked, light-absorbent wings through the air with power from the island. In a matter of minutes they raised the island. The squadron leader spoke briskly into a microphone.
"Take the barracks first. Clean 'em up. Then work south."
Johansen was alone on a small hill near the center of the island. He carried a camera, and though he knew pretty well that his chances of ever getting ashore again were practically nonexistent, he liked angle shots of his tower, and took in­numerable pictures. The first he knew of the planes was when he heard their whining dive over the barracks. He stood transfixed, saw a shower of bombs hurtle down and turn the barracks into a smashed ruin of broken wood, metal and bodies. The picture of Kidder's earnest face flashed into his mind. Poor little guy-if they ever bombed his end of the island he would- But his tower! Were they going to bomb the plant?
He watched, utterly appalled, as the planes flew out to sea, cut back and dove again. They seemed to be working south. At the third dive he was sure of it. Not knowing what he could do, he nevertheless turned and ran toward. Kidder's / Page 33 / piace. He rounded a turn in the trail and collided violently with the little biochemist. Kidder's face was scarlet with exer­tion, and he was the most terrified-looking object Johansen had ever seen.
Kidder waved a hand northward. "Conant!" he screamed over the uproar. "It's Conant! He's going to kill us all!"
"The plant?" said Johansen, turning pale.
"It's safe. He won't touch that! But. . . my place. . . what about all those- men? "
"Too late!" shouted Johansen.
"Maybe I can- Come on!" called Kidder, and was off down the trail, heading south.
Johansen pounded after him. Kidder's little short legs became a blur as the squadron swooped overhead, laying its eggs in the spot where they had met.
As they burst out of the woods, J ohansen put on a spurt, caught up with the scientist and knocked him sprawling not six feet from the white line.
"Wh . . . wh-"
"Don't go any farther, you fool! Your own damned force field-it'll-kill you!"
"Force field? But-I came through it on the way up­Here. Wait. If I can-'-" Kidder began hunting furiously about in the grass. In a few seconds he ran up to the line, clutching a large grasshopper in his hand. He tossed it over. It lay still.
"See?" said Jonansen. "It-"
"Look! It jumped! Come on! I don't know what went wrong, unless the Neoterics shut it off. They generated that field-I didn't."
"Neo-huh?"
"Never mind," snapped the biochemist, and ran.
They pounded gasping up the steps and into the Neoterics' control room. Kidder clapped his eyes to a telescope and shrieked in glee. "They've done it! They've done it!"
"Who's-"
"My little people! The Neoterics! They've made the impen etrable shield! Don't you see-it cut through the lines of force that start up that field out there! Their generator is still throwing it up, but the vibrations can't get out! They're safe! They're safe!" And the overwrought hermit began to cry. Johansen looked at him pityingly and shook his head.

Page 34
"Sure-your little men are all right. But we aren't," he added as the floor shook at the detonation of a bomb.
Johansen closed his eyes, got a grip on himself and let his curiosity overcome his fear. He stepped to the binocular tele­scope, gazed down it. There was nothing there but a curved sheet of gray material. He had never seen a gray quite like that. It was absolutely neutral. It didn't seem soft and it didn't seem hard, and to look at it made his brain reel. He looked up.
Kidder was pounding the keys of a teletype, watching the blank yellow tape anxiously.
"I'm not getting through to them," he whimpered. "I don't know what's the mat- Oh, of course!"
"What?"
"The shield is absolutely impenetrable! The teletype im pulses can't get through or I could get them to extend the screen over the building-over the whole island! There's nothing those people can't do!"
"He's crazy," Johansen said under his breath. "Poor little-"
The teletype began clicking sharply. Kidder dove at it, practically embraced it. He read off the tape as it came out. Johansen saw the characters, but they meant nothing to him.
"Almighty," Kidder read falteringly, "pray have mercy on us and be forbearing until we have said our say. Without orders we have lowered the screen you ordered us to raise. We are lost, O great one. Our screen is truly impenetrable, and so cut off your words on the word machine. We have never, in the memory of any Neoteric, been without your word before. Forgive us our action. We will eagerly await your answer."
Kidder's fingers danced over "the keys. "You can look now/' he gasped. "Go on-the telescope!"
Johansen, trying to ignore the whine of sure death from above, looked.
He saw what looked like land-fantastic fields under culti­vation, a settlement of some sort, factories, and-beings. Everything moved with incredible rapidity. He couldn't see one of the inhabitants except as darting pinky-white streaks. Fas­cinated, he stared for a long minute. A sound behind him made him whirl. It was Kidder, rubbing his hands together briskly. There was a broad smile on his face.
"They did it," he said happily. "You see?"
Johansen didn't see until he began to realize that there was / Page 35 / a dead silence outside. He ran to a window. It was night out­side-the blackest night-when it should have been dusk. "What happened?"
''The Neoterics," said Kidder, and laughed like a child. "My friends downstairs there. They threw up the impenetrable shield over the whole island. We can't be touched now!"
And at Johansen's amazed questions, he launched into a description of the race of beings below them.
Outside the shell, things happened. Nine airplanes suddenly went dead-stick. Nine pilots glided downward, powerless, and some fell into the sea, and some struck the miraculous gray shell that loomed in place of an island; slid off and sank.
And ashore, a man named Wright sat in a car, half dead with fear, while government men surrounded him, approached cautiously, daring instant death from a now-dead source.
In a room deep in the White House, a high-ranking army officer shrieked, "I can't stand it any more! I can't " and leaped up, snatched a red cube off the president's desk, ground it to ineffectual litter under his shining boots.
And in a few days they took a broken old man away from the bank and put him in an asylum, where he died within a week.
The shield, you see, was truly impenetrable. The power plant was untouched and sent out its beams; but the beams could not get out, and anything powered from the plant went dead. The story never became public, although for some years there was heightened naval activity off the New England coast. The navy, so the story went, had a new target range out there-a great herni-ovoid of gray material. They bombed it and shelled it and rayed it and blasted all around it, but never even dented its smooth surface.
Kidder and Johansen let it stay there. They were happy enough with their researches and their Neoterics. They did not hear or feel the shelling, for the shield was truly impenetrable. They synthesized their food and their light and air from the materials at hand, and they simply didn't care. They were the only survivors of the bombing, with the exception of three poor maimed devils that died soon afterward.
All this happened many years ago, and Kidder and Johansen may be alive today, and they may be dead. But that
doesn't matter too much. The important thing is that that / Page 36 / great gray shell will bear watching. Men die but races live. Some day the Neoterics, after innumerable generations of inconceivable advancement, will take down their shield and come forth. When I think of that I feel frightened.

 

 

MICROCOSMIC GOD

And Other Stories From Modern Masterpieces of Science Fiction

Edited By

Sam Moskowitz

NIGHT

John W.Campbell 1935


Page 37

Condon was staring through the glasses with a face tense and drawn, all his attention utterly concentrated on that one almost invisible speck infinitely far up in the blue sky, and saying over and over again in the most horribly absent­minded way, "My Lord-my Lord-"
Suddenly he shivered and looked down at me, sheer agony in his face. "He's never coming down. Don, he's never com­ing down-"
I knew it, too-knew it as solidly as I knew the knowledge was impossible. But I smiled and said: "Oh, I wouldn't say that. If anything, I'd fear his coming down. What goes up comes down."
Major Condon trembled all over. His mouth worked horribly for a moment before he could speak. "Talbot-I'm scared -I'm horribly scared. You know-you're his assistant-you know he's trying to defeat gravity. Men aren't meant to-it's wrong-wrong-"
His eyes were glued on those binoculars again, with the same terrible tensity, and now he was saying over and over in that absent-minded way, "wrong-wrong-wrong-"
Simultaneously he stiffened, and stopped. The dozen or so other men standing on that lonely little emergency field stiffened; then the major crumpled to the ground. I've never before seen a man faint, let alone an army officer with a D / Page 38 / S. medal. I didn't stop to help him, because I knew something had happened. I grabbed the glasses.
Far, far up in the sky was that little orange speck-far, where there is almost no air, and he had been forced to wear a stratosphere suit with a little alcohol heater. The broad, or­ange wings were overlaid now with a faint-glowing, pearl­gray light. And it was falling. Slowly, at first, circling aimlessly downward. Then it dipped, rose, and somehow went into a tail spin.
It was horrible. I know I must have breathed, but it didn't seem so. It took minutes for it to fall those miles, despite the speed. Eventually it whipped out of that tail spin-through sheer speed, whipped out and into a power dive. It was a ghastly, flying coffin, hurtling at more than half a thousand miles an hour when it reached the Earth, some fifteen miles away.
The ground trembled, and the air shook with tbe crash of it. We were in the cars and roaring across the ground long before it hit. I was in Bob's car, with Jeff, his laboratory technician-Bob's little roadster he'd never need again. The engine picked up quickly, and we were going seventy before we left the field, jumped a shallow ditch and hit the road-the deserted, concrete road that led off toward where be must be.
The engine roared as Jeff clamped down on the accelerator. Dimly, I heard the major's big car coming along behind us.
Jeff drove like a maniac, but I didn't notice. I knew the thing had done ninety-five but I think we must have done more. The wind whipped tears in my eyes so I couldn't be sure whether I saw mounting smoke and flame or not. With Diesel fuel there shouldn't be--but that plane had been doing things it shouldn't. It had been trying out Carter's antigravity coil.
We shot up the flat, straight road across wide, level coun try, the wind moaning a requiem about the car. Far ahead I saw the side road that must lead off toward where Bob should be, and lurched to the braking of the car, the whine and sing of violently shrieking tires, then to the skidding cor ner. It was a sand road; we slithered down it and for all the lightness and power, we slowed to sixty-five, clinging to the seat as the soft sand gripped and clung.
Violently Jeff twisted into a branching cow path, and somehow the springs took it. We braked to a step a quarter of a mile from the plane. .

