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THE PULSE OF THE UNIVERSE HARMONIC 288 Bruce Cathie 1977 Page 95 The volume enclosed by the Pyramid, had it been constructed on the full square base, would have been 94,478,400 cubic feet in geodetic measure. The fact that the base sides were hollowed in suggested to me that the actual mass of the Pyramid had been engineered in such a way as to cause the whole structure to be harmonically tuned to some basic value connected with matter itself. The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities. Slight buckling caused by the massive weight of the Pyramid above, settling over thousands of years, has now resulted in the ceiling of the cham-ber having an uneven surface. The present mean height was found to be 339.2 British inches, while heights taken at various individual points were 333.9 to 346 inches. Equating the results I had obtained from all the other aspects of the structure, I am certain that the original height of the chamber was 345.6 geodetic inches, which gives a value of 28.8 feet. The height of the chamber was obviously equivalent to the harmonic of 288, or twice the speed of light. If it was in fact a cavity resonator, as I now suspected, then the length and all the other measurements should show indications of harmonics. The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833.46 geodetic inches. A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided theclue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave :forms set up in the cavity were finely tuned to light frequencies. A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. if we dare to assume that the value of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo-grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo-grammes. If this harmonic mass value is multiplied by 1833.46, the proposed mass ratio of the proton and electron. we have 9.24184 x 1833.46 = 16944.5 This appears perfectly logical to me, as a value of 16944 for the proton mass harmonic would lay the basis for a complete harmonic scale for the atomic table of elements. This has been demonstrated in .another chapter. I can almost hear the shouts of anguish from the scientific community. so I hasten to add that I set up these proposals only for discussion and experiment. I am sure that natural law is not a haphazard affair and that harmony is maintained throughout all physical processes. The recess in the floor at the bottom end of the Gallery over the access passage to the Queen's Chamber also indicates a connec- tion with the hannonic of light frequency. The length of the recess is given as 26.8 British inches in Aldersmith and David-son's book. I believe that a very accurate check will show that this recess is 263.523 geodetic inches. which would equal'the square root of the harmonic of the reciprocal of light, which is 694444. Investigators have been intrigued by the strange reson-ances in the chamber from any sounds made within it. Other measurements I have checked indicate a harmonic association with time. A complete book would be necessary to explore all the mathematical complexities of the passages and chambers to demonstrate how the structure has been engineered to produce harmonic wave-forms tuned to all the natural laws. I point out only a few of them to indicate the goldmine of information / Page 99
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THE PULSE OF THE UNIVERSE HARMONIC 288 Bruce Cathie 1977 Page 95 PYTHAGORAS AND THE GRID "AFTER PUBLISHING my discovery of the world grid system I soon came up against opposition from the academic world of the universities. Much derisive comment was made at various meetings, and the main objection appeared to be that I had used angular measurement of degrees and minutes of arc upon which to base my values of universal measurement. It was also argued that a harmonic value to base 10 was not valid as a universal multiple, as any other number, such as 12, could be employed just as effectively if my theories were correct. At the time I could only counter these attacks on my work by pointing out the fact that I had endeavoured to make use of other values in my calculations for this very reason. I had found through trial and error that only angular measure in degree3 and minutes of arc, in multiples to base 10, could be utilised to set up a system of universal harmonics. I found that this method was the only possible way to measure the harmonic relationship between light and matter regardless of the size of the body in question, be it an atom or a mass the size of Jupiter. I also suggested that the critics should set up a system such as mine by using other basic values and harmonic equivalents if they were so sure of their ground, and to my knowledge this has never been accomplished with any success. The academics maintained that the division of a circle into degrees and minutes of arc was a random decision made by mathematicians in historical times and was therefore a purely arbitrary method of measure. The division:according to them, could just as well have been into any number of equal parts, depending on the whim of the mathematical body which set the standard. This naturally would make all my work completely valueless. I continued to maintain that the division of the circle must have been made due to considerations of a geometric nature, coupled with that of natural law. All the work I had done to date / Page 36 / indicated to me that the mathematicians of old had a knowledge of the universe which we