Ancient egyptian pyramids, greek gods and goddesses

THE NEW VIEW OVER ATLANTIS
John Michell 1969
Page
"That this small gold pyramid ion was an integral part of the ancient egyptian
pyramids design is evident from the figures. Without it the dimensions are liot quite
complete, for if it were removed, the area of the Pyramid's side would be
99999'99 square cubits only. With the 5 cubic inches of gold pyramidion in
place, the figure of 100,000 square cubits represents the total area.
As the dimensions of the Great Pyramid are multiplied by the ratios of
the ancient number canon they expand to frame the dimensions of this earth,
and it is possible that they could have been taken further to represent the
dimensions of the grand orb (the circle described by the
earth's path round the sun), planetary-intervals and the measurements.
of time. Going the other way, into the microcosm, these same Pyramid
measures contract proportionally through a series of pyramidions at the
apex, shrinking from miles to inches, to mere specks and finally into the
world of the atom. The symbolism is of a seed, planted at the apex of the
Pyramid, programmed with all the numbers and ratios for its potential
growth. It is like that, smallest of all seeds, spoken of in the New
Testament, the 'grain of mustard', which grows up into the Tree of Life
encQmpassing the whole universe.

The numerical patterns in the Pyramid's dimensions imply that the
capstone consisted of a succession of diminishing pyrami9ions, each forming
the tip of the one below it, with the small gold pyramid, 5 cubic inches in
volume, at the apex. Yet if the gold model is to represent the whole
structure in miniature, it must itself have a separate tip. This tiny
object, set in gold, could only have been some form of crystal. Esoteric
traditions about the use of crystals in the ancient world for attracting and
transmitting cosmic energies are echoed by modern seers, such as the
well-known 'Sleeping Prophet' of America, Edgar Cayce, who described visions
of the Atlantean crystal technology which empowered the last world
civilization and finally, by its abuse, brought about the cataclysm.
An illustration of how the small, golden, crystal-topped pyramidion could
have been held in place, together with the other layers making up the
capstone, is given by a strange hieroglyph which shows a truncated pyramid
topped by a staff or gnomon"

SECRET CHAMBER
THE QUEST FOR THE HALL OF RECORDS
Robert Bauval
1
999
Page xxiii
EYE OF VIGILANCE

"On the 3rd October 1998, a press conference was organised in Cairo for
Minister of Culture Farouk Hosni and the French composer Jean Michel Jarre.
The latter has been an international household name since the 1970s due to
the enormous success of his electronic high-tech music compositions
'Oxygene' and 'Equinox'. Jean Michel Jarre is also an ambassador for UNESCO
and has, since the 1980s, been organising extravaganzas of laser lights and
music for historical events. One of these was for the bicentennial of the
French Revolution in 1989, where more than two million spectators gathered
in the Champs-Elysees in Paris, from the Place de la Concorde all the way to
the new 'Paris 2000' Place de la Defense...........