Page 39

It was in a fenced field of pasture and wood lot. We leaped the fence, and raced toward it: Jeff got there first, just as the major's car shrieked to a stop behind ours.
The major was cold and pale when he reached us. "Dead," he stated.
And I was very much colder and probably several times as pale. "I don't know!" I moaned. "He isn't there!"
"Not there!" The major almost screamed it. "He must be -he has to be. He has no parachute-wouldn't take one. They say he didn't jump-"
I pointed to the plane, and wiped a little cold sweat from my forehead. I felt clammy all over, and my spine prickled. The solid steel of the huge Diesel engine was driven through the stump of a tree, down into the ground perhaps eight or nine feet, and the dirt and rock had splashed under that blow like wet mud.
The wings were on the other side of the field, flattened, twisted straws of dural alloy. The fuselage of the ship was a perfect silhouette-a longitudinal projection that had flattened in on itself, each separate section stopping only as it hit the ground.
The great torus coil with its strangely twined wrappings of hair-fine bismuth wire was intact! And bent over it, twisted, utterly wrecked by the impact, was the main-wing stringer­the great dural-alloy beam that supported most of the ship's weight in the air. It was battered, crushed on those hair-fine, fragile bismuth wires-and not one of them was twisted or misplaced or so much as skinned. The back frame of the ponderous Diesel engine-the heavy supercharger was the anvil of that combination-was cracked and splintered. And not one wire of the hellish bismuth coil was strained or skinned or displaced.
And the red pulp that should have been there-the red pulp that had been a man-wasn't. It simply wasn't there at all. He hadn't left the plane. In the clear, cloudless air, we could see that. He was gone.
We examined it, of course. A farmer came, and another, and looked, and talked. Then several farmers came in old, di­lapidated cars with their wives and families, and watched.
We set the owner of the property on watch mad went away -..went back to the city for workmen and a truck with a der­rick. Dusk was falling. It would be morning before we could do anything, so we went away.
Five of us - the major of the army air force, Jeff Rodney, / Page 40 / trying to remember every little detail, and trying to forget every ghastly detail. We couldn't remember the detail that explained it, nor forget the details that rode ap.d harried us.
And the telephone rang. I started. Then slowly got up and answered. A strange voice, flat and rather unpleasant, said: "Mr. Talbot?"
"Yes. "
It was Sam Gantry, the farmer we'd left on watch.
"There's a man here."
"Yes? What does he want?"
"1 dunno. I dunno where he came from. He's either dead or out cold. Gotta funny kind of an aviator suit on, with a glass face on it. He looks all blue, so 1 guess he's dead."
"Lord! Bob! Did you take the helmet off?" I roared.
"No, sir, no-no, sir. We just left him the way he was." ­"His tanks have run out. Listen. Take a hammer, a wrench, anything, and break that glass faceplate1 Quick! We'll be there."
Jeff was moving. The major was, too, and the others. I made a grab for the half-empty bottle of Scotch, started out, and ducked back into t.~e closet. With the oxygen bottle under my arm I jumped into the crowded little roadster just
as Jeff started it moving. He turned on the horn, and left it that way.
We dodged, twisted, jumped and stopped with jerks in traffic then leaped into smooth, roaring speed out toward the farmer's field. The turns were familiar now; we scarcely slowed for them, sluing around them. This time Jeff charged through the wire fence. A headlight popped; there was a shrill scream of wire, the wicked zing of wire scratching across the hood and mud guards, and we were bouncing across the field.
There were two lanterns on the ground; three men carried others; more men squatted down beside a still figure garbed in a fantastic, bulging, airproof stratosphere suit. They looked at us, open-mouthed as we skidded to a halt, moving aside as the major leaped out and dashed over with the Scotch. I followed close behind with the oxygen bottle.
Bob's faceplate was shattered, his face blue, his lips blue / Page 41 / and flecked with froth. A long gash across his cheek from the shattered glass bled slowly. The major lifted his head without a word, and glass tinkled inside the helmet as he tried to force a little whisky down his throat.
"Wait!" I called. "Major, give him artificial respiration, and this will bring him around quicker-better." The major nodded, and rose, rubbing his arm with a peculiar expression.
"That's cold!" he said, as he flipped Bob over, and straddled his back. I held the oxygen bottle under Bob's nose as the major swung back in his arc, and let the raw, cold oxygen gas flow into his nostrils.
In ten seconds Bob coughed, gurgled, coughed violently, and took a deep shuddering breath. His face turned pink al­most instantly under that lungful of oxygen, and I noticed with some surprise that he seemed to exhale almost nothing, his body absorbing the oxygen rapidly.
He coughed again; then: "I could breathe a heck of a sight better if you'd get off my back," he said. The major jumped up, and Bob turned over and sat up. He waved me aside, and spat. "I'm-all right," he said softly.
"Lord, man, what happened?" demanded the major.
Bob sat silent for a minute. His eyes had the strangest look-a hungry look-as he gazed about him. He looked at the trees beyond and at the silent, watching men in the light of the lanterns; then up, up to where a myriad stars gleamed and danced and flickered in the clear night sky.
"I'm back," he said softly. Then suddenly he shivered, and looked horribly afraid. "But-I'll have to be-then-too."
He looked at the major for a minute, and smiled faintly. And at the two Douglass Co. men. "Your plane was all right. I started up on the wings, as arranged, went way up, till I thought surely I was at a safe height, where the air wasn't too dense and the field surely wouldn't reach to Earth-Lord!­reach to Earth! I didn't guess how far that field extended. It touched Earth-twice.
"I was at forty-five thousand when I decided it was safe, and cut the engine. It died, and the stillness shocked me. It was so quiet. So quiet.
"I turned on the coil circuit, and the dynamotor began to hum as the tubes warmed up. And then-the field hit me. It paralyzed me in an instant. I never had a chance to break the circuit, though I knew instantly something was wrong-terribly wrong. But the very first thing it did was to paralyze me, / Page 42 / and I had to sit there and watch the instruments climb to positions and meanings they were never meant for. "I realized I alone was being affected by that coil-I alone, sitting directly over it. I stared at the meters and they began to fade, began to seem transparent, unreal. And as they faded into blankness I saw clear sky beyond them; then for a hun­dredth of a second, like some effect of persistence of vision, I thought I saw the plane falling, twisting down at incredible speed, and the light faded as the Sun seemed to rocket sud­denly across the sky and vanish.
"I don't know how long I was in that paralyzed condition, where there was only blankness-neither dark nor light, nor time nor any form-but I breathed many times. Finally, form crawled and writhed into the blankness, and seemed to solidify beneath me as, abruptly, the blankness gave way to a dull red light. I was falling.
"I thought instantly of the forty-five thousand feet that lay between me and the solid Earth, and stiffened automatically in terror. And in the same instant I landed in a deep blanket of white snow, stained by the red light that lighted the world.
"Cold. Cold-it tore into me like the fang of a savage animal. What cold! The cold of ultimate death. It ripped through that thick, insulated suit and slashed at me viciously, as though there were no insulation there. I shivered so violently I could scarcely turn up the alcohol valves. You know I carried alcohol tanks and catalyst grids for heating, because the only electric fields I wanted were those of the apparatus. Even used a Diesel instead of gas engine.
"I thanked the Lord for that then. I realized that whatever had happened I was in a spot indescribably cold and desolate. And in the same instant, realized that the sky was black. Blacker than the blackest night, and yet before me the snow field stretched to- infinity, tainted by the blood-red light, and my shadow crawled in darker red at my feet.
. "I turned around. As far as the eye could see in three directions the land swept off in very low, very slightly rolling hills, almost plains-red plains of snow dyed with the dripping light of sunset, I thought
"In the fourth direction, a wall-a wall that put the Great Wall of China to shame-loomed up half a mile-a blood­red wall that had the luster of metal It stretched across the horizon, and looked a scant hundred yards away, for the air / Page 43 / was utterly clear. I turned up my alcohol burners a bit more and felt a little better.
"Something jerked my head around like a giant hand-a sudden thought. I stared at the Sun and gulped. It was four times:-six times-the size of the Sun I knew. And it wasn't setting. It was forty-five degrees from the horizon. It was red. Blood-red. And there wasn't the slightest bit of radiant heat reaching my face from it. That Sun was cold.
"I'd just automatically assumed I was still on Earth, what­ever else might have happened, but now I knew I couldn't be. lt must be another planet of another sun-a frozen planet-.. for that snow was frozen air. I knew it absolutely. A frozen planet of a dead sun.
"And then I changed even that. I looked up at the black sky above me, and in all the vast black bowl of the heavens, not three-score stars were visible. Dim, red stars, with one single sun that stood out for its brilliance-a yellowish-red sun perhaps a tenth as bright as our Sun, but a monster here. lt was another-a dead-space. For if that snow was frozen air, the only atmosphere must have been neon and helium. There wasn't any hazy air to stop the light of the stars, and that dim, red sun didn't obscure them with its light. The stars were gone.
"In that glimpse, my mind began working by itself; I was scared.
"Scared? I was so scared I was afraid I was going to be sick. Because right then I knew I was never coming back. When I felt that cold, I'd wondered when my oxygen bottles would give out, if I'd get back before they did. Now it was not a worry. It was simply the limiting factor on an already­determined thing, the setting on the time bomb. I had just so much more time before I died right there.
"My mind was working out things, working them out all by itself, and giving answers I didn't want, didn't want to know about. For some reason it persisted in considering this was Earth, and the conviction became more and more fixed. It was right. That was Earth. And it was old Sol. Old-old Sol. It was the time axis that coil distorted-not gravity at all. My mind worked that out with a logic as cold as that planet.
"If it was time it had distorted, and this was Earth, then it had distorted time beyond imagining to an extent as meaningless to our minds as the distance a hundred million light years is. It was simply vast-incalculable. The Sun was dead. The / Page 44 / Earth was dead. And Earth was already, in our time, two billion years old, and in all that geological time, the Sun had not changed measurably. Then how long was it since my time? The Sun was dead. The very stars were dead. It must have been, I thought even then, billions on billions of years. And I grossly under-estimated it.
"The world was old-old-old. The very rocks and ground radiated a crushing aura of incredible age. It was old, older than-but what is there? Older than the hills? Hills? Gosh, they'd been born and died and been born and worn away again, a million, a score of million times! Old as the stars? No, that wouldn't do. The stars were dead-then.
"I looked again at the metal wall, and set out for it, and the aura of age washed up at me, and dragged at me, and tried to stop this motion when all motion should have ceased. And the thin, unutterably cold wind whined in dead protest at me, and pulled at me with the ghost hands of the million million million that had been born and lived and died in the countless ages before I was born.
"I wondered as I went. I didn't think clearly; for the dead aura of the dead planet pulled at me. Age. The stars were dying, dead. They were huddled there in space, like decrepit old men, huddling for warmth. The galaxy was shrunk. So tiny, it wasn't a thousand light years across, the stars were separated by miles where there had been light years. The magnificent, proudly sprawling universe I had known, that flung itself across a million million light years, that flung radiant energy through space by the millions of millions of tons was-gone.
"It was dying-a dying miser that hoarded its last broken dregs of energy in a tiny cramped space. It was broken and shattered. A thousand billion years before the cosmical con­stant had been dropped from that broken universe. The cosmical constant that flung giant galaxies whirling apart with ever greater speed had no place here. It had hurled the universe in broken fragments, till each spattered bit felt the chill of loneliness, and wrapped space about itself, to become a universe in itself while the flaming galaxies vanished.
"That had happened so long ago that the writing it had left in the fabric of space itself had worn away. Only the gravity constant remained, the hoarding constant, that drew things together, and slowly the galaxy collapsed, shrunken and old, a withered mummy.

Page 45

"The very atoms were dead. The light was cold; even the red light made things look older, colder. There was no youth in the universe. I didn't belong, and the faint protesting rustle of the infinitely cold wind about me moved the snow in muted, futile protest, resenting my intrusion from a time when things were young. It whinnied at me feebly, and chilled the youth of me.
"I plodded on and on, and always the metal wall retreated, like one of those desert mirages. I was too stupefied by the age of the thing to wonder; I just walked on.
"I was getting nearer, though. The wall was real; it was fixed. As I drew slowly nearer, the polished sheen of the wall died and the last dregs of hope died. I'd thought there might be some one still living behind that wall. Beings who could build such a thing might be able to live even here. But I couldn't stop then; I just went on. The wall was broken and cracked. It wasn't a wall I'd seen; it was a series of broken walls, knitted by distance to a smooth front.
"There was no weather to age them, only the faintest stir­ring of faint, dead winds-winds of neon and helium, inert and uncorroding-as dead and inert as the universe. The city had been dead a score of billions of years. That city was dead for a time ten times longer than the age of our planet to-day. But nothing destroyed it. Earth was dead-too dead to suffer the racking pains of life. The air was dead, too dead to scrape away metal.
"But the universe itself was dead. There was no cosmic radiation then to finally level the walls by atomic disintegration. There had been a wall-a single metal wall. Something-perhaps a last wandering meteor-had chanced on it in a time incalculably remote, and broken it. I entered through the great gap. Snow covered the city-soft, white snow. The great red sun stood still just where it was. Earth's restless rotation had long since been stilled-long, long since.
"There were dead gardens above, and I wandered up to them. That was really what convinced me it was a human city, on Earth. There were frozen, huddled heaps that might once have been men. Little fellows with fear forever frozen on their faces huddled helplessly over something that must once have been a heating device. Dead perhaps, since the last storm old Earth had known, tens of billions of years before.
"I went down. There were vastnesses in that city. It was huge. It stretched forever, it seemed, on and on, in its deadness. Machines, machines everywhere. And the machines / Page 46 / were dead, too. I went down, . down where I thought a bit of light and heat might linger. I didn't know then how long death had been there; those corpses looked so fresh, pre­served by the eternal cold.
"It grew dark down below, and only through rents and breaks did that bloody light seep in. Down and down, till I was below the level of the dead surface. The white snow persisted, and then I came to the cause of that final, sudden death. I could understand then. More and more I had puzzled, for those machines I'd seen I knew were far and beyond anything we ever conceived-machines of perfection, self-re­pairing, and self-energizing, self-perpetuating. They could make duplicates of themselves, and duplicate other, needed machines; they were intended to be eternal, everlasting.
"But the designers couldn't cope with some things that were beyond even their majestic imaginations-the imagina­tions that conceived these cities that had lived beyond-a million times beyond-what they had dreamed. They must have conceived some vague future. But not a future when the Earth died, and the Sun died, and even the universe itself died.
"Cold had killed them. They had heating arrangements, devices intended to maintain forever the normal temperature despite the wildest variations of the weather. But in every electrical machine, resistances, balance resistances, and induction coils, balance condenseFS, and other inductances. And cold, stark, spatial cold, through ages, threw them off. De­spite the heaters, cold crept in colder-cold that made their resistance balances and their induction coils superconductors! That destroyed the city, Superconduction-like the elimination of friction, on which all things must rest. It is a drag and a thing engineers fight forever. Resistance and friction must finally be the rest and the base of all things, the force that holds the great bed bolts firm and the brakes that stop the machines when needed.
"Electrical resistance died in the cold and the wonderful machines stopped for the replacement of defective parts. And when they were replaced, they, too, were defective. For what months must that constant stop-replacement-start-stop -replacement have gone on before, at last defeated forever, those vast machines must bow in surrender to the inevitable? Cold had defeated them by defeating and removing the greatest obstacle of the engineers that built them-resistance.
"They must have struggled forever-as we would say­ / Page 47 / through a hundred billion years against encroaching harshness of nature, forever replacing worn, defective parts. At last, defeated forever, the great power plants, fed by dying atoms, had been forced into eternal idleness and cold. Cold con­quered them at last.
"They didn't blow up. Nowhere did I see a wrecked machine; always they had stopped automatically when the defective resistances made it impossible to continue. The stored energy that was meant to re-start those machines after repairs had been made had long since leaked out. Never again could they move, I knew.