are only once again beginning to understand. - The final solution to this argument could be overcome only by the discovery of a geometric connection between the harmonics of light and the harmonics inherent in the division of a circle. As I had based my light values on minute of arc measure there must be some type of geometric arrangement which would tie them together. This was always in the back of my mind during the reading of many research books and finally I came across something which I believe will answer the critics. The friend who came to my rescue was none other than Pythagoras himself, a man of great stature and forceful personality who lived in the sixth century BC. He travelled extensively to enlarge his mathematical knowledge and was said to have gained much information from the priests of Zoroaster, who had in their possession the mathematical lore of the Mesopotamians. He founded a semi-religious, or mystical, cult based on mathematics, round about 540 BC in the town- ship of Crotona, in southern Italy. He taught his disciples to worship numbers, the main idea being that number is the essence of all things, and is the metaphysical principle of rational order in the universe. He discovered the mathematical relationships of the musical scale and the connection of musical harmony and whole num-bers. He firmly believed that all harmony and things of nature can be expressed in whole-number relationships. Even the planets in their orbits, according to him, moved in harmonious relationship, one to the other, producing the so-called "music of the spheres". The Pythagoreans explained the elements as built up of geometrical figures. One of the most interesting of these was the dodecahedron, which will be discussed in Chapter Seven. That particular figure has locked within it a great deal of information on the geometrical nature of the universe. My first introduction to Pythagoras however was in the discovery that the humble right-angled triangle, with sides to the ratio of 3,4 and 5, was the key to the relationship of the speed of light, to the circle. The clue to this was found on page 62 in John Mitchell's book The City of Revelation. He was discussing sacred numbers and / Page 37 / referring to the problem of squaring the circle. The 'suggestion was that the relative dimensions of the earth and the moon indicated an answer and that the same source provided the sacred numbers of the canon. He demonstrated that if the circles of the earth and the moon are placed tangentially to each other and produced in their correct proportions, then each framed within a square, the geo-metric figure thus produced successfully squares the circle. With an earth diameter of 7920 miles and that of the moon 2160 miles, the perimeters of the two squares are respectively 31680 miles and 8640 miles. The radii of the earth (3690) and moon (1080) in combination amount to 5040 miles. This, according to Plato, is a mystical number. It turns out that the circumference of a circle struck from the centre of the earth and passing through the centre of the moon would very closely measure 31,680 miles which is also equivalent to the perimeter of the square contain-ing the earth. Mitchell then went on to state that if the outer corner of the square containing the moon is joined to the corresponding corner of the square containing the earth, the triangle thus formed has sides of 2160, 2880 and 3600 miles. If divided by their highest common factor, 720, these numbers become 3, 4 and 5. He follows on to say that "confronted with facts such as these, it is scarcely possible to avoid the conclusion, orthodox in every age but the present, that the cosmic canon, inherent in-the solar system as in every other department of nature, was revealed to men not invented by them." It was obvious to me that from these facts another extremely interesting conclusion could be arrived at. The various geo-metric relationships of the 3, 4, 5 triangle are many and varied. as can be seen by a glance through any standard geometry book. But the most important of all cannot be found in any ordinary publication. ' As demonstrated in other sections of my work, the pure harmonic of the speed of light is 144. If we divide this by two, to find the harmonic of one half-cycle, or half-wave. the answer is 72. If we now apply this to the Pythagoras right-angled 3, 4, 5 triangle and extend each side in this ratio, then the figure will now have sides of 216, 288 and 360 units." 3 3 SUN 3 3 4 4 MOON 4 4 5 5 EARTH 5 5
"The harmonic proportions thus derived are equal to / page 38 / 216 = 21600 = minutes of arc in a circle 360 = 360 = degrees in a circle 288 = 144 x 2 = 2C. where C = speed of light. It appears from this is that the harmonic of light has a very definite relationship with the geometry of a circle, and that the early mathematicians were fully aware of the fact. If a triangle in this proportion is laid out in minutes of arc upon the surface of a sphere, then the combined angles formed by the corners of the triangle and the centre of the sphere are: 2l6 minutes 360 minutes 288 minutes 864 minutes = 14.4 degrees This again creates a harmonic in sympathetic resonance with the light factor of 144. Can the critics still deny that the geometry of matter is directly related to the harmonic interweaving of light itself? There is no substance, in the absolute sense. We live in a reality of un-reality; all is an illusion and the stuff that dreams are made of. Our physical world is nothing more than a resonating ball of light and shade."