"I wondered how long they had been, how long they had gone on and on, long after the human need of them had vanished. For that vast city contained only a very few humans at the end. What untold ages of lonely functioning perfection had stretched behind those at-last-defeated mechanisms?
"I wandered out, to see perhaps more, before the necessary end came to me, too. Through the city of death. Everywhere little self-contained machines, cleaning machines that had kept that perfect city orderly and neat stood helpless and crushed by eternity and cold. They must have continued functioning for years after the great central power stations failed, for each contained its own store of energy, needing only occasional recharge from the central stations.
"I could see where breaks had occurred in the city, and, clustered about those breaks were motionless repair machines, their mechanisms in positions of work, the debris cleared away and carefully stacked on motionless trucks. The new beams and plates were partly attached, partly fixed and left, as the last dregs of their energy were fruitlessly expended in the last, dying attempts of that great body to repair itself. The death wounds lay unmended.
"I started back up. Up to the top of the city. It was a long climb, an infinite, weary climb, up half a mile of winding ramps, past deserted, dead homes; past here and there, shops and restaurants; past motionless little automative passenger cars.
"Up and up, to the crowning gardens that lay stiff and brittle and frozen. The breaking of the roof must have caused a sudden chill, for their leaves lay green in sheaths of white, frozen air. Brittle glass, green and perfect to the touch. Flow­
ers, blooming in wonderful perfection showed still; they / Page 48 / didn't seem dead, but it didn't seem they could be otherwise under the blanket of cold.
"Did you ever sit up with a corpse?" Bob looked up at us -through us. "I had to once, in my little home town where they always did that. I sat with a few neighbors while the man died before my eyes. I knew he must die when I came there. He died-,and I sat there all night while the neighbors filed out, one by one, and the quiet settled. The quiet of the dead.
"I had to again. I was sitting with a corpse then. The corpse of a dead world in a dead universe, and the quiet didn't have to settle there; it had settled a billion years ago, and only my coming had stirred those feeble, protesting ghosts of eon-dead hopes of that planet to softly whining pro­test-protest the wind tried to sob to me, the dead wind of the dead gases. I'll never be able to call them inert gases again. I know. I know they are dead gases, the dead gases of dead worlds.
"And above, through the cracked crystal of the roof, the dying suns looked down on the dead city. I couldn't stay there. I went down. Down under layer after layer of build­ings, buildings of gleaming metal that reflected the dim, blood light of the Sun outside in carmine stains. I went down and down, down to the machines again. But even there hope­lessness seemed more intense. Again I saw that agonizing struggle of the eternally faithful machines trying to repair themselves once more to serve the masters who were dead a million million years. I could see it again in the frozen, ex­hausted postures of the repair machines, still forever in their hopeless endeavors, the last poor dregs of energy spilled in fruitless conflict with time.
"It mattered little. Time himself was dying now, dying with the city and the planet and the universe he had killed.
"But those machines had tried to hard to serve again-and failed. Now they could never try again. Even they-the deathless machines-were dead.
"I went out again, away from those machines, out into the illimitable corridors, on the edge of the city. I could not penetrate far before the darkness became as absolute as the cold. I passed the shops where goods, untouched by time in this cold, still beckoned those strange humans, but humans for all that; beckoned the masters of the machines that were no more. I vaguely entered one to see what manner of things they used in that time.

Page 49

"I nearly screamed at the motion of the thing in there, heard dimly through my suit the strangely softened sounds it made in the thin air. I watched it stagger twice-and topple. I cannot guess what manner of storage cells they had-save that they were marvelous beyond imagination. That stored energy that somehow I had released by entering was some last dreg that had remained through a time as old as our plan­et now. Its voice was stilled forever. But it drove me out-on.
"It had died while I watched. But somehow it made me more curious. I wondered again, less oppressed by utter death. Still, some untapped energy remained in this place, stored unimaginably. I looked more keenly, watched more closely. And when I saw a screen in one office, I wondered. It was a screen. I could see readily it was television of some type. Exploratively, I touched a stud. Sound! A humming, soft sound!
"To my mind leaped a picture of a system of these. There must be-interconnected-a vast central office somewhere with vaster accumulator cells, so huge, so tremendous in their power once, that even the little microfraction that remained was great. A storage system untouchable to the repair ma­chines-the helpless, hopeless power machines.
"In an instant I was alive again with hope. There was a strange series of studs and dials, unknown devices. I pulled back on the stud I had pressed, and stood trembling, wonder­ing. Was there hope?
"Then the thought died. What hope? The city was dead. Not merely that. It had been dead, dead for untold time. Then the whole planet was dead. With whom might I connect? There were none on the whole planet, so what mattered it that there was a communication system.
"I looked at the thing more blankly. Had there been-how could I interpret its multitudinous devices? There was a thing on one side that made me think of a telephone dial for some reason. A pointer over a metal sheet engraved with nine symbols in a circle under the arrow of the pointer. Now the pointer was over what was either the first or the last of these.
"Clumsily, in these gloves, I fingered one of the little symbol buttons inlaid in the metal. There was an unexpected click, a light glowed on the screen, a lighted image! It was a simple projection-but what a projection! A three-dimen­sional sphere floated, turning slowly before my eyes, turning majestically.' And I nearly fell as understanding flooded me / Page 50 / abruptly. The pointer was a selector! The studs beneath the pointer I understood! Nine of them. One after the other I pressed, and nine spheres-each different-swam before me.
"And right there I stopped and did some hard thinking. Nine spheres; Nine planets. Earth was shown first-a strange planet to me, but one I knew from the relative size and the position of the pointer must be Earth-then, in order, the other eight.
"Now-might there be life? Yes. In those nine worlds there might be, somewhere.
"Where? Mercury-nearest the Sun? No, the Sun was too dead, too cold, even for warmth there. And Mercury was too small. I knew, even as I thought, that I'd have one good chance because whatever means they had for communication wouldn't work without tremendous power. If those incredible storage cells had the power for even one shot, they had no more. Somehow I guessed that this apparatus might incorpo­rate no resistance whatever. Here would be only very high frequency alternating current, and only condensers and inductances would be used in it. Super-cooling didn't bother them any. It improved them. Not like the immense direct­current power machinery.
"But where to try? Jupiter? That was big. And then I saw what the solution must be; Cold had ruined these machines, thrown them off by making them too-perfect conductors. Because they weren't designed to defend themselves against spatial cold. But the machines-if there were any-on Pluto for instance, must originally have been designed for just. such conditions! There it had always been cold. There it always would be cold. ­
"I looked at that thing with an intensity that should have driven my bare eyesight to Pluto. It was a hope. My only hope. But-how to signal Pluto? They could not understand! If there were any 'they.'
"So I had to guess-and hope. Somehow, I knew, there must be some means of calling the intelligent attendant,that the user might get aid. There was a bank of little studs­twelve of them-with twelve symbols, each different, in the center of the panel, grouped in four rows of three. I guessed. Duodecimal system.
"Talk of the problems of interplanetary communication! Was there ever such a one? The problem of an anachronism in the city of the dead on a dead planet, seeking life some­where, somehow.

Page 51

"There were two studs, off by themselves, separate from the twelve-one green, one red. Again I guessed. Each of these had a complex series of symbols on it, so I turned the pointer on the right to Pluto, wavered, and turned it to Neptune. Pluto was farther. Neptune had been cold enough; the machines would still be working there, and it would be, perhaps, less of a strain on the dregs of energy that might remain.
"I depressed the green symbol hoping I had guessed truly, that red still meant danger, trouble and wrongness to men when that was built-that it meant release and cancellation for a wrongly pressed key. That left green to be an operative call signal.
"Nothing happened. The green key alone was not enough. I looked again, pressed the green key and that stud I had first pressed.
"The thing hummed again. But it was a deeper note now, an entirely different sound, and there was a frenzied clicking inside. Then the green stud kicked back at me. The Neptune key under the pointer glowed softly; the screen began to shimmer with a grayish light. And, abruptly, the humming groaned as though at a terrific overload; the screen turned dull; the little signal light under Neptune's key grew dim. The signal was being sent-hurled out.
"Minute after minute I stood there, staring. The screen grew very slowly, very gently duller, duller. The energy was fading. The last stored driblet was being hurled away-away into space. 'Oh,' I groaned, 'it's hopeless-hopeless to-'
"I'd realized the thing would take hours to get to that distant planet, traveling at the speed of light, even if it had been correctly aligned. But the machinery that should have done that through the years probably had long since failed for lack of power.
"But I stood there till the groaning motors ceased altogether, and the screen was as dark as I'd found it, the signal light black. I released the stud then, and backed away, dazed by the utter collapse of an insane hope. Experimentally I pressed the Neptune symbol again. So little power was left now, that only the faintest wash of murky light projected the Neptune image, little energy as that would have consumed.
"I went out. Bitter. Hopeless. Earth's last picture was long, long since painted-and mine had been the hand that spent Earth's last poor resource. To its utter exhaustion, the eternal
city had strived to serve the race that created it, and I, from / Page 52 / the dawn of time had, at the end of time, drained its last poor atom of life. The thing was a thing done.
"Slowly 1 went back to the roof and the dying suns. Up the miles of winding ramp that climbed a half mile straight up. I went slowly-onIy life knows haste-and 1 was of the dead.
"I found a bench up there-a carved bench of metal in the midst of a riot of colorful, frozen towers. 1 sat down, and looked out across the frozen city to the frozen world beyond, and the freezing red Sun.
"I do not know how long 1 sat there. And then something whispered in my mind.
"We sought you at the television machine.'

"I leaped from the bench and stared wildly about me.
"It was floating in the air-a shining dirigible of metal, ruby-red in that light, twenty feet long, perhaps ten in diame­ter, bright, warm orange light gleaming from its ports. I stared at it in amazement.
" 'It-it worked!' I gasped.
"'The beam carried barely enough energy to energize the amplifiers when it reached Neptune, however,' replied the creature in the machine.
"I couldn't see him-I knew I wasn't hearing him, but somehow that didn't surprise me.
" ' your oxygen has almost entirely given out, and I believe your mind is suffering from lack of oxygen. I would suggest you enter the lock; there is air in here.'
"I don't know how he knew, but the gaug~s confirmed his statement. The oxygen was pretty nearly gone. 1 had perhaps another hour's supply if 1 opened the valves wide-but it was a most uncomfortably near thing, even so.
"I got in. I was beaming, joyous. There was life. This uni­verse was not so dead as I had supposed. Not on Earth, per­haps, but only because they did not choose! They had space ships! Eagerly I climbed in, a strange thrill running through my body as I crossed the threshold of the lock. The door closed behind me with a soft shush on its soft gaskets, locked, and a pump whined somewhere for a moment; then the inner door opened. I stepped in- and instantly turned off my al­cohol burners. There was heat-heat and light and air!
"In a moment I had the outer lacings loose, and the inner zipper down. Thirty seconds later 1 stepped out of the suit, and took a deep breath. The air was clean and sweet and / Page 53 / warm, invigorating, fresh-smelling, as though it had blown over miles of green, Sun-warmed fields. It smelled alive, and young.
"Then I looked for the man who had come for me. There was none. In the nose of the ship, by the controls, floated a four-foot globe of metal, softly glowing with a warm, golden light. The light pulsed slowly or swiftly with the rhythm of his thoughts, and I knew that this was the one who had spoken to me.
"'You had expected a human?' he thought to me. 'There are no more. There have been none for a time I cannot ex­press in your mind. Ab, yes, you have a mathematical means of expression, but no understanding of that time, so it is use­less. But the last of humanity was allowed to end before the Sun changed from the original G-O stage-a very, very long time ago.'
"I looked at him and wondered. Where was he from? Who -what-what manner of thing? Was it an armor-incased living creature or another of the perfect machines?
"I felt him watching my mind operate, pulsing softly in his golden light. And suddenly I thought to look out of the ports. The dim red suns were wheeling across those ports at an un­believable rate. Earth was long since gone. As I looked, a dim, incredibly dim, red disk suddenly appeared, expanded-and I looked in awe at Neptune.
"The planet was scarcely visible when we were already within a dozen millions of miles. It was a jeweled world. Cities-the great, perfect cities-still glowed. They glowed in soft, golden light above, and below, the harsher, brighter blue of mercury vapor lighted them.
"He was speaking again. 'We are machines-the ultimate development of man's machines. Man was almost gone when we came.
"'With what we have learned in the uncounted dusty megayears since, we might have been able to save him. We could not then. It was better, wiser, that man end than that he sink down so low as he must, eventually. Evolution is the rise under pressure. Devolution is the gradual sinking that comes when there is no pressure-and there is no end to it. Life vanished from this system-a dusty infinity I cannot sort in my memory-my type memory, truly, for I have complete all the memories of those that went before me that I replace. / Page 54 / ~But -my memory cannot stretch back to that time you think of-a time when the constellations­
"'It is useless to try. Those memories are buried under others, and those still buried under the weight of a billion centuries. ­
"'We enter'-he named a city; I cannot reproduce that name-'now. You must return to Earth though in some seven and a quarter of your days, for the magnetic axis stretches back in collapsing field strains. I will be able to inject you into it, I believe.'
"So 1 entered that city, the living city of machines, that had been when time and the universe were young.
"I did not know then that, when all this universe had dissolved away, when the last sun was black and cold, scattered dust in a fragment of a scattered universe, this planet with its machine cities would go on-a last speck of warm light in a long-dead universe. I did not know then.
" 'You still wonder that we let man die out?' asked the machine. 'It was best. In another brief million years he would have lost his high estate. It was best.'
"'Now we go on. We cannot end, as he did. It is autmatic with us.'
"I felt it then, somehow. The blind, purposeless continuance of the machine cities I could understand. They had no intelligence, only functions. These machines-these living, thinking, reasoning investigators-had only one function, too. Their function was slightly different-they were designed to be eternally curious, eternally investigating. .And their striving was the more purposeless of the two, for theirs could reach no end. The cities fought eternally only the blind destructive. ness of nature; wear, decay, erosion. .
-"But their struggle had an opponent forever, so long as they existed. The intelligent-no, not quite intelligent, but something else-curious machines were. without opponents. gp They had to be curious. They had to go on investigating. And they had been going on in just this way for such incomprehensible ages that there was no longer anything to be curious
\ about. Whoever, whatever designed them gave them function and forgot purpose. Their only curiosity was the wonder if there might, somewhere, be one more thing to learn.
"That-and the problem they did not want to solve, but must try to solve, because of the blind functioning. of their very structure.
"Those eternal cities were limited. The machines saw now / Page 555 / the limit, and saw the hope of final surcease in it. They worked on the energy of the atom. But the masses of the suns were yet tremendous. They were dead for want of energy. The masses of the planets were still enormous. But they, too, were dead for want of energy.
"The machines there on Neptune gave me food and drink -strange, synthetic foods and drinks. There had been none on all the planet. They, perforce, started a machine, unused in a billion years and more, that I might eat. Perhaps they were glad to do so. It brought the end appreciably nearer, that vast consumption of mine.
"They used so very, very little, for they were so perfectly­efficient. Tbe only possible fuel in all the universe is one-hy­drogen. From hydrogen, the lightest of elements, the heaviest can be built up, and energy released. They knew how to de­stroy matter utterly to energy, and could do it.
"But while the energy release of hydrogen compounding to the heavy elements is controllable, the destruction of matter to energy is a self-regenerative process. Started once, it spreads while matter lies within its direct, contiguous reach. It is wild, uncontrollable. It is impossible to utilize the full energy of matter.
"The suns had found that. They had burned their hydrogen until it was a remnant so small the action could not go on.
"On all Earth there was not an atom of hydrogen-nor was there on any planet, save Neptune. And there the store was not great. I used an appreciable fraction while I was there. That is their last hope. They can see the end now.
"I stayed those few days, and the machines came and went. Always investigating, always curious. But there is in all that universe nothing to investigate save the one problem they are sure they cannot solve.
"The machine took me back to Earth, set up something near me that glowed with a peculiar, steady, gray light. It would fix the magnetic axis on me, on my location, within a few hours. He could not stay near when the axis touched again. He went back to Neptune, but a few millions of miles distant, in this shrunken mummy of the solar system.
"I stood alone on the roof of the city, in the frozen garden with its deceptive look of life.
"And I thought of that night I had spent, sitting up with the dead man. I had come and watched him die. And I sat up / Page 56 / with him in the quiet. I had wanted some one, anyone to talk to.
"I did then. Overpoweringly it came to me I was sitting up in the night of the universe, in the night and quiet of the uni­verse, with a dead planet's body, with the dead, ashen hopes of countless, nameless generations of men and women. The universe was dead, and I sat up alone-alone in the dead hush.
"Out beyond, a last flicker of life was dying on the planet Neptune-a last, false flicker of aimless life, but not life. Life was dead. The world was dead.
"I knew there would never be another sound here. For all the little remainder of time. For this was the dark and the night of time and the universe. It was inevitable, the inevita­ble end that had been simply more distant in my day-in the long, long-gone time when the stars were mighty lighthouses of a mighty space, not the dying, flickering candles at the head of a dead planet.
"It had been inevitable then; the candles must bum out for all their brave show. But now I could see them guttering low, the last, fruitless dregs of energy expiring as the machines
below had spent their last dregs of energy in that hopeless, utterly faithful gesture-to attempt the repair of the city al­ready dead.
"The universe had been dead a billion years. It had been.
This, I saw, was the last radiation of the heat of life from an already-dead body-the feel of life and wannth imitation of life by a corpse. Those suns had long an~ long since ceased to generate energy. They were dead, and their corpses were giving off the last, lingering life heat before they cooled.
"I ran. I think I ran-down away from the flickering, red suns in the sky. Down to the shrouding blackness of the dead city below, where neither light, nor heat, nor life, nor imita­tion of life bothered me.
"The utter blackness quieted me somewhat. So I turned off my oxygen valves, because I wanted to die sane, even here, and I knew I'd never come back.
"The impossible happened! I came to with that raw oxygen in my face. I don't know how I came-only that here is warmth and life.
"Somewhere, on the far side of that bismuth coil, inevita­ble still, is the dead planet and the flickering, guttering candles that light the death watch I must keep at the end of time."

 

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TOP HUMAN STUPIDITY QUOTES

A-Z Quotes
https://www.azquotes.com › quotes › topics › human-s...
As Albert Einstein once said to me: "Two things are infinite: the universe and human stupidity." But what is much more widespread than the actual stupidity is ...

Only two things are infinite, the universe and human stupidity, and I'm not sure about the former.
Albert Einstein

Never underestimate the power of human stupidity.
Robert A. Heinlein

The only way to comprehend what mathematicians mean by Infinity is to contemplate the extent of human stupidity.
Voltaire

Earth has its boundaries, but human stupidity is limitless.
Gustave Flaubert

Never attribute to malice that which can be adequately explained by stupidity. Never underestimate the power of human stupidity.
Robert A. Heinlein

The difference between stupidity and genius is that genius has its limits.
Albert Einstein

For at least two thirds of our miseries spring from human stupidity, human malice and those great motivators and justifiers of malice and stupidity, idealism, dogmatism and proselytizing zeal on behalf of religious or political idols
Aldous Huxley

As Albert Einstein once said to me: "Two things are infinite: the universe and human stupidity." But what is much more widespread than the actual stupidity is the playing stupid, turning off your ear, not listening, not seeing.
Frederick Salomon Perls

There is a limit to human intelligence, but there is no limit to human stupidity
Piero Scaruffi

Religious and racial persecution is moronic at all times, perhaps the most idiotic of human stupidities.
Harry S. Truman

The most fundamental form of human stupidity is forgetting what we were trying to do in the first place.
Friedrich Nietzsche

Never underestimate the potential for human stupidity when wealth and power are at stake.
Raymond E. Feist

It’s too bad that stupidity isn’t painful.
Anton Szandor LaVey

The two most common elements in the universe are hydrogen and stupidity.
Harlan Ellison

There is no supernatural, there is only nature. Nature alone exists and contains all. All is. There is the part of nature that we perceive, and the part of nature that we do not perceive. ... If you abandon these facts, beware; charlatans will light upon them, also the imbecile. There is no mean: science, or ignorance. If science does not want these facts, ignorance will take them up. You have refused to enlarge human intelligence, you augment human stupidity. When Laplace withdraws Cagliostro appears.
Victor Hugo

It is by human avarice or human stupidity, not by the churlishness of nature, that we have poverty and overwork.
C. S. Lewis

All that was great in the past was ridiculed, condemned, combated, suppressed — only to emerge all the more powerfully, all the more triumphantly from the struggle.
Nikola Tesla

Never underestimate human stupidity.
Pittacus Lore

I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.
Albert Einstein

If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who Kurt Vonnegut

 

DAMN HUMAN STUPIDITY

 

 

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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

 

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1+8
-
-
9
-
14
HUMAN STUPIDITY
200
65
11
-
2
4
6
8
5
6
5
8
9
-
-
-
-
1+4
-
2+0+0
6+5
1+1
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
HUMAN STUPIDITY
2
11
2
-
2
4
6
8
5
6
5
8
9
-
-
-
-
-
-
-
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
HUMAN STUPIDITY
2
2
2
-
2
4
6
8
5
6
5
8
9

 

 

-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LAST
52
16
7
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
-
-
-
1+6
-
1+8+4
7+6
2+2
-
-
6
-
7
THE LAST JUDGEMENT
13
13
4
-
-
-
-
-
-
1+3
1+3
-
-
-
6
-
7
THE LAST JUDGEMENT
4
4
4

 

THIRTEEN = 99 = THIRTEEN

 

-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
-
-
-
-
-
-
-
-
-
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3
THE LAST JUDGEMENT
33
15
15
-
-
-
-
-
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
7
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
7
-
4
THE LAST JUDGEMENT
52
16
7
-
-
-
-
-
-
-
-
-
-
J
=
1
8
1
J
10
1
1
-
1
-
-
-
-
-
-
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
10
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
16
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
32
-
9
THE LAST SUPPER
99
45
45
-
3
6
6
8
20
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+0
-
-
-
-
-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
3
6
6
8
2
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
3
6
6
8
2
6
7
8
9
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
3
6
6
8
2
6
7
8
9
-
-
-
-
1+6
-
1+8+4
7+6
2+2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
13
13
4
-
3
6
6
8
2
6
7
8
9
-
-
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
4
4
4
-
3
6
6
8
2
6
7
8
9

 

 

-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
-
-
-
-
-
-
-
-
-
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
6
-
8
9
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
6
-
-
9
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
6
-
-
9
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
6
-
-
9
T
=
2
7
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
J
=
1
8
1
J
10
1
1
-
1
-
-
-
-
6
-
-
9
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
6
-
-
9
D
=
4
10
1
D
4
4
4
-
-
-
-
4
-
6
-
-
9
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
6
7
-
9
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
6
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
6
-
-
9
T
=
2
16
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
-
-
-
-
-
THE LAST SUPPER
-
-
-
-
3
6
6
8
20
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+0
-
-
-
-
-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
3
6
6
8
2
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
3
6
6
8
2
6
7
8
9
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
3
6
6
8
2
6
7
8
9
-
-
-
-
1+6
-
1+8+4
7+6
2+2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
13
13
4
-
3
6
6
8
2
6
7
8
9
-
-
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
4
4
4
-
3
6
6
8
2
6
7
8
9

 

 

-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
-
-
-
-
-
-
-
-
-
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
1
2
3
4
5
6
7
8
9
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
6
-
-
9
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
6
-
-
9
J
=
1
8
1
J
10
1
1
-
1
-
-
-
-
6
-
-
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
T
=
2
7
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
T
=
2
16
1
T
20
2
2
-
-
2
-
-
-
6
-
-
9
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
6
-
-
9
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
6
-
-
9
D
=
4
10
1
D
4
4
4
-
-
-
-
4
-
6
-
-
9
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
6
-
-
9
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
6
-
-
9
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
6
-
-
9
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
6
7
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
6
-
8
9
-
-
-
-
-
THE LAST SUPPER
-
-
-
-
3
6
6
8
20
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+0
-
-
-
-
-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
3
6
6
8
2
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
3
6
6
8
2
6
7
8
9
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
3
6
6
8
2
6
7
8
9
-
-
-
-
1+6
-
1+8+4
7+6
2+2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
13
13
4
-
3
6
6
8
2
6
7
8
9
-
-
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
4
4
4
-
3
6
6
8
2
6
7
8
9

 

 

-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
1
2
3
4
5
7
8
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
-
-
-
-
-
-
-
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
1
2
3
4
5
7
8
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
-
-
J
=
1
8
1
J
10
1
1
-
1
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
7
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
16
1
T
20
2
2
-
-
2
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
-
-
D
=
4
10
1
D
4
4
4
-
-
-
-
4
-
-
-
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
7
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
8
-
-
-
-
-
THE LAST SUPPER
-
-
-
-
3
6
6
8
20
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+0
-
-
-
-
-
-
-
THE LAST JUDGEMENT
-
-
-
-
3
6
6
8
2
7
8
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
L
=
3
-
4
LAST
52
16
7
-
3
6
6
8
2
7
8
J
=
1
-
9
JUDGEMENT
99
45
9
-
-
-
-
-
-
-
-
-
-
6
-
16
THE LAST JUDGEMENT
184
76
22
-
3
6
6
8
2
7
8
-
-
-
-
1+6
-
1+8+4
7+6
2+2
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
13
13
4
-
3
6
6
8
2
7
8
-
-
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
6
-
7
THE LAST JUDGEMENT
4
4
4
-
3
6
6
8
2
7
8

 

 

THE HOLY BIBLE

SAINT JOHN

Scofield References

Page 1117

C 3 V 3

JESUS ANSWERED AND SAID UNTO HIM

VERILY VERILY I SAY UNTO YOU

UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD

6

THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT

7

MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN

8

THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF

BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT

 

 

T
=
2
-
3
THE
33
15
6
H
=
8
-
5
HORUS
81
36
9
-
-
-
-
-
-
+
+
+
B
=
2
-
6
BEHOLD
46
28
1
I
=
1
-
3
'TIS
48
21
3
A
=
1
-
1
A
1
1
1
F
=
6
-
6
FAIRYS
78
42
6
C
=
3
-
5
CHILD
36
27
9
I
=
1
-
1
I
28
19
1
S
=
1
-
3
SEE
29
20
2
-
-
-
-
-
-
+
+
+
G
=
7
-
6
GOLDEN
57
30
3
A
=
1
-
3
AND
19
10
1
F
=
6
-
4
FULL
51
15
6
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GLOW
57
21
3
-
-
52
-
44
Add to Reduce
585
297
54
-
-
5+2
-
4+4
First Total
5+8+5
2+9+7
5+4
-
-
7
-
8
Reduce to Deduce
18
18
9
-
-
-
-
-
Second Total
1+8
1+8
-
-
-
7
-
8
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
H
=
8
-
5
HORUS
81
36
9
-
-
-
-
-
-
-
-
-
B
=
2
-
6
BEHOLD
46
28
1
A
=
1
-
1
A
1
1
1
F
=
6
-
5
FAIRY
59
32
5
C
=
3
-
5
CHILD
36
27
9
G
=
7
-
6
GOLDEN
57
30
3
A
=
1
-
3
AND
19
10
1
F
=
6
-
4
FULL
51
15
6
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GLOW
57
21
3
-
-
39
-
36
Add to Reduce
347
176
32
-
-
3+9
-
3+6
First Total
3+4+7
1+7+6
3+2
-
-
12
-
9
Reduce to Deduce
14
14
5
-
-
1+2
-
-
Second Total
1+4
1+4
-
-
-
3
-
9
Essence of Number
5
5
5

 

 

T.S. Eliot (1888–1965). Prufrock and Other Observations. 1917.

The Love-Song of J. Alfred Prufrock
By T.S. Eliot

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question. . . 10
Oh, do not ask, "What is it?"
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap, 20
And seeing that it was a soft October night
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate; 30
Time for you and time for me,
And time yet for a hundred indecisions
And for a hundred visions and revisions
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair— 40
[They will say: "How his hair is growing thin!"]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
[They will say: "But how his arms and legs are thin!"]
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all;
Have known the evenings, mornings, afternoons, 50
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways? 60
And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
[But in the lamplight, downed with light brown hair!]
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
. . . . .