THIS MY COMMANDMENT THAT YOU LOVE ONE ANOTHER AS I LOVE YOU
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CITY OF REVELATION John Michell 1972 Chapter 13 The Number 666 Page 137 "has been the subject of more comment and speculation than any other cabalistic number, principally on account of the last verse of Revelation 13: is six hundred threescore and six. ' In the Greek text the number is spelt in letters,..."Greek letters omitted) "or 600, 60, 6. The prophetic quality in these words has thrilled the imagination of readers throughout the age. The meaning they bear is remarkable and not easy to understand, for the mystical language of numerology has long been moribund. However, by reference to the ancient canon of the Temple, it is possible to acquire some knowledge of its vocabulary and grammar, which may not unreasonably be appLied to the further understanding of prophetic works in which this lan-guage was used. We have already seen the importance of the number 666 in the dimensions of the Temple and in the ratios of metrology, reflecting the dominant position which this number occupies within the hierarchy of powers. 666 is the number of absolute positive energy, emanating from the nucleus to the satellites. Like all symbolic numbers it has no single identity or personification, being of the nature of Plato's essences, a concept of the mind, invented to express a certain tendency, which is apparent within all classes of pheno- mena. 6 is the number of the physical creation, the cosmos, and 666, the trinity of sixes, represents the active side of that number, 3 being the first numerical symbol of positive energy. Thus the reference of 666 is to material as opposed to spiritual activity. As an elemental force, 666 represents the sun and the influence of solar radiation, corresponding in society to the emperor, and in the in- dividual to the principle of intellect and will. 666 is the generatiye power of the male, it is the electric shock that orientates the molecular structure, the leader directing the masses, the word of command / Page 137 / instinctively obeyed. There is a tendency in all phenomena towards inertia and relapse into fixed pattern: which is evident both in physical nature and in the human mind. This tendency, which is characteristic of female and negative influence, is opposed by all that is represented in the number 666. The sun drives the planets and a similar order prevails within the atom; a nation is animated by the strength and justice of its ruler, the individual by his intellect and power of decision. Every situation in life contains an element which corresponds to 666, the supreme solar representative within the hierarchy of numbers. Where the proportions are correct, the influence of the number 666 promotes fertility, gives life and colour, but where it becomes excessively dominant, the consequences are apparent in the tyranny of the self-willed governor, and in the de-velopment of a society obsessed with fantasies of violence, material wealth and power. The rays of the sun are filtered through the pro-tective atmosphere, and reach the seed through the medium of the earth. Were it not so they would destroy all. Following this analogy, the number 666, as it appears in the dimensions of temples, must al-ways be combined with numbers of a female, lunar or terrestrial character, and this result may be achieved by the use of the canonical figures of sacred geometry. We have seen in earlier chapters some-thing of the geometrical relationship between such numbers as 666, 1080 and 353 and the importance of 666 in the ratios of the foot to the megalithic yard and other ancient units. Where the pro-portions of regular geometry are measured by the canonical stan-dards of length, a balanced scheme of numerology will become apparent in the dimensions. The force of the number 666 is expressed by the Chinese in the symbol of the procreative dragon, relating to the first hexagram of the I Ching oracle. According to Wilhelm's commentary, 'the dragon is a symbol of the electrically charged, dynamic arousing force that manifests itself in the thunderstorm. In winter this energy withdraws into the earth; in the early summer it becomes active again, appear- ing in the sky as thunder and lightning. As a result the creative forces on earth begin to stir again.' Whoever acquires this elemental view of nature is not likely to attribute eternal values to the various theologies and moral codes of human invention, and for this reason the authority of the early Roman Church was in direct opposition to the science of the gnostics, who encouraged their pupils to develop their sensitivity, and to perceive for themselves the interaction of cosmic forces. 6 x 6 x 6 = 216 SIX IS X SIXXISSIXXIS SIXXISSIXXISSIXXISSIXXISSIXXISSIXXIS SIXXISSIXXISSIXXISSIXXISSIXXISSIXXISSIXXISSIXXISSIXXIS
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