Shall I say, I have gone at dusk through narrow streets 70
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? . . .

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep . . . tired . . . or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis? 80
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet–and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while, 90
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"
If one, settling a pillow by her head,
Should say, "That is not what I meant at all.
That is not it, at all."

And would it have been worth it, after all,
Would it have been worth while, 100
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all." 110
. . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old . . . I grow old . . . 120
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown 130
Till human voices wake us, and we drown.

[1915]

"I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"

 

I AM LAZARUS COME FROM THE DEAD COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
2
AM
14
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
-
7
LAZARUS
98
26
8
-
-
-
-
-
-
-
-
8
-
C
=
3
-
4
COME
36
18
9
-
-
-
-
-
-
-
-
-
9
F
=
6
-
4
FROM
52
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
-
-
-
-
D
=
4
-
4
DEAD
14
14
5
-
-
-
-
-
5
-
-
-
-
C
=
3
-
4
COME
36
18
9
-
-
-
-
-
-
-
-
-
9
B
=
5
-
4
BACK
17
8
8
-
-
-
-
-
-
-
-
8
-
T
=
4
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
-
4
TELL
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
-
5
SHALL
52
16
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
4
TELL
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
65
-
61
First Total
675
243
126
-
1
2
3
4
5
6
7
8
9
-
-
6+5
-
7+1
Add to Reduce
6+7+5
2+4+3
1+2+6
-
-
-
-
-
-
-
-
-
-
-
-
11
-
8
Second Total
18
9
9
-
1
2
3
8
5
6
5
8
9
-
-
1+1
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
9
9
9
-
1
2
3
8
5
6
5
8
9

 

 

Raising of the Lazarus


The biblical narrative of the Raising of Lazarus is found in chapter 11 of the Gospel of Saint John.

 

Chapter 11
1 Now a certain man was sick, named Lazarus, of Bethany, the town of Mary and her sister Martha.

2 (It was that Mary which anointed the Lord with ointment, and wiped his feet with her hair, whose brother Lazarus was sick.)

3 Therefore his sisters sent unto him, saying, Lord, behold, he whom thou lovest is sick.

4 When Jesus heard that, he said, This sickness is not unto death, but for the glory of God, that the Son of God might be glorified thereby.

5 Now Jesus loved Martha, and her sister, and Lazarus.

6 When he had heard therefore that he was sick, he abode two days still in the same place where he was.

7 Then after that saith he to his disciples, Let us go into Judaea again.

8 His disciples say unto him, Master, the Jews of late sought to stone thee; and goest thou thither again?

9 Jesus answered, Are there not twelve hours in the day? If any man walk in the day, he stumbleth not, because he seeth the light of this world.

10 But if a man walk in the night, he stumbleth, because there is no light in him.

11 These things said he: and after that he saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep.

12 Then said his disciples, Lord, if he sleep, he shall do well.

13 Howbeit Jesus spake of his death: but they thought that he had spoken of taking of rest in sleep.

14 Then said Jesus unto them plainly, Lazarus is dead.

15 And I am glad for your sakes that I was not there, to the intent ye may believe; nevertheless let us go unto him.

16 Then said Thomas, which is called Didymus, unto his fellowdisciples, Let us also go, that we may die with him.

17 Then when Jesus came, he found that he had lain in the grave four days already.

18 Now Bethany was nigh unto Jerusalem, about fifteen furlongs off:

19 And many of the Jews came to Martha and Mary, to comfort them concerning their brother.

20 Then Martha, as soon as she heard that Jesus was coming, went and met him: but Mary sat still in the house.

21 Then said Martha unto Jesus, Lord, if thou hadst been here, my brother had not died.

22 But I know, that even now, whatsoever thou wilt ask of God, God will give it thee.

23 Jesus saith unto her, Thy brother shall rise again.

24 Martha saith unto him, I know that he shall rise again in the resurrection at the last day.

25 Jesus said unto her, I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live:

26 And whosoever liveth and believeth in me shall never die. Believest thou this?

27 She saith unto him, Yea, Lord: I believe that thou art the Christ, the Son of God, which should come into the world.

28 And when she had so said, she went her way, and called Mary her sister secretly, saying, The Master is come, and calleth for thee.

29 As soon as she heard that, she arose quickly, and came unto him.

30 Now Jesus was not yet come into the town, but was in that place where Martha met him.

31 The Jews then which were with her in the house, and comforted her, when they saw Mary, that she rose up hastily and went out, followed her, saying, She goeth unto the grave to weep there.

32 Then when Mary was come where Jesus was, and saw him, she fell down at his feet, saying unto him, Lord, if thou hadst been here, my brother had not died.

33 When Jesus therefore saw her weeping, and the Jews also weeping which came with her, he groaned in the spirit, and was troubled,

34 And said, Where have ye laid him? They said unto him, Lord, come and see.

35 Jesus wept.

36 Then said the Jews, Behold how he loved him!

37 And some of them said, Could not this man, which opened the eyes of the blind, have caused that even this man should not have died?

38 Jesus therefore again groaning in himself cometh to the grave. It was a cave, and a stone lay upon it.

39 Jesus said, Take ye away the stone. Martha, the sister of him that was dead, saith unto him, Lord, by this time he stinketh: for he hath been dead four days.

40 Jesus saith unto her, Said I not unto thee, that, if thou wouldest believe, thou shouldest see the glory of God?

41 Then they took away the stone from the place where the dead was laid. And Jesus lifted up his eyes, and said, Father, I thank thee that thou hast heard me.

42 And I knew that thou hearest me always: but because of the people which stand by I said it, that they may believe that thou hast sent me.

43 And when he thus had spoken, he cried with a loud voice, Lazarus, come forth.

44 And he that was dead came forth, bound hand and foot with graveclothes: and his face was bound about with a napkin. Jesus saith unto them, Loose him, and let him go.

45 Then many of the Jews which came to Mary, and had seen the things which Jesus did, believed on him.

 

 

FOR I HAVE KNOWN THEM ALL ALREADY KNOWN THEM ALL

THE EVENINGS MORNINGS AFTERNOONS I HAVE MEASURED OUT MY LIVES IN COFFIN SWOONS

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

....

 

G
=
7
-
3
GOD
26
17
8
I
=
9
-
2
IS
28
10
1
E
=
5
-
10
EVERYWHERE
134
62
8
I
=
9
-
2
IS
28
10
1
E
=
5
-
10
EVERYTHING
133
61
7
I
=
9
-
2
IS
28
10
1
A
=
1
-
6
ALWAYS
81
18
9
I
=
9
-
2
IS
28
10
1
-
-
54
-
37
Add to Reduce
486
198
36
-
-
5+4
-
3+7
First Total
4+8+6
1+9+8
3+6
-
-
9
-
10
Reduce to Deduce
18
18
9
-
-
-
-
1+0
Second Total
1+8
1+8
-
-
-
9
-
1
Essence of Number
9
9
9

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

Y
=
3
-
3
YOU
61
16
7
A
=
1
-
3
ARE
24
15
6
G
=
7
-
5
GOING
52
34
7
O
=
6
-
2
ON
29
11
2
A
=
1
-
1
A
1
1
1
J
=
1
-
7
JOURNEY
108
36
9
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
S
=
1
-
7
SPECIAL
65
29
2
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
P
=
7
-
8
PLEASANT
88
25
7
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
``-
-
55
-
54
First Total
790
304
79
-
-
5+5
-
5+4
Add to Reduce
7+9+0
3+0+4
7+9
-
-
10
-
9
Second Total
16
7
16
-
-
1+0
-
-
Reduce to Deduce
1+6
-
1+6
-
-
1
-
9
Essence of Number
7
7
7

 

 

-
-
-
-
-
SENTIENT BEINGS
-
-
-
S
=
1
-
8
SENTIENT
106
43
7
B
=
2
-
6
BEINGS
56
38
2
-
-
3
-
14
SENTIENT BEINGS
243
81
9
-
-
-
-
1+4
-
2+4+3
8+1
-
-
-
3
-
5
SENTIENT BEINGS
9
9
9

 

SENTIENCE

 

SENTIENCE | English meaning - Cambridge Dictionary
Cambridge University Press & Assessment
https://dictionary.cambridge.org › dictionary › sentience

sentience definition: 1. the quality of being able to experience feelings: 2. the quality of being able to experience…. Learn more.
Sentience
Sentience is the capacity of a being to experience feelings and sensations. The word was first coined by philosophers in the 1630s for the concept of an ability to feel, derived from Latin sentientem, to distinguish it from the ability to think. Wikipedia

rom Wikipedia, the free encyclopedia
Not to be confused with Sapience.
"Sentient" redirects here. For other uses, see Sentient (disambiguation).

A cat in an affectionate frame of mind, by T. W. Wood (1872)
Sentience is the capacity of a being to experience feelings and sensations.[1] The word was first coined by philosophers in the 1630s for the concept of an ability to feel, derived from Latin sentientem (a feeling),[2] to distinguish it from the ability to think (reason).[citation needed] In modern Western philosophy, sentience is the ability to experience sensations. In different Asian religions, the word 'sentience' has been used to translate a variety of concepts. In science fiction, the word "sentience" is sometimes used interchangeably with "sapience", "self-awareness", or "consciousness".[3]

Some writers differentiate between the mere ability to perceive sensations, such as light or pain, and the ability to perceive emotions, such as fear or grief. The subjective awareness of experiences by a conscious individual are known as qualia in Western philosophy.[3]

Philosophy and sentience
In philosophy, different authors draw different distinctions between consciousness and sentience. According to Antonio Damasio, sentience is a minimalistic way of defining consciousness, which otherwise commonly and collectively describes sentience plus further features of the mind and consciousness, such as creativity, intelligence, sapience, self-awareness, and intentionality (the ability to have thoughts about something). These further features of consciousness may not be necessary for sentience, which is the capacity to feel sensations and emotions.[4]

Consciousness
See also: Consciousness
According to Thomas Nagel in his paper "What Is It Like to Be a Bat?", consciousness can refer to the ability of any entity to have subjective perceptual experiences, or as some philosophers refer to them, "qualia"—in other words, the ability to have states that it feels like something to be in.[5] Some philosophers, notably Colin McGinn, believe that the physical process causing consciousness to happen will never be understood, a position known as "new mysterianism." They do not deny that most other aspects of consciousness are subject to scientific investigation but they argue that qualia will never be explained.[citation needed] Other philosophers, such as Daniel Dennett, argue that qualia are not a meaningful concept.[6]

Regarding animal consciousness, according to the Cambridge Declaration of Consciousness, which was publicly proclaimed on 7 July 2012 at Cambridge University, consciousness is that which requires specialized neural structures, chiefly neuroanatomical, neurochemical, and neurophysiological substrates, which manifests in more complex organisms as the central nervous system, to exhibit consciousness.[a] Accordingly, only organisms that possess these substrates, all within the animal kingdom, are said to be conscious.[7]

Phenomenal vs. affective consciousness
David Chalmers argues that sentience is sometimes used as shorthand for phenomenal consciousness, the capacity to have any subjective experience at all, but sometimes refers to the narrower concept of affective consciousness, the capacity to experience subjective states that have affective valence (i.e., a positive or negative character), such as pain and pleasure.[8]

Recognition paradox and relation to sapience

Chimps in a playful mood
While it has been traditionally assumed that sentience and sapience are, in principle, independent of each other, there are criticisms of that assumption. One such criticism is about recognition paradoxes, one example of which is that an entity that cannot distinguish a spider from a non-spider cannot be arachnophobic. More generally, it is argued that since it is not possible to attach an emotional response to stimuli that cannot be recognized, emotions cannot exist independently of cognition that can recognize. The claim that precise recognition exists as specific attention to some details in a modular mind is criticized both with regard to data loss as a small system of disambiguating synapses in a module physically cannot make as precise distinctions as a bigger synaptic system encompassing the whole brain, and for energy loss as having one system for motivation that needs some built-in cognition to recognize anything anyway and another cognitive system for making strategies would cost more energy than integrating it all in one system that use the same synapses. Data losses inherent in all information transfer from more precise systems to less precise systems are also argued to make it impossible for any imprecise system to use a more precise system as an "emissary", as a less precise system would not be able to tell whether the outdata from the more precise system was in the interest of the less precise system or not.[9][10]

Empirical data on conditioned reflex precision
The original studies by Ivan Pavlov that showed that conditioned reflexes in human children are more discriminating than those in dogs, human children salivating only at ticking frequencies very close to those at which food was served while dogs drool at a wider range of frequencies, have been followed up in recent years with comparative studies on more species. It is shown that both brain size and brain-wide connectivity contribute to make perception more discriminating, as predicted by the theory of a brain-wide perception system but not by the theory of separate systems for emotion and cognition.[11]

Eastern religions
See also: Sentient beings (Buddhism)
Eastern religions including Hinduism, Buddhism, Sikhism, and Jainism recognise non-humans as sentient beings.[12] The term sentient beings is translated from various Sanskrit terms (jantu, bahu jana, jagat, sattva) and "conventionally refers to the mass of living things subject to illusion, suffering, and rebirth (Sa?sara)".[13] In some forms of Buddhism plants, stones and other inanimate objects are considered to be 'sentient'.[14][15] In Jainism many things are endowed with a soul, jiva, which is sometimes translated as 'sentience'.[16][17] Some things are without a soul, ajiva, such as a chair or spoon.[18] There are different rankings of jiva based on the number of senses it has. Water, for example, is a sentient being of the first order, as it is considered to possess only one sense, that of touch.[19]

In Jainism and Hinduism, this is related to the concept of ahimsa, non-violence toward other beings.[citation needed]

Sentience in Buddhism is the state of having senses. In Buddhism, there are six senses, the sixth being the subjective experience of the mind. Sentience is simply awareness prior to the arising of Skandha. Thus, an animal qualifies as a sentient being. According to Buddhism, sentient beings made of pure consciousness are possible. In Mahayana Buddhism, which includes Zen and Tibetan Buddhism, the concept is related to the Bodhisattva, an enlightened being devoted to the liberation of others. The first vow of a Bodhisattva states, "Sentient beings are numberless; I vow to free them."

Animal welfare, rights, and sentience
Main articles: Animal rights by country or territory, Animal consciousness, Animal cognition, Animal welfare, Animal rights, Pain in animals, and Sentientism
Sentience has been a central concept in the animal rights movement, tracing back to the well-known writing of Jeremy Bentham in An Introduction to the Principles of Morals and Legislation: "The question is not, Can they reason? nor, Can they talk? but, Can they suffer?"

Richard D. Ryder defines sentientism broadly as the position according to which an entity has moral status if and only if it is sentient.[20] In David Chalmer's more specific terminology, Bentham is a narrow sentientist, since his criterion for moral status is not only the ability to experience any phenomenal consciousness at all, but specifically the ability to experience conscious states with negative affective valence (i.e. suffering).[8] Animal welfare and rights advocates often invoke similar capacities. For example, the documentary Earthlings argues that while animals do not have all the desires and ability to comprehend as do humans, they do share the desires for food and water, shelter and companionship, freedom of movement and avoidance of pain.[21][b]

Animal-welfare advocates typically argue that any sentient being is entitled, at a minimum, to protection from unnecessary suffering[citation needed], though animal-rights advocates may differ on what rights (e.g., the right to life) may be entailed by simple sentience. Sentiocentrism describes the theory that sentient individuals are the center of moral concern.

Gary Francione also bases his abolitionist theory of animal rights, which differs significantly from Singer's, on sentience. He asserts that, "All sentient beings, humans or nonhuman, have one right: the basic right not to be treated as the property of others."[22]

Andrew Linzey, founder of the Oxford Centre for Animal Ethics in England, considers recognising animals as sentient beings as an aspect of his Christianity. The Interfaith Association of Animal Chaplains encourages animal ministry groups to adopt a policy of recognising and valuing sentient beings.[citation needed]

In 1997 the concept of animal sentience was written into the basic law of the European Union. The legally binding protocol annexed to the Treaty of Amsterdam recognises that animals are "sentient beings", and requires the EU and its member states to "pay full regard to the welfare requirements of animals".

Alleged sentience of artificial intelligence
It is a subject of debate as to whether artificial intelligence can potentially display, or has displayed, the level of awareness and cognitive ability required of sentience in animals.[23] Notably, the discussion on the topic of alleged sentience of artificial intelligence has been reignited as a result of recent (as of mid-2022) claims made about Google's LaMDA artificial intelligence system that it is "sentient" and had a "soul."[24] LaMDA (Language Model for Dialogue Applications) is an artificial intelligence system that creates chatbots — AI robots designed to communicate with humans — by gathering vast amounts of text from the internet and using algorithms to respond to queries in the most fluid and natural way possible. The transcripts of conversations between scientists and LaMDA reveal that the AI system excels at this, providing answers to challenging topics about the nature of emotions, generating Aesop-style fables on the moment, and even describing its alleged fears.[25]

However, the term "sentience" is not used by major artificial intelligence textbooks written more than a decade ago.[26] It is sometimes used in popular accounts of AI to describe "human level or higher intelligence" (or artificial general intelligence).

Sentience quotient
The sentience quotient concept was introduced by Robert A. Freitas Jr. in the late 1970s.[27] It defines sentience as the relationship between the information processing rate of each individual processing unit (neuron), the weight/size of a single unit, and the total number of processing units (expressed as mass). It was proposed as a measure for the sentience of all living beings and computers from a single neuron up to a hypothetical being at the theoretical computational limit of the entire universe. On a logarithmic scale it runs from -70 up to +50.

SENTIENCE

THE

I

IN

SENTENCE

 

-
-
-
-
-
SENTIENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
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SENTIENCE
-
-
-
-
1
2
3
4
5
6
7
8
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10
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40
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9
SENTIENCE
94
49
40
-
1
2
3
4
25
6
7
8
9
-
-
4+0
-
-
-
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9
SENTIENCE
13
13
4
-
1
2
3
4
7
6
7
8
9
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1
-
-
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1+3
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-
-
-
-
-
-
-
-
-
-
-
-
4
-
9
SENTIENCE
4
4
4
-
1
2
3
4
7
6
7
8
9

 

 

-
-
-
-
-
SENTIENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
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-
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-
-
-
-
-
SENTIENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
S
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1
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1
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5
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40
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9
SENTIENCE
94
49
40
-
1
2
3
4
25
6
7
8
9
-
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4
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9
SENTIENCE
13
13
4
-
1
2
3
4
7
6
7
8
9
-
1
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-
-
-
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-
-
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-
4
-
9
SENTIENCE
4
4
4
-
1
2
3
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6
7
8
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 5 = 25

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 5 = 25

 

-
-
-
-
-
SENTIENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
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-
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-
-
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SENTIENCE
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2
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40
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9
SENTIENCE
94
49
40
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1
2
3
4
25
6
7
8
9
-
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SENTIENCE
13
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1
2
3
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7
6
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4
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9
SENTIENCE
4
4
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SENTIENCE
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1
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SENTIENCE
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SENTIENCE
94
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SENTIENCE
13
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SENTIENCE
4
4
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SENTENCE

THE

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IN

SENTIENCE

 

-
-
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SENTENCE
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2
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4
5
6
7
8
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SENTENCE
85
40
31
-
1
2
3
4
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6
7
8
9
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SENTENCE
13
13
4
-
1
2
3
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7
6
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1
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8
SENTENCE
4
4
4
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1
2
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7
6
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8
9

 

 

-
-
-
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-
SENTENCE
-
-
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1
2
3
4
5
6
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-
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1
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SENTENCE
85
40
31
-
1
2
3
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25
6
7
8
9
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4+9
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-
-
-
-
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-
-
-
-
4
-
8
SENTENCE
13
13
4
-
1
2
3
4
7
6
7
8
9
-
1
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
8
SENTENCE
4
4
4
-
1
2
3
4
7
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 5 = 25

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 5 = 25

 

-
-
-
-
-
SENTENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SENTENCE
-
-
-
-
1
2
3
4
5
6
7
8
9
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=
1
1
1
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19
10
1
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1
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4
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6
7
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9
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=
2
4
1
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20
2
2
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2
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4
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6
7
8
9
C
=
5
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3
3
3
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3
4
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6
7
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6
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9
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4
5
6
7
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=
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5
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4
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6
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N
=
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1
N
14
5
5
-
-
-
-
4
5
6
7
8
9
E
=
5
9
1
E
5
5
5
-
-
-
-
4
5
6
7
8
9
-
-
31
-
8
SENTENCE
85
40
31
-
1
2
3
4
25
6
7
8
9
-
-
3+1
-
-
-
8+5
4+9
4+0
-
-
-
-
-
2+5
-
-
-
-
-
-
4
-
8
SENTENCE
13
13
4
-
1
2
3
4
7
6
7
8
9
-
1
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
8
SENTENCE
4
4
4
-
1
2
3
4
7
6
7
8
9

 

 

-
-
-
-
-
SENTENCE
-
-
-
-
1
2
3
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SENTENCE
-
-
-
-
1
2
3
5
S
=
1
1
1
S
19
10
1
-
1
-
-
-
T
=
2
4
1
T
20
2
2
-
-
2
-
-
C
=
5
8
1
C
3
3
3
-
-
-
3
-
E
=
5
2
1
E
5
5
5
-
-
-
-
5
N
=
5
3
1
N
14
5
5
-
-
-
-
5
E
=
5
6
1
E
5
5
5
-
-
-
-
5
N
=
5
7
1
N
14
5
5
-
-
-
-
5
E
=
5
9
1
E
5
5
5
-
-
-
-
5
-
-
31
-
8
SENTENCE
85
40
31
-
1
2
3
25
-
-
3+1
-
-
-
8+5
4+9
4+0
-
-
-
-
2+5
-
-
4
-
8
SENTENCE
13
13
4
-
1
2
3
7
-
1
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
4
-
8
SENTENCE
4
4
4
-
1
2
3
7

 

HUMAN RIGHTS HUMAN

 

E
=
5
=
7
ELECTRO
78
33
6
M
=
4
=
8
MAGNETIC
78
33
6
F
=
6
=
6
FORCES
66
30
3
-
-
15
-
22
First Total
216
93
21
-
-
1+5
-
2+1
Add to Reduce
2+1+6
9+3
2+1
-
-
6
-
3
Second Total
9
12
9
-
-
-
-
-
Reduce to Deduce
1+2
1+2
-
-
-
6
-
3
Essence of Number
9
9
9

 

 

-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
-
-
-
-
-
M
=
4
=
8
MAGNETIC
72
36
9
-
-
-
-
-
-
-
-
-
-
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
16
GEO MAGNETIC FIELD
135
81
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
1
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
-
-
18
-
3
-
27
18
18
-
-
-
-
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
N
=
5
7
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
11
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
-
36
-
8
-
72
36
36
-
-
-
-
-
-
-
-
-
-
F
=
6
12
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
15
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
5
16
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
27
-
5
-
36
27
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
6
8
20
12
7
8
18
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
2+0
1+2
-
-
1+8
M
=
4
=
8
MAGNETIC
72
36
9
-
1
2
6
8
2
3
7
8
9
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
17
-
16
GEO MAGNETIC FIELD
135
81
27
-
1
2
6
8
2
3
7
8
9
-
-
1+7
-
1+6
-
1+3+5
8+1
2+7
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
GEO MAGNETIC FIELD
9
9
9
-
1
2
6
8
2
3
7
8
9

 

 

-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
-
-
-
-
-
M
=
4
=
8
MAGNETIC
72
36
9
-
-
-
-
-
-
-
-
-
-
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
16
GEO MAGNETIC FIELD
135
81
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
1
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
N
=
5
7
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
C
=
3
11
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
F
=
6
12
1
F
6
6
6
-
-
-
-
-
-
6
-
8
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
L
=
3
15
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
D
=
5
16
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
6
8
20
12
7
8
18
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
2+0
1+2
-
-
1+8
M
=
4
=
8
MAGNETIC
72
36
9
-
1
2
6
8
2
3
7
8
9
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
17
-
16
GEO MAGNETIC FIELD
135
81
27
-
1
2
6
8
2
3
7
8
9
-
-
1+7
-
1+6
-
1+3+5
8+1
2+7
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
GEO MAGNETIC FIELD
9
9
9
-
1
2
6
8
2
3
7
8
9

 

LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER

5 x 4 = 40

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 4 = 20

 

-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
3
4
5
6
7
8
9
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
-
-
-
-
-
M
=
4
=
8
MAGNETIC
72
36
9
-
-
-
-
-
-
-
-
-
-
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
16
GEO MAGNETIC FIELD
135
81
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
8
-
T
=
2
9
1
T
20
2
2
-
-
2
-
-
-
-
-
8
-
C
=
3
11
1
C
3
3
3
-
-
-
3
-
-
-
-
8
-
L
=
3
15
1
L
12
3
3
-
-
-
3
-
-
-
-
8
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
8
-
D
=
5
16
1
D
4
4
4
-
-
-
-
4
-
-
-
8
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
N
=
5
7
1
N
14
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
8
-
O
=
6
3
1
O
15
6
6
-
-
-
-
-
-
6
-
8
-
F
=
6
12
1
F
6
6
6
-
-
-
-
-
-
6
-
8
-
G
=
7
1
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GEO MAGNETIC FIELD
-
-
-
-
1
2
6
8
20
12
7
8
18
G
=
7
=
3
GEO
27
18
9
-
-
-
-
-
2+0
1+2
-
-
1+8
M
=
4
=
8
MAGNETIC
72
36
9
-
1
2
6
8
2
3
7
8
9
F
=
6
=
5
FIELD
36
27
9
-
-
-
-
-
-
-
-
-
-
-
-
17
-
16
GEO MAGNETIC FIELD
135
81
27
-
1
2
6
8
2
3
7
8
9
-
-
1+7
-
1+6
-
1+3+5
8+1
2+7
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
GEO MAGNETIC FIELD
9
9
9
-
1
2
6
8
2
3
7
8
9

 

 

K
=
2
-
-
KINETIC
-
-
-
-
-
-
-
1
K
11
2
2
-
-
-
-
1
I
9
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
T
20
2
2
-
-
-
-
1
I
9
9
9
-
-
-
-
1
C
3
3
3
K
=
2
Q
7
KINETIC
71
35
35
-
-
-
-
-
-
7+1
3+5
3+5
K
=
2
Q
7
KINETIC
8
8
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
-
ENERGIES
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
G
7
7
7
-
-
-
-
1
I
9
9
9
-
-
-
-
1
E
5
5
5
-
-
-
-
1
S
19
10
1
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
8+2
5+5
4+6
E
=
5
Q
8
ENERGIES
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
E
=
5
Q
8
ENERGIES
1
1
1

 

 

-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
1
2
3
4
5
6
7
8
9
K
=
2
Q
7
KINETIC
71
35
35
-
-
-
-
-
-
-
-
-
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
30
6
7
8
36
-
-
-
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
7
KINETIC
71
35
35
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
-
ENERGIES
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
-
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
3
4
30
6
7
8
36
-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
-
-
-
-
-
-
-
-
-
K
=
2
Q
7
KINETIC
71
35
35
-
1
4
3
4
3
6
7
8
9
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
3
6
7
8
9
-
-
-
-
1+5
-
1+5+3
9+0
8+1
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
6
KINETIC ENERGIES
9
9
9
-
1
4
3
4
3
6
7
8
9

 

 

-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
1
2
3
4
5
6
7
8
9
K
=
2
Q
7
KINETIC
71
35
35
-
-
-
-
-
-
-
-
-
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
30
6
7
8
36
-
-
-
-
1
K
11
2
2
-
-
2
-
4
-
6
-
8
-
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
C
3
3
3
-
-
-
3
4
-
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
G
7
7
7
-
-
-
-
4
-
6
7
8
-
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
3
4
30
6
7
8
36
-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
-
-
-
-
-
-
-
-
3+6
K
=
2
Q
7
KINETIC
71
35
35
-
1
4
3
4
3
6
7
8
9
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
3
6
7
8
9
-
-
-
-
1+5
-
1+5+3
9+0
8+1
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
6
KINETIC ENERGIES
9
9
9
-
1
4
3
4
3
6
7
8
9

 

 

-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
1
2
3
4
5
6
7
8
9
K
=
2
Q
7
KINETIC
71
35
35
-
-
-
-
-
-
-
-
-
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
30
6
7
8
36
-
-
-
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
K
11
2
2
-
-
2
-
4
-
6
-
8
-
-
-
-
-
1
T
20
2
2
-
-
2
-
4
-
6
-
8
-
-
-
-
-
1
C
3
3
3
-
-
-
3
4
-
6
-
8
-
-
-
-
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
N
14
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
E
5
5
5
-
-
-
-
4
5
6
-
8
-
-
-
-
-
1
G
7
7
7
-
-
-
-
4
-
6
7
8
-
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
I
9
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
1
R
18
9
9
-
-
-
-
4
-
6
-
8
9
-
-
-
-
-
-
-
-
-
-
1
4
3
4
30
6
7
8
36
-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
-
-
-
-
-
-
-
-
3+6
K
=
2
Q
7
KINETIC
71
35
35
-
1
4
3
4
3
6
7
8
9
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
4
3
6
7
8
9
-
-
-
-
1+5
-
1+5+3
9+0
8+1
-
-
-
-
-
-
-
-
-
-
Q
Q
7
Q
6
KINETIC ENERGIES
9
9
9
-
1
4
3
4
3
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 6 = 30

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 6 = 30

-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
1
2
3
5
7
9
K
=
2
Q
7
KINETIC
71
35
35
-
-
-
-
-
-
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
30
7
36
-
-
-
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
5
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
5
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
5
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
5
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
5
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
5
-
-
-
-
-
-
1
G
7
7
7
-
-
-
-
-
7
-
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
9
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
9
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
9
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
1
4
3
30
7
36
-
-
-
-
15
KINETIC ENERGIES
-
-
-
-
-
-
-
-
-
3+6
K
=
2
Q
7
KINETIC
71
35
35
-
1
4
3
3
7
9
E
=
5
Q
8
ENERGIES
82
55
46
-
-
-
-
-
-
-
Q
Q
7
Q
15
KINETIC ENERGIES
153
90
81
-
1
4
3
3
7
9
-
-
-
-
1+5
-
1+5+3
9+0
8+1
-
-
-
-
-
-
-
Q
Q
7
Q
6
KINETIC ENERGIES
9
9
9
-
1
4
3
3
7
9

 

 

K
=
2
Q
7
KINETIC
71
35
8
E
=
5
Q
8
ENERGIES
82
55
1
Q
Q
7
Q
15
Add to Reduce
153
90
9
-
-
-
-
1+5
Reduce to Deduce
1+5+3
9+0
-
Q
Q
7
Q
6
Essence of Number
9
9
9

 

Sagrada Família - Wikipedia

Wikipedia
https://en.wikipedia.org › wiki › Sagrada_Família
sagrada família church from en.wikipedia.org
It is the largest unfinished Catholic church in the world. Designed by architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World ...
Spire height: 170 m (560 ft) (planned)
Completed: After 2026


Sagrada Família View history

Tools
Coordinates: 41°24'13"N 2°10'28"E
From Wikipedia, the free encyclopedia
The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site.[7] On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.[8][9][10]

On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned,[7] Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.[11]

Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans.[12] In 1939, Francesc de Paula Quintana took over site management, which was able to go on due to the material that was saved from Gaudí's workshop and that was reconstructed from published plans and photographs.[13] Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolising an important Biblical figure in the New Testament.[11] It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death,[14] but this has now been delayed due to the COVID-19 pandemic.[15]

Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art",[16] and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".[17] The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).

History

History
Origins
The Sagrada Família was inspired by a bookseller, José María Bocabella [es], founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph).[18] After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto.[18] The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form.[18] The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically.[18] Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.

20th century
On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry."[19] When Gaudí died in 1926, the basilica was between 15 and 25 percent complete.[11][20] After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. Armengol began introducing computers into the design and construction process in the 1980s.

 

 

-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
T
=
2
-
3
THE
33
15
6
S
=
1
-
7
SAGRADA
51
24
6
F
=
6
-
7
FAMILIA
51
33
6
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
18
-
-
-
-
1+7
-
1+3+5
7+2
1+8
-
-
9
-
8
THE SAGRADA FAMILIA
9
9
9

 

THE SAGRADA FAMILIA

 

-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
7
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FAMILIA
51
33
9
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
22
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
3
THE SAGRADA FAMILIA
33
15
15
-
-
-
-
-
-
-
-
-
-
S
=
1
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
D
=
4
8
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
7
THE SAGRADA FAMILIA
52
16
7
-
-
-
-
-
-
-
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
7
THE SAGRADA FAMILIA
99
45
45
-
6
2
3
8
5
6
7
8
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+7
-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
6
2
3
8
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
6
-
6
2
3
8
5
6
7
8
9
F
=
6
-
7
FAMILIA
51
33
6
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
18
-
6
2
3
8
5
6
7
8
9
-
-
-
-
1+7
-
1+3+5
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
THE SAGRADA FAMILIA
9
9
9
-
6
2
3
8
5
6
7
8
9

 

 

-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
7
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FAMILIA
51
33
9
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
22
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
D
=
4
8
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
6
2
3
8
5
6
7
8
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+7
-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
6
2
3
8
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
6
-
6
2
3
8
5
6
7
8
9
F
=
6
-
7
FAMILIA
51
33
6
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
18
-
6
2
3
8
5
6
7
8
9
-
-
-
-
1+7
-
1+3+5
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
THE SAGRADA FAMILIA
9
9
9
-
6
2
3
8
5
6
7
8
9

 

 

-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
7
-
-
-
-
-
-
-
-
-
-
F
=
6
-
7
FAMILIA
51
33
9
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
22
-
1
2
3
4
5
6
7
8
9
S
=
1
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
8
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
6
2
3
8
5
6
7
8
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+7
-
-
-
-
-
THE SAGRADA FAMILIA
-
-
-
-
6
2
3
8
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SAGRADA
51
24
6
-
6
2
3
8
5
6
7
8
9
F
=
6
-
7
FAMILIA
51
33
6
-
-
-
-
-
-
-
-
-
-
-
-
9
-
17
THE SAGRADA FAMILIA
135
72
18
-
6
2
3
8
5
6
7
8
9
-
-
-
-
1+7
-
1+3+5
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
THE SAGRADA FAMILIA
9
9
9
-
6
2
3
8
5
6
7
8
9

 

 

4
REAL
36
18
9
7
REALITY
90
36
9
8
REVEALED
72
36
9
19
First Total
198
90
27
1+9
Add to Reduce
1+9+8
9+0
2+7
10
Second Total
18
9
9
1+0
Reduce to Deduce
1+8
-
-
1
Essence of Number
9
9
9

 

REAL REALITY REVEALED

I

SAY

HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

YET

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
2
3
SAY
45
18
9
-
-
-
-
-
-
-
-
-
9
H
=
8
3
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
5
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
G
=
7
6
4
GODS
45
18
9
-
-
-
-
-
-
-
-
-
9
D
=
4
7
6
DIVINE
63
36
9
-
-
-
-
-
-
-
-
-
9
T
=
2
8
7
THOUGHT
99
36
9
-
-
-
-
-
-
-
-
-
9
H
=
8
9
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
11
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
T
=
2
12
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
7
13
3
YET
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
I
=
9
1
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
S
=
1
2
3
SAY
45
18
9
-
1
2
3
-
-
6
7
8
9
H
=
8
3
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
4
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
5
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
G
=
7
6
4
GODS
45
18
9
-
1
2
3
-
-
6
7
8
9
D
=
4
7
6
DIVINE
63
36
9
-
1
2
3
-
-
6
7
8
9
T
=
2
8
7
THOUGHT
99
36
9
-
1
2
3
-
-
6
7
8
9
H
=
8
9
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
10
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
11
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
T
=
2
12
4
THAT
49
13
4
-
1
2
3
4
-
6
7
8
9
Y
=
7
13
3
YET
50
14
5
-
1
2
3
-
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS

MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
2
-
4
BORN
49
22
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
3
-
4
SONS
67
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
4
-
5
THOSE
67
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
5
-
5
PATENT
76
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
6
-
7
PATIENT
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
7
-
8
PATENTED
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
8
-
7
PATTERN
94
31
4
-
-
-
-
4
-
-
-
-
-
M
=
4
-
9
-
6
MAKERS
67
22
4
-
-
-
-
4
-
-
-
-
-
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
1
2
3
4
5
6
7
8
9
B
=
2
-
2
-
4
BORN
49
22
4
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
-
4
SONS
67
13
4
-
1
2
3
4
5
6
7
8
9
T
=
2
-
4
-
5
THOSE
67
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
5
-
5
PATENT
76
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
6
-
7
PATIENT
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
7
-
8
PATENTED
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
8
-
7
PATTERN
94
31
4
-
1
2
3
4
5
6
7
8
9
M
=
4
-
9
-
6
MAKERS
67
22
4
-
1
2
3
4
5
6
7
8
9
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
R
=
18
=
9
R
18
9
9
-
-
-
-
-
E+A+L
18
9
9
R
=
18
=
9
R
18
9
9
-
-
-
-
-
E+A+L
18
9
9
-
-
-
-
-
I
9
9
9
-
-
-
-
-
T+Y
45
9
9
R
=
18
=
9
R
18
9
9
-
-
-
-
-
E+V
27
9
9
-
-
-
-
-
E+A+L
18
9
9
-
-
-
-
-
E+D
9
9
9
-
-
54
-
27
REAL REALITY REVEALED
-
-
-
-
-
5+4
-
2+7
-
-
-
-
-
-
9
-
9
REAL REALITY REVEALED
-
-
-

 

 

-
REAL
-
-
-
1
R
18
9
9
3
E+A+L
18
9
9
4
REAL
36
18
18
-
-
3+6
1+8
1+8
4
REAL
9
9
9

 

 

-
REALITY
-
-
-
1
R
18
9
9
3
E+A+L
18
9
9
1
I
9
9
9
2
T+Y
45
9
9
7
REALITY
90
36
36
-
-
9+0
3+6
3+6
7
REALITY
9
9
9

 

 

-
REVEALED
-
-
-
1
R
18
9
9
2
E+V
27
9
9
3
E+A+L
18
9
9
2
E+D
9
9
9
8
REVEALED
72
36
36
-
-
7+2
3+6
3+6
8
REVEALED
9
9
9

 

 

-
REAL
-
-
-
1
R
18
9
9
3
E+A+L
18
9
9
-
REALITY
-
-
-
1
R
18
9
9
3
E+A+L
18
9
9
1
I
9
9
9
2
T+Y
45
9
9
-
REVEALED
-
-
-
1
R
18
9
9
2
E+V
27
9
9
3
E+A+L
18
9
9
2
E+D
9
9
9
19
First Total
198
90
36
1+9
Add to Reduce
1+9+8
9+0
3+6
10
Second Total
18
9
9
1+0
Reduce to Deduce
1+8
-
-
1
Essence of Number
9
9
9

 

 

-
-
-
-
-
REAL REALITY
-
-
-
R
=
9
9
9
REAL
36
18
9
R
=
9
9
9
REALITY
90
36
9
-
-
-
-
-
REAL REALITY
126
54
18
-
-
-
-
-
-
1+2+6
5+4
1+8
R
=
9
9
-
REAL REALITY
9
9
9

 

 

REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

 

4
REAL
36
18
9
7
REALITY
90
36
9
8
REVEALED
72
36
9
19
First Total
198
90
27
1+9
Add to Reduce
1+9+8
9+0
2+7
10
Second Total
18
9
9
1+0
Reduce to Deduce
1+8
-
-
1
Essence of Number
9
9
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
R
=
18
=
9
R
18
9
9
--
-
-
-
-
E+A+L
18
9
9
R
=
18
=
9
R
18
9
9
--
-
-
-
-
E+A+L
18
9
9
--
-
-
-
-
I
9
9
9
--
-
-
-
-
T+Y
45
9
9
R
=
18
=
9
R
18
9
9
--
-
-
-
-
E+V
27
9
9
-
-
-
-
-
E+A+L
18
9
9
-
-
-
-
-
E+D
9
9
9
-
-
54
-
27
REAL REALITY REVEALED
-
-
-
-
-
5+4
-
2+7
-
-
-
-
-
-
9
-
9
REAL REALITY REVEALED
-
-
-

 

IT WAS BUT YESTERDAY WE MET IN A DREAM

 

-
-
-
-
19
REAL REALITY REVEALED
198
90
27
R
=
9
-
-
REAL
36
18
9
R
=
9
-
4
REALITY
90
36
9
R
=
9
-
7
REVEALED
72
36
9
-
-
27
-
10
REAL REALITY REVEALED
198
90
27
-
-
2+7
-
1+0
-
1+9+8
9+0
2+7
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
9
-
10
REAL REALITY REVEALED
9
9
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
-3
1
2
3
4
5
6
7
8
9
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
7
REALITY
90
36
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-3
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
REAL
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
-
-
36
-
9
REAL
36
18
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
REALITY
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
T
=
2
15
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
Y
=
7
16
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
36
-
7
REALITY
90
36
36
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
REVEALED
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
3
13
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
D
=
4
13
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
36
-
7
REVEALED
72
36
36
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
REAL REALITY REVEALED
-
-
-
-
3
2
9
8
25
6
7
8
36
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
2+5
-
-
-
3+6
R
=
9
-
7
REALITY
90
36
9
-
3
2
9
8
7
6
7
8
9
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-
3
2
9
8
7
6
7
8
9
-
-
2+7
-
1+9
-
1+9+8
9+0
2+7
-
-
-
-
-
-
-
-
-
-
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
3
2
9
8
7
6
7
8
9
-
-
-
-
1+0
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
REAL REALITY REVEALED
9
9
9
-
3
2
9
8
7
6
7
8
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
-3
1
2
3
4
5
6
7
8
9
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
7
REALITY
90
36
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-3
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
REAL
-
-
-
-
1
2
3
4
5
6
7
8
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
-
-
-
-
-
REALITY
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
8
9
T
=
2
15
1
T
20
2
2
-
-
2
-
-
-
6
-
8
-
Y
=
7
16
1
Y
25
7
7
-
-
-
-
-
-
6
7
8
-
-
-
-
-
-
REVEALED
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
V
=
3
13
1
V
22
4
4
-
-
-
-
4
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
D
=
4
13
1
D
4
4
4
-
-
-
-
4
-
6
-
8
-
-
-
-
-
-
REVEALED
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
REAL REALITY REVEALED
-
-
-
-
3
2
9
8
25
6
7
8
36
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
2+5
-
-
-
3+6
R
=
9
-
7
REALITY
90
36
9
-
3
2
9
8
7
6
7
8
9
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-
3
2
9
8
7
6
7
8
9
-
-
2+7
-
1+9
-
1+9+8
9+0
2+7
-
-
-
-
-
-
-
-
-
-
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
3
2
9
8
7
6
7
8
9
-
-
-
-
1+0
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
REAL REALITY REVEALED
9
9
9
-
3
2
9
8
7
6
7
8
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
-3
1
2
3
4
5
6
7
8
9
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
7
REALITY
90
36
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-3
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
8
9
T
=
2
15
1
T
20
2
2
-
-
2
-
-
-
6
-
8
-
Y
=
7
16
1
Y
25
7
7
-
-
-
-
-
-
6
7
8
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
V
=
3
13
1
V
22
4
4
-
-
-
-
4
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
D
=
4
13
1
D
4
4
4
-
-
-
-
4
-
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
REAL REALITY REVEALED
-
-
-
-
3
2
9
8
25
6
7
8
36
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
2+5
-
-
-
3+6
R
=
9
-
7
REALITY
90
36
9
-
3
2
9
8
7
6
7
8
9
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-
3
2
9
8
7
6
7
8
9
-
-
2+7
-
1+9
-
1+9+8
9+0
2+7
-
-
-
-
-
-
-
-
-
-
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
3
2
9
8
7
6
7
8
9
-
-
-
-
1+0
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
REAL REALITY REVEALED
9
9
9
-
3
2
9
8
7
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 5 = 25

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 5 = 25

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
-3
1
2
3
4
5
6
7
8
9
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
7
REALITY
90
36
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-3
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
6
-
8
-
T
=
2
15
1
T
20
2
2
-
-
2
-
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
6
-
8
-
V
=
3
13
1
V
22
4
4
-
-
-
-
4
-
6
-
8
-
D
=
4
13
1
D
4
4
4
-
-
-
-
4
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
6
-
8
-
Y
=
7
16
1
Y
25
7
7
-
-
-
-
-
-
6
7
8
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
8
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
6
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
REAL REALITY REVEALED
-
-
-
-
3
2
9
8
25
6
7
8
36
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
2+5
-
-
-
3+6
R
=
9
-
7
REALITY
90
36
9
-
3
2
9
8
7
6
7
8
9
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-
3
2
9
8
7
6
7
8
9
-
-
2+7
-
1+9
-
1+9+8
9+0
2+7
-
-
-
-
-
-
-
-
-
-
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
3
2
9
8
7
6
7
8
9
-
-
-
-
1+0
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
REAL REALITY REVEALED
9
9
9
-
3
2
9
8
7
6
7
8
9

 

 

-
-
-
-
-
REAL REALITY REVEALED
-
-
-
-3
1
2
3
4
5
7
9
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
-
-
-
R
=
9
-
7
REALITY
90
36
9
-
-
-
-
-
-
-
-
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-3
1
2
3
4
5
7
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
T
=
2
15
1
T
20
2
2
-
-
2
-
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
L
=
3
13
1
L
12
3
3
-
-
-
3
-
-
-
-
V
=
3
13
1
V
22
4
4
-
-
-
-
4
-
-
-
D
=
4
13
1
D
4
4
4
-
-
-
-
4
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
Y
=
7
16
1
Y
25
7
7
-
-
-
-
-
-
7
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
9
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
-
9
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
REAL REALITY REVEALED
-
-
-
-
3
2
9
8
25
7
36
R
=
9
-
4
REAL
36
18
9
-
-
-
-
-
2+5
-
3+6
R
=
9
-
7
REALITY
90
36
9
-
3
2
9
8
7
7
9
R
=
9
-
8
REVEALED
72
36
9
-
-
-
-
-
-
-
-
-
-
27
-
19
REAL REALITY REVEALED
198
90
27
-
3
2
9
8
7
7
9
-
-
2+7
-
1+9
-
1+9+8
9+0
2+7
-
-
-
-
-
-
-
-
-
-
9
-
10
REAL REALITY REVEALED
18
9
9
-
3
2
9
8
7
7
9
-
-
-
-
1+0
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
REAL REALITY REVEALED
9
9
9
-
3
2
9
8
7
7
9

 

 

7
REALITY
90
36
9
6
LIVING
73
37
1
3
THE
33
15
6
4
MYTH
66
21
3
20
First Total
262
109
19
2+0
Add to Reduce
2+6+2
1+0+9
1+9
2
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
2
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
7
REALITY
90
36
9
3
THE
33
15
6
6
LIVING
73
37
1
4
MYTH
66
21
3
20
First Total
262
109
19
2+0
Add to Reduce
2+6+2
1+0+9
1+9
2
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
2
Essence of Number
1
1
1

 

 

CITY OF REVELATION

John Michell

1972

Page 109

"At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation.

The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.'

The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.'

The number 666 in metrology

The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT

 

 

ATONEMENT

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

3
GOD
26
17
8
1
O
15
6
6
4
GOOD
41
23
5

-
-
-
-
-
-
-
-
-
-
-
-
-
-
TEMPLE MOUNT
-
-
-
T
=
2
-
6
TEMPLE
71
26
8
M
=
3
-
5
MOUNT
83
20
2
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
-
-
-
1+1
-
1+5+4
4+6
1+0
-
-
6
-
2
TEMPLE MOUNT
10
10
1
-
-
-
-
-
-
1+0
1+0
-
-
-
6
-
2
TEMPLE MOUNT
1
1
1

 

 

-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
6
TEMPLE
71
26
8
-
-
-
-
-
-
-
-
-
-
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
4
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
L
=
3
5
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
6
TEMPLE MOUNT
71
26
26
-
-
-
-
-
-
-
-
-
-
M
=
4
7
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
8
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
9
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
10
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
11
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
20
-
5
TEMPLE MOUNT
83
20
20
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
8
15
6
7
8
9
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
1+5
-
-
-
-
T
=
2
-
6
TEMPLE
71
26
8
-
1
4
6
8
6
6
7
8
9
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
4
6
8
6
6
7
8
9
-
-
-
-
1+1
-
1+5+4
4+6
1+0
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
10
10
1
-
1
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
1
1
1
-
1
4
6
8
6
6
7
8
9

 

 

-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
6
TEMPLE
71
26
8
-
-
-
-
-
-
-
-
-
-
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
1
2
-
-
-
-
-
8
9
E
=
5
2
1
E
5
5
5
-
1
-
-
-
5
-
-
8
9
M
=
4
3
1
M
13
4
4
-
1
-
-
4
-
-
-
8
9
P
=
7
4
1
P
16
7
7
-
1
-
-
-
-
-
7
8
9
L
=
3
5
1
L
12
3
3
-
1
-
3
-
-
-
-
8
9
E
=
5
6
1
E
5
5
5
-
1
-
-
-
5
-
-
8
9
M
=
4
7
1
M
13
4
4
-
1
-
-
4
-
-
-
8
9
O
=
6
8
1
O
15
6
6
-
1
-
-
-
-
6
-
8
9
U
=
3
9
1
U
21
3
3
-
1
-
3
-
-
-
-
8
9
N
=
5
10
1
N
14
5
5
-
1
-
-
-
5
-
-
8
9
T
=
2
11
1
T
20
2
2
-
1
2
-
-
-
-
-
8
9
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
8
15
6
7
8
9
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
1+5
-
-
-
-
T
=
2
-
6
TEMPLE
71
26
8
-
1
4
6
8
6
6
7
8
9
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
4
6
8
6
6
7
8
9
-
-
-
-
1+1
-
1+5+4
4+6
1+0
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
10
10
1
-
1
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
1
1
1
-
1
4
6
8
6
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 3 = 15

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 3 = 15

 

 

-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
6
TEMPLE
71
26
8
-
-
-
-
-
-
-
-
-
-
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
1
2
-
-
-
-
-
8
9
T
=
2
11
1
T
20
2
2
-
1
2
-
-
-
-
-
8
9
L
=
3
5
1
L
12
3
3
-
1
-
3
-
-
-
-
8
9
U
=
3
9
1
U
21
3
3
-
1
-
3
-
-
-
-
8
9
M
=
4
3
1
M
13
4
4
-
1
-
-
4
-
-
-
8
9
M
=
4
7
1
M
13
4
4
-
1
-
-
4
-
-
-
8
9
E
=
5
2
1
E
5
5
5
-
1
-
-
-
5
-
-
8
9
E
=
5
6
1
E
5
5
5
-
1
-
-
-
5
-
-
8
9
N
=
5
10
1
N
14
5
5
-
1
-
-
-
5
-
-
8
9
O
=
6
8
1
O
15
6
6
-
1
-
-
-
-
6
-
8
9
P
=
7
4
1
P
16
7
7
-
1
-
-
-
-
-
7
8
9
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
8
15
6
7
8
9
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
1+5
-
-
-
-
T
=
2
-
6
TEMPLE
71
26
8
-
1
4
6
8
6
6
7
8
9
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
4
6
8
6
6
7
8
9
-
-
-
-
1+1
-
1+5+4
4+6
1+0
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
10
10
1
-
1
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
1
1
1
-
1
4
6
8
6
6
7
8
9

 

 

-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
1
2
3
4
5
6
7
T
=
2
-
6
TEMPLE
71
26
8
-
-
-
-
-
-
-
-
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
2
3
4
5
6
7
T
=
2
1
1
T
20
2
2
-
1
2
-
-
-
-
-
T
=
2
11
1
T
20
2
2
-
1
2
-
-
-
-
-
L
=
3
5
1
L
12
3
3
-
1
-
3
-
-
-
-
U
=
3
9
1
U
21
3
3
-
1
-
3
-
-
-
-
M
=
4
3
1
M
13
4
4
-
1
-
-
4
-
-
-
M
=
4
7
1
M
13
4
4
-
1
-
-
4
-
-
-
E
=
5
2
1
E
5
5
5
-
1
-
-
-
5
-
-
E
=
5
6
1
E
5
5
5
-
1
-
-
-
5
-
-
N
=
5
10
1
N
14
5
5
-
1
-
-
-
5
-
-
O
=
6
8
1
O
15
6
6
-
1
-
-
-
-
6
-
P
=
7
4
1
P
16
7
7
-
1
-
-
-
-
-
7
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
8
15
6
7
-
-
-
-
-
TEMPLE MOUNT
-
-
-
-
-
-
-
-
1+5
-
-
T
=
2
-
6
TEMPLE
71
26
8
-
1
4
6
8
6
6
7
M
=
3
-
5
MOUNT
83
20
2
-
-
-
-
-
-
-
-
-
-
6
-
11
TEMPLE MOUNT
154
46
10
-
1
4
6
8
6
6
7
-
-
-
-
1+1
-
1+5+4
4+6
1+0
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
10
10
1
-
1
4
6
8
6
6
7
-
-
-
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
6
-
2
TEMPLE MOUNT
1
1
1
-
1
4
6
8
6
6
7

 

 

TEMPLE

T H E M ETING PL AC E

 

 
 
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